Advertisement
| nietzsche's kisses: Nietzsche's Kisses Lance Olsen, 2006-02 A surprising, vivid, complex experience of Nietzsche's final hours. |
| nietzsche's kisses: The American Biographical Novel Michael Lackey, 2016-04-07 Before the 1970s, there were only a few acclaimed biographical novels. But starting in the 1980s, there was a veritable explosion of this genre of fiction, leading to the publication of spectacular biographical novels about figures as varied as Abraham Lincoln, Ludwig Wittgenstein, Friedrich Nietzsche, Emily Dickinson, Virginia Woolf, Henry James, and Marilyn Monroe, just to mention a notable few. This publication frenzy culminated in 1999 when two biographical novels (Michael Cunningham's The Hours and Russell Banks' Cloudsplitter) were nominated for the Pulitzer Prize, and Cunningham's novel won the award. In The American Biographical Novel, Michael Lackey charts the shifts in intellectual history that made the biographical novel acceptable to the literary establishment and popular with the general reading public. More specifically, Lackey clarifies the origin and evolution of this genre of fiction, specifies the kind of 'truth' it communicates, provides a framework for identifying how this genre uniquely engages the political, and demonstrates how it gives readers new access to history. |
| nietzsche's kisses: Biofiction Michael Lackey, 2021-07-06 Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporary and lively debates within the subject. The volume aims to confront and illuminate the following questions: • When did biofiction come into being? • What forces gave birth to it? • How does it uniquely function and signify? • Why has it become such a dominant aesthetic form in recent years? This introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Carter, Joyce Carol Oates, and Colm Tóibín, thus enabling readers to assess the value and impact of individual works on the culture at large. Spanning nineteenth-century origins to contemporary debates and adaptations, this book not only equips the reader with a firm grounding in the fundamentals of biofiction but also provides a valuable guide to the uncanny power of the biographical novel to transform cultural attitudes, perspectives, and beliefs. |
| nietzsche's kisses: Ireland, the Irish, and the Rise of Biofiction Michael Lackey, 2021-11-04 Biofiction is literature that names its protagonist after an actual historical figure, and it has become a dominant literary form over the last 35 years. What has not yet been scholarly acknowledged or documented is that the Irish played a crucial role in the origins, evolution, rise, and now dominance of biofiction. Michael Lackey first examines the groundbreaking biofictions that Oscar Wilde and George Moore authored in the late 19th and early 20th centuries as well as the best biographical novels about Wilde (by Peter Ackroyd and Colm Tóibín). He then focuses on contemporary authors of biofiction (Sabina Murray, Graham Shelby, Anne Enright, and Mario Vargas Llosa, who Lackey has interviewed for this work) who use the lives of prominent Irish figures (Roger Casement and Eliza Lynch) to explore the challenges of seizing and securing a life-promoting form of agency within a colonial and patriarchal context. In conclusion, Lackey briefly analyzes biographical novels by Peter Carey and Mary Morrissy to illustrate why agency is of central importance for the Irish, and why that focus mandated the rise of the biographical novel, a literary form that mirrors the constructed Irish interior. |
| nietzsche's kisses: Biographical Fiction Michael Lackey, 2017-01-01 In recent years, the biographical novel has become one of the most dominant literary forms-J.M. Coetzee, Margaret Atwood, Hilary Mantel, Colum McCann, Anne Enright, Joyce Carol Oates, Peter Carey, Russell Banks, and Julia Alvarez are just a few luminaries who have published stellar biographical novels. But why did this genre come into being mainly in the 20th century? Is it ethical to invent stories about an actual historical figure? What is biofiction uniquely capable of signifying? Why are so many prominent writers now authoring such works? And why are they winning such major awards? In Biographical Fiction: A Reader, some of the finest scholars and writers of biofiction clarify what led to the rise of this genre, reflect on its nature and form, and specify what it is uniquely capable of doing. Combining primary and critical material, this accessible reader will be invaluable to students, teachers, and scholars of biofiction. |
| nietzsche's kisses: Truthful Fictions: Conversations with American Biographical Novelists Michael Lackey, 2014-02-27 In this new collection of interviews, some of America's most prominent novelists identify the key intellectual developments that led to the rise of the contemporary biographical novel, discuss the kind of historical 'truth' this novel communicates, indicate why this narrative form is superior to the traditional historical novel, and reflect on the ideas and characters central to their individual works. These interviews do more than just define an innovative genre of contemporary fiction. They provide a precise way of understanding the complicated relationship and pregnant tensions between contextualized thinking and historical representation, interdisciplinary studies and 'truth' production, and fictional reality and factual constructions. By focusing on classical and contemporary debates regarding the nature of the historical novel, this volume charts the forces that gave birth to a new incarnation of this genre. |
| nietzsche's kisses: Conversations with Jay Parini Michael Lackey, 2014-06-27 Jay Parini (b. 1948) is best known for his novel about Leo Tolstoy's last year, The Last Station, which has been translated into more than twenty-five languages and made into a Hollywood film. But he has also published numerous volumes of poetry; biographies of William Faulkner, Robert Frost, and John Steinbeck; novels; and literary and cultural criticism. This book contains the most important interviews with the former Guggenheim fellow; former Fowler Hamilton Fellow at Christ Church, Oxford; and former fellow of the Institute for Advanced Studies at the University of London. Parini's work is valuable not just because of its high quality and intellectual range. Parini's life and writings often seem like a seminar table, with friends gathered, talking and trading stories. He has openly written poems in conversation with writers he knew personally: Robert Penn Warren, Gore Vidal, Jorge Luis Borges, and others. He has, in his own life, kept an ongoing conversation with many literary friends over the years—Alastair Reid, Seamus Heaney, Anne Stevenson, Ann Beattie, Julia Alvarez, Peter Ackroyd, A. N. Wilson, and countless others. These interviews offer a more comprehensive understanding of Parini's work as a poet, scholar, public intellectual, literary critic, intellectual historian, biographer, novelist, and biographical novelist. More importantly, these interviews will contribute to our understanding of the history of ideas, the condition of knowledge, and the state of literature, all of which Parini has played an important role in shaping. |
| nietzsche's kisses: Nietzsche: A Complete Introduction: Teach Yourself Roy Jackson, 2014-05-30 Written by Dr Roy Jackson, who is Course Leader in Religion, Philosophy and Ethics at the University of Gloucestershire, Nietzsche: A Complete Introduction is designed to give you everything you need to succeed, all in one place. It covers the key areas that students are expected to be confident in, outlining the basics in clear jargon-free English, and then providing added-value features like summaries of key books, and even lists of questions you might be asked in your seminar or exam. The book uses a structure that mirrors the way Nietzsche is studied on many university courses, with chapters looking at Nietzsche's life, The Birth of Tragedy, the revaluation of all values, the will to power, Thus Spoke Zarathustra, truth and perspectivism, religion, politics, and Nietsche's legacy. |
| nietzsche's kisses: KISS and Philosophy Courtland Lewis, 2020-10-13 KISS is the most outrageous and yet the most enduring of rock bands, with an unparalleled, almost religious level of devotion from millions of die-hard fans. In KISS and Philosophy, professional thinkers of diverse outlooks provide much-needed insights into the motivating ideas and metaphysical foundations of the KISS take on life. According to some, the true message of KISS is self-actualization through the hard work of following your dreams. Others focus on the existential aspect of KISS thinking, drawing upon Camus and Sartre to show that KISS is preoccupied with empowering the individual to achieve self-greatness. By contrast, there is a view of KISS which identifies a “destroyer” attitude, leading some listeners to reject KISS outright, while encouraging others to become the most dedicated of followers. Yet another view sees KISS’s “letting loose” as essentially Dionysian. Some chapters gain access to KISS thinking by tracing the band’s cultural and historical impact, finding meaning in the way generations of fans make sense of KISS’s always evolving output, the changing line-up, and the archetypal characters represented by the band’s use of make-up and presentation. Other chapters look at the aesthetic quality of the band’s output, especially their most controversial album, Music from “The Elder.” Several chapters examine KISS’s orientation to bodily pleasures, notably sex, extracting the band’s philosophy of sex and love from different clues and indications. How does KISS’s unashamed indulgence relate to various pleasure-governed ethical systems throughout history? Is getting the most out of pleasure key to living the good life? And does a life of gratifying one’s body ultimately yield fulfillment? What are the limitations and hazards of a pleasure-oriented lifestyle? The biography of band members also provides material for reflection, looking at the nature of forgiveness through the lens of KISS’s notorious feuds, and determining how to reconcile the apparently conflicting accounts of some famous squabbles. The changing line-up of the band raises questions about the meaning of “KISS” and whether KISS could last forever |
| nietzsche's kisses: Discourses of Philology and Theology in Nietzsche Paul Bishop, 2023-10-31 This study proposes to examine the tension in Nietzsche’s works between two competing discourses, i.e., the discourse of theology and the discourse of philology. It argues that, in order to understand Nietzsche’s complicated standpoint and the aim of his Kulturkritik, we have to appreciate how he operates with two different discourses, one indexed to belief, faith, liturgy (i.e., the discourse of theology) and another indexed to analytical reason, sceptical investigation, and logical argumentation, as well as historical context and linguistic precision (i.e., the discourse of philology). Its core thesis is that, in the end, Nietzsche can no longer believe, because he thinks he has uncovered a fraudulent production of meaning in the texts, in a way that is comparable with his insight into the production of morality in On the Genealogy of Morals (1887). |
| nietzsche's kisses: The Routledge Companion to Experimental Literature Joe Bray, Alison Gibbons, Brian McHale, 2012 The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fiction and code poetry the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf. Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future. |
| nietzsche's kisses: Always Crashing in the Same Car Lance Olsen, 2023-02-14 Always Crashing in the Same Car by Lance Olsen is a novel that explores the last months of David Bowie's life through multiple voices and perspectives-the protean musician himself, an academic trying to compose a critical monograph about him, friends, lovers, musicologists, and others in Bowie's orbit-- |
| nietzsche's kisses: Theories of Forgetting Lance Olsen, 2014-02-28 Theories of Forgetting is concerned with how words matter, the materiality of the page, and how a literary work might react against mass reproduction and textual disembodiment in the digital age--right from its use of two back covers (one upside down and one right-side up) that allow the reader to choose which of the novel's two narratives to privilege. Theories of Forgetting is a narrative in three parts. The first is the story of Alana, a filmmaker struggling to complete a short documentary about Robert Smithson’s famous earthwork, The Spiral Jetty, located where the Great Salt Lake meets the desert. Alana falls victim to a pandemic called The Frost, whose symptoms include an increasing sensation of coldness and growing amnesia. The second involves Alana’s husband, Hugh, owner of a rare-and-used bookstore in Salt Lake City, and his slow disappearance across Jordan while on a trip both to remember and to forget Alana’s death. The third involves marginalia added to Hugh’s section by his daughter, Aila, an art critic living in Berlin. Aila discovers a manuscript by her father after his disappearance and tries to make sense of it by means of a one-sided “dialogue” with her brother, Lance. Each page of the novel is divided in half. Alana’s narrative runs across the top of the page, from back to front, while Hugh’s and his daughter’s tale runs “upside down” across the bottom of the page, from front to back. How a reader initially happens to pick up Theories of Forgetting determines which narrative is read first, and thereby establishing the reader’s meaning-making of the novel. |
| nietzsche's kisses: Imagining Gender in Biographical Fiction Julia Novak, Caitríona Ní Dhúill, 2022-12-15 This volume addresses the current boom in biographical fictions across the globe, examining the ways in which gendered lives of the past become re-imagined as gendered narratives in fiction. Building on this research, this book is the first to address questions of gender in a sustained and systematic manner that is also sensitive to cultural and historical differences in both raw material and fictional reworking. It develops a critical lens through which to approach biofictions as ‘fictions of gender’, drawing on theories of biofiction and historical fiction, life-writing studies, feminist criticism, queer feminist readings, postcolonial studies, feminist art history, and trans studies. Attentive to various approaches to fictionalisation that reclaim, appropriate or re-invent their ‘raw material’, the volume assesses the critical, revisionist and deconstructive potential of biographical fictions while acknowledging the effects of cliché, gender norms and established narratives in many of the texts under investigation. The introduction of this book is available open access under a CC BY 4.0 license at link.springer.com Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. |
| nietzsche's kisses: Towards a Theory of Life-Writing Marija Krsteva, 2022-11-30 Towards a Theory of Life-Writing:Genre Blending provides a look into the rules of life-writing genre blending proposing a theory to explain and illustrate the main regulations governing such genre play. It centers on fact and fiction duality in the formation of auto/biofictional genres. This book investigates the existing developments in this field, and explores major criticism and lines of inquiry in order to arrive at the theory of life-writing genre play textuality. The specific interplay of the different generic characteristics develops a specific textuality at the heart of it. This is termed biofictional preservation (biopreservation) to explain the textual transformation and the shaping of the auto/biofictional genres. Written for undergraduate and graduate students, but also for the general readers, the book further exemplifies the theory in the analyses of different biofictions about the American authors F. Scott Fitzgerald and Ernest Hemingway featuring overlapping and juxtaposed material. This volume aims to provide a theory of this specific textuality in order to better understand and approach the process in question as well as to open up new horizons for further study and exploration. |
| nietzsche's kisses: The Art of Friction Charles Blackstone, Jill Talbot, 2009-06-03 We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message, assert Charles Blackstone and Jill Talbot. Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction? The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative works by contemporary, award-winning writers including Junot Díaz, Jonathan Safran Foer, Thomas Beller, Bernard Cooper, Wendy McClure, and Terry Tempest Williams, who also provide companion pieces in which they comment on their work. These selections, which place short stories and personal essays (and hybrids of the two) side by side, allow readers to examine the similarities and differences between the genres, as well as explore the trends in genre overlap. Functioning as both a reader and a discussion of the craft of writing, The Art of Friction is a timely, essential book for all writers and readers who seek the truthfulness of lived experience through (non)fictions. |
| nietzsche's kisses: Calendar of Regrets Lance Olsen, 2010-09-25 A wildly inventive and visually rich collage of twelve interconnected narratives, one for each month of the year, all pertaining to notions of travel--through time, space, narrative, and death The poisoning of the painter Hieronymus Bosch; anchorman Dan Rather’s mysterious mugging on Park Avenue as he strolls home alone one October evening; a series of postcard meditations on the idea of travel from a young American journalist visiting Burma; a husband-and-wife team of fundamentalist Christian suicide bombers; the myth of Iphigenia from Agamemnon’s daughter’s point of view—these and other stories form a mosaic, connected through a pattern of musical motifs, transposed scenes, and recurring characters. It is a narrative about narrativity itself, the human obsession with telling ourselves and our worlds over and over again in an attempt to stabilize a truth that, as Nabokov once said, should only exist within quotation marks. |
| nietzsche's kisses: Fiction's Present R. M. Berry, Jeffrey R. Di Leo, 2015-05-11 Combining creative and critical responses from some of today's most progressive and innovative novelists, critics, and theorists, Fiction's Present adventurously engages the aesthetic, political, philosophical, and cultural dimensions of contemporary fiction. By juxtaposing scholarly articles with essays by practicing novelists, the book takes up not only the current state of literature and its criticism but also connections between contemporary philosophy and contemporary fiction. In doing so, the contributors aim to provoke further discussion of the present inflection of fiction—a present that can be seen as Janus-faced, looking both forward to the novel's radically changed, political, economic, and technological circumstances, and back to its history of achievements and problems. Editors R. M. Berry and Jeffrey R. Di Leo contend that examinations of fiction's present are most informative not when they defend philosophical distinctions or develop literary classifications, but when they grapple with elusive topics such as the meaning of a narrative present or the relation of fiction's medium to its representations of context. As the essays reveal, this process, when pursued diligently, breaks down traditional divisions of academic and intellectual labor, compelling the fiction writer to become more philosophical and the theorist to become more imaginative. The value of this book is not in the exhaustiveness of its treatment, but rather in the seriousness of the criticism it incites. The present materializes in quarrel, and it is toward such a beginning that the writings in Fiction's Present work. |
| nietzsche's kisses: Anxious Pleasures Lance Olsen, 2007-02-01 Anxious Pleasures takes Franz Kafka's profoundly haunting and sad comic novella, The Metamorphosis, and reanimates it through the vantage points of those who surrounded Gregor Samsa during his plight. All the familiar characters are here, including the hysterical mother, stern father, faithless sister, and the pragmatic household cook. But we are also introduced to, among others, the would–be author downstairs who daydreams of the narrative he may someday compose and a young woman in contemporary London reading Kafka's slim book for the first time. Or do they all comprise a few of the disturbing dreams from which Gregor is about to snap awake one morning to find himself transformed into a monstrous vermin? In the tradition of Michael Cunningham's The Hours and John Gardner's Grendel, Olsen's novel not only represents a collaboration with a ghost, but, too, a celebration, augmentation, complication, and devoted unwriting of a momentously influential text. |
| nietzsche's kisses: Nietzsche David Farrell Krell, 1996-07-11 This historical-biographical novel fleshes out the facts of Nietzsche's life with fictional treatment. Using untraditional narrative techniques and interweaving medical reports, actual letters, and original new text, the novel takes the last years of Nietzsche's life, the years of insanity, as a frame for the entire life. |
| nietzsche's kisses: Biofictional Histories, Mutations and Forms Michael Lackey, 2018-10-03 Biofiction, defined as literature that names its protagonist after an actual historical figure, first became popular in the 1930s, but over the last forty years it has become a dominant literary form. Prominent writers such as J.M. Coetzee, Joyce Carol Oates, Russell Banks, Julia Alvarez, Peter Carey, Hilary Mantel, Colm Tóibín, Anne Enright, Colum McCann, and Michael Cunningham have authored spectacular biographical novels which have won some of the world’s most prestigious awards for fiction. However, in spite of the prominence of these authors, works, and awards, there has been considerable confusion about the nature of biofiction. This collection of process pieces and academic essays from authors and scholars of biofiction defines the nature of the aesthetic form, clarifies why it has come into being, specifies what it is uniquely capable of signifying, illustrates how it pictures the historical and critiques the political, and suggests potential directions for future studies. This book was originally published as a special issue of a/b: Auto/Biography Studies. |
| nietzsche's kisses: Nietzsche and the Burbs Lars Iyer, 2019-12-03 In a work of blistering dark hilarity, a young Nietzsche experiences life in a metal band & the tribulations of finals season in a modern secondary school When a new student transfers in from a posh private school, he falls in with a group of like-minded suburban stoners, artists, and outcasts—too smart and creative for their own good. His classmates nickname their new friend Nietzsche (for his braininess and bleak outlook on life), and decide he must be the front man of their metal band, now christened Nietzsche and the Burbs. With the abyss of graduation—not to mention their first gig—looming ahead, the group ramps up their experimentations with sex, drugs, and...nihilist philosophy. Are they as doomed as their intellectual heroes? And why does the end of youth feel like such a universal tragedy? And as they ponder life's biggies, this sly, elegant, and often laugh-out-loud funny story of would-be rebels becomes something special: an absorbing and stirring reminder of a particular, exciting yet bittersweet moment in life...and a reminder that all adolescents are philosophers, and all philosophers are adolescents at heart. |
| nietzsche's kisses: To Nietzsche: Dionysus, I Love You! Ariadne Claudia Crawford, 1995-01-01 This book explores the possibility that Friedrich Nietzsche simulated his madness as a form of voluntary death, and thus that his madness functioned as the symbolic culmination of his philosophy. The book weaves together scholarly, mytho-poetic, literary critical, biographical, and dramatic genres not only to explore specifics of Nietzsche's madness, but to question the reason/madness opposition in nineteenth and twentieth century thinking. A rational and scholarly study of this period of Nietzsche's breakdown--presented through his writings, letters, and poetry in combination with relevant historical documents and other critics' writings--is simultaneously disrupted and questioned by several non-traditional discourses or voices that break in on it. Thus, Ariadne's voice frames and unframes the research context and plays alongside it. Ariadne's voice is poetic, revelatory, rhapsodic, and prophetic, sounding much like Nietzsche's own voice during his breakdown. Ariadne's discourse attempts to seduce through a non-rational, mytho-poetic love story which culminates in the wedding of Dionysus and Ariadne. Other non-rational discourses, critically developed and based upon the work of Nietzsche, Jean Baudrillard, and Gilles Deleuze, are given voice and work together with Ariadne to counter the usual interpretations of Nietzsche's madness and of what mad discourse is. These discourses are given the names catastrophe, phantasm, and seduction. The experiment of the book is not only to offer an entirely different perspective on Nietzche's madness but to offer and perform new and challenging forms of affirmative discourse. |
| nietzsche's kisses: THE GENEALOGY OF MORALS - Including Ecce Homo Autobiography & Nietzsche's Personal Letters Friedrich Nietzsche, 2017-04-17 This carefully crafted ebook collection is formatted for your eReader with a functional and detailed table of contents. The Genealogy of Morals” traces the episodes in the evolution of moral concepts with a view to confront moral prejudices, specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. Ecce Homo: How One Becomes What One Is” is the last book written by Nietzsche before his final years of insanity that lasted until his death in 1900. According to Walter Kaufmann, Nietzsche's most prominent English translators, the book offers Nietzsche's own interpretation of his development, his works, and his significance. Selected Letters” includes various personal letters by Nietzsche to his family and friends. Friedrich Nietzsche (1844–1900) was a German philosopher, poet, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. Because of Nietzsche's evocative style and provocative ideas, his philosophy generates passionate reactions. His works remain controversial, due to varying interpretations and misinterpretations of his work. In the Western philosophy tradition, Nietzsche's writings have been described as the unique case of free revolutionary thought, that is, revolutionary in its structure and problems, although not tied to any revolutionary project. |
| nietzsche's kisses: Canetti and Nietzsche Harriet Murphy, 1997-01-01 This first full-length study investigates the profound implications of the peculiarly original sense of humor found in Elias Canetti's single novel--a facetiousness, understood in a Nietzschean sense, as a revolutionary aesthetic. |
| nietzsche's kisses: Dostoevsky, Kierkegaard, Nietzsche & Kafka William Hubben, 1997-05-13 How four of Europe’s most mysterious and fascinating writers shaped the modern mind. Dostoevsky, Kierkegaard, Nietzsche, and Kafka were all outsiders in their societies, unable to fit into the accepted nineteenth-century categories of theology, philosophy, or belles lettres. Instead, they saw themselves both as the end products of a dying civilization and as prophets of the coming chaos of the twentieth century. In this brilliant combination of biography and lucid exposition, their apocalyptic visions of the future are woven together into a provocative portrait of modernity. “This small book has a depth of insight and a comprehensiveness of treatment beyond what its modesty of size and tone indicates. William Hubben…sees the spiritual destiny of Europe as one of transcending these masters. But to be transcended, their message must first be absorbed, and that is why the study of them is so important to us now.” —William Barrett, The New York Times |
| nietzsche's kisses: Zarathustra's Last Supper Weaver Santaniello, 2023-01-06 This book explores the historical contextualization of Nietzsche's thought, focusing on Nietzsche's controversial Thus Spoke Zarathustra. The fourth part of Nietzsche's Zarathustra consists of Zarathustra's encounter with eight 'higher men' whom Zarathustra meets in succession on his path during the day. The prophet then invites each individual to his cave for the evening festivities, culminating in a blasphemous festival in which his guests worship an ass as God. Revealing each guest's specific characteristics and very distinct roles, Santaniello also attempts to discern 'who' these guests are or represent (historically) through glimpsing the characteristics specific to each representative guest (as portrayed by Nietzsche), and through careful textual analysis, comparison with Nietzsche's other works, historical evidence, and previous scholarly research. This unique exploration of Thus Spoke Zarathustra offers students and researchers alike an invaluable new contribution to Nietzsche studies. |
| nietzsche's kisses: Nietzsche's Animal Philosophy Vanessa Lemm, 2009-08-25 This book explores the significance of human animality in the philosophy of Friedrich Nietzsche and provides the first systematic treatment of the animal theme in Nietzsche's corpus as a whole Lemm argues that the animal is neither a random theme nor a metaphorical device in Nietzsche's thought. Instead, it stands at the center of his renewal of the practice and meaning of philosophy itself. Lemm provides an original contribution to on-going debates on the essence of humanism and its future. At the center of this new interpretation stands Nietzsche's thesis that animal life and its potential for truth, history, and morality depends on a continuous antagonism between forgetfulness (animality) and memory (humanity). This relationship accounts for the emergence of humanity out of animality as a function of the antagonism between civilization and culture. By taking the antagonism of culture and civilization to be fundamental for Nietzsche's conception of humanity and its becoming, Lemm gives a new entry point into the political significance of Nietzsche's thought. The opposition between civilization and culture allows for the possibility that politics is more than a set of civilizational techniques that seek to manipulate, dominate, and exclude the animality of the human animal. By seeing the deep-seated connections of politics with culture, Nietzsche orients politics beyond the domination over life and, instead, offers the animality of the human being a positive, creative role in the organization of life. Lemm's book presents Nietzsche as the thinker of an emancipatory and affirmative biopolitics. This book will appeal not only to readers interested in Nietzsche, but also to anyone interested in the theme of the animal in philosophy, literature, cultural studies and the arts, as well as those interested in the relation between biological life and politics. |
| nietzsche's kisses: Looking After Nietzsche Laurence A. Rickels, 1990-01-01 This book, like the post-Heideggerian reception of Nietzsche, rides out the splits and frays of the text offering an up-to-date look at international Nietzsche scholarship. Included are topics such as the collaboration of German thought with the rise of National Socialism and the alliance between Nietzschean genealogy and Freudian culture criticism in regard to technology and the unconscious, the status of moral imperatives from Kant to Heidegger, and Heidegger's alleged rediscovery of Nietzsche as the last metaphysician. Looking After Nietzsche is nonexclusionary in the risks it takes; every thread of Nietzsche is pursued throughout its labyrinthine entanglements. |
| nietzsche's kisses: Nihilism Before Nietzsche Michael Allen Gillespie, 1996-10 In the twentieth century, we often think of Nietzsche, nihilism, and the death of God as inextricably connected. But, in this pathbreaking work, Michael Gillespie argues that Nietzsche, in fact, misunderstood nihilism, and that his misunderstanding has misled nearly all succeeding thought about the subject. Reconstructing nihilism's intellectual and spiritual origins before it was given its determinitive definition by Nietzsche, Gillespie focuses on the crucial turning points in the development of nihilism, from Ockham and the nominalist revolution to Descartes, Fichte, the German Romantics, the Russian nihilists and Nietzsche himself. His analysis shows that nihilism is not the result of the death of God, as Nietzsche believed; but the consequence of a new idea of God as a God of will who overturns all eternal standards of truth and justice. To understand nihilism, one has to understand how this notion of God came to inform a new notion of man and nature, one that puts will in place of reason, and freedom in place of necessity and order. |
| nietzsche's kisses: Nietzsche and “The Birth of Tragedy” Paul Raimond Daniels, 2014-09-19 Nietzsche's philosophy - at once revolutionary, erudite and deep - reaches into all spheres of the arts. Well into a second century of influence, the profundity of his ideas and the complexity of his writings still determine Nietzsche's power to engage his readers. His first book, The Birth of Tragedy, presents us with a lively inquiry into the existential meaning of Greek tragedy. We are confronted with the idea that the awful truth of our existence can be revealed through tragic art, whereby our relationship to the world transfigures from pessimistic despair into sublime elation and affirmation. It is a landmark text in his oeuvre and remains an important book both for newcomers to Nietzsche and those wishing to enrich their appreciation of his mature writings. Nietzsche and The Birth of Tragedy provides a clear account of the text and explores the philosophical, literary and historical influences bearing upon it. Each chapter examines part of the text, explaining the ideas presented and assessing relevant scholarly points of interpretation. The book will be an invaluable guide to readers in Philosophy, Literary Studies and Classics coming to The Birth of Tragedy for the first time. |
| nietzsche's kisses: Nietzsche and Jewish Culture Jacob Golomb, 2002-01-04 Friedrich Nietzsche occupies a contradictory position in the history of ideas: he came up with the concept of a master race, yet an eminent Jewish scholar like Martin Buber translated his Also sprach Zarathustra into Polish and remained in a lifelong intellectual dialogue with Nietzsche. Sigmund Freud admired his intellectual courage and was not at all reluctant to admit that Nietzsche had anticipated many of his basic ideas. This unique collection of essays explores the reciprocal relationship between Nietzsche and Jewish culture. It is organized in two parts: the first examines Nietzsche's attitudes towards Jews and Judaism; the second Nietzsche's influence on Jewish intellectuals as diverse and as famous as Franz Kafka, Martin Buber, Franz Rosenzweig and Sigmund Freud. Each carefully selected essay explores one aspect of Nietzsche's relation to Judaism and German intellectual history, from Heinrich Heine to Nazism. |
| nietzsche's kisses: Nietzsche: A Guide for the Perplexed R. Kevin Hill, 2007-07-24 A clear, concise student guide that covers the full range of Nietzsche's major works and ideas, including a detailed examination of his best known work, Thus Spoke Zarathustra. |
| nietzsche's kisses: What the God-seekers found in Nietzsche Nel Grillaert, 2008-01-01 At the end of the nineteenth and the beginning of the twentieth century, a large and varied group of the Russian intelligentsia became fascinated by Friedrich Nietzsche, whose provocative ideas inspired many of them to overcome obsolete traditions and to create new values. Paradoxically, the German philosopher, who vigorously challenged the established Christian worldview, invigorated the rich ferment of religious philosophy in the Russian Silver Age: his ideas served as a fruitful source of inspiration for the philosophers of the Russian religious renaissance, the so-called God-seekers, in their quest for a new religious consciousness. Especially Nietzsche’s anthropology of the Übermensch was instrumental in their reformulation of Christianity. This book explores how three pivotal figures in the Russian religious reception of Nietzsche, i.e. Vladimir Solov’ëv, Dmitrii Merezhkovskii and Nikolai Berdiaev, engaged in a vacillating yet highly prolific debate with Nietzsche and how each of them appropriated his anthropology of the Übermensch in their religious philosophy. In order to explain Merezhkovskii’s and Berdiaev’s assessment of Nietzsche, the author highlights the significance of Dostoevskii: only by reading Nietzsche through the prism of Dostoevskii could both God-seekers pin down the religious ramifications of Nietzsche’s thought. This book will be of interest to anyone fascinated by Nietzsche, Dostoevskii, Russian religious philosophy, Russian history of ideas and reception studies. |
| nietzsche's kisses: Labyrinths of the Mind Daniel R. White, Gert Hellerich, 1998-04-30 Applies postmodern theory to the working assumptions and consequent practices of therapy in various disciplines, from clinical psychology to schooling. |
| nietzsche's kisses: Bad Boy Nietzsche! and Other Plays Richard Foreman, 2015-04-10 Richard Foreman has been at the leading edge of the theatrical avant-garde in the United States and throughout the world since 1968. His legendary productions, written and directed by him at his Ontological-Hysteric Theatre have influenced two generations of theater artists. This new anthology collects plays written and performed over six years, including Now That Communism Is Dead My Life Feels Empty, Maria del Bosco, Panic (How to Be Happy!), Bad Boy Nietzsche!, Bad Behavior and King Cowboy Rufus Rules the Universe. Richard Foreman founded the Ontological-Hysteric Theatre in 1968. The theater is currently in the historic St. Marks Church, where he rehearses and produces one of his new plays each year, each play performing for 16 weeks every winter. |
| nietzsche's kisses: American Nietzsche Jennifer Ratner-Rosenhagen, 2012 If you were looking for a philosopher likely to appeal to Americans, Friedrich Nietzsche would be far from your first choice. After all, in his blazing career, Nietzsche took aim at nearly all the foundations of modern American life: Christian morality, the Enlightenment faith in reason, and the idea of human equality. Despite that, for more than a century Nietzsche has been a hugely popular—and surprisingly influential—figure in American thought and culture. In American Nietzsche, Jennifer Ratner-Rosenhagen delves deeply into Nietzsche's philosophy, and America’s reception of it, to tell the story of his curious appeal. Beginning her account with Ralph Waldo Emerson, whom the seventeen-year-old Nietzsche read fervently, she shows how Nietzsche’s ideas first burst on American shores at the turn of the twentieth century, and how they continued alternately to invigorate and to shock Americans for the century to come. She also delineates the broader intellectual and cultural contexts within which a wide array of commentators—academic and armchair philosophers, theologians and atheists, romantic poets and hard-nosed empiricists, and political ideologues and apostates from the Left and the Right—drew insight and inspiration from Nietzsche’s claims for the death of God, his challenge to universal truth, and his insistence on the interpretive nature of all human thought and beliefs. At the same time, she explores how his image as an iconoclastic immoralist was put to work in American popular culture, making Nietzsche an unlikely posthumous celebrity capable of inspiring both teenagers and scholars alike. A penetrating examination of a powerful but little-explored undercurrent of twentieth-century American thought and culture, American Nietzsche dramatically recasts our understanding of American intellectual life—and puts Nietzsche squarely at its heart. |
| nietzsche's kisses: Anneliese's House Lou Andreas-Salomé, 2021 The first English translation of a presciently modern portrayal of emerging feminist sensibilities in a nineteenth-century family, by one of Germany's leading pre-First World War writers. |
| nietzsche's kisses: Nietzsche and Soviet Culture Bernice Glatzer Rosenthal, 1994-09-22 This 1994 pioneering study documents the extent and diversity of the impact of Nietzschean ideas on Soviet literature and culture. It shows how these ideas, unacknowledged and reworked, entered and shaped that culture and stimulated the imagination of both supporters and detractors of the regime. |
| nietzsche's kisses: The Publishers Weekly , 2007 |
Friedrich Nietzsche - Wikipedia
Friedrich Wilhelm Nietzsche [b] (15 October 1844 – 25 August 1900) was a German philosopher. He began his career as a classical philologist, turning to philosophy early in his academic career.
Friedrich Nietzsche - Stanford Encyclopedia of Philosophy
Mar 17, 2017 · Friedrich Nietzsche (1844–1900) was a German philosopher and cultural critic who published intensively in the 1870s and 1880s. He is famous for uncompromising criticisms of …
Friedrich Nietzsche | Biography, Books, & Facts | Britannica
Jun 9, 2025 · Friedrich Nietzsche was a German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. His attempts to unmask …
Nietzsche, Friedrich - Internet Encyclopedia of Philosophy
Nietzsche was a German philosopher, essayist, and cultural critic. His writings on truth, morality, language, aesthetics, cultural theory, history, nihilism, power, consciousness, and the meaning …
14 Examples of Nietzsche's Philosophy - Simplicable
Aug 23, 2020 · Friedrich Nietzsche was a 19th century philosopher who exerted a massive influence on the path of academic thought that arguably shaped the late-modern and …
Friedrich Nietzsche: Biography, German Philosopher, Übermensch
Aug 8, 2023 · German philosopher Friedrich Nietzsche is known for his writings on good and evil, the end of religion in modern society and the concept of a "super-man."
Friedrich Nietzsche: Ideas, Quotes and Life - Philosophy Terms
Friedrich Nietzsche (NEE-chuh, not NEE-chee) was a German philosopher of the 19 th century who today is one of the Western tradition’s most controversial figures. He launched blistering …
An Introduction to the Work of Nietzsche - Friedrich Nietzsche
Nietzsche examines his own genesis as a philosopher by means of a retrospective discussion of his entire corpus, offering critical remarks, details of how the works were inspired, and …
Friedrich Nietzsche - Philosopher, Age, Married, Children
Feb 5, 2025 · Discover the life of Friedrich Nietzsche, a philosopher known for his writings on individuality and morality, his age, and influence on 20th-century thinkers.
Philosophy of Friedrich Nietzsche - Wikipedia
Since the dawn of the 20th century, the philosophy of Nietzsche has had great intellectual and political influence around the world. Nietzsche applied himself to such topics as morality, …
Friedrich Nietzsche - Wikipedia
Friedrich Wilhelm Nietzsche [b] (15 October 1844 – 25 August 1900) was a German philosopher. He began his career as a classical philologist, turning to philosophy early in his academic career.
Friedrich Nietzsche - Stanford Encyclopedia of Philosophy
Mar 17, 2017 · Friedrich Nietzsche (1844–1900) was a German philosopher and cultural critic who published intensively in the 1870s and 1880s. He is famous for uncompromising criticisms of …
Friedrich Nietzsche | Biography, Books, & Facts | Britannica
Jun 9, 2025 · Friedrich Nietzsche was a German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. His attempts to unmask …
Nietzsche, Friedrich - Internet Encyclopedia of Philosophy
Nietzsche was a German philosopher, essayist, and cultural critic. His writings on truth, morality, language, aesthetics, cultural theory, history, nihilism, power, consciousness, and the meaning …
14 Examples of Nietzsche's Philosophy - Simplicable
Aug 23, 2020 · Friedrich Nietzsche was a 19th century philosopher who exerted a massive influence on the path of academic thought that arguably shaped the late-modern and …
Friedrich Nietzsche: Biography, German Philosopher, Übermensch
Aug 8, 2023 · German philosopher Friedrich Nietzsche is known for his writings on good and evil, the end of religion in modern society and the concept of a "super-man."
Friedrich Nietzsche: Ideas, Quotes and Life - Philosophy Terms
Friedrich Nietzsche (NEE-chuh, not NEE-chee) was a German philosopher of the 19 th century who today is one of the Western tradition’s most controversial figures. He launched blistering …
An Introduction to the Work of Nietzsche - Friedrich Nietzsche
Nietzsche examines his own genesis as a philosopher by means of a retrospective discussion of his entire corpus, offering critical remarks, details of how the works were inspired, and …
Friedrich Nietzsche - Philosopher, Age, Married, Children
Feb 5, 2025 · Discover the life of Friedrich Nietzsche, a philosopher known for his writings on individuality and morality, his age, and influence on 20th-century thinkers.
Philosophy of Friedrich Nietzsche - Wikipedia
Since the dawn of the 20th century, the philosophy of Nietzsche has had great intellectual and political influence around the world. Nietzsche applied himself to such topics as morality, …
