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| ovid101: Washington University Studies , 1927 |
| ovid101: Fantasy Richard Mathews, 2002 First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company. |
| ovid101: Poems Mary Ware, 1809 |
| ovid101: The Transatlantic Gaze Mary Ann McDonald Carolan, 2014-02-01 Tracks the influence of Italian cinema on American film from the postwar period to the present. In The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allens To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) also resonates with Allens The Purple Rose of Cairo (1985) as well as with Neil LaButes Nurse Betty (2000). Tarantinos Kill Bill saga (2003, 2004) plays off elements of Sergio Leones spaghetti Western Cera una volta il West/Once Upon a Time in the West (1968), a transatlantic conversation about the Western that continues in Tarantinos Oscar-winning Django Unchained (2012). Lee Danielss Precious (2009) and Spike Lees Miracle at St. Anna (2008), meanwhile, demonstrate that the neorealism of Roberto Rossellini and Vittorio De Sica, which arose from the political and economic exigencies of postwar Italy, is an effective vehicle for critiquing social issues such as poverty and racism in a contemporary American context. The book concludes with an examination of American remakes of popular Italian films, a comparison that offers insight into the similarities and differences between the two cultures and the transformations in genre, both subtle and obvious, that underlie this form of cross-cultural exchange. |
| ovid101: Engaging Haydn Mary Hunter, Richard Will, 2012-07-12 Haydn is enjoying renewed appreciation as one of the towering figures of Western music history. This lively collection builds upon this resurgence of interest, with chapters exploring the nature of Haydn's invention and the cultural forces that he both absorbed and helped to shape and express. The volume addresses Haydn's celebrated instrumental pieces, the epoch-making Creation and many lesser-known but superb vocal works including the Masses, the English canzonettas and Scottish songs and the operas L'isola disabitata and L'anima del filosofo. Topics range from Haydn's rondo forms to his violin fingerings, from his interpretation of the Credo to his reading of Ovid's Metamorphoses, from his involvement with national music to his influence on the emerging concept of the musical work. Haydn emerges as an engaged artist in every sense of the term, as remarkable for his critical response to the world around him as for his innovations in musical composition. |
| ovid101: The Fasti, Tristia, Pontic Epistles, Ibis, and Halieuticon Ovid, 1872 |
| ovid101: The Trials of Frances Howard David Lindley, 2013-08-21 David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore', challenging the assumptions that have constructed her as a model of female villainy. |
| ovid101: Studies on Locke: Sources, Contemporaries, and Legacy Sarah Hutton, Paul Schuurman, 2008-09-16 John Cottingham In the anglophone philosophical world, there has, for some time, been a curious relationship between the history of philosophy and contemporary philosophical - quiry. Many philosophers working today virtually ignore the history of their s- ject, apparently regarding it as an antiquarian pursuit with little relevance to their “cutting-edge” research. Conversely, there are historians of philosophy who seldom if ever concern themselves with the intricate technical debates that ll the journals devoted to modern analytic philosophy. Both sides are surely the poorer for this strange bifurcation. For philosophy, like all parts of our intellectual culture, did not come into existence out of nowhere, but was shaped and nurtured by a long tradition; in uncovering the roots of that tradition we begin see current philoso- ical problems in a broader context and thereby enrich our understanding of their signi cance. This is surely part of the justi cation for the practice, in almost every university, of including elements from the history of philosophy as a basic part of the undergraduate curriculum. But understanding is enriched by looking forwards as well as backwards, which is why a good historian of philosophy will not just be c- cerned with uncovering ancient ideas, but will be constantly alert to how those ideas pre gure and anticipate later developments. |
| ovid101: Flavian Poetry Ruud R. Nauta, Johannes J.L Smolenaars, Harm-Jan van Dam, 2017-07-31 The reign of the Flavian emperors (69-96) saw the production of a large and varied body of Latin poetry: the epics of Valerius Flaccus, Silius Italicus and Statius, the Silvae of the same Statius, and the Epigrams of Martial. This poetry, long seen as derivative or decadent, is now increasingly appreciated for the daring originality of its responses both to the Latin literary tradition and to the contemporary Roman world. In the summer of 2003, the first-ever international conference on Flavian poetry, was held at Groningen, The Netherlands, bringing together leading scholars in the field from Europe, North America and Australasia. This volume offers a selection of the papers delivered on that occasion. |
| ovid101: The Cosmic Viewpoint Gareth D. Williams, 2012-04-05 Seneca's Natural Questions is an eight-book disquisition on the nature of meteorological phenomena, ranging inter alia from rainbows to earthquakes, from comets to the winds, from the causes of snow and hail to the reasons why the Nile floods in summer. Much of this material had been treated in the earlier Greco-Roman meteorological tradition, but what notoriously sets Seneca's writing apart is his insertion of extended moralizing sections within his technical discourse. How, if at all, are these outbursts against the luxury and vice that are apparently rampant in Seneca's first-century CE Rome to be reconciled with his main meteorological agenda? In grappling with this familiar question, The Cosmic Viewpoint argues that Seneca is no blinkered or arid meteorological investigator, but a creative explorer into nature's workings who offers a highly idiosyncratic blend of physico-moral investigation across his eight books. At one level, his inquiry into nature impinges on human conduct and morality in its implicit propagation of the familiar Stoic ideal of living in accordance with nature: the moral deviants whom Seneca condemns in the course of the work offer egregious examples of living contrary to nature's balanced way. At a deeper level, however, The Cosmic Viewpoint stresses the literary qualities and complexities that are essential to Seneca's literary art of science: his technical enquiries initiate a form of engagement with nature which distances the reader from the ordinary involvements and fragmentations of everyday life, instead centering our existence in the cosmic whole. From a figurative standpoint, Seneca's meteorological theme raises our gaze from a terrestrial level of existence to a more intuitive plane where literal vision gives way to 'higher' conjecture and intuition: in striving to understand meteorological phenomena, we progress in an elevating direction - a conceptual climb that renders the Natural Questions no mere store of technical learning, but a work that actively promotes a change of perspective in its readership. |
| ovid101: In Memoriam Helène Whittaker, 2011-08-08 References to the past play a significant role on many levels in both modern and ancient societies. What societies choose to remember and how they do it can be seen in relation to their social, religious, and moral world view. Ancient societies invested heavily in remembrance, and the memory of remarkable individuals and significant events was deliberately perpetuated through both literature and material culture. The papers in this volume discuss the topic of the deliberate creation of memory in relation to both literary and material evidence from the Graeco-Roman world. They range in time from the Greek Archaic period to Late Antiquity. A major aim of the collection as a whole is an attempt to cast light on the relationship between an individual’s gender and social status and the existence of opportunities for ensuring that he or she would be remembered after death. |
| ovid101: The Renewal of Pagan Antiquity Aby Warburg, 1999 A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning. |
| ovid101: The Northern Traveller Theodore Dwight, 1834 |
| ovid101: Posthumous America Benjamin Hoffmann, 2018-05-15 Benjamin Hoffmann’s Posthumous America examines the literary idealization of a lost American past in the works of French writers of the eighteenth and nineteenth centuries. For writers such as John Hector St. John de Crèvecœur and Claude-François de Lezay-Marnésia, America was never more potent as a driving ideal than in its loss. Examining the paradoxical American paradise depicted in Crèvecœur’s Lettres d’un cultivateur américain (1784); the “uchronotopia”—the imaginary perfect society set in America and based on what France might have become without the Revolution—of Lezay-Marnésia’s Lettres écrites des rives de l’Ohio (1792); and the political and nationalistic motivations behind François-René Chateaubriand’s idealization of America in Voyage en Amérique (1827) and Mémoires d’outre-tombe (1850), Hoffmann shows how the authors’ liberties with the truth helped create the idealized and nostalgic representation of America that dominated the collective European consciousness of their times. From a historical perspective, Posthumous America works to determine when exactly these writers stopped transcribing what they actually observed in America and started giving imaginary accounts of their experiences. A vital contribution to transatlantic studies, this detailed exploration of French perspectives on the colonial era, the War of Independence, and the birth of the American Republic sheds new light on the French fascination with America. Posthumous America will be invaluable for historians, political scientists, and specialists of literature whose scholarship looks at America through European eyes. |
| ovid101: T. Lucreti Cari De rerum natura Titus Lucretius Carus, 1893 |
| ovid101: Index Ophthalmologicus International Council of Opthalmology, 2012-12-06 |
| ovid101: Game On, Hollywood! Gretchen Papazian, Joseph Michael Sommers, 2013-02-06 The 14 essays in Game on, Hollywood! take on several points of game and film intersection. They look at storylines, aesthetics, mechanics, and production. The book is about adaptation (video game to film, film to video game), but it is even more about narrative. The essays draw attention to the ways and possibilities of telling a story. They consider differences and similarities across modes of storytelling (showing, telling, interacting), explore the consequences of time, place and ideology, and propose critical approaches to the vastness of narrative in the age of multimedia storytelling. The video games and film texts discussed include The Warriors (1979 film; 2005 video game), GoldenEye (1995 film), GoldenEye 007 (1997 and 2011 video games), Buffy the Vampire Slayer (2000-2004, television show), Buffy the Vampire Slayer: Chaos Bleeds (2003 video game), Prince of Persia: The Sands of Time (2003 video game; 2010 film), the Star Wars franchise empire (1977 on), Afro Samurai (2009 video game), and Disney's Epic Mickey (2010 video game). |
| ovid101: Thomas Mann and Shakespeare Tobias Döring, Ewan Fernie, 2015-10-22 Bringing together scholars from diverse disciplines and countries, Thomas Mann and Shakespeare is the first book-length study to explore the always fascinating, if sometimes disturbing, connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kröger with Othello and Love's Labour's Lost with Doktor Faustus. Showing how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion, Thomas Mann and Shakespeare challenges the increasingly walled-in specialism of literary topics and periodization and demonstrates the scope for new ways of reading in literary studies. |
| ovid101: Lygdamus Fernando Navarro Antolín, 2018-07-17 This volume is an in-depth study of the short poetic cycle of Lygdamus, one of the authors included in Book III of the Corpus Tibullianum. The Introduction analyzes the controversial quaestio Lygdamea (identity and dating of the poet), the relationship between Lygdamus and his beloved, Neaera, the incorporation of his poems into the Corpus Tibullianum, and the manuscript tradition. This is followed by a rigorous critical edition (taking fully into account the earliest editions and conjectures). Finally, there is a detailed and exhaustive line-by-line and word-by-word commentary on each poem, paying particular attention to elegiac terms and motifs. This is the first comprehensive study of the work of Lygdamus, considered as a poet with his own literary identity. |
| ovid101: Shakespeare and Classical Antiquity Colin Burrow, 2013-09-05 This book explains for students and scholars the nature and extent of Shakespeare's classical learning. It shows why Ben Jonson was wrong to claim that he had 'small Latin and less Greek', and demonstrates that Shakespeare acquired the central foundations of his art from his classical reading. It explores in detail his relationship to Virgil, Ovid, Plautus, Terence, Seneca, and Plutarch, as well as showing how his beliefs about and attitudes towards classicalliterature changed in the course of his career. |
| ovid101: Hungarian Classical Ballads Ninon A. M. Leader, 1967-07-02 Although Hungarian ballads were first collected about a hundred years before this book was first published in 1967, they have remained largely unknown to Western scholars. This was the first comprehensive study of the Hungarian material in any major European language. Dr Leader provides an analytic description and full English text of the main Hungarian classical ballads with their published versions. She examines their characteristics, analyses their themes, motifs and underlying folk beliefs, and relates them to ballads of other countries, particularly England and Scotland. This pioneer work suggested fresh interpretations and solutions to the problems of Hungarian ballad scholarship and enlarged the study of international ballads by making the Magyar material available in translation. It had repercussions on a wide range of folklore studies and on the comparative study of European literatures, to which the oral narrative traditions serve as important groundwork. |
| ovid101: Latin Lyric and Elegiac Poetry Diane J. Rayor, William Wendell Batstone, 1995 First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company. |
| ovid101: FAA Inspection Authorization Directory , 2001 |
| ovid101: Selected Papers on Ancient Literature and its Reception Philip Russell Hardie, 2023-08-21 This volume gathers together about two thirds of the articles and essays published between 1983 and 2021 by Philip Hardie, whose work on ancient literature has been of seminal importance in the field. The centre of gravity lies in late Republican and Augustan poetry, in particular Lucretius, Virgil, and Ovid, with important contributions on wider Augustan culture; on Neronian and Flavian epic; on the Latin poetry of late antiquity; and on the reception of Latin poetry. |
| ovid101: Second Nature John C. Witte, 2014-07-01 John Witte's poetry sweeps the reader immediately into its crosscurrents, its passionate engagement and its ambivalence. Composed of staggered tercets, the poems in Second Nature track the chaotic rush and swerve of life as we live it. Wide open to the world, Witte writes with uncommon energy and urgency and his vision is exhilarating. Second Nature teems with expertly realized lyrics, monologues, and narratives, as well as poems based on historical figures from Ovid to Janis Joplin. The metaphors for human endurance, and the transformative power of art and community, are accurate and rich. Alert to the dangers of love and loss, Witte finds his poems where sorrow and transcendence converge. Like birds singing their “desperate psalm” in a clear-cut, his poems bring us a rare kind of hope. |
| ovid101: The Diva's Gift to the Shakespearean Stage Pamela Allen Brown, 2021 The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain. Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radical challenge that pushed English playwrights to break with the past in enormously generative and provocative ways. |
| ovid101: The Works of the Greek and Roman Poets, Translated Into English Verse , 1813 |
| ovid101: The Argonautics of Apollonius Rhodius Translated Apollonius (Rhodius.), 1811 |
| ovid101: Shakespeare Studies, volume 45 James R. Siemon, Diana E. Henderson, 2017-12-31 Shakespeare Studies is an annual volume featuring the work of scholars, critics, and cultural historians from across the globe. This issue includes a Forum on the drama of the 1580s, from eleven contributors; a Next Gen Plenary, from four contributors, three articles, and reviews of sixteen books. |
| ovid101: The Hesiodic Catalogue of Women Richard Hunter, 2005-07-14 The Catalogue of Women, ascribed to Hesiod, one of the greatest figures of early hexameter poetry, maps the Greek world, its evolution and its heroic myths through the mortal women who bore children to the gods. In this collection a team of international scholars offers an attempt to explore the poem's meaning, significance and reception. Individual chapters examine the organization and structure of the poem, its social and political context, its relation to other early epic and Hesiodic poetry, its place in the development of a pan-Hellenic consciousness, and attitudes to women. The wider influence of the Catalogue is considered in chapters on Pindar and the lyric tradition, on Hellenistic poetry, and on the poem's reception at Rome. This collection provides a significant approach to the study of the Catalogue. |
| ovid101: The Alternative Augustan Age Josiah Osgood, Kit Morrell, Kathryn Welch, 2019-09-02 The princeps Augustus (63 BCE - 14 CE), recognized as the first of the Roman emperors, looms large in the teaching and writing of Roman history. Major political, literary, and artistic developments alike are attributed to him. This book deliberately and provocatively shifts the focus off Augustus while still looking at events of his time. Contributors uncover the perspectives and contributions of a range of individuals other than the princeps. Not all thought they were living in the Augustan Age. Not all took their cues from Augustus. In their self-display or ideas for reform, some anticipated Augustus. Others found ways to oppose him that also helped to shape the future of their community. The volume challenges the very idea of an Augustan Age by breaking down traditional turning points and showing the continuous experimentation and development of these years to be in continuity with earlier Roman culture. In showcasing absences of Augustus and giving other figures their due, the papers here make a seemingly familiar period startlingly new. |
| ovid101: Overheard Voices Ann Keniston, 2006-01-20 Overheard Voices examines poetic address and in particular apostrophe (the address of absent or inanimate others) in the work of four post-World War II American poets, with a focus on loss, desire, figuration, audience, and subjectivity. By approaching these crucial issues from an unexpected angle--through a study of the seldom-examined lyric you--Overheard Voices offers new insight into both contemporary lyric and the lyric genre more generally. The book offers detailed readings of Sylvia Plath, James Merrill, Louise Glück, and Frank Bidart. |
| ovid101: An Apology For Poetry (Or The Defence Of Poesy) Philip Sidney, 2002-10-04 An Apology for Poetry (or The Defence of Poesy), by the celebrated soldier-poet Sir Philip Sidney, is the most important work of literary theory published in the Renaissance. Its wit and inventiveness place it among the first great literary productions of the age of Shakespeare. Since 1965 Geoffrey Shepherd's edition of the Apology has been the standard, and this revision of Shepherd's edition, with a new introduction and extensive notes, is designed to introduce Sidney's best-known work to a new generation of readers at the beginning of thetwenty-first century.Unfamiliar words and phrases are glossed, classical and other references explained, and difficult passages analysed in detail. This greatly expanded edition will be of value to all those interested in the Renaissance, from students and teachers at school and university to the inquisitive general reader. |
| ovid101: New Directions in the Study of Ancient Geography Duane W. Roller, 2020-07-28 This volume brings together five essays that represent the latest directions in the study of geography in classical antiquity. Arranged chronologically, these contributions cover several centuries and cultures, ranging from ancient Mesopotamia to the Roman Empire and deal with topics such as ancient cosmology, literary interpretations of geography, ancient navigation, and geography in the Roman Imperial world. Beginning in the ancient Near East, Paul T. Keyser’s essay considers how Greek scholars—whose views on the cosmos are still relevant today—were influenced by early Near Eastern beliefs about the universe. Moving to the Hellenistic period, Duane W. Roller presents and provides commentary on a navigational guide for Ptolemaic seamen written by Ptolemy II’s chief of naval staff, Timosthenes of Rhodes. Georgia L. Irby provides an analysis of a literary map—the Shield of Aeneas from Vergil’s Aeneid—as well as a detailed study of Pomponius Mela and his Chorographia, the earliest surviving Greco-Roman geographical treatise and the only extant independent geographical work in Latin. An essay by Molly Ayn Jones-Lewis completes the volume by describing how Tacitus’s Germania, of the early second century AD, is a work heavily reliant on environmental determinism, an issue that is still relevant today. Together, these essays demonstrate the great diversity of both ancient geographical writing and modern scholarship on ancient geography. This volume will be greeted with enthusiasm by ancient historians and classical studies scholars, particularly those interested in the cultural and political facets of geography. |
| ovid101: Natural History, Lore and Legend Frederick Edward Hulme, 1895 |
| ovid101: Latin Prosody Made Easy John Carey, 1830 |
| ovid101: Dialogism Michael Holquist, 2003-12-16 Holquist's masterly study draws on all of Bakhtin's known writings providing a comprehensive account of his achievement. Widely acknowledged as an exceptional guide to Bakhtin and dialogics, this book now includes a new introduction, concluding chapter and a fully updated bibliography. He argues that Bakhtin's work gains coherence through his commitment to the concept of dialogue, examining Bakhtin's dialogues with theorists such as Saussure, Freud, Marx and Lukacs, as well as other thinkers whose connection with Bakhtin has previously been ignored. Dialogism also includes dialogic readings of major literary texts, Mary Shelley's Frankenstein, Gogol's The Notes of a Madman and Fitzgerald's The Great Gatsby, which provide another dimension of dialogue with dialogue. |
| ovid101: The Elizabethan Top Ten Emma Smith, 2016-03-23 Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten. |
| ovid101: Poems. Consisting of translations from the Greek, Latin and Italian, with some originals Mary WARE (of Ware Hill, Herts.), 1809 |
| ovid101: W.B. Yeats and Indian Thought Snezana Dabic, 2016-11-14 This book presents an in-depth study of the influence of Indian philosophical and religious thought on W.B. Yeats’s poetic and dramatic work. It traces the development of this influence and inspiration from Yeats’s early impressionistic work to the mature and elaborate incorporation of Indian ideas into the structure, themes and symbolism of his writing. It recognizes the importance of his Indian friendships, Indian essays, and shows the limits of his Indianness. While providing a comprehensive analysis of Yeats’s poetry and his bizarre poetic play, The Herne’s Egg, from an Eastern perspective, the book examines how Indian philosophical concepts guided Yeats in constructing his characters, imagery, and symbology, and in shaping the structure of his dramatic narrative. Yeats’s liminal positioning between Orientalism and Celticism, Irish nationalism and British imperialism, and his heterogenous literary aspirations and modernist poetic idiom are probed and explored in order to position him on a pendulum of postcolonial debate. The focus in this book is on the aesthetic appreciation of the parts of Yeats’s creative opus where he engaged with Eastern thought, with genuine interest and enthusiasm, when the pendulum swings towards Yeats being a mythopoetic and anticolonial writer. |
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