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night fever designing club culture: Night Fever Mateo Kries, Jochen Eisenbrand, Catharine Rossi, Katarina Serulus, 2018-03-17 A history of the nightclub from Studio 54 to the Double Club Nightclubs and discothèques are hotbeds of contemporary culture. Throughout the 20th century, they have been centres of the avant-garde that question the established codes of social life and experiment with different realities, merging interior and furniture design, graphics and art with sound, light, fashion and special effects to create a modern Gesamtkunstwerk. Night Fever: A Design History of Club Culture examines the history of the nightclub, with examples ranging from Italian nightclubs of the 1960s that were created by members of the Radical Design group to the legendary Studio 54 in New York, Philippe Starck's Les Bains Douches in Paris and the more recent Double Club in London, conceived by German artist Carsten Höller for the Prada Foundation. Featuring films and vintage photographs, posters and fashion, Night Fever takes the reader on a fascinating journey through a world of glamour, subculture and the search for the night that never ends. |
night fever designing club culture: Club Cultures Sarah Thornton, 2013-08-23 This is an innovative contribution to the study of popular culture, focusing on the youth cultures that revolve around dance clubs and raves. |
night fever designing club culture: Turn the Beat Around Peter Shapiro, 2015-06-23 A long-overdue paean to the predominant musical form of the 70s and a thoughtful exploration of the culture that spawned it Disco may be the most universally derided musical form to come about in the past forty years. Yet, like its pop cultural peers punk and hip hop, it was born of a period of profound social and economic upheaval. In Turn the Beat Around, critic and journalist Peter Shapiro traces the history of disco music and culture. From the outset, disco was essentially a shotgun marriage between a newly out and proud gay sexuality and the first generation of post-civil rights African Americans, all to the serenade of the recently developed synthesizer. Shapiro maps out these converging influences, as well as disco's cultural antecedents in Europe, looks at the history of DJing, explores the mainstream disco craze at it's apex, and details the long shadow cast by disco's performers and devotees on today's musical landscape. One part cultural study, one part urban history, and one part glitter-pop confection, Turn the Beat Around is the most comprehensive study of the Me Generation to date. |
night fever designing club culture: Gothic Remixed Megen de Bruin-Molé, 2019-11-14 Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture. |
night fever designing club culture: Wisconsin Supper Clubs Ron Faiola, 2013-03-18 Wisconsin Supper Clubs is a resource for and about supper clubs throughout Wisconsin that includes beautiful photographs of the unique supper club interiors, proprietors, and customers, as well as fascinating archival materials. Also recorded in this book are the regional specialties served at these clubs, ranging from popovers and fried pickles in the northern part of the state to Shrimp de Jonghe in the south. One Northwoods supper club even features fry bread, a traditional Native American dish uncommon to most any restaurant. The supper club experience is a tradition embodied by many long-standing restaurants scattered throughout the small towns of Wisconsin. It is based around a bygone idea that going out to dinner is an experience that lasts an entire evening. The clubs emphasizing food made from scratch, slow-paced dining, and family-run businesses. Combine this with stately dark-panel decor, complimentary relish trays, and the best brandy Old Fashioned sweet you'll ever have, and you have barely scratched the surface of the Wisconsin supper club's appeal. Author Ron Faiola is the critically acclaimed director and producer of the documentary by the same name. Supper clubs are hugely popular with Wisconsin locals and regularly frequented by all Midwestern foodies in the know. With Wisconsin Supper Clubs as a guide, these establishments are primed to be choice summer road trip destinations for anyone looking for low-cost vacations this summer. After the successful debut of Faiola's documentary, this book is sure to be a hit throughout the region and beyond. |
night fever designing club culture: Atlas of Furniture Design Mateo Kries, Jochen Eisenbrand, 2019-10-17 In 2019, the Vitra Design Museum will publish the Atlas of Furniture Design, the definitive, encyclopedic overview of the history of modern furniture design. Featuring over 1700 objects by more than 500 designers and 121 manufacturers, it includes approximately 2800 images ranging from detailed object photographs to historical images documenting interiors, patents, brochures, and related works of art and architecture. The basis for the Atlas of Furniture Design is the collection held by the Vitra Design Museum, one of the largest of its kind with more than 7000 works. The book presents selected pieces by the most important designers of the last 230 years and documents key periods in design history, including early nineteenth-century industrial furniture in bentwood and metal, Art Nouveau and Secessionist pieces and works by protagonists of classical modernism and postwar design, as well as postmodern and contemporary pieces. The Atlas of Furniture Design employed a team of more than 70 experts and features over 550 detailed texts about key objects. In-depth essays provide sociocultural and design-historical context to four historical epochs of furniture design and the pieces highlighted here, enriched by a detailed annex containing designer biographies, glossaries, and elaborate information graphics. The Atlas of Furniture Design is an indispensable resource for collectors, scholars and experts, as well as a beautifully designed object that speaks to design enthusiasts. |
night fever designing club culture: Clubland Frank Owen, 2004-06-08 Outrageous parties. Brazen drug use. Fantastical costumes. Celebrities. Wannabes. Gender-bending club kids. Pulse-pounding beats. Sinful orgies. Botched police raids. Depraved criminals. Murder. Welcome to the decadent nineties club scene. In 1995, journalist Frank Owen began researching a story on Special K, a designer drug that fueled the after-midnight club scene. He went to buy and sample the drug at the internationally notorious Limelight, a crumbling church converted into a Manhattan disco, where mesmerizing music, ecstatic dancers, and uninhibited sideshows attracted long lines of hopeful onlookers. Owen discovered a world where reckless hedonism was elevated to an art form, and where the ever-accelerating party finally spun out of control in the hands of notorious club owner Peter Gatien and his minions. In Clubland, Owen reveals how a lethal drug ring operated in a lawless, black-lit realm of fantasy, and how, when the lights came up, their excesses left countless victims in their wake. Praised for his risk-taking and exhilarating writing style, Frank Owen has spawned a hybrid of literary nonfiction and true crime, capturing the zeitgeist of a world that emerged in the spirit of “peace, love, unity and respect,” and ended in tragedy. |
night fever designing club culture: DJ Culture in the Mix Bernardo Attias, Anna Gavanas, Hillegonda Rietveld, 2013-10-24 The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dance music. Mixing established and upcoming researchers from the US, Canada, the UK, Germany, Austria, Sweden, Australia and Brazil, the collection offers critical insights into DJ activities in a range of global dance music contexts. In particular, chapters address digitization and performativity, as well as issues surrounding the gender dynamics and political economies of DJ cultures and practices. |
night fever designing club culture: Severance Ling Ma, 2018-08-14 Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance. A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring. —Michael Schaub, NPR.org “A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker (Books We Loved) * Elle * Marie Claire * Amazon Editors * The Paris Review (Staff Favorites) * Refinery29 * Bustle * Buzzfeed * BookPage * Bookish * Mental Floss * Chicago Review of Books * HuffPost * Electric Literature * A.V. Club * Jezebel * Vulture * Literary Hub * Flavorwire Winner of the NYPL Young Lions Fiction Award * Winner of the Kirkus Prize for Fiction * Winner of the VCU Cabell First Novelist Award * Finalist for the PEN/Hemingway Award for Debut Novel * A New York Times Notable Book of 2018 * An Indie Next Selection Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive. |
night fever designing club culture: Fade to Grey Adrian Loving, 2021-01-18 Fade To Grey is a groundbreaking new book project by Washington, DC based author and music historian Adrian Loving. This book explores gender identity, art, music and fashion from the late 70s through the 80s. Included in the book are rare photographs, ephemera, album covers, print media and stories about New Wave, Punk, Hip Hop, Club Culture. These stories are told through interviews and essays about David Bowie, Prince, Grace Jones, Ron Hardy, and more. |
night fever designing club culture: Highbrow, Lowbrow, Brilliant, Despicable The Editors of New York Magazine, 2017-11-07 New York, the city. New York, the magazine. A celebration. The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. Over the next generation, the city was utterly transformed. It again became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. It was the place to be—if you could afford it. Since its founding in 1968, New York Magazine has told the story of that city’s constant morphing, week after week. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. Magazine, branded a group of up-and-coming teen stars “the Brat Pack,” and effectively ended the career of Roger Ailes. Again and again, it introduced new words into the conversation—from “foodie” to “normcore”—and spotted fresh talent before just about anyone. Along the way, those writers and their colleagues revealed what was most interesting at the forward edge of American culture—from the old Brooklyn of Saturday Night Fever to the new Brooklyn of artisanal food trucks, from the Wall Street crashes to the hedge-fund spoils, from The Godfather to Girls—in ways that were knowing, witty, sometimes weird, occasionally vulgar, and often unforgettable. On “The Approval Matrix,” the magazine’s beloved back-page feature, New York itself would fall at the crossroads of highbrow and lowbrow, and more brilliant than despicable. (Most of the time.) Marking the magazine’s fiftieth birthday, Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. Through stories and images of power and money, movies and food, crises and family life, it constitutes an unparalleled history of that city’s transformation, and of a New York City institution as well. It is packed with behind-the-scenes stories from New York’s writers, editors, designers, and journalistic subjects—and frequently overflows its own pages onto spectacular foldouts. It’s a big book for a big town. |
night fever designing club culture: Retromania Simon Reynolds, 2011-07-19 One of The Telegraph's Best Music Books 2011 We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own? |
night fever designing club culture: Rent Jonathan Larson, 2008 (Applause Libretto Library). Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is no day but today. Includes 16 color photographs of productions of Rent from around the world, plus an introduction (Rent Is Real) by Victoria Leacock Hoffman. |
night fever designing club culture: Disco Demolition Steve Dahl, Dave Hoekstra, Paul Natkin, 2016 In Disco Demolition, Dave Hoekstra sets the record straight about the night that epitomized the rock and disco culture clash. |
night fever designing club culture: Disco Years Ron Galella, 2006 The definitive visual diary of the New York club scene in the 70s, Disco Years presents an astounding collection of photographs from America's premier nightlife photographer, Ron Galella. His candid shots of the era's fabulous fashionistas, indulgent rock idols, outlandish artists, mystical muses, jet-setting socialites and fantastic freaks reveal the delicious decadence that defined the decade. Disco Years brings viewers the high life, literally and figuratively. It takes people back to a time when skiing was an indoor activity, velvet ropes were high security, and incredible style was the only requirement. |
night fever designing club culture: The Last Party Anthony Haden-Guest, 2015-02-17 A riveting memoir of disco-era nightlife and the outrageous goings-on behind the doors of New York City’s most famous and exclusive nightclub In the disco days and nights of New York City in the 1970s and 1980s, the place to be was Studio 54. Andy Warhol, Liza Minnelli, and Bianca Jagger were among the nightly assortment of A-list celebrity regulars consorting with New York’s young, wild, and beautiful. Studio 54 was a place where almost nothing was taboo, from nonstop dancing and drinking beneath the coke-dusted neon moon to drugs and sex in the infamous unisex restrooms to the outrageous money-skimming activities taking place in the office of the studio’s flamboyant co-owner Steve Rubell. Author Anthony Haden-Guest was there on opening night in 1977 and over the next decade spent many late nights and early mornings basking in the strobe-lit wonder. But The Last Party is much more than a fascinating account of the scandals, celebrities, crimes, and extreme excesses encouraged within the notorious Manhattan nightspot. Haden-Guest brings an entire era of big-city glitz and unapologetic hedonism to breathtaking life, recalling a vibrant New York night world at once exhilarating and dangerous before the terrible, sobering dawn of the age of AIDS. |
night fever designing club culture: Hollywood Costume Deborah Nadoolman Landis, 2012 Catalog of an exhibition held Oct. 20, 2012-Jan. 27, 2013 at the Victoria and Albert Museum, London. |
night fever designing club culture: The New Age of Electronic Dance Music and Club Culture Anita Jóri, Martin Lücke, 2020-04-30 This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book’s main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music. |
night fever designing club culture: German Design 1949-1989 Mateo Kries, 2021-04-27 The fertile dual evolution of design under socialism and capitalism in postwar Germany The cheap, colorful plastic designs of East Germany pitted against the cool functionalism of West German design: German Design 1949-1989: Two Countries, One Historydoes away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the postwar period for the first time ever. With over 300 illustrations and numerous examples from the fields of design--fashion, furniture, graphics, automobile, industrial and interiors--the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists--from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East--are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the Made in Germany brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the postwar period: from the domestic sphere to global politics, from industrial products to design's role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989. |
night fever designing club culture: Le Corbuffet Esther Choi, 2019-10-01 New York Magazines Most Giftable Coffee-Table Books of 2019 One of The Architect's Newspaper's Fall Must-Reads Home-cooking meets highbrow art in this one-of-a-kind cookbook that uses food to create edible interpretations of modern and contemporary sculptures, paintings, architecture, and design. It started as a series of dinner parties that Esther Choi--artist, architectural historian, and self-taught cook--hosted for friends after she stumbled across an elaborate menu crafted for Walter Gropius in 1937. Combining a curiosity about art and design with a deeply felt love of cooking, Choi has assembled a playful collection of recipes that are sure to spark conversation over the dinner table. Featuring Choi's own spectacular photography, these sixty recipes riff off famous artists or architects and the works they are known for. Try Quiche Haring with the Frida Kale-o Salad, or the Robert Rauschenburger followed by Flan Flavin. This cookbook is strikingly beautiful and provocative as it blurs the boundaries between art and everyday life and celebrates food in an engaging and imaginative way. |
night fever designing club culture: Last Night a DJ Saved My Life Bill Brewster, Frank Broughton, 2014-05-13 “A riveting look at record spinning from its beginnings to the present day . . . A grander and more fascinating story than one would think.” —Time Out London This is the first comprehensive history of the disc jockey, a cult classic now updated with five new chapters and over a hundred pages of additional material. It’s the definitive account of DJ culture, from the first record played over airwaves to house, hip-hop, techno, and beyond. From the early development of recorded and transmitted sound, DJs have been shaping the way we listen to music and the record industry. This book tracks down the inside story on some of music’s most memorable moments. Focusing on the club DJ, the book gets first-hand accounts of the births of disco, hip-hop, house, and techno. Visiting legendary clubs like the Peppermint Lounge, Cheetah, the Loft, Sound Factory, and Ministry of Sound, and with interviews with legendary DJs, Last Night a DJ Saved My Life is a lively and entertaining account of musical history and some of the most legendary parties of the century. “Brewster and Broughton’s ardent history is one of barriers and sonic booms, spanning almost 100 years, including nods to pioneers Christopher Stone, Martin Block, Douglas ‘Jocko’ Henderson, Bob ‘Wolfman Jack’ Smith and Alan ‘Moondog’ Freed.” —Publishers Weekly |
night fever designing club culture: The Yellow Wall-Paper Charlotte Perkins Gilman, 2024 She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis. |
night fever designing club culture: Evenings with Led Zeppelin Dave & Tremaglio Lewis, Mike Tremaglio, 2018-10 Evenings With Led Zeppelin chronicles the 500-plus appearances Led Zeppelin made throughout their career. From their earliest gig in a Denmark school gymnasium on September 7, 1968, through to the last gig that Jimmy Page, Robert Plant and John Paul Jones ever performed with John Bonham, in Berlin on July 7, 1980, this is the Led Zeppelin story told from where their legend was forged live on stage. Deploying impeccable research spread over many years, Dave Lewis and Mike Tremaglio brings clarity, authority and perspective to a show-by-show narrative of every known Led Zeppelin performance. With pinpoint accuracy they trace the group's rapid ascent from playing to a few hundred at London's Marquee Club to selling out the 20,000 capacity Madison Square Garden in New York--all in a mere 18 months. Supplemented by historical reviews, facts and figures and expert commentary that capture the spirit of the times, Evenings with Led Zeppelin is illustrated throughout with rarely seen concert adverts, posters, venue images, ticket stubs and photos, all of which offer matchless insight into their concert appearences.--Back cover |
night fever designing club culture: Studio 54: Night Magic Matthew Yokobosky, 2025-03-25 There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. This catalog accompanies an exhibition at the Brooklyn Museum exploring how Studio 54 was a unique zeitgeist of an era. From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous, creative, and strangest people in the world. It quickly became known for its all-ages celebrity guest list and its uniquely chic clientele of superstars and freaks of all races and sexual preferences who would often show up half-dressed or in costume. From the cutting-edge lighting displays and sound system to its elaborate sets that would change on a whim, altering the environment and ambiance, it was the beginning of nightclub as performance art. Now, the Brooklyn Museum is staging the first exhibition featuring the nightclub as a bellwether of New York City cultural life. More than 650 objects--spanning fashion, photography, drawings, film, and music--as well as video, film, and soundtrack, create an immersive experience, with an exhibition design inspired by the club's original lighting and atmosphere. Highlights include never-before-published costume sketches by artist Antonio Lopez and newly discovered set designs, as well as ephemera salvaged by the original club staff and interviews with the cultural luminaries who were there. Telling the story of this legendary club, as well as serving as a companion to the exhibition, Studio 54: Night Magic serves as a document of the era, depicting the wild energy and provocative creativity of this seminal cultural moment. |
night fever designing club culture: Hippie Modernism Greg Castillo, Esther Choi, 2015 Hippie Modernism: The Struggle for Utopia accompanies an exhibition of the same title examining the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal and professional norms while proposing new kinds of technological, ecological and political utopia. It includes the counter design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus Rucker Co and ONYX; the media-based installations of Ken Isaacs, Joan Hills and Mark Boyle and Helio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances staged by the Diggers and the Cockettes; publications such as Oz Magazine and The Whole Earth Catalog and books by Marshall McLuhan and Buckminster Fuller; and much, much more. While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the experimental graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus Rucker Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the hybrid conjunction of the countercultural ethos and the modernist desire to fuse art and life. |
night fever designing club culture: Out of the Blue Victor Cruz, Peter Schrager, 2012-07-17 “It may seem like I came out of the blue. But, my road was long, windy, full of hurdles, and even some dead ends. I lost family. I lost friends. I even lost my way. When I reached what felt like rock bottom, I realized I had a responsibility to everyone who believed in me and to kids, like me, who just needed a chance and something to believe in.”—from the epilogue of Out of the Blue Victor Cruz, the Super Bowl-winning and record-breaking wide receiver, is best known for his explosive plays and salsa touchdown celebrations. While his meteoric rise in the NFL looked like the result of a magical year, it was actually a lifetime in the making. Raised in Paterson, New Jersey’s gritty Fourth Ward, Cruz overcame numerous setbacks through hard work, perseverance, and the support of his loving family—from his grandmother who gave him his signature dance moves; to his late father, a former firefighter, who introduced him to football and taught him how to play; to his hard-working, single mother who never let him give up in the face of a challenge. They all helped to keep him on the right path, as did his coaches, but Cruz’s journey was never easy. There were family tragedies, academic struggles, injuries, and more. In this inspiring, never-before-seen account, Cruz pays tribute to the people and places that made him the man he is today, recounts his most defining moments, and illustrates how his hardships ultimately unleashed his impenetrable will to win. Out of the Blue is a candid and moving reflection of an overlooked and undersized athlete with an uncommon last name in American football that was determined to beat the odds and earn his chance to succeed. |
night fever designing club culture: After Dark Noel Hankin, 2021-08-03 Mid-town Buppies, big-time mobsters, fabulous dancing queens, and unscrupulous promoters all come together in After Dark, a first-hand account of the birth and growth of the disco movement in the 1970s. Disco music has earned an unflattering reputation for being garish and flashy; however, it was the voice of a generation that spoke using the power of dance to unite people. Now, for the first time you can hear the compelling, never-been-told story of the rise of the New York disco scene. In the late 1960s, a group of college students formed a social club called The Best of Friends (TBOF) and learned to monetize their love of dancing and music by building a multi-million-dollar network of discotheques. Their innovative DJing techniques transported dancers into a carefree state of euphoria that paved the way for Saturday Night Fever, Studio 54, and the nationwide explosion of disco in the late '70s. TBOF discotheques attracted everyone from CEOs to mailroom clerks, from Rick James to Elizabeth Taylor, and from big-time mobsters to FBI agents. This unprecedented collection of humanity made it impossible to know what excitement would unfold each night. What the partners in TBOF did know is that After Dark, they had to be on their toes. |
night fever designing club culture: Harrow the Ninth Tamsyn Muir, 2020-08-04 Harrow the Ninth, an Amazon pick for Best SFF of 2020 and the New York Times and USA Today bestselling sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. The Locked Tomb is a 2023 Hugo Award Finalist for Best Series! “Lesbian necromancers explore a haunted gothic palace in space! Decadent nobles vie to serve the deathless emperor! Skeletons!” —Charles Stross on Gideon the Ninth “Unlike anything I've ever read.” —V.E. Schwab on Gideon the Ninth “Deft, tense and atmospheric, compellingly immersive and wildly original.” —The New York Times on Gideon the Ninth She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off? THE LOCKED TOMB SERIES BOOK 1: Gideon the Ninth BOOK 2: Harrow the Ninth BOOK 3: Nona the Ninth BOOK 4: Alecto the Ninth At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
night fever designing club culture: Menergy Louis Niebur, 2022 For most of the US, disco died in 1979. Triggered by the infamous Disco Demolition night at Comiskey Park in Chicago on July 12, 1979, a backlash made the word disco an overnight punchline. Major labels dropped disco artists and producers, and those mainstream musicians who had jumped on the bandwagon just as quickly threw themselves off. Gay men, however, continued to dance, and in the gay enclave of the Castro District in San Francisco, enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music. Almost immediately this music reached far beyond the Bay, with Megatone Records, Moby Dick Records, and other labels achieving worldwide success, creating the world's first gay-owned, gay-produced music for a dancing audience. This music reflected a new way of life, a world apart and a culture of sexual liberation for gay men especially. With Menergy, author Louis Niebur offers a project of reconstruction in order to restore these lost figures to their rightful place in the legacy of 20th-century popular music. Menergy is the product of years of research, with dozens of personal interviews, archival research drawing upon hundreds of contemporary journals, photographs, bar rags, diaries, nightclub ephemera, and, most importantly, the recordings of the San Francisco artists themselves. With its combination of popular music theory, cultural analysis, queer theory and gender studies, and traditional musical analysis, the book will appeal to readers in queer history, popular music history, and electronic dance music. |
night fever designing club culture: African Modernism Manuel Herz, Ingrid Schröder, Hans Focketyn, Julia Jamrozik, 2022-10-10 A new edition of the most comprehensive survey of modern architecture in Africa to date. When the first edition of African Modernism was published in 2015, it was received with international praise and has been sought after constantly ever since it went out of print in 2018. Marking Park Books' 10th anniversary, this landmark book becomes available again in a new edition. In the 1950s and 1960s, most African countries gained independence from their respective colonial power. Architecture became one of the principal means by which the newly formed countries expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Côte d'Ivoire, Kenya, and Zambia. It features one hundred buildings with brief descriptive texts, images, site plans, and selected floor plans and sections. The vast majority of images were newly taken by Iwan Baan and Alexia Webster for the book's first edition. Their photographs document the buildings in their present state. Each country is portrayed in an introductory text and a timeline of historic events. Further essays on postcolonial Africa and specific aspects and topics, also illustrated with images and documents, round out this outstanding volume. |
night fever designing club culture: CLUBBED , |
night fever designing club culture: No Sleep DJ Stretch Armstrong, Evan Auerbach, 2016-11-23 No Sleepis a visual history of the halcyon days of New York City club life as told through flyer art. Spanning the late 80s through the late 90s, when nightlife buzz travelled via flyers and word of mouth,No Sleepfeatures a collection of artwork from the personal archives of NYC DJs, promoters, club kids, nightlife impresarios, and the artists themselves. Club flyers, by design, were ephemeral objects distributed on street corners, outside of nightclubs and concert halls, in barbershops and retail shops, and were not intended to be preserved for posterity. Through the 90s, they became both increasingly prevalent and more sophisticated as printing technology evolved. Overnight, however, with the advent of the internet, theflyer essentially disappeared, despite it being common at one time for promoters to print thousands of flyers for any given event. Recently, these flyers have become sought-after collector's items. |
night fever designing club culture: Exploring Spring Sandra Markle, 1992-03 A collection of springtime activities that include stories, observations of nature, handicraft, games and puzzles. |
night fever designing club culture: Wisconsin Supper Clubs: Another Round Ron Faiola, 2016 Wisconsin Supper Clubs: Another Round, a sequel to author/photographer Ron Faiola's wildly popular first book on the topic (now in its sixth printing), gives readers a peek inside 50 additional clubs from across the Badger State. Traveling from the Northwoods to Beloit, Faiola documents some of the most exceptional and long-lived restaurants that embrace the decades-old supper club tradition. These are largely family-owned establishments that believe in old-fashioned hospitality, slow-paced dining, and good scratch cooking. In this guide, readers will find interviews with supper club proprietors and customers as well as a bounty of photographs of classic dishes, club interiors, and other scenes from Faiola's extensive travels. Despite the chain restaurants that continue to dominate the culinary landscape, supper clubs across the Midwest are thriving today in many of the same ways as they have for the past 80 years. The term supper club has even been borrowed recently by the burgeoning underground restaurant scene, which champions an upscale-yet-communal dining experience similar to that offered by traditional supper clubs. Wisconsin Supper Clubs: Another Round is a new, intimate look at this unique American tradition, one that invites supper club enthusiasts and newcomers alike to enjoy a second helping of everything that madeWisconsin Supper Clubs such a hit. |
night fever designing club culture: Te aka John Cornelius Moorfield, 2005 This dictionary and index comprises a selection of modern and everyday language that will be extremely useful for learners of the Maori language. It has a broader scope than traditional dictionaries, so as well as the words one would usually expect in a dictionary, it also includes; encyclopaedic entries designed to provide key information, explanations of key concepts central to Maori culture, comprehensive explanations for grammatical items, with examples of usage, idioms and colloquialisms with their meanings and examples. |
night fever designing club culture: The Disco Files 1973-78 , 2018-10-23 The records, the charts, the clubs, the stories--Cover. |
night fever designing club culture: Juergen Teller , 2021-09-14 Annotated in his wry, inimitable voice, Juergen Teller presents over three decades of fashion and editorial work in a groundbreaking volume that combines photography, collage, and candid (and often humorous) autobiography. One of the most influential photographers working today, Juergen Teller creates images that are instantly recognizable. Raw, often overexposed and displaying a spontaneity and candor, Teller’s visual language reflects a measured yet uncompromising sense of rebellion. This book includes landmark editorials with nearly every important fashion label of the era and celebrities from Kate Moss to Charlotte Rampling and Kurt Cobain to Yves Saint Laurent. Outtakes of iconic shoots (including infamous ones with Courtney Love, Cindy Sherman, Marc Jacobs, Victoria Beckham, and Björk) that have never been published will be included in this volume. Teller first broke into fashion in 1996 with a magazine cover of a naked Kristen McMenamy with the word Versace scrawled across her chest. Since then, his fashion photography has been featured in all the international Vogues, AnOther Magazine, Index, Self-Service, W, Details, Purple, i-D, and 032c, among others. A highly sought-after cult hero and the author of many iconic campaigns, Teller has collaborated with the likes of Helmut Lang, Raf Simons, Hedi Slimane, Nicolas Ghesquière, Phoebe Philo, Vivienne Westwood, Miuccia Prada, and Isabel Marant, and shot every season of Marc Jacobs’s ready-to-wear collections from 1998 to 2014. |
night fever designing club culture: Perspectives on Design and Digital Communication IV Nuno Martins, Daniel Brandão, Adérito Fernandes-Marcos, 2023-09-26 This book gathers new empirical findings fostering advances in the areas of digital and communication design, web, multimedia and motion design, graphic design, branding, and related ones. It includes original contributions by authoritative authors based on the best papers presented at the 6th International Conference on Digital Design and Communication, Digicom 2022, together with some invited chapters written by leading international researchers. They report on innovative design strategies supporting communication in a global, digital world, and addressing, at the same time, key individual and societal needs. This book is intended to offer a timely snapshot of technologies, trends and challenges in the area of design, communication and branding, and a bridge connecting researchers and professionals of different disciplines, such as graphic design, digital communication, corporate, UI Design and UX design. |
night fever designing club culture: Perspectives on Design and Digital Communication III Nuno Martins, Daniel Brandão, Francisco Paiva, 2022-09-18 This book gathers new empirical findings fostering advances in the areas of digital and communication design, web, multimedia and motion design, graphic design, branding, and related ones. It includes original contributions by authoritative authors based on the best papers presented at the 5th International Conference on Digital Design and Communication, Digicom 2021, together with some invited chapters written by leading international researchers. They report on innovative design strategies supporting communication in a global, digital world, and addressing, at the same time, key individual and societal needs. This book is intended to offer a timely snapshot of technologies, trends and challenges in the area of design, communication and branding, and a bridge connecting researchers and professionals of different disciplines, such as graphic design, digital communication, corporate, UI Design and UX design. |
night fever designing club culture: Advances in Design and Digital Communication II Nuno Martins, Daniel Brandão, 2021-10-21 This book reports on research findings and practical lessons featuring advances in the areas of digital and interaction design, graphic design and branding, design education, society and communication in design practice, and related ones. Gathering the proceedings of the 5th International Conference on Digital Design and Communication, Digicom 2021, held on November 4–6, 2021, in Barcelos, Portugal, and continuing the tradition of the previous book, it describes new design strategies and solutions to foster digital communication within and between the society, institutions and brands. By highlighting innovative ideas and reporting on multidisciplinary projects, it offers a source of inspiration for designers of all kinds, including graphic and web designers, UI, UX and social media designers, and to researchers, advertisers, artists, and brand and corporate communication managers alike. |
At Night or In the Night? - English Language & Usage Stack …
Mar 13, 2015 · The same with in the night, if someone said that you would think of any time between the hours of 8pm and 6am, or thereabouts. However, at night generally means the …
Is 'Night an acceptable informal variant of "Good Night"?
Dec 29, 2016 · The spoken use of "night" as an informal, familiar version of "good night" (wishing one a restful sleep) is common, but I'm not sure what the proper written equivalent is - if there …
single word requests - Precise names for parts of a day - English ...
"Good night" as noted by yourself means to have a good night's sleep, so "Good Evening" is used instead. "Evening" lasts from after Afternoon(4 p.m.) till after sunset, depending on where you …
What is an appropriate greeting to use at night time?
Jan 21, 2013 · "Good night" as a greeting was once a feature found almost exclusively in Ireland. In James Joyce's "The Dead", for example, it is used both as greeting: —O, Mr Conroy, said …
How do people greet each other when in different time zones?
Mar 27, 2020 · It has nothing to do with the dateline. The relevance of that is whether someone else's time is ahead or behind yours, and, it is not necessarily as business meeting. A younger …
phrases - "Good night" or "good evening"? - English Language
Feb 18, 2011 · Even if you are meeting a person at 10 p.m. at night, the first time of the day, you can still greet him/her with "Good morning". This means it's a positive, well wishing statement, …
What's the difference between “by night” and “at night”?
"The tiger hunts by night" sounds more dramatic than "The tiger hunts at night." Consider the title of the following film: They Drive by Night, which is a hyped-up way of presenting a movie …
meaning - How should "midnight on..." be interpreted? - English ...
Dec 9, 2010 · The convention stems from the term itself. Midnight comes from 'mid-night.' In conversation, the 'night' of which 'midnight' is in the middle, is considered the night of the date …
word usage - 1 o'clock in the morning OR 1 o'clock at night?
Sep 8, 2015 · 'Night' is defined as: "The period of time between 'Evening' and 'Dawn' ". People tend to get confused at the difference between the terms 'DAY' and 'DATE'. If it is Monday and …
What is a word for someone who is both an early bird and a night …
Mar 30, 2024 · Throughout the night, the mastines take turns at sleeping while the one on watch sits silently, scanning the surroundings from a good vantage point, and from time to time walks …
At Night or In the Night? - English Language & Usage Sta…
Mar 13, 2015 · The same with in the night, if someone said that you would think of any time between the hours of 8pm and 6am, or thereabouts. …
Is 'Night an acceptable informal variant of "Good Nig…
Dec 29, 2016 · The spoken use of "night" as an informal, familiar version of "good night" (wishing one a restful sleep) is common, but I'm not sure …
single word requests - Precise names for parts of a day - Eng…
"Good night" as noted by yourself means to have a good night's sleep, so "Good Evening" is used instead. "Evening" lasts from after …
What is an appropriate greeting to use at night time?
Jan 21, 2013 · "Good night" as a greeting was once a feature found almost exclusively in Ireland. In James Joyce's "The Dead", for example, it is used …
How do people greet each other when in different time z…
Mar 27, 2020 · It has nothing to do with the dateline. The relevance of that is whether someone else's time is ahead or behind yours, and, it is not …