On The Art Of Cinema Kim Jong Il

  on the art of cinema kim jong il: Kim Jong Il's the Cinema and Directing Kim Jong Il, 2017-01-03 From EDITOR'S NOTEAfter carefully considering the position and importance of cinematic art in the revolution and construction, dear Comrade Kim Jong Il wrote the treatise Theory of Cinematic Art whichclarifies the theoretical and practical problems of cinematic art as a whole.This treatise gives a comprehensive and detailed account of all the aspects of creating and developing this form of art, such as lifeand literature, the cinema and directing, the character and the actor, images and shooting, the screen and fine art, scenery and music, artand creative work creation and guidance and so on.We are publishing The Cinema and Directing to follow Life and Literature from this Theory of Cinematic Art in a number oflanguages.
  on the art of cinema kim jong il: A Kim Jong-Il Production Paul Fischer, 2015-02-03 Before becoming the world's most notorious dictator, Kim Jong-Il ran North Korea's Ministry for Propaganda and its film studios. Conceiving every movie made, he acted as producer and screenwriter. Despite this control, he was underwhelmed by the available talent and took drastic steps, ordering the kidnapping of Choi Eun-Hee (Madam Choi)—South Korea's most famous actress—and her ex-husband Shin Sang-Ok, the country's most famous filmmaker.Madam Choi vanished first. When Shin went to Hong Kong to investigate, he was attacked and woke up wrapped in plastic sheeting aboard a ship bound for North Korea. Madam Choi lived in isolated luxury, allowed only to attend the Dear Leader's dinner parties. Shin, meanwhile, tried to escape, was sent to prison camp, and re-educated. After four years he cracked, pledging loyalty. Reunited with Choi at the first party he attends, it is announced that the couple will remarry and act as the Dear Leader's film advisors. Together they made seven films, in the process gaining Kim Jong-Il's trust. While pretending to research a film in Vienna, they flee to the U.S. embassy and are swept to safety.A nonfiction thriller packed with tension, passion, and politics, author Paul Fischer's A Kim Jong-Il Production offers a rare glimpse into a secretive world, illuminating a fascinating chapter of North Korea's history that helps explain how it became the hermetically sealed, intensely stage-managed country it remains today.
  on the art of cinema kim jong il: North Korean Cinema Johannes Schönherr, 2012-08-27 Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.
  on the art of cinema kim jong il: Contemporary Korean Cinema Hyangjin Lee, 2000 This comprehensive book defines the significance of film-making and film viewing in Korea. Covering the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45), and the development of North and South Korean cinema up to the 1990s, Lee introduces the works of Korea's major directors, and analyzes the Korean film industry in terms of production, distribution, and reception.
  on the art of cinema kim jong il: Dear Reader Michael Malice, 2014-01-25 No country is as misunderstood as North Korea, and no modern tyrant has remained more mysterious than the Dear Leader, Kim Jong Il. Now, celebrity ghostwriter Michael Malice pulls back the curtain to expose the life story of the Incarnation of Love and Morality. Taken directly from books spirited out of Pyongyang, DEAR READER is a carefully reconstructed first-person account of the man behind the mythology. From his miraculous rainbow-filled birth during the fiery conflict of World War II, Kim Jong Il watched as his beloved Korea finally earned its freedom from the cursed Japanese. Mere years later, the wicked US imperialists took their chance at conquering the liberated nation—with devastating results. But that's only the beginning of the Dear Leader's story. In DEAR READER, Kim Jong Il explains: *How he can shrink time *Why he despises the Mona Lisa *How he recreated the arts in Korea *Why the Juche idea is the greatest concept ever discovered by man *How he handled the crippling famine *Why Kim Jong Un was chosen as successor over his elder brothers With nothing left uncovered, drawing straight from dozens of books, hundreds of articles and thousands of years of Korean history, DEAR READER is both the definitive account of Kim Jong Il's life and the complete stranger-than-fiction history of the world's most unique country.
  on the art of cinema kim jong il: The Real North Korea Andrei Lankov, 2013-05-02 In The Real North Korea, Lankov substitutes cold, clear analysis for the overheated rhetoric surrounding this opaque police state. Based on vast expertise, this book reveals how average North Koreans live, how their leaders rule, and how both survive.
  on the art of cinema kim jong il: Kim Jong-Il, Revised and Updated Michael Breen, 2011-11-09 An expert on North Korea sheds new light on the enigmatic tyrant From his goose-stepping military parades to his clownish macho swagger, North Korea's Kim Jong-il is an odd amalgam of political cartoon and global menace. In charge of a nuclear arsenal he's threatened to use against the U.S. and Japan, the man, his motives, and the mechanisms of his absolute control over a country of twenty-three million people remains shrouded in mystery. In this second edition of his bestselling Kim Jong-il, Michael Breen, a leading expert on North Korea, dispels common myths and fallacies about the so-called Dear Leader, while turning a spotlight on the man to reveal his true nature and the nature of his hold over a country ravaged by poverty and famine. Looks at Kim from a broad perspective, unlike most other books that cater exclusively to those interested in policymaking and international relations Features new information about succession plans, as well as the latest scoop on the mounting pressure among world leaders to thwart North Korea's nuclear ambitions Illustrated with rare photographs of Kim and his regime Highly accessible and suitable for anyone interested in learning more about North Korea, it's government, and its leader, Kim Jong-il unravels the mysteries, the myths, and the fallacies about the man in charge in ways that will entice even the harshest critics.
  on the art of cinema kim jong il: Film Manifestos and Global Cinema Cultures Scott MacKenzie, 2021-01-21 Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
  on the art of cinema kim jong il: The Ministry of Truth Eva Munz, Lukas Nikol, 2007 The few dozen tourists and a few journalists who come to the North Korean capital of Pyongyong are accompanied by guides and allowed to see only what the regime allows. Actors often represent pedestrians, and the consumer goods seen in stores are not available to the public. The Ministry of Truth offers a view of Korea as a giant installation, scripted and executed by Kim Jong Il to further cloud the truth about one of the world's most oppressive nations.
  on the art of cinema kim jong il: North Korea’s Nuclear Cinema Elizabeth Shim, 2024-10-17 North Korea's Nuclear Cinema examines why and how North Korea has transitioned to an image-based nuclear power in the changing context of a post-Cold War world. What exactly is the North Korean nuclear threat? Why is North Korea engaging in hostilities when its erstwhile adversaries have offered a diplomatic exit ramp? Chapter by chapter, it explains how North Korea's footage-based nuclear politics is presented as military practice, but ultimately traces its lineage to cinematic propaganda, a tradition that blurs the line between image and reality. By leveraging cinematic resources in place of physical military mobilization, North Korea continues to move international political actors with the mere suggestion of nuclear power. At a moment when North Korea is enhancing media representation, this book dives into a timely exploration of how the regime is projecting state power as South Korean televisual media challenges the North Korean communist spectacle that has held a captive audience for decades.
  on the art of cinema kim jong il: Essential Juche Works Kim Jong Il, 2020-04 The Democratic People's Republic of Korea is guided in its activities by the Juche idea authored by President Kim Il Sung. The Juche idea means, in a nutshell, that the masters of the revolution and construction are the masses of the people and that they are also the motive force of the revolution and construction.The Juche idea is based on the philosophical principle that man is the master of everything and decides everything. It is the man-centered world outlook and also a political philosophy to materialize the independence of the popular masses, namely, a philosophy which elucidates the theoretical basis of politics that leads the development of society along the right path.The Government of the DPRK steadfastly maintains Juche in all realms of the revolution and construction.Establishing Juche means adopting the attitude of a master towards the revolution and construction of one's country. It means maintaining an independent and creative standpoint in finding solutions to the problems which arise in the revolution and construction. It implies solving those problems mainly by one's own efforts and in conformity with the actual conditions of one's own POLITICS country. The realization of independence in politics, self-sufficiency in the economy and self-reliance in national defense is a principle the Government maintains consistently.
  on the art of cinema kim jong il: Aim High in Creation! Anna Broinowski, 2016-11-01 An Authentic Glimpse of a North Korea We’ve Never Seen Before, by a Prize-Winning Filmmaker Anna Broinowski is the only Westerner ever granted full access to North Korea’s propaganda machine, its film industry. Aim High in Creation! is her funny, surreal, insightful account of her twenty-one-day apprenticeship there. At the same time it is a fresh-eyed look, beyond stereotypes, at life in that most secretive of societies. When Anna learned that fracking had invaded downtown Sydney and a coal seam gas well was planned for Sydney Park, she had a brilliant idea: she would seek guidance for a kryptonite-powerful anti-fracking movie from the world’s greatest propaganda factory, apart from Hollywood. After two years of trying, she was allowed to make her case in Pyongyang and was granted full permission to film. She worked closely with the leading lights of North Korean cinema, even playing an American in a military thriller. “Filmmakers are family,” Kim Jong-il’s favorite director told her, and a love of nature and humanity unites peoples. Interviewing loyalists and defectors alike, Anna explored the society she encountered. She offers vivid, sometimes hilarious descriptions of bizarre disconnects and warm friendships in a world without advertisements or commercial culture. Her book, like the prize-winning documentary that resulted from her visit, is a thoughtful plea for better understanding. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
  on the art of cinema kim jong il: Kim Jong-il's Leadership of North Korea Jae-Cheon Lim, 2008-11-24 Kim Jong Il came to power after the death of his father Kim Il Sung in 1994. Contrary to expectations, he has succeeded in maintaining enough political stability to remain in power. Kim Jong Il's Leadership of North Korea is an examination of how political power has been developed, transmitted from father to son, and now operates in North Korea Using a variety of original North Korean sources as well as South Korean materials Jae-Cheon Lim pieces together the ostensibly contradictory and inconsistent facts into a conceptual coherent framework. This book considers Kim and his leadership through an analytical framework. composed of four main elements: i) Kim as a leader of a totalitarian society; ii) as a politician; iii) as a Korean; and iv) as an individual person. This illuminating account of what constitutes power and how it is used makes an important contribution to the understanding of an opaque and difficult regime. It will be of interest for upper level undergraduate, postgraduates and academics interested in North Korean politics, and also those in Political theory.
  on the art of cinema kim jong il: Kim Jong Il on the Art of the Cinema Chŏng-il Kim, 1989
  on the art of cinema kim jong il: Simultaneous Worlds Jennifer L. Feeley, Sarah Ann Wells, 2015-10-01 Since the 1927 release of Fritz Lang’s pioneer film Metropolis, science fiction cinema has largely been regarded a Western genre. In Simultaneous Worlds, Jennifer L. Feeley and Sarah Ann Wells showcase authors who challenge this notion by focusing on cinemas and cultures, from Cuba to North Korea, not traditionally associated with science fiction. This collection introduces films about a metal-eating monster who helps peasants overthrow an exploitative court, an inflatable sex doll who comes to life, a desert planet where matchsticks are more valuable than money, and more. Simultaneous Worlds is the first volume to bring a transnational, interdisciplinary lens to science fiction cinema. Encountering some of the best emerging and established voices in the field, readers will become immersed in discussions of well-known works such as the Ghost in the Shell franchise and Neill Blomkamp’s District 9 alongside lesser-known but equally fascinating works by African, Asian, European, and South American filmmakers. Divided into five parts that cover theoretical concerns such as new media economies, translation, the Global South, cyborgs, and socialist and postsocialist cinema, these essays trace cinema’s role in imagining global communities and power struggles. Considering both individual films and the broader networks of production, distribution, and exhibition, Simultaneous Worlds illustrates how film industries across the globe take part in visualizing the perils of globalization and technological modernity. Ultimately, this book opens new ways of thinking about world cinema and our understanding of the world at large.
  on the art of cinema kim jong il: On the Art of the Cinema Kim Jong Il, 2001 In his preface the author states: The cinema is now one of the main objects on which efforts should be concentrated in order to conduct the revolution in art and literature. The cinema occupies an important place in the overall development of art and literature. As such it is a powerful ideological weapon for the revolution and construction. Therefore, concentrating efforts on the cinema, making breakthroughs and following up success in all areas of art and literature is the basic principle that we must adhere to in revolutionizing art and literature.Kim Jong Il (1942- ) is leader of North Korea (1994- ). Kim Jong Il succeeded his father, Kim Il Sung, who had ruled North Korea since 1948.
  on the art of cinema kim jong il: The Aquariums of Pyongyang Chol-hwan Kang, Pierre Rigoulot, 2005-08-24 Part horror story, part historical document, part memoir, part political tract, one man's suffering gives eyewitness proof to an ongoing sorrowful chapter of modern history.
  on the art of cinema kim jong il: All Monsters Must Die Magnus Bärtås, Fredrik Ekman, 2015 Authors Magnus Bearteas and Fredrik Ekman chronicle their bizarre and heavily guided tour of North Korea in 2008, the sixtieth anniversary of the country's founding--Inside front cover.
  on the art of cinema kim jong il: Kim Jong Il's North Korea, 2nd Edition Alison Behnke, 2012-08-01 Kim Jong Il, one of the world's most infamous dictators, rose to power in the mid-1990s in the small East Asian country of North Korea. He succeeded his father, Kim Il Sung, as that nation's leader. Kim Il Sung took power in North Korea—also known as the Democratic People's Republic of Korea, or DPRK—in 1948, and eventually established a state governed by his own version of Communism. Today Kim Jong Il continues his father’s tactics of building a powerful cult of personality around himself, while crushing criticism and opposition to his rule. These practices by both Kim Il Sung and Kim Jong Il have largely cut off the DPRK from the outside world. The Kim leaders' harsh policies have led to tragedy within the nation, contributing to devastating famine and creating a network of labor camps in which many North Koreans are tortured and killed annually. Kim's secrecy and his strict control of information entering or leaving North Korea have also made the nation a largely mysterious place. In Kim Jong Il's North Korea, learn more about this inscrutable nation and its dictator.
  on the art of cinema kim jong il: All Monsters Must Die Magnus Bärtås, Fredrik Ekman, 2015-03-27 In 1948, the Democratic People’s Republic of Korea is founded by General Kim Il-sung. In 1978, North Korea celebrates the thirtieth anniversary of its founding, and Kim Jong-il, who at the time is the head of the Propaganda and Agitation Department, orders the kidnapping of the greatest South Korean movie star, the actress Madame Choi, and her ex-husband, the famous film director Shin Sang-ok. In 2008, North Korea celebrates its sixtieth anniversary, and Magnus Bärtås and Fredrik Ekman take a bizarre, heavily guided tour to the world’s most isolated country. In All Monster Must Die, authors Magnus Bärtås and Fredrik Ekman weave together these three stories to create a mosaic of North Korea, past and present: from the Japanese occupation to the demarcation of the border at the 38th parallel and the Korean War, the development of North Korean Juche ideology, the establishment of the Kim dynasty’s cult of personality, and the aggressive manufacturing of political propaganda, which motivated the kidnapping of South Korea’s most famous film couple. Intelligent and shocking, this book offers a rare and fascinating window into the “hermit kingdom,” and includes an updated chapter on the passing of Kim Jong-il and the declaration of his son, Kim Jong-un, as supreme leader.
  on the art of cinema kim jong il: The Infernal Library Daniel Kalder, 2018-03-06 A mesmerizing study of books by despots great and small, from the familiar to the largely unknown. —The Washington Post A darkly humorous tour of dictator literature in the twentieth century, featuring the soul-killing prose and poetry of Hitler, Mao, and many more, which shows how books have sometimes shaped the world for the worse Since the days of the Roman Empire dictators have written books. But in the twentieth-century despots enjoyed unprecedented print runs to (literally) captive audiences. The titans of the genre—Stalin, Mussolini, and Khomeini among them—produced theoretical works, spiritual manifestos, poetry, memoirs, and even the occasional romance novel and established a literary tradition of boundless tedium that continues to this day. How did the production of literature become central to the running of regimes? What do these books reveal about the dictatorial soul? And how can books and literacy, most often viewed as inherently positive, cause immense and lasting harm? Putting daunting research to revelatory use, Daniel Kalder asks and brilliantly answers these questions. Marshalled upon the beleaguered shelves of The Infernal Library are the books and commissioned works of the century’s most notorious figures. Their words led to the deaths of millions. Their conviction in the significance of their own thoughts brooked no argument. It is perhaps no wonder then, as Kalder argues, that many dictators began their careers as writers.
  on the art of cinema kim jong il: The Infernal Library Daniel Kalder, 2018-03-06 A harrowing tour of 'dictator literature' in the twentieth-century, featuring the soul-killing prose and poetry of Hitler, Mao, and many more, which shows how books have sometimes shaped the world for the worse. -- From book jacket.
  on the art of cinema kim jong il: The Man Who Invented Motion Pictures Paul Fischer, 2022-04-19 A story of the man who, before he could unveil his invention to the world, mysteriously vanished and was never seen or heard again, lost to history until now, in this never-before-told history of the motion picture.
  on the art of cinema kim jong il: The Bloomsbury Handbook of North Korean Cinema Travis Workman, Dong Hoon Kim, Immanuel Kim, 2025-01-23 This first handbook on North Korean cinema contests the assumption that North Korean film is “unwatchable,” in terms of both quality and accessibility, refusing to reduce North Korean cinema to political propaganda and focusing on its aesthetic forms and cultural meanings. Since its founding in 1948, the Democratic People's Republic of Korea (North Korea) has played diverse roles: a Cold War communist threat to the US, the other half of a divided nation to South Korea, an ally to the Soviet Union and China, one model for anti-colonialism to national liberation movements, an exotic political and cultural anomaly in the era of globalization. This handbook provides a solid and diverse foundation for the expanding scholarship on North Korean cinema. It is also a road map for connecting this field to broader issues in film and media studies: film history, affect and ideology, genre, and transnational cinema cultures. By connecting the worlds of North Korean cinema to broader questions in global cinema studies, this book explores the complexity of a national cinema too often reduced to a single image.
  on the art of cinema kim jong il: Cinematic countrysides Robert Fish, 2017-10-03 Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic Countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience. At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city'.
  on the art of cinema kim jong il: Film Out of Bounds Matthew Edwards, 2018-07-24 Operating outside the commercial boundaries of Hollywood cinema, alternative and independent filmmakers have much to offer the discriminating viewer. Yet they struggle for a place in the popular culture, and even more for recognition by the scholarly community. The specific aim of this book is to provide much-needed critical examination of titles, particularly those by British filmmakers. In-depth commentary from such acclaimed writers as Maitland McDonagh, Jasper Sharp, Johannes Schonherr and Marcus Stiglegger considers filmmakers who work at the very heart of the independent medium, giving the reader specific insight into alternate cinema and the struggles its filmmakers endure. Featured are interviews with both rising and established filmmakers, including the infamous Guy Maddin and Herschell Gordon Lewis. Finally, this collection of interviews and essays boasts a 20th anniversary retrospective on the British cult classic The Company of the Wolves, complete with an exclusive interview with director Neil Jordan.
  on the art of cinema kim jong il: Trashfilm Roadshows Johannes Schönherr, 2002 For author Johannes Schonherr, no place is too distant or strange that he cannot screen or hunt down obscure underground trash movies. From the bowels of New York's Lower East Side and punk clubs in San Francisco, to Moscow on a fake visa and Pyongyan, North Korea, Schonherr is a cineaste on a mission. Plus extra features such as Nick Zedd being attacked by German feminists, advice on how to run a no-budget rathouse of a cinema, GG Allin's final gig and discovering wild cinematic treats at New York's cheapest film-to-video store.
  on the art of cinema kim jong il: Political Moods Travis Workman, 2024-07-26 A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed to each other. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building.
  on the art of cinema kim jong il: Leader Symbols and Personality Cult in North Korea Jae-Cheon Lim, 2015-03-24 The legitimacy of the North Korean state is based solely on the leaders’ personal legitimacy, and is maintained by the indoctrination of people with leader symbols and the enactment of leadership cults in daily life. It can thus be dubbed a leader state. The frequency of leader symbols and the richness and scale of leader-symbol-making in North Korea are simply unrivalled. Furthermore, the personality cults of North Korean leaders are central to people’s daily activity, critically affecting their minds and emotions. Both leader symbols and cult activities are profoundly entrenched in the institutions and daily life, and if separated and cancelled, the North Korean state would be transformed. This book analyses North Korea as a leader state, focusing on two elements, leader symbols and cult activities. It argues that these elements have been, and continue to be, the backbone of North Korea, shaping North Korean culture. To reveal the leader state character, the book specifically examines North Korea’s leadership cults, its use of leader symbols in these cults, and the nature of the symbolism involved. How has the North Korean state developed the cult of the Kim Il Sung family? How does the state use leader symbols to perpetuate this cult? How has the state developed myths and rituals that sustain the cult in daily life? What leader images has state propaganda manufactured? How does the state’s manipulation of leader symbols affect the symbolism that is assigned to the leader’s actions? In answering these questions, this book sheds new light on the strength and resilience of the North Korean state, and shows how it has been able to survive even the most difficult economic period of the mid-1990s. Leader Symbols and Personality Cult in North Korea will be essential reading for students and scholars of North Korea, Korean politics, Asian politics, political sociology and visual politics.
  on the art of cinema kim jong il: The Invitation-Only Zone Robert S. Boynton, 2016-01-12 The author describes and investigates his obsession with North Korean abduction of Japanese citizens--
  on the art of cinema kim jong il: Kim Jong Il and His Leadership Jae-Cheon Lim, 2007
  on the art of cinema kim jong il: Understanding North Korea Institute for Unification Education, Ministry of Unification (South Korea), 2015-01-30 The Institute for Unification Education, which constitutes the Ministry of Unification of the Republic of Korea, has published annual editions of Understanding North Korea since 1972, as an endeavor to promote greater understanding of North Korea for South Korean readers. Understanding North Korea depicts the reality faced by the Northern regime in areas of politics, diplomacy, military, economy, society, culture, and many more. The May 2012 publication has been translated into English, with the aim to help the international community better understand the northern half of the Korean peninsula. English translations of the referred editions will be published on an biennial basis. We hope that this book enables readers around the world to better grasp the reality of North Korea. The regime in North Korea exhibits three characteristics: it is a totalitarian dictatorship governed by the sole leadership of the suryǒng , who stands above the Workers’Party of Korea (WPK) and the state; the regime, as one of the world’s most highly centralized and planned economies, has advocated self-reliance and the monopoly of all means of production by the state and cooperative organizations; and the state uses the concept of Grand Socialist Family which requires absolute obedience of people to the suryǒng , who is considered the father of a family. These traits engendered a peculiar form of social structure unprecedented in any other socialist country. As it had to do under Kim Jong-il, North Korea under Kim Jong-un must engage in some degree of reform and opening to improve its economy and ensure the regime’s survival. Such a path, however, also brings with it the risk of regime collapse. The regime thus faces the difficult task of maintaining stability while at the same time reforming and opening up. CONTENTS I. How should we view North Korea? Section 1. Nature of the Northern Regime 11 Section 2. North Korea’s Dilemma 18 Ⅱ. Political System and Governing Principles Section 1. History of the North Korean Regime and Establishment of its Political System 25 1. Soviet Occupation and Establishment of the North Korean Regime 25 2. Establishment of North Korea’s Political System and its Characteristics 28 Section 2. Formation of Governing Ideology and its Changing Nature 36 1. Juche Ideology 37 2. Songun Ideology 42 3. Kimilsungism-Kimjongilism 46 Section 3. Power Structure and Form of Government 49 1. Power structure 49 2. Workers’Party of Korea 55 3. Central Institutions 71 Section 4. Hereditary Succession of Power and the Kim Jong-un Regime 80 1. History of Hereditary Power Succession 80 2. Establishment and Stabilization of the Kim Jong-un Regime 86 Ⅲ. External Policies and Relations Section 1. Goals and Directions of Foreign Policies 97 1. Basic Ideas and Goals of Foreign Policy 97 2. Policy Directions 99 3. North Korea’s Foreign Policy-making Structure 102 Section 2. Changes in Foreign Policy 105 1. Foreign Policy during the Cold War Era 105 2. Foreign Policy after the Cold War Era 111 Section 3. Foreign Relations 117 1. US-North Korea Relations 117 2. China-North Korea Relations 127 3. Japan-North Korea Relations 132 4. Russia-North Korea Relations 137 5. Relations with the EU and Other Nations 141 Ⅳ. Military Strategy and Capacity Section 1. Characteristics and Functions 153 1. Establishment of the KPA 153 2. Nature and Status 155 3. Functions and Characteristics 156 Section 2. Military Policy and Strategy 160 1. Basic Objective 160 2. Military Strategy 163 Section 3. Structure and Institutions 168 1. Military Structure 168 2. Military Institutions 173 Section 4. Military Capacity 179 1. Standing Forces and Equipment 179 2. Reserve Forces 185 3. Development of Nuclear and Other Strategic Weapons 187 Section 5. Military Relations and Provocations against the South 194 1. External Military Relationship 194 2. North Korea’s Provocations against the South 199 Ⅴ. Economic Structure and Policy Section 1. Characteristics of Economic System and Basic Economic Policy 217 1. Basic Characteristics of Economic System 217 2. Basic Economic Policy 225 3. Establishment and Implementation of Economic Plans 234 Section 2. Economic Status by Sector 238 1. Macroeconomic Status and Tasks 238 2. Economic Status and Tasks by Sector 244 Section 3. Changes in Economic Policy and Outlook for Reform and Opening 259 1. Utilization and Control of Markets 259 2. Limited Opening 268 3. Prospects and Tasks for Reform and Opening 274 Ⅵ. Education and Culture Section 1. Education System and School Life 281 1. Education Policy and School System 281 2. Educational Curriculum and Methods 299 3. School Life 308 Section 2. Literary Art Policy and Current Status 314 1. Literary Art Policy 314 2. Current Status of Literature and Art 321 Section 3. The Media and its Functions 334 1. Newspapers 335 2. Broadcasting 340 VII Society and Life Section 1. Class Structure 349 1. Social Classes 349 2. Social Mobility and Class Structure 353 Section 2. Value System and Everyday Life 356 1. North Korean Citizens’Values 356 2. Daily Life and Life Cycle 362 3. Organizational Life 366 4. Clothing, Food, and Housing 373 5. Leisure and Holidays 380 Section 3. Religion in North Korea 386 1. View on Religion 386 2. Actual Conditions of Religious Beliefs 388 Section 4. Deviations and Social Control 391 1. Social Deviation and Crime committed by North Koreans 391 2. Social Control 398 Section 5. Human Rights in North Korea 404 1. Violation of Civic and Political Rights 405 2. Violation of Economic, Social, and Cultural Rights 410 3. Response to Criticism on Human Rights 413
  on the art of cinema kim jong il: North Korea Henry Marr, 2018-12-14 This new edition of Bradt's North Korea has been completely written from scratch and remains the only standalone guide to what is often regarded as the world's most secretive state, a place never far from media scrutiny but about which very little is actually known in the wider world. Detailed is everything you need to know for a successful visit, from the practicalities of how to get there and who to go with to cultural sensitivities and etiquette, safety, money and travelling around. Amongst the places covered are the supra-centrally planned showcase capital of Pyongyang; Panmunjom, where North meets South face-to-face inside the 4km-wide DMZ - the dividing line between two nations and one people; Kumgansan Tourist Resort, the chiefly South Korean-built resort offering fantastic hikes; and Paektusan, the highest peak in all of Korea and Manchuria. For the intrepid and open-minded traveller North Korea is a truly mesmerising destination with a rich past and fascinating contemporary history. Visitors today are immersing themselves in an unrivalled experience in what is seemingly the last country in the world not to have submitted to globalisation, the last country still clinging on to the 20th century experiment in communism that for all others crumbled away shortly after the collapse of the Berlin Wall. Outside of the showcase socialist paradise of Pyongyang, visitors will find stunning natural scenery, from beautiful coastline and beaches to spectacular mountains, such as legendary Paektusan. Whilst many hold the ill-conceived notion that a visit to North Korea may not be safe, the reality is that visitors are warmly welcomed and still considered more as 'guests of the state' than as mere tourists. Written by expert author Henry Marr, who first visited North Korea in 2005 and has since been back more than twenty times, Bradt's North Korea is an indispensable guide to understanding and getting to know one of the world's most curious destinations.
  on the art of cinema kim jong il: Pop Goes Korea Mark James Russell, 2012-10-20 Mr. Russell's book is the first by a non-Korean to explain the rise of Korea's entertainment industries....the book could hardly be more approachable.—Wall Street Journal “For a country that traditionally received culture, especially from China but also from Japan and the United States, South Korea finds itself at a turning point in its new role as exporter.”—The New York Times From kim chee to kim chic! South Korea came from nowhere in the 1990s to become one of the biggest producers of pop content (movies, music, comic books, TV dramas, online gaming) in Asia—and the West. Why? Who’s behind it? Mark James Russell tells an exciting tale of rapid growth and wild success marked by an uncanny knack for moving just one step ahead of changing technologies (such as music downloads and Internet comics) that have created new consumer markets around the world. Among the media pioneers profiled in this book is film director Kang Je-gyu, maker of Korea’s first blockbuster film Shiri; Lee Su-man, who went from folk singer to computer programmer to creator of Korea’s biggest music label; and Nelson Shin, who rose from North Korea to the top of the animation business. Full of fresh analysis, engaging reportage, and insightful insider anecdotes, Pop Goes Korea explores the hallyu (the Korean Wave) hitting the world’s shores in the new century. Mark James Russell has been living in Korea since 1996. His articles about Korean and Asian cultures have appeared in Newsweek, The New York Times, International Herald-Tribune, and many other publications. He is currently the Korea/Japan Bureau Chief for Asian Movie Week magazine.
  on the art of cinema kim jong il: The Great Successor Anna Fifield, 2019-06-11 The behind-the-scenes story of the rise and reign of the world's strangest and most elusive tyrant, Kim Jong Un, by the journalist with the best connections and insights into the bizarrely dangerous world of North Korea. Since his birth in 1984, Kim Jong Un has been swaddled in myth and propaganda, from the plainly silly -- he could supposedly drive a car at the age of three -- to the grimly bloody stories of family members who perished at his command. Anna Fifield reconstructs Kim's past and present with exclusive access to sources near him and brings her unique understanding to explain the dynastic mission of the Kim family in North Korea. The archaic notion of despotic family rule matches the almost medieval hardship the country has suffered under the Kims. Few people thought that a young, untested, unhealthy, Swiss-educated basketball fanatic could hold together a country that should have fallen apart years ago. But Kim Jong Un has not just survived, he has thrived, abetted by the approval of Donald Trump and diplomacy's weirdest bromance. Skeptical yet insightful, Fifield creates a captivating portrait of the oddest and most secretive political regime in the world -- one that is isolated yet internationally relevant, bankrupt yet in possession of nuclear weapons -- and its ruler, the self-proclaimed Beloved and Respected Leader, Kim Jong Un.
  on the art of cinema kim jong il: The Cleanest Race B.R. Myers, 2011-02-01 Understanding North Korea through its propaganda What do the North Koreans really believe? How do they see themselves and the world around them? Here B.R. Myers, a North Korea analyst and a contributing editor of The Atlantic, presents the first full-length study of the North Korean worldview. Drawing on extensive research into the regime’s domestic propaganda, including films, romance novels and other artifacts of the personality cult, Myers analyzes each of the country’s official myths in turn—from the notion of Koreans’ unique moral purity, to the myth of an America quaking in terror of “the Iron General.” In a concise but groundbreaking historical section, Myers also traces the origins of this official culture back to the Japanese fascist thought in which North Korea’s first ideologues were schooled. What emerges is a regime completely unlike the West’s perception of it. This is neither a bastion of Stalinism nor a Confucian patriarchy, but a paranoid nationalist, “military-first” state on the far right of the ideological spectrum. Since popular support for the North Korean regime now derives almost exclusively from pride in North Korean military might, Pyongyang can neither be cajoled nor bullied into giving up its nuclear program. The implications for US foreign policy—which has hitherto treated North Korea as the last outpost of the Cold War—are as obvious as they are troubling. With North Korea now calling for a “blood reckoning” with the “Yankee jackals,” Myers’s unprecedented analysis could not be more timely.
  on the art of cinema kim jong il: The Oxford Handbook of Communist Visual Cultures Aga Skrodzka, Xiaoning Lu, Katarzyna Marciniak, 2020-04-01 Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.
  on the art of cinema kim jong il: The Director is the Commander Anna Broinowski, 2015-05-27 'We were all propagandists; the only differences were our goals.' Looking for respite from her crumbling marriage and determined to stop a coal seam gas mine near her Sydney home, filmmaker Anna Broinowski finds wisdom and inspiration in the strangest of places: North Korea. Guided by the late Dear Leader Kim Jong Il's manifesto The Cinema and Directing, Broinowski, in a world first, travels to Pyongyang to collaborate with North Korea's top directors, composers and movie stars to make a powerful anti-fracking propaganda film. The Director is the Commander centres around the bizarre twenty-one day shoot Broinowski did in North Korea to make her documentary, Aim High in Creation! She meets and befriends artists and apparatchiki, defectors and loyalists, and gains a new insight into the world's most secretive regime. Her adventures are set against a parallel exploration of propaganda in general: both in its ham-fisted North Korean form and its sophisticated but no less pervasive incarnation in the corporate West. Funny, multi-layered and utterly compelling, The Director is the Commander is a gripping account of an extraordinary journey inside a nation we can usually only see from the outside looking in. 'One of the many rewarding aspects of this wild book is the way Broinowski reveals a side of life in North Korea not seen in standard exposes. While acutely aware of the deprivations and absurdities, she is also alive to the nuances of daily life there.' Saturday Age Pick of the Week
  on the art of cinema kim jong il: Contemporary Korean cinema Hyangjin Lee, 2019-02-08 The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
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