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| old norse icelandic literature a critical guide: Old Norse-Icelandic Literature Medieval Academy of America, 2005-01-01 In the past few decades, interest in the rich and varied literature of early Scandinavia has prompted a corresponding interest in its background: its origins, social and historical context, and relationship to other medieval literatures. Until the 1980s, however, there was a distinct lack of scholarship in English that synthesized the critical trends and thinking in the field, so in 1985 Carol J. Clover and John Lindow brought together several of the most distinguished Old Norse scholars to contribute essays for a collection that would finally provide a comprehensive guide to the major genres of Old Norse-Icelandic literature. The contributors summarize and comment on scholarly work in the major branches of the field: eddic and skaldic poetry, family and kings' sagas, courtly writing, and mythology. Their essays, each with a full bibliography, make up this vital survey of Old Norse literature in English - a basic reference work that has stimulated much research and helped to open up the field to a wider academic readership. This volume has become an essential text for instructors, and now, twenty years after its first appearance, it is being republished as part of the Medieval Academy Reprints for Teaching (MART) series with a new preface that discusses more recent contributions to the field. |
| old norse icelandic literature a critical guide: Old Norse-Icelandic Literature Carol J. Clover, John Lindow, 2019-06-30 The current revival of interest in the rich and varied literature of early Scandinavia has prompted a corresponding interest in its background: its origins, social and historical context, and relationship to other medieval literatures. Even readers with a knowledge of Old Norse and Icelandic have found these subjects difficult to pursue, however, for up-to-date reference works in any language are few and none exist in English. To fill the gap, six distinguished scholars have contributed ambitious new essays to this volume. The contributors summarize and comment on scholarly work in the major branches of the field: Eddie and skaldic poetry, family and kings' sagas, courtly writing, and mythology. Taken together, their judicious and attractively written essays-each with a full bibliography-make up the first book-length survey of Old Norse literature in English and a basic reference work that will stimulate research in these areas and help to open up the field to a wider academic readership. |
| old norse icelandic literature a critical guide: Old Norse--Icelandic Literature Carol J. Clover, John Lindow, 1985 |
| old norse icelandic literature a critical guide: The Cambridge Introduction to the Old Norse-Icelandic Saga Margaret Clunies Ross, 2010-10-28 The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages. |
| old norse icelandic literature a critical guide: A Handbook to Eddic Poetry Carolyne Larrington, Judy Quinn, Brittany Schorn, 2016-08-19 This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as human heroes and supernatural beings alike grapple with betrayal, loyalty, mortality and love. These poems relate the most famous deeds of gods such as Óðinn and Þórr with their adversaries the giants; they bring to life the often fraught interactions between kings, queens and heroes as well as their encounters with valkyries, elves, dragons and dwarfs. Written by leading international scholars, the chapters in this volume showcase the poetic riches of the eddic corpus, and reveal its relevance to the history of poetics, gender studies, pre-Christian religions, art history and archaeology. |
| old norse icelandic literature a critical guide: The Routledge Research Companion to the Medieval Icelandic Sagas Ármann Jakobsson, Sverrir Jakobsson, 2017-02-17 The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general. |
| old norse icelandic literature a critical guide: Old Icelandic Literature and Society Margaret Clunies Ross, 2000-09-21 The first comprehensive account of Old Icelandic literature set within its social and cultural context. |
| old norse icelandic literature a critical guide: A History of Icelandic Literature Daisy L. Neijmann, 2006-01-01 As complete a history as possible of the literature of Iceland. |
| old norse icelandic literature a critical guide: Sagas of Warrior-poets Leifur Eiricksson, 2002-08-29 Kormak's Saga, The Saga of Hallfred Troublesome-Poet, The Saga of Gunnlaug Serpent-Tongue, The Saga of Bjorn, Champion of the Hitardal People, Viglund's Saga Set in the farmsteads of Viking age Iceland at a time when the old ethos of honour and heroic adventure merged with new ideas of romantic infatuation, each of these sagas features poet heroes, complex love triangles, and travels to foreign lands. |
| old norse icelandic literature a critical guide: Historical Dictionary of Iceland Gudmundur Halfdanarson, 2008-10-23 The second edition of the Historical Dictionary of Iceland traces Iceland's history and provides a compass for the direction the country is heading. This is done through its chronology, introductory essays, appendixes, map, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions and significant political, economic, social, and cultural aspects. |
| old norse icelandic literature a critical guide: The A to Z of Iceland Gudmundur Halfdanarson, 2010-05-10 While Iceland is the second largest inhabited island in Europe, with only 313,000 inhabitants in 2007, the Icelanders form one of the smallest independent nations in the world. Around two-thirds of the population lives in the capital, Reykjav k, and its suburbs, while the rest is spread around the inhabitable area of the country. Until fairly recently the Icelandic nation was unusually homogeneous, both in cultural and religious terms; in 1981, around 98 percent of the nation was born in Iceland and 96 percent belonged to the Lutheran state church or other Lutheran religious sects. In 2007, these numbers were down to 89 and 86 percent respectively, reflecting the rapidly growing multicultural nature of Icelandic society. The A to Z of Iceland traces Iceland's history and provides a compass for the direction the country is heading. This is done through its chronology, introductory essays, appendixes, map, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions and significant political, economic, social, and cultural aspects. |
| old norse icelandic literature a critical guide: Ancestor Worship and the Elite in Late Iron Age Scandinavia Triin Laidoner, 2020-01-14 Ancestor worship is often assumed by contemporary European audiences to be an outdated and primitive tradition with little relevance to our societies, past and present. This book questions that assumption and seeks to determine whether ancestor ideology was an integral part of religion in Viking Age and early medieval Scandinavia. The concept is examined from a broad socio-anthropological perspective, which is used to structure a set of case studies which analyse the cults of specific individuals in Old Norse literature. The situation of gods in Old Norse religion has been almost exclusively addressed in isolation from these socio-anthropological perspectives. The public gravemound cults of deceased rulers are discussed conventionally as cases of sacral kingship, and, more recently, religious ruler ideology; both are seen as having divine associations in Old Norse scholarship. Building on the anthropological framework, this study introduces the concept of ‘superior ancestors’, employed in social anthropology to denote a form of political ancestor worship used to regulate social structure deliberately. It suggests that Old Norse ruler ideology was based on conventional and widely recognised religious practices revolving around kinship and ancestors and that the gods were perceived as human ancestors belonging to elite families. |
| old norse icelandic literature a critical guide: An Introduction to the Sagas of Icelanders Carl Phelpstead, 2020-06-17 Combining an accessible approach with innovative scholarship, An Introduction to the Sagas of Icelanders provides up-to-date perspectives on a unique medieval literary genre that has fascinated the English-speaking world for more than two centuries. Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island’s early history. Phelpstead explores the origins and cultural setting of the genre, demonstrating the rich variety of oral and written source traditions that writers drew on to produce the sagas. He provides fresh, theoretically informed discussions of major themes such as national identity, gender and sexuality, and nature and the supernatural, relating the Old Norse-Icelandic texts to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism. He then presents readings of select individual sagas, pointing out how the genre’s various source traditions and thematic concerns interact. Including an overview of the history of English translations that shows how they have been stimulated and shaped by ideas about identity, and featuring a glossary of critical terms, this book is an essential resource for students of the literary form. A volume in the series New Perspectives on Medieval Literature: Authors and Traditions, edited by R. Barton Palmer and Tison Pugh |
| old norse icelandic literature a critical guide: Iceland's Networked Society Tara Carter, 2015-05-26 Linked by the politics of global trade networks, Viking Age Europe was a well-connected world. Within this fertile social environment, Iceland ironically has been casted as a marginal society too remote to participate in global affairs, and destined to live in the shadow of its more successful neighbours. Drawing on new archaeological evidence, Tara Carter challenges this view, arguing that by building strong social networks the first citizens of Iceland balanced thinking globally while acting locally, creating the first cosmopolitan society in the North Atlantic. Iceland’s Networked Society asks us to reconsider how societies like Iceland can, even when positioned at the margins of competing empires, remain active in a global political economy and achieve social complexity on its own terms. |
| old norse icelandic literature a critical guide: Comic Sagas and Tales from Iceland , 2013-03-07 Comic Sagas and Tales brings together the very finest Icelandic stories from the thirteenth to the fifteenth centuries, a time of civil unrest and social upheaval. With feuding families and moments of grotesque violence, the sagas see such classic mythological figures as murdered fathers, disguised beggars, corrupt chieftains and avenging sons do battle with axes, words and cunning. The tales, meanwhile, follow heroes and comical fools through dreams, voyages and religious conversions in medieval Iceland and beyond. Shaped by Iceland's oral culture and their conversion to Christianity, these stories are works of ironic humour and stylistic innovation. |
| old norse icelandic literature a critical guide: Religion of the Gods Kimberley Christine Patton, 2009 In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found--that of the god who worships. Various interpretations of this seeming paradox have been advanced. Some suggest that it represents sacrifice to a higher deity. Proponents of anthropomorphic projection say that the gods are just big people and that images of human religious action are simply projected onto the deities. However, such explanations do not do justice to the complexity and diversity of this phenomenon.In Religion of the Gods, Kimberley C. Patton uses a comparative approach to take up anew a longstanding challenge in ancient Greek religious iconography: why are the Olympian gods depicted on classical pottery making libations? The sacrificing gods in ancient Greece are compared to gods who perform rituals in six other religious traditions: the Vedic gods, the heterodox god Zurvan of early Zoroastrianism, the Old Norse god Odin, the Christian God and Christ, the God of Judaism, and Islam's Allah. Patton examines the comparative evidence from a cultural and historical perspective, uncovering deep structural resonances while also revealing crucial differences.Instead of looking for invisible recipients or lost myths, Patton proposes the new category of divine reflexivity. Divinely performed ritual is a self-reflexive, self-expressive action that signals the origin of ritual in the divine and not the human realm. Above all, divine ritual is generative, both instigating and inspiring human religious activity. The religion practiced by the gods is both like and unlike human religious action. Seen from within the religious tradition, gods are not big people, but other than human. Human ritual is directed outward to a divine being, but the gods practice ritual on their own behalf. Cultic time, the symbiotic performance of ritual both in heaven and on earth, collapses the distinction between cult and theology each time ritual is performed. Offering the first comprehensive study and a new theory of this fascinating phenomenon, Religion of the Gods is a significant contribution to the fields of classics and comparative religion. Patton shows that the god who performs religious action is not an anomaly, but holds a meaningful place in the category of ritual and points to a phenomenologically universal structure within religion itself. |
| old norse icelandic literature a critical guide: Emotional Alterity in the Medieval North Sea World Erin Sebo, Matthew Firth, Daniel Anlezark, 2023-08-24 This book addresses a little-considered aspect of the study of the history of emotions in medieval literature: the depiction of perplexing emotional reactions. Medieval literature often confronts audiences with displays of emotion that are improbable, physiologically impossible, or simply unfathomable in modern social contexts. The intent of such episodes is not always clear; medieval texts rarely explain emotional responses or their motivations. The implication is that the meanings communicated by such emotional display were so obvious to their intended audience that no explanation was required. This raises the question of whether such meanings can be recovered. This is the task to which the contributors to this book have put themselves. In approaching this question, this book does not set out to be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feeling may reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world. |
| old norse icelandic literature a critical guide: Eddic, Skaldic, and Beyond Martin Chase, 2014-06-02 Eddic, Skaldic, and Beyond shines light on traditional divisions of Old Norse–Icelandic poetry and awakens the reader to work that blurs these boundaries. Many of the texts and topics taken up in these enlightening essays have been difficult to categorize and have consequently been overlooked or undervalued. The boundaries between genres (Eddic and Skaldic), periods (Viking Age, medieval, early modern), or cultures (Icelandic, Scandinavian, English, Continental) may not have been as sharp in the eyes and ears of contemporary authors and audiences as they are in our own. When questions of classification are allowed to fade into the background, at least temporarily, the poetry can be appreciated on its own terms. Some of the essays in this collection present new material, while others challenge long-held assumptions. They reflect the idea that poetry with “medieval” characteristics continued to be produced in Iceland well past the fifteenth century, and even beyond the Protestant Reformation in Iceland (1550). This superb volume, rich in up-to-date scholarship, makes little-known material accessible to a wide audience. |
| old norse icelandic literature a critical guide: The Poetic Edda Carolyne Larrington, 2014-09-11 She sees, coming up a second time, earth from the ocean, eternally green; the waterfalls plunge, an eagle soars above them, over the mountain hunting fish. After the terrible conflagration of Ragnarok, the earth rises serenely again from the ocean, and life is renewed. The Poetic Edda begins with The Seeress's Prophecy which recounts the creation of the world, and looks forward to its destruction and rebirth. In this great collection of Norse-Icelandic mythological and heroic poetry, the exploits of gods and humans are related. The one-eyed Odin, red-bearded Thor, Loki the trickster, the lovely goddesses, and the giants who are their enemies walk beside the heroic Helgi, Sigurd the Dragon-Slayer, Brynhild the shield-maiden, and the implacable Gudrun. This translation also features the quest-poem The Lay of Svipdag and The Waking of Angantyr, in which a girl faces down her dead father to retrieve his sword. Comic, tragic, instructive, grandiose, witty, and profound, the poems of the Edda have influenced artists from Wagner to Tolkien and speak to us as freely as when they were first written down seven hundred and fifty years ago. |
| old norse icelandic literature a critical guide: Snorri Sturluson and the Edda Kevin Wanner, 2008-08-07 Why would Snorri Sturluson (c. 1179-1241), the most powerful and rapacious Icelander of his generation, dedicate so much time and effort to producing the Edda, a text that is widely recognized as the most significant medieval source for pre-Christian Norse myth and poetics? Kevin J. Wanner brings us a new account of the interests that motivated the production of this text, and resolves the mystery of its genesis by demonstrating the intersection of Snorri's political and cultural concerns and practices. The author argues that the Edda is best understood not as an antiquarian labour of cultural conservation, but as a present-centered effort to preserve skaldic poetry's capacity for conversion into material and symbolic benefits in exchanges between elite Icelanders and the Norwegian court. Employing Pierre Bourdieu's economic theory of practice, Wanner shows how modern sociological theory can be used to illuminate the cultural practices of the European Middle Ages. In doing so, he provides the most detailed analysis to date of how the Edda relates to Snorri's biography, while shedding light on the arenas of social interaction and competition that he negotiated. A fascinating look at the intersections of political interest and cultural production, Snorri Sturluson and the Edda is a detailed portrait of both an important man and the society of his times. |
| old norse icelandic literature a critical guide: Interdependence of Diachronic and Synchronic Analyses Folke Josephson, Ingmar Söhrman, 2008-08-29 The focus of this volume is the interdependence of diachrony and synchrony in the investigation of syntactic structure. A diverse set of modern and ancient languages is investigated from this perspective, including Hittite, the Classical languages, Old Norse, Coptic, Bantu languages, Australian languages and Creoles. A variety of topics are covered, including TAM, diathesis, valency, case marking, cliticization, and grammaticalization. This volume should be of interest tosyntacticians, typologists, and historical linguists with an interest in syntax and morphology. |
| old norse icelandic literature a critical guide: Hrafnkel or the Ambiguities William Ian Miller, 2016-12-22 William Ian Miller presents a close reading of one of the best known of the Icelandic sagas, showing its moral, political, and psychological sophistication. Hrafnkel tells of a fairly simple feud in which a man rises, falls, and rises again with a vengeance, so to speak. The saga deals with complex issues with finely layered irony: who can one justifiably hit, when, and by what means? It does this with cool nuance, also taking on matters of torture and pain-infliction as a means of generating fellow-feeling. How does one measure pain and humiliation so as to get even, to get back to equal? People are forced to set prices on things we tell ourselves soporifically are priceless, such as esteem, dignity, life itself. Morality no less than legal remedy involves price-setting. This book flies in the face of all the previous critical literature which, with very few exceptions, imposes simplistic readings on the saga. A translation of the saga is provided as an appendix. |
| old norse icelandic literature a critical guide: Mental (Dis)Order in Later Medieval Europe , 2014-03-13 The boundaries between mental, social and physical order and various states of disorder – unexpected mood swings, fury, melancholy, stress, insomnia, and demonic influence – form the core of this compilation. For medieval men and women, religious rituals, magic, herbs, dietary requirements as well as to scholastic medicine were a way to cope with the vagaries of mental wellbeing; the focus of the articles is on the interaction and osmosis between lay and elite cultures as well as medical, theological and political theories and practical experiences of daily life. Time span of the volume is the later Middle Ages, c. 1300-1500. Geographically it covers Western Europe and the comparison between Mediterranean world and Northern Europe is an important constituent. Contributors are Jussi Hanska, Gerhard Jaritz, Timo Joutsivuo, Kirsi Kanerva, Sari Katajala-Peltomaa, Marko Lamberg, Iona McCleery, Susanna Niiranen, Sophie Oosterwijk, and Catherine Rider. |
| old norse icelandic literature a critical guide: Sagas, Saints and Settlements Gareth Williams, Paul Bibire, 2004-05-01 This volume includes selected papers from an interdisciplinary symposium in Norse Studies held at the University of St Andrews. The symposium brought together scholars with a shared interest in medieval Scandinavian history and culture, especially the sagas, from a variety of disciplines, and this diversity is reflected in the papers published here. Topics covered include saga genre, with particular focus on encyclopaedic manuscripts and the late Íslendinga sögur respectively, the relationship between saga literature and hagiography, with papers on Hrafns saga Sveinbjarnarsonar and on the textual traditions surrounding St Magnús of Orkney and St Thomas of Canterbury, and various aspects of the Norse settlement in Scotland. The volume shows the variety of approaches which can be taken to the sagas as texts, especially when combined with other historical and literary material. |
| old norse icelandic literature a critical guide: Sanctity in the North Thomas DuBois, 2008-02-23 With original translations of primary texts and articles by leading researchers in the field, Sanctity in the North gives an introduction to the literary production associated with the cult of the saints in medieval Scandinavia. For more than five hundred years, Nordic clerics and laity venerated a host of saints through liturgical celebrations, written manuscripts, visual arts, and oral traditions. Textual evidence of this widespread and important aspect of medieval spirituality abounds. Written biographies (or vitae), compendia of witnessed miracles, mass propers, homilies, sagas and chronicles, dramatic scripts, hymns, and ballads are among the region's surviving medieval manuscripts and early published books. Sanctity in the North features English translations of texts from Latin or vernacular Nordic languages, in many cases for the first time. The accompanying essays concerning the texts, saints, cults, and history of the period complement the translations and reflect the contributors' own disciplinary groundings in folklore, philology, medieval, and religious studies. |
| old norse icelandic literature a critical guide: Handbook of Diachronic Narratology Peter Hühn, John Pier, Wolf Schmid, 2023-07-24 This handbook brings together 42 contributions by leading narratologists devoted to the study of narrative devices in European literatures from antiquity to the present. Each entry examines the use of a specific narrative device in one or two national literatures across the ages, whether in successive or distant periods of time. Through the analysis of representative texts in a range of European languages, the authors compellingly trace the continuities and evolution of storytelling devices, as well as their culture-specific manifestations. In response to Monika Fludernik’s 2003 call for a diachronization of narratology, this new handbook complements existing synchronic approaches that tend to be ahistorical in their outlook, and departs from postclassical narratologies that often prioritize thematic and ideological concerns. A new direction in narrative theory, diachronic narratology explores previously overlooked questions, from the evolution of free indirect speech from the Middle Ages to the present, to how changes in narrative sequence encoded the shift from a sacred to a secular worldview in early modern Romance literatures. An invaluable new resource for literary theorists, historians, comparatists, discourse analysts, and linguists. |
| old norse icelandic literature a critical guide: A History of Arthurian Scholarship Norris J. Lacy, 2006 A survey of critical attention devoted to Arthurian matters. This book offers the first comprehensive and analytical account of the development of Arthurian scholarship from the eighteenth century, or earlier, to the present day. The chapters, each written by an expert in the area under discussion, present scholarly trends and evaluate major contributions to the study of the numerous different strands which make up the Arthurian material: origins, Grail studies, editing and translation of Arthurian texts, medieval and modern literatures (in English and European languages), art and film. The result is an indispensable resource for students and a valuable guide for anyone with a serious interest in the Arthurian legend. Contributors: NORRIS LACY, TONY HUNT, KEITH BUSBY, JANE TAYLOR, CHRISTOPHER SNYDER, RICHARD BARBER, SIAN ECHARD, GERALD MORGAN, ALBRECHT CLASSEN, ROGER DALRYMPLE, BART BESAMUSCA, MARIANNE E. KALINKE, BARBARA MILLER, CHRISTOPHER KLEINHENZ, MURIEL WHITAKER, JEANNE FOX-FRIEDMAN, DANIEL NASTALI, KEVIN J. HARTY NORRIS J. LACY is Edwin Erle Sparks Professor of French and Medieval Studies at Pennsylvania State University. |
| old norse icelandic literature a critical guide: Egil's Saga Leifur Eiriksson, 2004-09-30 Egil's Saga tells the story of the long and brutal life of tenth-century warrior-poet and farmer Egil Skallagrimsson: a morally ambiguous character who was at once the composer of intricately beautiful poetry, and a physical grotesque capable of staggering brutality. The saga recounts Egil's progression from youthful savagery to mature wisdom as he struggles to avenge his father's exile from Norway, defend his honour against the Norwegian King Erik Bloodaxe, and fight for the English King Athelstan in his battles against Scotland. Exploring issues as diverse as the question of loyalty, the power of poetry, and the relationship between two brothers who love the same woman, Egil's Saga is a fascinating depiction of a deeply human character. |
| old norse icelandic literature a critical guide: The Elder Edda , 2013-11-07 Part of a new series Legends from the Ancient North, The Elder Edda is one of the classic books that influenced JRR Tolkien's The Hobbit and The Lord of the Rings 'So the company of men led a careless life, All was well with them: until One began To encompass evil, an enemy from hell. Grendel they called this cruel spirit...' J.R.R. Tolkien spent much of his life studying, translating and teaching the great epic stories of northern Europe, filled with heroes, dragons, trolls, dwarves and magic. He was hugely influential for his advocacy of Beowulf as a great work of literature and, even if he had never written The Hobbit and The Lord of the Rings, would be recognised today as a significant figure in the rediscovery of these extraordinary tales. Legends from the Ancient North brings together from Penguin Classics five of the key works behind Tolkien's fiction.They are startling, brutal, strange pieces of writing, with an elemental power brilliantly preserved in these translations.They plunge the reader into a world of treachery, quests, chivalry, trials of strength.They are the most ancient narratives that exist from northern Europe and bring us as near as we will ever get to the origins of the magical landscape of Middle-earth (Midgard) which Tolkien remade in the 20th century. |
| old norse icelandic literature a critical guide: Routledge Revivals: Medieval Scandinavia (1993) Phillip Pulsiano, Kirsten Wolf, 2017-07-05 First published in 1993, Medieval Scandinavia: An Encyclopedia covers every aspect of the region during the Middle Ages, including rulers and saints, overviews of the countries, religion, education, politics and law, culture and material life, history, literature, and art. Written by a team of expert contributors, the encyclopedia offers those who lack command of the various Scandinavian languages a basic tool for the study of Medieval Scandinavia from roughly the Migration Period to the Reformation. With full-page maps, useful supplementary photos, cross-references and a comprehensive index, this work will be a valuable and absorbing volume for students of the Norse sagas, the Viking age, and Old English history and literature, and for anyone interested in the cultural and historical heritage of Scandinavia. |
| old norse icelandic literature a critical guide: The Poetic Edda Paul Acker, Carolyne Larrington, 2002-02-08 This unique collection of essays applies significant critical approaches to the mythological poetry of the Poetic Edda, a principal source for Old Norse cosmography and the legends of Odin, Loki, and Thor. The volume also provides very useful introductions that sketch the critical history of the Eddas. By applying new theoretical approaches (feminist, structuralist, post-structuralist) to each of the major poems, this book yields a variety of powerful and convincing readings. Contributors to the collection are both young scholars and senior figures in the discipline, and are of varying nationalities (American, British, Australian, Scandinavian, and Icelandic), thus ensuring a range of interpretations from different corners of the scholarly community. The new translations included here make available for the first time to English speaking students the intriguing methodologies that are currently developing in Scandinavia. An essential collection of scholarship for any Old Norse course, The Poetic Edda will also be of interest to scholars of Indo-European myth, as well as those who study the theory of myth. |
| old norse icelandic literature a critical guide: The Legendary Saga as a Medium of Cultural Memory Alisa Valpola-Walker, 2025-02-17 This book examines the representation and historical significance of the legendary Scandinavian past as it is depicted in two late medieval Icelandic saga manuscripts: AM 589a–f 4to and AM 586 4to. It situates the manuscripts within their literary, media, and historical contexts to read the legendary sagas (or fornaldarsögur) within them as works of historical writing. The qualities about them that are often used to deny them the label of ‘history ́ — their proximity to romance and ‘folklore’, and their playfully self-conscious narration — are reinterpreted as conscious attempts to reconfigure cultural memory to suit the needs of the manuscripts’ fifteenth-century patrons. The first half of the book takes a literary approach, offering an intertextual and genre-based analysis of AM 589a–f 4to. The second broadens out to view the manuscripts as historically situated media. It examines their relationships to orality and literacy and then argues that they served particular functions at the time of their production and continued to shape cultural memories as they were read (or vocalised) in the centuries that followed. Drawing on insights from cultural memory studies and material philology, this book will be of interest to scholars of Old Norse literature, folklore, and manuscript studies. |
| old norse icelandic literature a critical guide: Literary Beginnings in the European Middle Ages Mark Chinca, Christopher Young, 2022-08-25 How did new literatures begin in the Middle Ages and what does it mean to ask about such beginnings? These are the questions this volume pursues across the regions and languages of medieval Europe, from Iceland, Scandinavia, and Iberia through Irish, Welsh, English, French, Dutch, Occitan, German, Italian, Czech, and Croatian to Medieval Greek and the East Slavonic of early Rus. Focusing on vernacular scripted cultures and their complicated relationships with the established literary cultures of Latin, Greek, and Church Slavonic, the volume's contributors describe the processes of emergence, consolidation, and institutionalization that make it possible to speak of a literary tradition in any given language. Moreover, by concentrating on beginnings, the volume avoids the pitfalls of viewing earlier phenomena through the lens of later, national developments; the result is a heightened sense of the historical contingency of categories of language, literature, and territory in the space we call 'Europe'. |
| old norse icelandic literature a critical guide: History of Everyday Life in Medieval Scotland Edward J Cowan, 2011-06-06 This book examines the ordinary, routine, daily behaviour, experiences and beliefs of people in Scotland from the earliest times to 1600. |
| old norse icelandic literature a critical guide: Vox regis: Royal Communication in High Medieval Norway David Brégaint, 2015-10-05 In Vox regis: Royal Communication in High Medieval Norway, David Brégaint examines how the Norwegian monarchy gradually managed to infiltrate Norwegian society through the development of a communicative system during the High Middle Ages, from c. 1150 to c. 1300. Drawing on sagas, didactic literature, charters, and laws, the book demonstrates how the Norwegian kings increasingly played a key -role in the promotion of royal ideology in society through rituals and the written word. In particular, the book stresses the interaction between secular and clerical culture, the role of the Church and of the Norwegian aristocracy |
| old norse icelandic literature a critical guide: The Sagas of Icelanders Annette Lassen, 2024-12-06 This book offers an accessible and concise introduction to the sagas of Icelanders, perfect for both general and academic readers. Authored by a recognized expert, it immerses readers in the sagas’ world, exploring their cultural and historical context. The book surveys major themes such as belief systems, family dynamics, legal matters, honor, and gender roles, elucidating Icelandic society’s fundamental worldview. Covering diverse tales from the Middle Ages, the sagas depict the struggles of ordinary farmers, fierce heroes, and shrewd women, including epic expeditions to Greenland and Vinland. The book also examines the influence of foreign literature, manuscript evidence, and dating, categorizing the sagas into three periods. Additionally, it explores their unique literary style, including paranormal elements and skaldic poetry. The final section provides concise summaries and information about the dating, manuscripts, and transmission of the forty preserved sagas, offering a comprehensive understanding of these captivating narratives. |
| old norse icelandic literature a critical guide: Medievalist Comics and the American Century Chris Bishop, 2016-08-25 The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century. |
| old norse icelandic literature a critical guide: Gisli Sursson's Saga and the Saga of the People of Eyri , 2003-09-25 These sagas recount fierce feuds in which honour is fought for, sacrifice is demanded, and blood is shed. The fate of the characters at the centre of each saga, however, is very different. Gisli is a traditional Viking-age hero who is determined to exact revenge at any cost and whose death is tragic when it comes. In contrast his nephew, Snorri, represents a new generation and acts to strengthen the new social order. Taken together these sagas reveal the richness and variety of the saga tradition. |
| old norse icelandic literature a critical guide: Myths of the Pagan North Christopher Abram, 2011-05-05 An engaging account of the world of the Vikings and their gods. |
| old norse icelandic literature a critical guide: The History of Iceland Gunnar Karlsson, 2000 Iceland is unique among European societies in having been founded as late as the Viking Age and in having copious written and archaeological sources about its origin. Gunnar Karlsson, that country's premier historian, chronicles the age of the Sagas, consulting them to describe an era without a monarch or central authority. Equating this prosperous time with the golden age of antiquity in world history, Karlsson then marks a correspondence between the Dark Ages of Europe and Iceland's dreary period, which started with the loss of political independence in the late thirteenth century and culminated with an epoch of poverty and humility, especially during the early Modern Age. Iceland's renaissance came about with the successful struggle for independence in the nineteenth and early twentieth centuries, and with the industrial and technical modernization of the first half of the twentieth century. Karlsson describes the rise of nationalism as Iceland's mostly poor peasants set about breaking with Denmark, and he shows how Iceland in the twentieth century slowly caught up economically with its European neighbors. |
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OLD Definition & Meaning
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OLD Definition & Meaning - Merriam-Webster
The meaning of OLD is dating from the remote past : ancient. How to use old in a sentence. Synonym Discussion of Old.
Old (2021) - IMDb
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Old - definition of old by The Free Dictionary
1. An individual of a specified age: a five-year-old. 2. Old people considered as a group. Used with the: caring for the old. 3. Former times; yore: in days of old.
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Historic City Hall was built in 1910. The site of the building was the original site of the first hospital in Griffin, which was later moved to another location so City Hall could begin construction.
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old age. as if or appearing to be far advanced in years. Worry had made him old. having lived or existed for a specified time: a century-old organization.
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