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| painting and reality etienne gilson: Painting and Reality Etienne Gilson, 1959 |
| painting and reality etienne gilson: Painting and Reality Étienne Gilson, 2003-01 |
| painting and reality etienne gilson: Painting and Reality Etienne Gilson, 2023-10-17 A classic study of the art of painting and its relationship to reality In this book, Étienne Gilson puts forward a bold interpretation of the kind of reality depicted in paintings and its relation to the natural order. Drawing on insights from the writings of great painters—from Leonardo, Reynolds, and Constable to Mondrian and Klee—Gilson shows how painting is foreign to the order of language and knowledge. Painting, he argues, seeks to add new beings to nature, not to represent those that already exist. For this reason, we must distinguish it from another art, that of picturing, which seeks to produce images of actual or possible beings. Though pictures play an important part in human life, they do not belong in the art of painting. Through this distinction, Gilson sheds new light on the evolution of modern painting. A magisterial work of scholarship by an acclaimed historian of philosophy, Painting and Reality features paintings from both classical and modern schools, and includes extended selections from the writings of Reynolds, Delacroix, Gris, Gill, and Ozenfant. |
| painting and reality etienne gilson: The Arts of the Beautiful Etienne Gilson, 2000 With his usual lucidity, Etienne Gilson addresses the idea that art is the making of beauty for beauty's own sake. By distinguishing between aesthetics, which promotes art as a form of knowledge, and philosophy, which focuses on the presence of the artist's own talent or genius, Gilson maintains that art belongs to a different category entirely, the category of making. Gilson's intellectually stimulating meditation on the relation of beauty and art is indispensable to philosophers and artists alike. |
| painting and reality etienne gilson: Beauty and Being Piotr Jaroszyński, 2011 This book represents an attempt to distinguish and define what beauty is in metaphysical terms, to arrive at a better understanding of beauty as a transcendental property of being, and to establish beauty's place in philosophy alongside truth and the good through an exploration of whether there can truly be a philosophy of beauty, or whether beauty is merely a type of aesthetic. The first part of this work outlines the history of philosophical thought on the subject, through an introduction to three great theories of beauty - harmony, form, and relationism - and a discussion of the evolution of the fine arts. The second part introduces first the theory of aesthetics, then the relationship between nature, being, and beauty, and finally the controversy over whether beauty is natural or a product of human knowledge and experience. The third part moves towards a philosophy of beauty in a first sense: something that is real but immaterial, something that can be understood but not seen. This idea is constructed through an examination of beauty's relation to beings and existence, and finally through a juxtaposition of beauty with ugliness. |
| painting and reality etienne gilson: Creative Intuition in Art and Poetry Jacques Maritain, 1953 |
| painting and reality etienne gilson: Guide to Thomas Aquinas Josef Pieper, 2011-06-10 One of the great philosophers of the 20th Century, Josef Pieper, gives a penetrating introduction and guide to the life and works of perhaps the greatest philosopher ever, St. Thomas Aquinas. Pieper provides a biography of Aquinas, an overview of the 13th century he lived in, and a wonderful synthesis of his vast writings. Pieper shows how Aquinas reconciled the pragmatic thought of Aristotle with the Church, proving that realistic knowledge need not preclude belief in the spiritual realities of religion. According to Pieper, the marriage of faith and reason proposed by Aquinas in his great synthesis of a theologically founded worldliness was not merely one solution among many, but the great principle expressing the essence of the Christian West. Pieper reveals his extraordinary command of original sources and excellent secondary materials as he illuminates the thought of the great intellectual Doctor of the Church. The purpose of these lectures is to sketch, against the background of his times and his life, a portrait of Thomas Aquinas as he truly concerns philosophical-minded persons today, not merely as a historical personage but as a thinker who has something to say to our own era. I earnestly hope that the speculative attitude which was Thomas' most salient trait as Christianity's universal teacher will emerge clearly and sharply from my exposition. - Josef Pieper |
| painting and reality etienne gilson: Creative Intuition in Art and Poetry Jacques Maritain, 2023-08-15 The classic work on the sublime interplay between the arts and poetics This book explores the rich and complex relationship between art and poetry, shedding invaluable light on what makes each art form unique yet wholly interdependent. Jacques Maritain insists on the part played by the intellect as well as the imagination, showing how poetry has its source in the preconceptual activity of the rational mind. As Maritain argues, intellect is not merely logical and conceptual reason. Rather, it carries on an exceedingly more profound and obscure life, one that is revealed to us as we seek to penetrate the hidden recesses of poetic and artistic activity. Incisive and authoritative, this illuminating book is the product of a lifelong reflection on the meaning of artistic expression in all its varied forms. |
| painting and reality etienne gilson: Bergson and the Art of Immanence John O Maoilearca, 2013-10-04 This collection of 16 essays brings 20th-century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson's work and influence in a wide historical context and applies a rigorous conceptual framework to contemporary art theory and practice. |
| painting and reality etienne gilson: Key Writers on Art: The Twentieth Century Chris Murray, 2005-06-27 A unique and authoritative guide to modern responses to art. Featuring forty-eight essays, and written by a panel of expert contributors, it introduces readers to the key approaches and analytical tools of contemporary art study and debate. |
| painting and reality etienne gilson: Christian and Oriental Philosophy of Art Ananda K. Coomaraswamy, 2017-01-12 The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined art historian, philosopher, orientalist, linguist, and expositor in his person. His knowledge of the arts and handcrafts of the Orient was unexcelled and his numerous monographs on Oriental art either established or revolutionized entire fields. He was also a great Orientalist, with an almost unmatched understanding of traditional culture. He covered the philosophic and religious experience of the entire premodern world, east and west, and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects in a common language. Finally, Coomaraswamy was a provocative writer, whose erudition was expressed in a delightful, aphoristic style. The nine essays in this book are among his most stimulating. They discuss such matters as the true function of aesthetics in art, the importance of symbolism, and the importance of intellectual and philosophical background to the artist; they analyze the role of traditional culture in enriching art; they demonstrate that abstract art and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy which pervades all great art, the nature of medieval art, folklore and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. |
| painting and reality etienne gilson: Sociology as an Art Form Robert Nisbet, 2017-09-29 One of our most original social thinkers, according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in so-ciology.Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representa-tion found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contribut-ing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de siecle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture.This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another. |
| painting and reality etienne gilson: The Philosophy of St. Bonaventure Etienne Gilson, 1938 |
| painting and reality etienne gilson: Economic Ethics and Chinese Culture Xuanmeng Yu, 1997 |
| painting and reality etienne gilson: The Clever Body Gabor Csepregi, 2006 In this book, Gabor Csepregi describes in detail the nature and scope of the body's innate abilities and reflects on their significance in human life.--BOOK JACKET. |
| painting and reality etienne gilson: The Value of Culture Arjo Klamer, 1996 Culture manifests itself in everything human, including the ordinary business of everyday life. Culture and art have their own value, but economic values are also constrained. Art sponsorships and subsidies suggest a value that exceeds market price. So what is the real value of culture? Unlike the usual focus on formal problems, which has 'de-cultured' and 'de-moralized' the practice of economics, this book brings together economists, philosophers, historians, political scientists and artists to try to sort out the value of culture. This is a book not only for economists and social scientists, but also for anybody actively involved in the world of the arts and culture. |
| painting and reality etienne gilson: Choir of Muses Etienne Gilson, 1953 An account of some women who have inspired poets & artists in creation. Includes chapters on Richard Wagner & Auguste Comte. |
| painting and reality etienne gilson: Exploring the Invisible Lynn Gamwell, 2002 This sumptuous and stunningly illustrated book shows through words and images how directly, profoundly, and indisputably modern science has transformed modern art. Beginning in the mid-nineteenth century, a strange and exciting new world came into focus--a world of microorganisms in myriad shapes and colors, prehistoric fossils, bizarre undersea creatures, spectrums of light and sound, molecules of water, and atomic particles. Exploring the Invisible reveals that the world beyond the naked eye--made visible by advances in science--has been a major inspiration for artists ever since, influencing the subjects they choose as well as their techniques and modes of representation. Lynn Gamwell traces the evolution of abstract art through several waves, beginning with Romanticism. She shows how new windows into telescopic and microscopic realms--combined with the growing explanatory importance of mathematics and new definitions of beauty derived from science--broadly and profoundly influenced Western art. Art increasingly reflected our more complex understanding of reality through increasing abstraction. For example, a German physiologist's famous demonstration that color is not in the world but in the mind influenced Monet's revolutionary painting with light. As the first wave of enthusiasm for science crested, abstract art emerged in Brussels and Munich. By 1914, it could be found from Moscow to Paris. Throughout the book are beautiful images from both science and art--some well known, others rare--that reveal the scientific sources mined by Impressionist and Symbolist painters, Art Nouveau sculptors and architects, Cubists, and other nineteenth- and twentieth-century artists. With a foreword by astronomer Neil deGrasse Tyson, Exploring the Invisible appears in an age when both artists and scientists are exploring the deepest meanings of life, consciousness, and the universe. |
| painting and reality etienne gilson: The Aesthetic Field Arnold Berleant, 1970 |
| painting and reality etienne gilson: Painting and Reality Étienne Gilson, 2020 The midpoint of the twentieth century, as with the present day, saw no shortage of scholarship on the subject of art. In Painting and Reality, delivered in 1955 for the A. W. Mellon Lectures in the Fine Arts, Étienne Gilson makes what a unique contribution to that vast body of literature. Addressing the problem of what a philosopher can learn from painting, Gilson makes the center of his perspective the work of art in and of itself paired with its relationship to the world of natural reality (ontology) and to the beholder (phenomenology). From this metaphysically robust vantage point, he develops a vision of art as both an investigation into and an affirmation of reality. Borne up on the wings of a deep understanding of and love for the artistic process, Painting and Reality aims to reveal to art the fullness of its inherent meaning and to artists the exhilarating honor of their creative mission. Brilliant and expansive, Gilson's pictorial approach to philosophy properly belongs among the classics of aesthetic philosophy.-- |
| painting and reality etienne gilson: Ens Primum Cognitum in Thomas Aquinas and the Tradition Brian Kemple, 2017-08-21 Ens Primum Cognitum in Thomas Aquinas and the Tradition presents a reading of Thomas Aquinas’ claim that “being” is the first object of the human intellect. Blending the insights of both the early Thomistic tradition (c.1380—1637AD) and the Leonine Thomistic revival (1879—present), Brian Kemple examines how this claim of Aquinas has been traditionally understood, and what is lacking in that understanding. While the recent tradition has emphasized the primacy of the real (so-called ens reale) in human recognition of the primum cognitum, Kemple argues that this misinterprets Aquinas, thereby closing off Thomistic philosophy to the broader perspective needed to face the philosophical challenges of today, and proposes an alternative interpretation with dramatic epistemological and metaphysical consequences. |
| painting and reality etienne gilson: Creativity in the Arts Vincent Tomas, 1964 |
| painting and reality etienne gilson: Shifting Concepts Teresa Marques, Åsa Wikforss, 2020 This volume brings together leading philosophers and psychologists to present novel accounts of concepts, communication, and conceptual change and variability, with the aim to advance the interdisciplinary debate on the role of concepts in categorizing, reasoning, and social interaction. |
| painting and reality etienne gilson: Encyclical Letter, Fides Et Ratio, of the Supreme Pontiff John Paul II Catholic Church. Pope (1978-2005 : John Paul II), Pope John Paul II, 1998 Given in Rome, at St. Peter's, on 14 September ... 1998--Page 154. Includes bibliographical references |
| painting and reality etienne gilson: God and Philosophy Etienne Gilson, 2002-01-01 In this classic work, the eminent Catholic philosopher Étienne Gilson deals with one of the most important and perplexing metaphysical problems: the relation between our notion of God and demonstrations of his existence. Gilson examines Greek, Christian, and modern philosophy as well as the thinking that has grown out of our age of science in this fundamental analysis of the problem of God. [I] commend to another generation of seekers and students this deeply earnest and yet wistfully gentle little essay on the most important (and often, at least nowadays, the most neglected) of all metaphysical--and existential--questions. . . . The historical sweep is breathtaking, the one-liners arresting, and the style, both intellectual and literary, altogether engaging. --Jaroslav Pelikan, from the foreword We have come to expect from the pen of M. Gilson not only an accurate exposition of the thought of the great philosophers, ancient and modern, but what is of much more importance and of greater interest, a keen and sympathetic insight into the reasons for that thought. The present volume does not fail to fulfill our expectations. It should be read by every Christian thinker. --Ralph O. Dates, America |
| painting and reality etienne gilson: Mass Society and Its Culture, and Three Essays concerning Etienne Gilson on Bergson, Christian Philosophy, and Art Étienne Gilson, Henri Gouhier, 2023-01-24 A medievalist and defender of the notion of Christian philosophy, Etienne Gilson had a lifelong interest in the philosophy of art. He questioned whether what is reproduced as art in contemporary society is art at all. This is not a simple issue. A cheap version of a novel is still a novel. A picture of a statue is not a statue, nor indeed is a photograph of a painting a painting. Recorded music has particular complications. The organizer of an industrial assembly line is neither an artist nor an artisan. Yet, thanks to such mass production, a much broader population has knowledge of artworks than would otherwise be possible. Religions must minister to mass societies and provide appropriate liturgies. But in the process, there is a danger of misrepresenting complex religious teachings. At the end of his own life, Henri Gouhier, Gilson's first doctoral student, prepared three essays on Gilson. The first, on Bergson, gives a sense of Gilson's formation in early twentieth-century French philosophy. The second reconstructs the development of the notion of Christian philosophy and the heated controversy it provoked. Finally, Gouhier presents Gilson's general philosophy of art and gives a helpful framework to Gilson's comments on art in a mass society. |
| painting and reality etienne gilson: The Life of Forms in Art Henri Focillon, 1948 Considers the problem of stylistic change in art, arguing that art is not reducible to external political, social, or economic determinants |
| painting and reality etienne gilson: Hamlet's Ghost James Cowan, 2015-09-04 Occasionally a man emerges from history without us knowing him. Duke Vespasiano Gonzaga (1531–91) of Sabbioneta escaped the net of sixteenth century Italy, its history of wars and conflicts, to fashion a life that was uniquely different. He set out to change the way urban man lived. Importantly, he was the first man to build a Città ideale. Sabbioneta is the prototype of all planned cities of the modern era. As a confidant of King Philip II of Spain and a traveller, he quickly acquired a cosmopolitan worldview, which led him to become a uomo universale. It was in this capacity that he designed Sabbioneta as a genuine “little Athens.” His life was fraught with tragedy, however. Not only did he suffer from syphilis, but his personal troubles left him emotionally damaged. The mysterious death of two wives, including the beautiful Diana of Cardona, forced him to find solace in the construction of his ideal city. As nephew to the legendary Giulia Gonzaga – and with her encouragement – the Duke managed to forge a career as a poet, bibliophile, antiquarian, condottiero, urban planner and diplomat, all against the backdrop of New World discovery, the Protestant Reformation, and the Inquisition. This book reveals another fascinating story: Vespasiano Gonzaga’s link to Shakespeare’s Hamlet. Like the Prince of Denmark, he reflects the emergence of our modern consciousness. He was a true Renaissance man whose legacy remains with us to this day. As a self-fashioned personality, the Duke made every attempt to place himself at the forefront of events of his time. His life tells us a great deal about how late-Renaissance men exteriorised their inner world in a bid to achieve immortality. |
| painting and reality etienne gilson: Art, Mimesis and the Avant-Garde Andrew Benjamin, 2005-07-26 This book explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their paintings: Lucian Freud's self-portraits, Francis Bacon's use of mirrors, R.B. Kitaj and Jewish identity, Anselm Kiefer and iconoclasm. Apart from painting, Benjamin considers architecture, literature and the philosophical writings of Walter Benjamin and Descartes in elaborating the various aspects of ontological difference. The theory of the avant-garde which is developed in the book, in which the avant-garde is a philosophical category rather than a historical marker, is a major contribution to art criticism. It brings the worlds of contemporary art criticism and contemporary philosophy closer together. |
| painting and reality etienne gilson: The Unity of Philosophical Experience Etienne Gilson, 1999 Lectures ... given at Harvard University in the first half of the academic year 1936-37--Foreword. |
| painting and reality etienne gilson: Thomist Realism and the Critique of Knowledge Etienne Gilson, 2012-01-01 The highly regarded French philosopher, tienne Gilson, brilliantly plumbs the depths of Thomistic Realism, and false Thomisms as well, in this answer to Kantian modernism. The important work, exquisitely translated by Mark Wauck, brings the essential elements of philosophy into view as a cohesive, readily understandable, and erudite structure, and does so rigorously in the best tradition of St. Thomas. Written as the definitive answer to those philosophers who sought to reconcile critical philosophy with scholastic realism, Gilson saw himself as an historian of philosophy whose main task was one of restoration, and principally the restoration of the wisdom of the Common Doctor of the Church, St. Thomas Aquinas. Gilsons thesis was that realism was incompatible with the critical method and that realism, to the extent that it was reflective and aware of its guiding principles, was its own proper method. He gives a masterful account of the various forces that shaped the neo-scholastic revival, but Gilson is concerned with the past only as it sheds light on the present. In addition to his criticisms, Gilson presents a positive exposition of true Thomist realism, revealing the foundation of realism in the unity of the knowing subject. |
| painting and reality etienne gilson: Miss Interpreted Marlene Dumas, 1992 |
| painting and reality etienne gilson: Primary Documents Mário Pedrosa, 2015 The seventh release in an ambitious series of documentary anthologies published under the auspices of MoMA's International Program, this volume offers Anglophone readers an excellent introduction to the work of Mário Pedrosa (1900-81), one of Brazil's most influential art critics and social commentators. Organized in eight thematic groupings, the well-chosen, elegantly translated texts--most of which originally appeared in Brazilian newspapers--range in date from 1927 to 1981 and draw from Pedrosa's extensive writings on art, architecture, the role of criticism and the critic, and the politics of culture and from his professional and personal correspondence. Informative brief essays by critics and scholars, including some who knew and collaborated with Pedrosa, introduce the volume as a whole and preface each of the eight sections. Pedrosa's life and career are detailed in a chronology created by his grandson. This long-overdue volume makes an important contribution to the literature of modernism. -- Choice. |
| painting and reality etienne gilson: Beauty, Art, and the Polis Alice Ramos, 2000 Introduction by Ralph McInerny The essays in this volume, indebted in great part to Jacques Maritain and to other Neo-Thomists, represent a contribution to an understanding of beauty and the arts within the Aristotelian-Thomistic tradition. As such they constitute a different voice in present-day discussions on beauty and aesthetics, a voice which nonetheless shares with many of its contemporaries concern over questions such as the relationship between beauty and morality, public funding of the arts and their educational role, objective and universal standards of what is beautiful. In the tradition in which the contributors of this volume reflect, beauty manifests itself in the order of the universe, an order that provides human reason with a window onto the transcendent. For Aristotle and Aquinas the natural order grounds both art and morality, and yet it is this very order which has been called into question by modern science and philosophy. Instead of pointing us to a suprahuman order, the beautiful then points to the order of human freedom and creativity. Reflection on the beautiful since the modern philosopher Immanuel Kant has thus often taken a subjectivistic turn. Because of the importance of beauty and art in human existence, in man's education and life as a moral and political being, an alternative should be sought to any reduction of the beautiful to a purely subjective experience or cultural construct. The Aristotelian-Thomistic tradition, in dialogue with modern and contemporary conceptions of the beautiful, provides us with just that alternative, and thus the essays herein represent a decisive step in the journey for Thomistic aesthetics. THE CONTRIBUTORS: In addition to the editor, the contributors to the volume are: Brian J. Braman, Matthew Cuddeback, Christopher M. Cullen, S.J., Patrick Downey, Desmond J. FitzGerald, Donald Haggerty, Wayne H. Harter, Jeanne M. Heffernan, Thomas S. Hibbs, Gregory J. Kerr, Joseph W. Koterski, S.J., Daniel McInerny, Ralph McInerny, James P. Mesa, John F. Morris, Ralph Nelson, Katherine Anne Osenga, Carrie Rehak, Stephen Schloesser, S.J., Francis Slade, John G. Trapani, Jr., and Henk E. S. Woldring. ABOUT THE EDITOR: Alice Ramos is associate professor of philosophy at St. John's University. |
| painting and reality etienne gilson: Art and Illusion Ernst Hans Gombrich, 1960 The A.W. Mellon lectures in the fine arts 1956, National Gallery of Art, Washington |
| painting and reality etienne gilson: Calliope's Sisters Richard L. Anderson, 2004 Examines the visual and performing arts of the world's societies. |
| painting and reality etienne gilson: Thinking Things Through, second edition Clark Glymour, 2015-04-10 The second edition of a unique introductory text, offering an account of the logical tradition in philosophy and its influence on contemporary scientific disciplines. Thinking Things Through offers a broad, historical, and rigorous introduction to the logical tradition in philosophy and its contemporary significance. It is unique among introductory philosophy texts in that it considers both the historical development and modern fruition of a few central questions. It traces the influence of philosophical ideas and arguments on modern logic, statistics, decision theory, computer science, cognitive science, and public policy. The text offers an account of the history of speculation and argument, and the development of theories of deductive and probabilistic reasoning. It considers whether and how new knowledge of the world is possible at all, investigates rational decision making and causality, explores the nature of mind, and considers ethical theories. Suggestions for reading, both historical and contemporary, accompany most chapters. This second edition includes four new chapters, on decision theory and causal relations, moral and political theories, “moral tools” such as game theory and voting theory, and ethical theories and their relation to real-world issues. Examples have been updated throughout, and some new material has been added. It is suitable for use in advanced undergraduate and beginning graduate classes in philosophy, and as an ancillary text for students in computer science and the natural sciences. |
| painting and reality etienne gilson: How to Read a Book Mortimer J. Adler, Charles Van Doren, 2014-09-30 Investigates the art of reading by examining each aspect of reading, problems encountered, and tells how to combat them. |
| painting and reality etienne gilson: The Male Gaze and Other Reasons for the Hypothetical End of Christian Art in the West Karl Frederick Morrison, Pontifical Institute of Mediaeval Studies, 2005 |
| painting and reality etienne gilson: Form Vision Hans Theys, 2019 |
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