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| painter poet bob coleman: The Love Project Wanda Coleman, Austin Straus, 2014 Wanda Coleman and Austin Straus's tell-all paean to a marriage that crisscrosses the racial and cultural Maginot Lines of American society. |
| painter poet bob coleman: Bob Thompson Diana Tuite, 2021 A biographical, historical, and reflective look at painter Bob Thompson (1937-1966). This publication situates Thompson within expansive historical narratives, recovering more of the historical specificity of his milieu through varied perspectives and through the inclusion of some unpublished archival materials. Illustrated throughout with dozens of Thompson's colorful paintings and drawings, alongside comparative works-- |
| painter poet bob coleman: Wicked Enchantment Wanda Coleman, 2021 The time has never been better for this re-introduction of Wanda Coleman's work to a new audience of readers. |
| painter poet bob coleman: Words Without Music: A Memoir Philip Glass, 2015-04-06 New York Times Bestseller An NPR Best Book of the Year Winner of the Chicago Tribune Literary Award Finalist for the Marfield Prize, National Award for Arts Writing Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow. —Corinna da Fonseca-Wollheim, New York Times Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world. |
| painter poet bob coleman: American Sonnets Wanda Coleman, 1994 |
| painter poet bob coleman: Writers Directory NA NA, 2016-03-05 |
| painter poet bob coleman: Search Party William Matthews, 2005-04-05 From the prize-winning poet: “A stunning volume . . . A master of the understatement, Matthews is wryly philosophical and self-deprecating.” —Booklist When William Matthews died, the day after his fifty-fifth birthday, America lost one of its most important poets, one whose humor and wit were balanced by deep emotion, whose off-the-cuff inventiveness belied the acuity of his verse. Drawing from his eleven collections and including twenty-three previously unpublished poems, Search Party is the essential compilation of this beloved poet's work. Edited by his son, Sebastian Matthews, and William Matthews's friend and fellow poet Stanley Plumly (who also introduces the book), Search Party is an excellent introduction to the poet and his glistening riffs on twentieth-century topics from basketball to food to jazz. |
| painter poet bob coleman: Ornette Coleman Maria Golia, 2022-03-21 With striking photographs and personal insight, a compelling biography of the great American saxophonist and free jazz innovator Ornette Coleman. Ornette Coleman’s career encompassed the glory years of jazz and the American avant-garde. Born in segregated Fort Worth, Texas, during the Great Depression, the African-American composer and musician was zeitgeist incarnate. Steeped in the Texas blues tradition, he and jazz grew up together, as the brassy blare of big band swing gave way to bebop—a faster music for a faster, postwar world. At the luminous dawn of the Space Age and New York’s 1960s counterculture, Coleman gave voice to the moment. Lauded by some, maligned by many, he forged a breakaway art sometimes called “the new thing” or “free jazz.” Featuring previously unpublished photographs of Coleman and his contemporaries, this book tells the compelling story of one of America’s most adventurous musicians and the sound of a changing world. |
| painter poet bob coleman: The Two Worlds of the Poet Robert M. Wilhelm, Howard Jones, 1992 This collection of essays honors Alexander Gordon McKay, one of the most respected names in Vergilian studies. Written by some of the world's leading scholars, the essays offer new perspectives on the larger Vergilian world which Dr. McKay's scholarship has so richly illuminated. The Two Worlds of the Poet focuses primarily on Vergil and Augustan literature and art, with several essays that expand the Vergilian theme and reflect the wide research interests of Professor McKay in such areas of classical studies as literature, art, architecture, painting, and sculpture. Vergil's world presents two faces, each inseparable from the other-the world which formed the poet and the world which the poet himself created--and it is proper that a volume which commemorates a scholar whose own work has elucidated both of these worlds should address itself to each. Several essays examine the poet's modus creandi--his use of the simile; his assimilation of the language and motifs of Roman comic drama; his exploitation of the rich store of Greek, Etruscan, and Roman mythological, legendary, and historical material; and his treatment of a variety of themes which touch upon the very essence of the human condition. Other essays touch upon various aspects of Vergil's material and cultural environment, enabling readers to place his created work in a broader perspective. Contributors offer new perspectives on the post-classical treatment of Vergilian themes, illustrating how the reception of Vergil varied with successive generations. The volume concludes with the reflections of the senior statesman of Vergilian criticism upon the scholar's art and mission. Vergil knew that to understand the present it was essential to break out of the narrow circle of the moment and to reach into the past, thereby affirming our own humanity and our place in the world and finding paths into the future. Vergil and his poetry create evocative connections that cut across time and place and culture, providing a glimpse at the universal human experience. The essays in The Two Worlds of the Poet explore Vergil's own struggle to find his place in the world, chronicle the pathway by which we gain entry into the world of the poet, and examine how the world of the poet has influenced and enriched our world. Robert McKay Wilhelm is a professor of Classics at Miami University in Oxford, Ohio. His specialties include Latin literature, Vergilian studies, classical mythology, and Greek and Roman art and archaeology. He earned his Ph.D. from The Ohio State University. A professor of Classics at McMaster University, Howard Jones is the author of several books including Pierre Gassendi: An Intellectual Biography and The Epicurean Tradition. He received his Ph.D. from Indiana University. |
| painter poet bob coleman: What We Live For, What We Die For Serhiy Zhadan, Bob Holman, 2019-04-16 An introduction to an original poetic voice from eastern Ukraine with deep roots in the unique cultural landscape of post-Soviet devastation Everyone can find something, if they only look carefully, reads one of the memorable lines from this first collection of poems in English by the world-renowned Ukrainian author Serhiy Zhadan. These robust and accessible narrative poems feature gutsy portraits of life on wartorn and poverty-ravaged streets, where children tally the number of local deaths, where mothers live with low expectations, and where romance lives like a remote memory. In the tradition of Tom Waits, Charles Bukowski, and William S. Burroughs, Zhadan creates a new poetics of loss, a daily crusade of testimonial, a final witness of abandoned lives in a claustrophobic universe where every year there's less and less air. Yet despite the grimness of these portraits, Zhadan's poems are familiar and enchanting, lit by the magic of everyday detail, leaving readers with a sense of hope, knowing that the will of a people will never let it be / like it was before. |
| painter poet bob coleman: Encyclopedia of the New York School Poets Terence Diggory, 2009 An A-to-Z reference to writers of the New York School, including John Ashbery, who is often considered America's greatest living poet. Examines significant movements in literary history and its development through the years. |
| painter poet bob coleman: Break, Blow, Burn Camille Paglia, 2006-01-24 America’s most provocative intellectual brings her blazing powers of analysis to the most famous poems of the Western tradition—and unearths some previously obscure verses worthy of a place in our canon. Combining close reading with a panoramic breadth of learning, Camille Paglia sharpens our understanding of poems we thought we knew, from Shakespeare to Dickinson to Plath, and makes a case for including in the canon works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut—and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn is a modern classic that excites even seasoned poetry lovers—and continues to create generations of new ones. |
| painter poet bob coleman: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| painter poet bob coleman: Dark Sparkler Amber Tamblyn, 2015-04-07 The lives of more than twenty-five actresses lost before their time—from Marilyn Monroe to Brittany Murphy—explored in a haunting, provocative new work by an acclaimed poet and actress. Amber Tamblyn is both an award-winning film and television actress and an acclaimed poet. As such she is deeply fascinated—and intimately familiar—with the toll exacted from young women whose lives are offered in sacrifice as starlets. The stories of these actresses, both famous and obscure-tragic stories of suicide, murder, obscurity, and other forms of death—inspired this empathic and emotionally charged collection of new poetic work. Featuring subjects from Marilyn Monroe and Frances Farmer to Dana Plato and Brittany Murphy—and paired with original artwork commissioned for the book by luminaries including David Lynch, Adrian Tomine, Marilyn Manson, and Marcel Dzama—Dark Sparkler is a surprising and provocative collection from a young artist of wide-ranging talent, culminating in an extended, confessional epilogue of astonishing candor and poetic command. |
| painter poet bob coleman: Hard Bop the late David H. Rosenthal, 1993-09-09 It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer's brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and permutations, personalities and recordings of a climactic period in jazz history. Beginning with hard bop's origins as an amalgam of bebop and R&B, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie McLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane, Thelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright badness over technical virtuosity was unappreciated by critics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians. Fortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis's Kind of Blue, Charles Mingus's Mingus Ah Um, Thelonious Monk's Brilliant Corners, Horace Silver's Further Explorations--Rosenthal gives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of America's great musical epochs. |
| painter poet bob coleman: Who's who in the West , 2001 |
| painter poet bob coleman: Hard Bop David H. Rosenthal, 1993 Devoted to the history of this jazz movement, the study combines a narrative of the evolution of hard bop - from its beginnings as an amalgam of bebop and rhythm and blues to its experimental breakthroughs in the 1960s - with close analyses of the musicians' styles and recordings. |
| painter poet bob coleman: New York Rock Steven Blush, 2016-10-04 The definitive history of a key period in rock ‘n’ roll, from new wave to no wave, punk to punk revival, from the bestselling author of American Hardcore. |
| painter poet bob coleman: The Essential Rumi Jalāl al-Dīn Rūmī (Maulana), 1997 Jelaluddin Rumi was born in the year 1207 and until the age of thirty-seven was a brilliant scholar and popular teacher. But his life changed forever when he met the powerful wandering dervish, Shams of Tabriz, of whom Rumi said, What I had thought of before as God, I met today in a human being. From this mysterious and esoteric friendship came a new height of spiritual enlightenment. When Shams disappeared, Rumi began his transformation from scholar to artist, and his poetry began to fly. Today, the ecstatic poetry of Jelaluddin Rumi is more popular than ever, and Coleman Barks, through his musical and magical translations, has been instrumental in bringing this exquisite literature to devoted followers. Now, for the first time, Barks has gathered the essential poems of Rumi and put them together in this wonderful comprehensive collection that delights with playful energy and unequaled passion. The Essential Rumi offers the most beautiful rendering of the primary poetry of Rumi to both devoted enthusiasts and novice readers. Poems about everything from bewilderment, emptiness, and silence to flirtation, elegance, and majesty are presented with love, humor, warmth, and tenderness. Take in the words of Jelaluddin Rumi and feel yourself transported to the magical, mystical place of a whirling, ecstatic poet. |
| painter poet bob coleman: Anthology of Magazine Verse for ... and Year Book of American Poetry , 1926 |
| painter poet bob coleman: English Literature Harvard University. Library, 1971 |
| painter poet bob coleman: Mystical Poems of Rūmī Jalāl al-Dīn Rūmī (Maulana), 1974 |
| painter poet bob coleman: The Art of the Affair Catherine Lacey, 2017-01-03 A vibrantly illustrated chain of entanglements (romantic and otherwise) between some of our best-loved writers and artists of the twentieth century--fascinating, scandalous, and surprising. Poet Robert Lowell died of a heart attack, clutching a portrait of his lover, Caroline Blackwood, painted by her ex-husband, Lucian Freud. Lowell was on his way to see his own ex-wife, Elizabeth Hardwick, who was a longtime friend of Mary McCarthy. McCarthy left the father of her child to marry Edmund Wilson, who had encouraged her writing, and had also brought critical attention to the fiction of Anaïs Nin . . . whom he later bedded. And so it goes, the long chain of love, affections, and artistic influences among writers, musicians, and artists that weaves its way through the The Art of the Affair--from Frida Kahlo to Colette to Hemingway to Dali; from Coco Chanel to Stravinsky to Miles Davis to Orson Welles. Scrupulously researched but playfully prurient, cleverly designed and colorfully illustrated, it's the perfect gift for your literary lover--and the perfect read for any good-natured gossip-monger. |
| painter poet bob coleman: Blood on the Stage, 1950-1975 Amnon Kabatchnik, 2011-04-14 Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975. |
| painter poet bob coleman: Who's Who in the South and Southwest, 2001-2002 Marquis Who's Who, 2001-11 |
| painter poet bob coleman: Overthrowing Capitalism, Volume Six Revolutionary Poets Brigade, 2019-10-02 The sixth annual poetry anthology from the Revolutionary Poets Brigade |
| painter poet bob coleman: The Palm of Alpha Tau Omega , 1957 Vol. 57, no. 3 is a Directory issue. |
| painter poet bob coleman: Prominent Families of New York Lyman Horace Weeks, 1898 |
| painter poet bob coleman: Anthology of Magazine Verse for ... , 1926 |
| painter poet bob coleman: Under the Spell of Orpheus Judith E. Bernstock, 1991 This comprehensive view of the Orpheus myth in modern art focuses on an extremely rich artistic symbol and cuts through all the clichés to explore truly significant problems of meaning. The author takes a new approach to the iconography of major modern artists by incorporating psychological and literary analysis, as well as biography. The three parts of the book explore the ways in which artists have identified with different aspects of the often paradoxical Orpheus myth. The first deals with artists such as Paul Klee, Carl Milles, and Barbara Hepworth. In the second, Max Beckmann, Oskar Kokoschka, and Isamu Noguchi are discussed. Artists examined in the final part include Pablo Picasso, Jacques Lipchitz, Ethel Schwabacher, and Cy Twombly. The author documents her argument with more than sixty illustrations. |
| painter poet bob coleman: Who's who in the South and Southwest , 2002 Includes names from the States of Alabama, Arkansas, the District of Columbia, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, Oklahoma, South Carolina, Tennessee, Texas and Virginia, and Puerto Rico and the Virgin Islands. |
| painter poet bob coleman: Poemcrazy Susan G. Wooldridge, 2009-09-30 Following the success of several recent inspirational and practical books for would-be writers, Poemcrazy is a perfect guide for everyone who ever wanted to write a poem but was afraid to try. Writing workshop leader Susan Wooldridge shows how to think, use one's senses, and practice exercises that will make poems more likely to happen. |
| painter poet bob coleman: Cumulated Index to the Books , 1906 A world list of books in the English language. |
| painter poet bob coleman: Fortuny Interiors Brian Coleman, 2012-08-01 Manufactured in Venice, Italy, textiles by Fortuny have borne the standard of quality and excellence for a hundred years. For walls, sofas, pillows, draperies, bed coverings, tablecloths, and even napkins, the sumptuous art of Fortuny textiles has been decorating old world and new world homes for generations. Not everyone can afford Fortuny, but some of those who can have opened their doors so we can take a peek. Through luscious photographs and vivid descriptions, we can almost feel the weave and smell the dyes. Contemporary modern condos, elegant historic homes, and metropolitan apartments all wear Fortuny in luxurious high style. |
| painter poet bob coleman: Three Decades of American Printmaking Allan L. Edmunds, 2004 This comprehensive volume features exciting and cultrually diverse serigraphs, offset lithographs, and mixed media prints from the Bradywine Workshop |
| painter poet bob coleman: The Sibling Society Robert Bly, 1997-05-27 Where have all the grownups gone? In answering that question with the same freewheeling erudition and intuitive brilliance that made Iron John a national bestseller, poet, storyteller and translator Robert Bly tells us that we live in a sibling society, in which adults have regressed into adolescence and adolescents refuse to grow up. |
| painter poet bob coleman: Art Reviews and Commentaries by Robert L. Pincus, Art Critic, Snipped from the San Diego Union: 1997-2000 Robert L. Pincus, 2000 |
| painter poet bob coleman: Readers' Guide to Periodical Literature Anna Lorraine Guthrie, Bertha Tannehill, Neltje Marie Tannehill Shimer, 1910 |
| painter poet bob coleman: The Cumulative Book Index , 1913 |
| painter poet bob coleman: Billboard , 1943-08-21 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
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