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| nuruddin farah sardines: Sardines Nuruddin Farah, 1982 Fired from her job as editor of a national newspaper because of government disapproval of her editorial policies, Medina tries to give her daughter, Ubax, a sense of dignity and self-worth. |
| nuruddin farah sardines: Sardines , 1938 |
| nuruddin farah sardines: Sweet and Sour Milk Nuruddin Farah, 1980 Chronicles one man's search for the reasons behind his twin brother's violent death during the 1970s. The atmosphere of political tyranny and repression reduces our hero's quest to a passive and fatalistic level; his search for reasons and answers ultimately becomes a search for meaning. |
| nuruddin farah sardines: Close Sesame Nuruddin Farah, 2006-08-22 Farah's landmarkVariations on the Theme of an African Dictatorship trilogy is comprised by the novels Sweet and Sour Milk, Sardines, and Close Sesame. In this volume, the third and final book in the series, the characters are deeply entwined in the waking nightmare of a police state. An old man finds himself poised in mortal combat with an elusive and cunning enemy in an atmosphere where the distinction between public and private justice is always obscured. Close Sesame is a novel that offers an eloquent indictment of the tyrannies committed both under Islamic law and in the name of Socialism (The Observer). |
| nuruddin farah sardines: Crossbones Nuruddin Farah, 2011-09-01 A gripping new novel from today's most important African novelist. (The New York Times Review of Books), the internationally acclaimed author of North of Dawn A dozen years after his last visit, Jeebleh returns to his beloved Mogadiscio to see old friends. He is accompanied by his son-in-law, Malik, a journalist intent on covering the region's ongoing turmoil. What greets them at first is not the chaos Jeebleh remembers, however, but an eerie calm enforced by ubiquitous white-robed figures bearing whips. Meanwhile, Malik's brother, Ahl, has arrived in Puntland, the region notorious as a pirates' base. Ahl is searching for his stepson, Taxliil, who has vanished from Minneapolis, apparently recruited by an imam allied to Somalia's rising religious insurgency. The brothers' efforts draw them closer to Taxliil and deeper into the fabric of the country, even as Somalis brace themselves for an Ethiopian invasion. Jeebleh leaves Mogadiscio only a few hours before the borders are breached and raids descend from land and sea. As the uneasy quiet shatters and the city turns into a battle zone, the brothers experience firsthand the derailments of war. Completing the trilogy that began with Links and Knots, Crossbones is a fascinating look at individuals caught in the maw of zealotry, profiteering, and political conflict, by one of our most highly acclaimed international writers. |
| nuruddin farah sardines: A Naked Needle Nuruddin Farah, 1976 |
| nuruddin farah sardines: From a Crooked Rib Nuruddin Farah, 2006-06-27 Written with complete conviction from a woman's point of view, Nuruddin Farah's spare, shocking first novel savagely attacks the traditional values of his people yet is also a haunting celebration of the unbroken human spirit. Ebla, an orphan of eighteen, runs away from her nomadic encampment in rural Somalia when she discovers that her grandfather has promised her in marriage to an older man. But even after her escape to Mogadishu, she finds herself as powerless and dependent on men as she was out in the bush. As she is propelled through servitude, marriage, poverty, and violence, Ebla has to fight to retain her identity in a world where women are sold like cattle. |
| nuruddin farah sardines: Close Sesame Nuruddin Farah, 1983 Farah's landmarkVariations on the Theme of an African Dictatorship trilogy is comprised by the novels Sweet and Sour Milk, Sardines, and Close Sesame. In this volume, the third and final book in the series, the characters are deeply entwined in the waking nightmare of a police state. An old man finds himself poised in mortal combat with an elusive and cunning enemy in an atmosphere where the distinction between public and private justice is always obscured. Close Sesame is a novel that offers an eloquent indictment of the tyrannies committed both under Islamic law and in the name of Socialism (The Observer). |
| nuruddin farah sardines: Emerging Perspectives on Nuruddin Farah Derek Wright, 2002 The first critical anthology of its kind, this is an in-depth look at Somalia's internationally acclaimed and award-winning novelist, Farah - one of Africa's most multilingual and multi-literal writers. Although since his exile in 1974 he has been influenced by many cultural trends from around the world, his writing is still very firmly rooted in the African continent which he has made his base since 1981. |
| nuruddin farah sardines: North of Dawn Nuruddin Farah, 2018-12-04 A couple's tranquil life abroad is irrevocably transformed by the arrival of their son's widow and children, in the latest from Somalia's most celebrated novelist. For decades, Gacalo and Mugdi have lived in Oslo, where they've led a peaceful, largely assimilated life and raised two children. Their beloved son, Dhaqaneh, however, is driven by feelings of alienation to jihadism in Somalia, where he kills himself in a suicide attack. The couple reluctantly offers a haven to his family. But on arrival in Oslo, their daughter-in-law cloaks herself even more deeply in religion, while her children hunger for the freedoms of their new homeland, a rift that will have lifealtering consequences for the entire family. Set against the backdrop of real events, North of Dawn is a provocative, devastating story of love, loyalty, and national identity that asks whether it is ever possible to escape a legacy of violence—and if so, at what cost. |
| nuruddin farah sardines: Gifts Nuruddin Farah, 1999 Instantly, her whole life is turned upside down.--BOOK JACKET. |
| nuruddin farah sardines: Links Nuruddin Farah, 2005-03-29 From the internationally acclaimed author of North of Dawn, Links is a novel that will stand as a classic of modern world literature. Jeebleh is returning to Mogadiscio, Somalia, for the first time in twenty years. But this is not a nostalgia trip—his last residence there was a jail cell. And who could feel nostalgic for a city like this? U.S. troops have come and gone, and the decimated city is ruled by clan warlords and patrolled by qaat-chewing gangs who shoot civilians to relieve their adolescent boredom. Diverted in his pilgrimage to visit his mother’s grave, Jeebleh is asked to investigate the abduction of the young daughter of one of his closest friend’s family. But he learns quickly that any act in this city, particularly an act of justice, is much more complicated than he might have imagined. |
| nuruddin farah sardines: Knots Nuruddin Farah, 2007-02-01 From the internationally acclaimed author of North of Dawn comes a beautiful, hopeful novel about one woman's return to war-ravaged Mogadishu (Time) Called one of the most sophisticated voices in modern fiction (The New York Review of Books), Nuruddin Farah is widely recognized as a literary genius. He proves it yet again with Knots, the story of a woman who returns to her roots and discovers much more than herself. Born in Somalia but raised in North America, Cambara flees a failed marriage by traveling to Mogadishu. And there, amid the devastation and brutality, she finds that her most unlikely ambitions begin to seem possible. Conjuring the unforgettable extremes of a fractured Muslim culture and the wayward Somali state through the eyes of a strong, compelling heroine, Knots is another Farah masterwork. |
| nuruddin farah sardines: Across the Lines Wolfgang Klooss, 1998 This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus embodied in the general framework of historically and socially determined cultural traditions. Traditions, however, result from selective forms of perception; they are as much inventions as they are based on exclusion. Intertextuality leads to a constant reinforcement of tradition, while, at the same time, intertextual relations between the new literatures and other English-language literatures are all too obvious. Despite the inevitable impact of tradition, the new literatures tend to employ a dynamic reading of culture which fosters social process and transition, thus promoting transcultural rather than intercultural modes of communication. Writing and reading across borders becomes a dialogue which reveals both differences and similarities. More than a decolonizing form of deconstruction, intertextuality is a strategy for communicating meaning across cultural boundaries. |
| nuruddin farah sardines: Maps Nuruddin Farah, 1999 As a young adolescent seeking perspective on both his country and himself, Askar goes to live with his cosmopolitan aunt and uncle in the capital, Mogadiscio.--BOOK JACKET. |
| nuruddin farah sardines: Against Normalization Anthony O'Brien, 2001-04-13 DIVA literary study of South African cultural changes since the end of apartheid from 1980 to present./div |
| nuruddin farah sardines: Secrets Nuruddin Farah, 1998 On her return to Somalia from America, Sholoongo informs her childhood friend, Kalaman, she wants a child by him. As he considers her proposal, Kalaman receives chilling news, Sholoongo was in America to perfect her skills as a witch. |
| nuruddin farah sardines: Moral Textures María Pía Lara, 1998 In this original work, Maria Pia Lara develops a new approach to public sphere theory and a novel understanding of the history of the feminist struggle. |
| nuruddin farah sardines: Islam in the Eastern African Novel E. Mirmotahari, 2011-06-06 This study of the sub-Saharan African novel interprets representations of Islam as a central organising presence that generates new conceptual questions and demands new critical frameworks with which to approach categories like nationhood, race, diaspora, immigration, and Africa's multiple colonial pasts. |
| nuruddin farah sardines: Reading Nuruddin Farah F. Fiona Moolla, 2014 FOR SALE IN AFRICA ONLY The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones. Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themes in his work. She also addresses Farah's engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has distinguished him from many other male African writers. The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', but finds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life. F. Fiona Moolla is Lecturer in the Faculty of Arts at the University of Western Cape in South Africa as well as freelance writer and published author of short stories and novels. South Africa & Zimbabwe: Blue Weaver |
| nuruddin farah sardines: Historical Dictionary of Somalia Mohamed Haji Mukhtar, 2003-02-25 The volume will cover all aspects of Somalia, providing useful information about the country in a comprehensive manner. The book also reflects on the contributions of the Somali sources on history and culture. Arabic sources and other non-English colonial sources of great importance to the subject are also highlighted. A vital addition to reference collections supporting undergraduate and graduate programs on Africa and the Middle East, international relations, and economics_and a useful fact-filled compendium for governement and public libraries, NGO's, and other special libraries as well. |
| nuruddin farah sardines: Wizard of the Crow Ngũgĩ wa Thiongʼo, 2007 |
| nuruddin farah sardines: Habeas Viscus Alexander Ghedi Weheliye, 2014-08-20 Habeas Viscus focuses attention on the centrality of race to notions of the human. Alexander G. Weheliye develops a theory of racializing assemblages, taking race as a set of sociopolitical processes that discipline humanity into full humans, not-quite-humans, and nonhumans. This disciplining, while not biological per se, frequently depends on anchoring political hierarchies in human flesh. The work of the black feminist scholars Hortense Spillers and Sylvia Wynter is vital to Weheliye's argument. Particularly significant are their contributions to the intellectual project of black studies vis-à-vis racialization and the category of the human in western modernity. Wynter and Spillers configure black studies as an endeavor to disrupt the governing conception of humanity as synonymous with white, western man. Weheliye posits black feminist theories of modern humanity as useful correctives to the bare life and biopolitics discourse exemplified by the works of Giorgio Agamben and Michel Foucault, which, Weheliye contends, vastly underestimate the conceptual and political significance of race in constructions of the human. Habeas Viscus reveals the pressing need to make the insights of black studies and black feminism foundational to the study of modern humanity. |
| nuruddin farah sardines: African Cities Professor Garth Myers, 2011-04-14 In this groundbreaking book, Garth Myers uses African urban concepts and experiences to speak back to theoretical and practical concerns. He argues for a re-visioning - a seeing again, and a revising - of how cities in Africa are discussed and written about in both urban studies and African studies. Cities in Africa are still either ignored - banished to a different, other, lesser category of not-quite cities - or held up as examples of all that can go wrong with urbanism in much of the mainstream and even critical urban literature. Myers instead encourages African studies and urban studies scholars across the world to engage with the vibrancy and complexity of African cities with fresh eyes. Touching on a diverse range of cities across Africa - from Zanzibar to Nairobi, Cape Town to Mogadishu, Kinshasa to Dakar - the book uses the author's own research and a close reading of works by other scholars, writers and artists to help illuminate what is happening in and across the region's cities. |
| nuruddin farah sardines: The Faster I Walk, The Smaller I Am Kjersti A. Skomsvold, 2011-10-25 Mathea Martinsen has never been good at dealing with other people. After a lifetime, her only real accomplishment is her longevity: everyone she reads about in the obituaries has died younger than she is now. Afraid that her life will be over before anyone knows that she lived, Mathea digs out her old wedding dress, bakes some sweet cakes, and heads out into the world—to make her mark. She buries a time capsule out in the yard. (It gets dug up to make room for a flagpole.) She wears her late husband's watch and hopes people will ask her for the time. (They never do.) Is it really possible for a woman to disappear so completely that the world won't notice her passing? The Faster I Walk, the Smaller I Am is a macabre twist on the notion that life must be lived to the fullest. |
| nuruddin farah sardines: Borderlands , 2021-11-08 Boundaries, borderlines, limits on the one hand and rites of passage, contact zones, in-between spaces on the other have attracted renewed interest in a broad variety of cultural discourses after a long period of decenterings and delimitations in numerous fields of social, psychological, and intellectual life. Anthropological dimensions of the subject and its multifarious ways of world-making represent the central challenge among the concerns of the humanities. The role of literature and the arts in the formation of cultural and personal identities, theoretical and political approaches to the relation between self and other, the familiar and the foreign, have become key issues in literary and cultural studies; forms of expressivity and expression and question of mediation as well as new enquiries into ethics have characterized the intellectual energies of the past decade. The aim of Borderlands is to represent a variety of approaches to questions of border crossing and boundary transgression; approaches from different angles and different disciplines, but all converging in their own way on the post-colonial paradigm. Topics discussed include globalization, cartography and ontology, transitional identity, ecocritical sensibility, questions of the application of post-coloniality, gender and sexuality, and attitudes towards space and place. As well as studies of the cinema of the settler colonies, the films of Neil Jordan, and 'Othering' in Canadian sports journalism, there are treatments of the Nigerian novel, South African prison memoirs, and African women's writing. Authors examined include Elizabeth Bowen, Bruce Chatwin, Mohamed Choukri, Nuruddin Farah, Jamaica Kincaid, Pauline Melville, Bharati Mukherjee, Michael Ondaatje, and Leslie Marmon Silko. |
| nuruddin farah sardines: Fallen Empire: A Graphic Novel (Cleopatra in Space #5) Mike Maihack, 2019-03-26 The penultimate installment in Mike Maihack's thrilling graphic novel series starring a young Cleopatra and her adventures in space! Cleo goes into hiding after a mysterious death at Yasiro Academy, and she and her friends set out to uncover the spy who must be working within the school's ranks. Meanwhile, Xaius Octavian continues his assault on the galaxy as his complicated origin story, and how he went from being Cleo's best friend to a ruthless dictator, is revealed. In the end, a space battle and dramatic confrontation between Cleo and Octavian will change both of their lives forever. Now a TV series on NBCUniversal's streaming service, Peacock! |
| nuruddin farah sardines: Across the Lines , 2022-05-16 This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus embodied in the general framework of historically and socially determined cultural traditions. Traditions, however, result from selective forms of perception; they are as much inventions as they are based on exclusion. Intertextuality leads to a constant reinforcement of tradition, while, at the same time, intertextual relations between the new literatures and other English-language literatures are all too obvious. Despite the inevitable impact of tradition, the new literatures tend to employ a dynamic reading of culture which fosters social process and transition, thus promoting transcultural rather than intercultural modes of communication. Writing and reading across borders becomes a dialogue which reveals both differences and similarities. More than a decolonizing form of deconstruction, intertextuality is a strategy for communicating meaning across cultural boundaries. |
| nuruddin farah sardines: Andindilile: The Anglophone Literary-Linguistic Co , 2023-01-10 Michael Andindilile in The Anglophone LiteraryñLinguistic Continuum: English and Indigenous Languages in African Literary Discourse interrogates Obi Waliís (1963) prophecy that continued use of former colonial languages in the production of African literature could only lead to ësterilityí, as African literatures can only be written in indigenous African languages. In doing so, Andindilile critically examines selected of novels of Achebe of Nigeria, Ngugi of Kenya, Gordimer of South Africa and Farah of Somalia and shows that, when we pay close attention to what these authors represent about their African societies, and the way they integrate African languages, values, beliefs and cultures, we can discover what constitutes the Anglophone African literaryñlinguistic continuum. This continuum can be defined as variations in the literary usage of English in African literary discourse, with the language serving as the base to which writers add variations inspired by indigenous languages, beliefs, cultures and, sometimes, nation-specific experiences. |
| nuruddin farah sardines: The Novels of Nuruddin Farah Derek Wright, 1994 |
| nuruddin farah sardines: Tears on the Sand Maryam Mohammed, 2006-07-01 And so the story begins. Stories within a story-a blending of traditions, tragedy and tranquility set in the Dubai of yesteryears-the years of pearl-fishing, moonlight bathing and curing of illnesses through Holy Breaths blown upon the sick, and also by branding and blood-letting, and of simplicity and innocence rolled out into a documentary type of a novelette. Facts and more facts spiced up and garnished with fiction. |
| nuruddin farah sardines: An Analytical Study of Nuruddin Farah's From a Crooked Rib and Sardines Fatameh Vafai, 1986 |
| nuruddin farah sardines: Reading Nuruddin Farah F. Fiona Moolla, 2014 A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction. |
| nuruddin farah sardines: Critical Approaches to Anthills of the Savannah Holger G. Ehling, 1991 |
| nuruddin farah sardines: Sweet and Sour Milk Nuruddin Farah, 1992 First published in 1979 by Allison and Busby Limited, and published in the African Writers Series 1980 by Heinemann Educational books Limited.--Title page verso. |
| nuruddin farah sardines: The Land Without Shadows Abdourahman A. Waberi, 2005 Originally published in France in 1994, this newly translated collection presents stories about the precolonial and colonial past of Djibouti alongside those set in the postcolonial era. With irony and humor, these short stories portray madmen, poets, artists, French colonists, pseudointellectuals, young women, aspiring politicians, famished refugees, khat chewers, nomads struggling to survive in Djibouti's ruthless natural environment, or tramps living (and dying) in Balbala, the shantytown that stretches to the south of the capital--Cover. |
| nuruddin farah sardines: A Mask Dancing Adewale Maja-Pearce, 1992 A BRILLIANT, PROVOCATIVE, OPINIONATED WORK..RECOMMENDED.--CHOICE. Festus Iyayi, Ben Okri & Kole Omotoso represent what has come to be known as the second generation of Nigerian novelists. Emerging from the shadow of the 68-70 civil war, they were greatly influenced by the ensuing shifts in public & social life, especially the obscene levels of corruption which coincided with the country's second experiment in democracy under President Shagari. In the first examination of this group of writers, Adewale Maja-Pearce presents a detailed critique of the major figures-- Omotoso, Iyayi & Okri--while also touching upon lesser-known novelists such as Ifeoma Okoye, Lekan Oyegoke & Tony Marinho. Other forms of literary activity to blossom during the same period (poetry & drama) are discussed, along with background material on the modern Nigerian novel & an update of the current literary scene. (NEW PERSPECTIVES ON AFRICAN LITERATURE, 3) |
| nuruddin farah sardines: Our Sister Killjoy Ama Ata Aidoo, 2004 |
| nuruddin farah sardines: Long Way Round Ewan McGregor, Charley Boorman, 2004-11-02 It started as a daydream. Poring over a map of the world at home one quiet Saturday afternoon, Ewan McGregor - actor and self-confessed bike nut - noticed that it was possible to ride all the way round the world, with just one short hop across the Bering Strait from Russia to Alaska. It was a revelation he couldn't get out of his head. So he picked up the phone and called Charley Boorman, his best friend, fellow actor and bike enthusiast. 'Charley,' he said. 'I think you ought to come over for dinner...' From London to New York, Ewan and Charley chased their shadows through Europe, the Ukraine, Kazakhstan, Mongolia and Russia, across the Pacific to Alaska, then down through Canada and America. But as the miles slipped beneath the tyres of their big BMWs, their troubles started. Exhaustion, injury and accidents tested their strength. Treacherous roads, unpredictable weather and turbulent politics challenged their stamina. They were chased by paparazzi in Kazakhstan, courted by men with very large guns in the Ukraine, hassled by the police, and given bulls' testicles for supper by Mongolian nomads. And yet despite all these obstacles they managed to ride over 20,000 miles in four months, changing their lives forever in the process. As they travelled they documented their trip, taking photographs, and writing diaries by the campfire. Long Way Round is the result of their adventures - a fascinating, frank and highly entertaining travel book about two friends riding round the world together and, against all the odds, realising their dream. |
| nuruddin farah sardines: Metaphor and Diaspora in Contemporary Writing J. Sell, 2012-01-06 Choose ten major contemporary diasporic writers (from Abdulrazak to Zadie), ask ten leading authorities to write about their use of metaphor, and this is the result: a timely reassertion of metaphor's unrivalled capacity to encompass sameness and difference and create understanding and empathy across boundaries of nationality, race and ethnicity. |
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