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old masters and young geniuses: Old Masters and Young Geniuses David W. Galenson, 2011-06-27 When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity. |
old masters and young geniuses: Old Masters Thomas Bernhard, 2019-08-15 In this exuberantly satirical novel, the tutor Atzbacher has been summoned by his friend Reger to meet him in a Viennese museum. While Reger gazes at a Tintoretto portrait, Atzbacher—who fears Reger's plans to kill himself—gives us a portrait of the musicologist: his wisdom, his devotion to his wife, and his love-hate relationship with art. With characteristically acerbic wit, Bernhard exposes the pretensions and aspirations of humanity in a novel at once pessimistic and strangely exhilarating. Bernhard's . . . most enjoyable novel.—Robert Craft, New York Review of Books. Bernhard is one of the masters of contemporary European fiction.—George Steiner |
old masters and young geniuses: Still Life Emily Urquhart, 2020-09 A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us. -- from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we've done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood. |
old masters and young geniuses: Masters of Doom David Kushner, 2003-04-24 Masters of Doom is the amazing true story of the Lennon and McCartney of video games: John Carmack and John Romero. Together, they ruled big business. They transformed popular culture. And they provoked a national controversy. More than anything, they lived a unique and rollicking American Dream, escaping the broken homes of their youth to co-create the most notoriously successful game franchises in history—Doom and Quake—until the games they made tore them apart. Americans spend more money on video games than on movie tickets. Masters of Doom is the first book to chronicle this industry’s greatest story, written by one of the medium’s leading observers. David Kushner takes readers inside the rags-to-riches adventure of two rebellious entrepreneurs who came of age to shape a generation. The vivid portrait reveals why their games are so violent and why their immersion in their brilliantly designed fantasy worlds offered them solace. And it shows how they channeled their fury and imagination into products that are a formative influence on our culture, from MTV to the Internet to Columbine. This is a story of friendship and betrayal, commerce and artistry—a powerful and compassionate account of what it’s like to be young, driven, and wildly creative. “To my taste, the greatest American myth of cosmogenesis features the maladjusted, antisocial, genius teenage boy who, in the insular laboratory of his own bedroom, invents the universe from scratch. Masters of Doom is a particularly inspired rendition. Dave Kushner chronicles the saga of video game virtuosi Carmack and Romero with terrific brio. This is a page-turning, mythopoeic cyber-soap opera about two glamorous geek geniuses—and it should be read while scarfing down pepperoni pizza and swilling Diet Coke, with Queens of the Stone Age cranked up all the way.”—Mark Leyner, author of I Smell Esther Williams |
old masters and young geniuses: Creativity Elkhonon Goldberg PhD, ABPP, 2018-01-02 What is the nature of human creativity? What are the brain processes behind its mystique? What are the evolutionary roots of creativity? How does culture help shape individual creativity? Creativity: The Human Brain in the Age of Innovation by Elkhonon Goldberg is arguably the first ever book to address these and other questions in a way that is both rigorous and engaging, demystifying human creativity for the general public. The synthesis of neuroscience and the humanities is a unique feature of the book, making it of interest to an unusually broad range of readership. Drawing on a number of cutting-edge discoveries from brain research as well as on his own insights as a neuroscientist and neuropsychologist, Goldberg integrates them with a wide-ranging discussion of history, culture, and evolution to arrive at an original, compelling, and at times provocative understanding of the nature of human creativity. To make his argument, Goldberg discusses the origins of language, the nature of several neurological disorders, animal cognition, virtual reality, and even artificial intelligence. In the process, he takes the reader to different times and places, from antiquity to the future, and from Western Europe to South-East Asia. He makes bold predictions about the future directions of creativity and innovation in society, their multiple biological and cultural roots and expressions, about how they will shape society for generations to come, and even how they will change the ways the human brain develops and ages. |
old masters and young geniuses: Oil and Marble Stephanie Storey, 2016-03-01 From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other.--Front jacket flap. |
old masters and young geniuses: Complete Guide to Life Drawing Gottfried Bammes, 2011-10-01 A complete course, packed with instruction and profusely illustrated. This fantastic book is all you need if you want to start drawing the figure, or if you want to develop your life drawing skills. It is the ultimate reference book, a most inspirational guide and above all it offers everything you ever needed to know, including tips on simple ways to get it right, essential advice on anatomy, help with easy drawing methods and many different examples of the drawn figure. It is important to understand how the body works and detailed sections show hands, feet, faces, limbs and much more. |
old masters and young geniuses: Hereditary Genius Francis Galton, 1891 |
old masters and young geniuses: Conceptual Revolutions in Twentieth-Century Art David W. Galenson, 2009-09-28 Galenson combines social scientific methods with qualitative analysis to produce a new interpretation of modern art. |
old masters and young geniuses: How to Think Like Leonardo da Vinci Michael J. Gelb, 2009-10-21 NATIONAL BESTSELLER • Uncover your own hidden abilities, sharpen your senses, and liberate your unique intelligence by following the example of the greatest genius of all time, Leonardo da Vinci. “By capturing the very essence and Da Vinci’s life and genius—the seemingly perfect integration of mind, body, spirit, and soul—Michael Gelb guides us in a discovery and understanding of the boundlessness of our own full human potential.”—DEEPAK CHOPRA Genius is made, not born. And human beings are gifted with an almost unlimited potential for learning and creativity. Acclaimed author Michael J. Gelb, who has helped thousands of people expand their minds to accomplish more than they ever thought possible, shows you how. Drawing on renowned artist Leonardo da Vinci’s notebooks, inventions, and legendary works of art, Gelb introduces Seven Da Vincian Principles—the essential elements of genius—from curiosità, the insatiably curious approach to life, to connessione, the appreciation for the interconnectedness of all things. Step by step, through exercises and provocative lessons, you will harness the power—and awesome wonder—of your own genius, mastering such life-changing abilities as: • problem solving • creative thinking • self-expression • enjoying the world around you • goal setting and life balance • harmonizing body and mind With Da Vinci as your inspiration, you will discover an exhilarating new way of thinking. |
old masters and young geniuses: Painting Outside the Lines David W. Galenson, 2001 In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity. |
old masters and young geniuses: Goya Robert Hughes, 2012-05-23 Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history’s most compelling, enigmatic, and important figures, Francisco José de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular. |
old masters and young geniuses: Artists as Inventors, Inventors as Artists Dieter Daniels, 2008 Using both historical and contemporary examples, this publication traces the complex relationships between art, technology, and science, focusing on technological and artistic media from the nineteenth century to the present day. The interplay of technological invention and artistic innovation requires a variety of methods, ranging from the fine arts and cultural studies to the history of science and media archaeology. Among the key themes, which the contributions examine from a variety of perspectives, are: the status of technology as a shared feature of or boundary object between art and science; the conflicts among ethical, aesthetic, and economic values in the system of art versus that of technology; the paradox that inventions are regarded as achievements of individual geniuses but can actually only be made and successfully applied if they have been sanctioned by the sociohistorical zeitgeist.--BOOK JACKET. |
old masters and young geniuses: Grand Pursuit Sylvia Nasar, 2011 An instant New York Times bestseller, from the author of A Beautiful Mind: a sweeping history of the invention of modern economics that takes readers from Dickens' London to modern Calcutta. |
old masters and young geniuses: Late Bloomers Rich Karlgaard, 2019 Discusses what it means to be a late bloomer in a world obsessed with early achievement. Examines research and personal experience to reveal how and when people achieve their full potential, and how society's focus on early achievement may be misguided, with executive brain function not maturing until age twenty-five |
old masters and young geniuses: Sleuth Philip Mould, 2011-06-01 In 'Sleuth' we encounter the fascinating dealers, experts, auctioneers and restorers who risk fortunes and reputations to turn overlooked artworks into coveted treasures. |
old masters and young geniuses: But Is It Art? Cynthia Freeland, 2002-02-07 In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. |
old masters and young geniuses: Genius Explained Michael J. A. Howe, 2001-05-31 This study controversially suggests genius is made not born by tracing the lives of famous figures. |
old masters and young geniuses: The Science of Leonardo Fritjof Capra, 2008-12-02 Leonardo da Vinci's scientific explorations were virtually unknown during his lifetime, despite their extraordinarily wide range. He studied the flight patterns of birds to create some of the first human flying machines; designed military weapons and defenses; studied optics, hydraulics, and the workings of the human circulatory system; and created designs for rebuilding Milan, employing principles still used by city planners today. Perhaps most importantly, Leonardo pioneered an empirical, systematic approach to the observation of nature-what is known today as the scientific method.Drawing on over 6,000 pages of Leonardo's surviving notebooks, acclaimed scientist and bestselling author Fritjof Capra reveals Leonardo's artistic approach to scientific knowledge and his organic and ecological worldview. In this fascinating portrait of a thinker centuries ahead of his time, Leonardo singularly emerges as the unacknowledged “father of modern science.” From the Trade Paperback edition. |
old masters and young geniuses: All Men of Genius Lev A. C. Rosen, 2012-11-13 Inspired by two of the most beloved works by literary masters, All Men of Genius takes place in an alternate Steampunk Victorian London, where science makes the impossible possible. Violet Adams wants to attend Illyria College, a widely renowned school for the most brilliant up-and-coming scientific minds, founded by the late Duke Illyria, the greatest scientist of the Victorian Age. The school is run by his son, Ernest, who continues his father's policy that the small, exclusive college remain male-only. Violet sees her opportunity when her father departs for America. She disguises herself as her twin brother, Ashton, and gains entry. But keeping the secret of her sex won't be easy, not with her friend Jack's constant habit of pulling pranks, and especially not when the duke's young ward, Cecily, starts to develop feelings for Violet's alter ego, Ashton. Not to mention blackmail, mysterious killer automata, and the way Violet's pulse quickens whenever the young duke, Ernest, speaks to her. She soon realizes that it's not just keeping her secret until the end of the year faire she has to worry about: it's surviving that long. |
old masters and young geniuses: Valley of Genius Adam Fisher, 2014-11-04 This is the most important book on Silicon Valley I've read in two decades. It will take us all back to our roots in the counterculture, and will remind us of the true nature of the innovation process, before we tried to tame it with slogans and buzzwords. -- Po Bronson, #1 New York Times bestselling author of The Nudist on the Late Shift and Nurtureshock A candid, colorful, and comprehensive oral history that reveals the secrets of Silicon Valley -- from the origins of Apple and Atari to the present day clashes of Google and Facebook, and all the start-ups and disruptions that happened along the way. Rarely has one economy asserted itself as swiftly--and as aggressively--as the entity we now know as Silicon Valley. Built with a seemingly permanent culture of reinvention, Silicon Valley does not fight change; it embraces it, and now powers the American economy and global innovation. So how did this omnipotent and ever-morphing place come to be? It was not by planning. It was, like many an empire before it, part luck, part timing, and part ambition. And part pure, unbridled genius... Drawing on over two hundred in-depth interviews, Valley of Genius takes readers from the dawn of the personal computer and the internet, through the heyday of the web, up to the very moment when our current technological reality was invented. It interweaves accounts of invention and betrayal, overnight success and underground exploits, to tell the story of Silicon Valley like it has never been told before. Read it to discover the stories that Valley insiders tell each other: the tall tales that are all, improbably, true. |
old masters and young geniuses: Teaching Genius Barbara Lourie Sand, 2005-11-01 (Amadeus). Itzhak Perlman, Kennedy, Midori, and Sarah Chang were among Dorothy Delay's students during her five decades as a violin teacher at Juilliard. For more than ten years, the author was granted access to DeLay's classes and lessons at Juilliard and the Aspen Music Festival and School, and this book reveals DeLay's deep intuition of each student's needs. An exploration of the mysteries of teaching and learning, it includes a feast of anecdotes about an extraordinary character. |
old masters and young geniuses: Titian Remade Maria H. Loh, 2007 This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino. |
old masters and young geniuses: Vasari's Words Douglas Biow, 2018-10-18 Explores through keywords how Vasari's Lives is designed to address a variety of compelling, culturally determined ideas. |
old masters and young geniuses: The Art of Renaissance Europe Bosiljka Raditsa, 2000 Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary. |
old masters and young geniuses: Lost Secrets of Master Musicians David P. Jacobson, 2016-09-12 Can talent be explained? The secret techniques and musical insights of classical music's greatest performers are revealed by David Jacobson, founder/director of the San Francisco Institute of Music and graduate of Curtis Institute of Music. This window into their genius will transform and revitalize the art of classical music. |
old masters and young geniuses: Young Geniuses and Old Masters David W. Galenson, Robert Jensen, 2001 There have been two very different life cycles for great artists: some have made their greatest contributions very early in their careers, whereas others have produced their best work late in their lives. These two patterns have been associated with different working methods, as art's young geniuses have worked deductively to make conceptual innovations, while its old masters have worked inductively, to innovate experimentally. We demonstrate the value of this typology by considering the careers of four great conceptual innovators - Masaccio, Raphael, Picasso, and Johns - and five great experimental innovators - Michelangelo, Titian, Rembrandt, ezanne, and Pollock. Recognition of the effect of an artist's methods on the timing of his contribution appears to solve a puzzle that has been recognized by art historians for more than a century |
old masters and young geniuses: Artistic Capital David Galenson, 2006-05-02 David Galenson's work on the history of art is a unique fusion of econometrics and cultural analysis that is unprecedented in the literature on creativity in any discipline, whether economics, psychology, literary studies or art history. |
old masters and young geniuses: The Quants Scott Patterson, 2012-05-31 You're a genius. Nobody plays the financial markets better than you. What could possibly go wrong? Quants - quantitative analysts - were the maths masterminds let loose on Wall Street in the belief that their brilliant, impregnable computer programs would always beat the market. But as the catastrophic events of 2007 and 2008 showed, their seemingly failproof methods were little more than ticking timebombs. Inspired by the 'Godfather of Quants' - maths-professor-turned-gambler Ed Thorp, who began applying skills learned at the Vegas tables to the financial markets back in the 1950s - the quants achieved extraordinary success and massive wealth. This book charts their rise from obscurity to boom and then to bust, explaining why they were so confident - and how they got it so disastrously wrong. |
old masters and young geniuses: The Death of the Artist William Deresiewicz, 2022-02 A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society. |
old masters and young geniuses: Bernini Franco Mormando, 2013-04-02 Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome. |
old masters and young geniuses: Conchophilia Marisa Anne Bass, Anne Goldgar, Hanneke Grootenboer, Claudia Swan, 2021-08-17 A captivating historical look at the cultural and artistic significance of shells in early modern Europe Among nature’s most artful creations, shells have long inspired the curiosity and passion of artisans, artists, collectors, and thinkers. Conchophilia delves into the intimate relationship between shells and people, offering an unprecedented account of the early modern era, when the influx of exotic shells to Europe fueled their study and representation as never before. From elaborate nautilus cups and shell-encrusted grottoes to delicate miniatures, this richly illustrated book reveals how the love of shells intersected not only with the rise of natural history and global trade but also with philosophical inquiry, issues of race and gender, and the ascent of art-historical connoisseurship. Shells circulated at the nexus of commerce and intellectual pursuit, suggesting new ways of thinking about relationships between Europe and the rest of the world. The authors focus on northern Europe, where the interest and trade in shells had its greatest impact on the visual arts. They consider how shells were perceived as exotic objects, the role of shells in courtly collections, their place in still-life tableaus, and the connections between their forms and those of the human body. They examine how artists gilded, carved, etched, and inked shells to evoke the permeable boundary between art and nature. These interactions with shells shaped the ways that early modern individuals perceived their relation to the natural world, and their endeavors in art and the acquisition of knowledge. Spanning painting and print to architecture and the decorative arts, Conchophilia uncovers the fascinating ways that shells were circulated, depicted, collected, and valued during a time of remarkable global change. |
old masters and young geniuses: Bohemian Rogue Stephen C. Jordan, 2005 Artist John Decker was born in Germany in 1895, but found his fame in Hollywood during the 1930s and '40s. At the age of 13, he was abandoned by his parents in London, where he found work painting scenery for the theatre circuit. Taken under the wing of a talented forger, Decker developed a remarkable ability to recreate works by the old Masters--a skill that helped land him in jail, but also brought him thousands of dollars throughout his life. After stowing away to America in 1921, Decker became a caricaturist for a New York paper. In 1928 he left for Hollywood and became friends with many of its biggest names, including John Barrymore, Errol Flynn, and W. C. Fields. Though Decker struggled to find film work as an artist and set designer, his drawings appeared in numerous publications from coast to coast. He was commissioned to do paintings of, among others, the Marx Brothers, Greta Garbo, Mickey Rooney, and Charlie Chaplin (who bought twelve of his portraits). Eventually, Decker's paintings were exhibited in Rome, New York, and Los Angeles, and his creations graced museum walls alongside many of the great artists, including Van Gogh, Rembrandt, and Daumier. Stories on Decker, his art, and his exhibitions, appeared in all the major newspapers, as well as such magazines as Esquire, Time, and Newsweek. With all of his amazing talent--and scandalous exploits--it's surprising that the name of John Decker isn't more familiar today. In Bohemian Rogue: The Life of Hollywood Artist John Decker, author Stephen C. Jordan seeks to resurrect this forgotten figure of 20th century art. Jordan delves into the mystery of a man who overcame a difficult childhood and notorious apprenticeship to become a respected artist (and outrageous party-giver) in Hollywood. Bohemian Rogue chronicles the relatively brief--but eccentric--life of this neglected painter, caricaturist, and sculptor. |
old masters and young geniuses: Strange Brains and Genius Clifford A. Pickover, 1999-05-19 Never has the term mad scientist been more fascinatingly explored than in internationally recognized popular science author Clifford Pickover's richly researched wild ride through the bizarre lives of eccentric geniuses. A few highlights: The Pigeon Man from Manhattan Legendary inventor Nikola Tesla had abnormally long thumbs, a peculiar love of pigeons, and a horror of women's pearls. The Worm Man from Devonshire Forefather of modern electric-circuit design Oliver Heaviside furnished his home with granite blocks and sometimes consumed only milk for days (as did Nikola Tesla and Thomas Edison). The Rabbit-Eater from Lichfield Renowned scholar Samuel Johnson had so many tics and quirks that some mistook him for an idiot. In fact, his behavior matches modern definitions of obsessive-compulsive disorder and Tourette's syndrome. Pickover also addresses many provocative topics: the link between genius and madness, the role the brain plays in alien abduction and religious experiences, UFOs, cryonics -- even the whereabouts of Einstein's brain! |
old masters and young geniuses: Mud and Stars Sara Wheeler, 2019-11-05 With the writers of the golden age as her guides—Pushkin, Tolstoy, Gogol, and Turgenev, among others—Sara Wheeler searches for a Russia not in the news, traveling from rinsed northwestern beet fields and the Far Eastern Arctic tundra to the cauldron of nationalities, religions, and languages in the Caucasus. Bypassing major cities as much as possible, she goes instead to the places associated with the country’s literary masters. Wheeler weaves these writers’ lives and works around their historical homes, giving us rich portraits of the many diverse Russias from which these writers spoke. Illustrated with both historical images and contemporary snapshots of the people and places that shaped her journey, Mud and Stars gives us timely, witty, and deeply personal insights into Russia, then and now. One of Smithsonian’s Ten Best Travel Books of the Year |
old masters and young geniuses: The Smartest Kid in the Universe Book 2: Genius Camp Chris Grabenstein, 2022-10-18 Pure jelly-bean-enhanced entertainment and a perfect escape.—The New York Times The Smartest Kid in the Universe goes to genius camp in book two of this action-packed series from the #1 New York Times bestselling author of Escape from Mr. Lemoncello's Library! Jake McQuade is the Smartest Kid in the Universe and he's back to defend his title! This time, he is heading off to a camp for geniuses sponsored by billionaire tech mogul and inventor, Zane Zinkle. Genius camp is not like regular camp. There are limo buses, robot polar bears, and high-tech cabins with high-tech toilets! But it isn’t all fun and games at camp, especially when Jake goes up against the artificially intelligent Virtuoso quantum computer—the smartest machine in the universe—which also happens to be Zinkle’s latest genius creation! It's boy versus bot in this epic showdown packed with puzzles, action, adventure, and hilarious, jelly bean-fueled fun! Bonus puzzle included! Chris Grabenstein just might be the smartest writer for kids in the universe. —James Patterson Clever, fast-paced and incredibly funny. --Stuart Gibbs, New York Times Bestselling author of Spy School |
old masters and young geniuses: The Middle Years Henry James, 2018-02-16 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
old masters and young geniuses: Brief Encounters with Che Guevara Ben Fountain, 2009-10-13 Winner of the PEN/Hemingway Award * A National Bestseller “An exceptional story collection.” —New York Times Book Review The well-intentioned protagonists of Brief Encounters with Che Guevera—including a disillusioned NGO worker, the wife of a special operations officer, and an obssessed ornithologist—are caught, to both disastrous and hilarious effect, in the maelstrom of political and social upheaval surrounding them. With masterful pacing and a robust sense of the absurd, each story is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition. An intelligent and keenly observed collection, Brief Encounters with Che Guevera marks the arrival of a striking and resonant new voice that speaks adeptly to the intimate connection between the foreign, the familiar, and the inescapably human. |
old masters and young geniuses: Portrait in Oil Nubar S. Gulbenkian, 1965 |
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Old (film) - Wikipedia
Old is a 2021 American body horror thriller film written, directed, and produced by M. Night Shyamalan. It is based on the French-language Swiss graphic novel Sandcastle by Pierre Oscar …
OLD Definition & Meaning - Merriam-Webster
The meaning of OLD is dating from the remote past : ancient. How to use old in a sentence. Synonym Discussion of Old.
Old (2021) - IMDb
Jul 23, 2021 · Old: Directed by M. Night Shyamalan. With Gael García Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff. A vacationing family discovers that the secluded beach where they're relaxing …
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OLD | English meaning - Cambridge Dictionary
OLD definition: 1. having lived or existed for many years: 2. unsuitable because intended for older people: 3…. Learn more.
Old - definition of old by The Free Dictionary
1. An individual of a specified age: a five-year-old. 2. Old people considered as a group. Used with the: caring for the old. 3. Former times; yore: in days of old.
Historic City Hall & Old Jail | Explore Georgia
Historic City Hall was built in 1910. The site of the building was the original site of the first hospital in Griffin, which was later moved to another location so City Hall could begin construction.
OLD Definition & Meaning | Dictionary.com
old age. as if or appearing to be far advanced in years. Worry had made him old. having lived or existed for a specified time: a century-old organization.
OLD | meaning - Cambridge Learner's Dictionary
OLD definition: 1. having lived or existed for a long time: 2. having been used or owned for a long time: 3. used…. Learn more.
Old Navy | Shop the Latest Fashion for the Whole Family
Old Navy provides the latest fashions at great prices for the whole family. Shop men's, women's, women's plus, kids', baby and maternity wear. We also offer big and tall sizes for adults and …
Old (film) - Wikipedia
Old is a 2021 American body horror thriller film written, directed, and produced by M. Night Shyamalan. It is based on the French-language Swiss graphic novel Sandcastle by Pierre …
OLD Definition & Meaning - Merriam-Webster
The meaning of OLD is dating from the remote past : ancient. How to use old in a sentence. Synonym Discussion of Old.
Old (2021) - IMDb
Jul 23, 2021 · Old: Directed by M. Night Shyamalan. With Gael García Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff. A vacationing family discovers that the secluded beach where they're …
Old - Official Trailer [HD] - YouTube
OldIn Theaters July 23https://www.old.movieThis summer, visionary filmmaker M. Night Shyamalan unveils a chilling, mysterious new thriller about a family on ...
OLD | English meaning - Cambridge Dictionary
OLD definition: 1. having lived or existed for many years: 2. unsuitable because intended for older people: 3…. Learn more.
Old - definition of old by The Free Dictionary
1. An individual of a specified age: a five-year-old. 2. Old people considered as a group. Used with the: caring for the old. 3. Former times; yore: in days of old.
Historic City Hall & Old Jail | Explore Georgia
Historic City Hall was built in 1910. The site of the building was the original site of the first hospital in Griffin, which was later moved to another location so City Hall could begin construction.
OLD Definition & Meaning | Dictionary.com
old age. as if or appearing to be far advanced in years. Worry had made him old. having lived or existed for a specified time: a century-old organization.
OLD | meaning - Cambridge Learner's Dictionary
OLD definition: 1. having lived or existed for a long time: 2. having been used or owned for a long time: 3. used…. Learn more.