On Our Backs Magazine

  on our backs magazine: On Our Backs Rosita Sweetman, 1979
  on our backs magazine: On Our Backs Lindsay McClune, 2001 Culled from the pages of the lesbian community's sexiest and most controversial magazine comes this collection of the hottest and best stories from 'On Our Backs'. Certain to be the biggest lesbian erotic collection of 2002, it includes contributions from Dorothy Allison, Pat Califia, Joan Nestle, Sarah Schulman, and Jewelle Gomez. Need we say more!
  on our backs magazine: Herotica 2 Susie Bright, Joani Blank, 1991 Two dozen original stories from women which celebrate sex and sensual pleasure.
  on our backs magazine: Nothing But the Girl Susie Bright, Jill Posener, 1996 Beautifully produced book contains the landmark work of the most influential lesbian photographer in the world. Each portfolio is accompanied by an in-depth biography of the artist in which they discuss some of the themes that have fuelled their own work.
  on our backs magazine: Taking Back Our Lives Ann Russo, 2002-06-01 First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
  on our backs magazine: Queer Sex Work Mary Laing, Katy Pilcher, Nicola Smith, 2015-03-05 Sex work is a subject of significant contestation across academic disciplines, as well as within legal, medical, moral, feminist, political and socio-cultural discourses. A large body of research exists, but much of this focuses on the sale of sex by women to men and ignores other performances, practices, meanings and embodiments in the contemporary sex industry. A queer agenda is important in order to challenge hetero-centric gender norms and to develop new insights into how gender, sex, power, crime, work, migration, space/place, health and intimacy are understood in the context of commercial sexual encounters. Queer Sex Work explores what it might mean to ‘be’, ‘do’ and ‘think’ queer(ly) in the study and practice of commercial sex. It brings together a multiplicity of empirical case studies – including erotic dance venues, online sex working, pornography, grey sexual economies, and BSDM – and offers a variety of perspectives from academic scholars, policy practitioners, activists and sex workers themselves. In so doing, the book advances a queer politics of sex work that aims to disrupt heteronormative logics whilst also making space for different voices in academic and political debates about commercial sex. This unique and multidisciplinary volume will be indispensable for scholars and students of the global sex trade and of gender, sexuality, feminism and queer theory more broadly, as well as policymakers, activists and practitioners interested in the politics and practice of sex work in local, national and international contexts.
  on our backs magazine: The Clerk's Tale Spencer Reece, 2004-04-04 In a recent double fiction issue, The New Yorker devoted the entire back page to a single poem, The Clerk's Tale, by Spencer Reece. The poet who drew such unusual attention has a surprising background: for many years he has worked for Brooks Brothers, a fact that lends particular nuance to the title of his collection. The Clerk's Tale pays homage not only to Chaucer but to the clerks' brotherhood of service in the mall, where the light is bright and artificial, / yet not dissimilar to that found in a Gothic cathedral. The fifty poems in The Clerk's Tale are exquisitely restrained, shot through with a longing for permanence, from the quasi-monastic life of two salesmen at Brooks Brothers to the poignant lingering light of a Miami dusk to the weight of geography on an empty Minnesota farm. Gluck describes them as having an effect I have never quite seen before, half cocktail party, half passion play . . . We do not expect virtuosity as the outward form of soul-making, nor do we associate generosity and humanity with such sophistication of means, such polished intelligence . . . Much life has gone into the making of this art, much patient craft.
  on our backs magazine: With Our Backs to Berlin Tony le Tissier, 2005-03-24 Based upon interviews with a wide-range of former German Army and SS soldiers, these unique personal episodes vividly depict the extraordinary circumstances of the Third Reich's final days as armies closed in from all sides. Le Tissier's interviews link the brutality of combat with the humanity of the desperate battles.
  on our backs magazine: Coming to Power SAMOIS (Organization), 1987 Writings surrounding the issue of S/M in the lesbian and feminist movement.
  on our backs magazine: The Sexual State of the Union Susie Bright, 1998-03-24 Lust brings out the liar in everyone. Every erection has Pinocchio written up and down its length—yes, everybody wants to be REAL, a real boy, an honest woman, unafraid and upright—but then desire, the ultimate honesty, does us in. Desire doesn't give a whit about shame. Our secrets, our exaggerations and distractions, it's all just a lot of twisting in the wind as far as sex is concerned—what we want WILL come out. Is our sexuality a basic, good, and precious thing that somehow became terribly misunderstood? Or is there something really evil out there in Sex Land that attaches itself to our libidos and is only held back by vigilance and caution? asks Susie Bright in her bestselling book The Sexual State of the Union. Bright pushes the borders of propriety until they blur and become irrelevant in the face of our inherent need to touch and be touched. With candor and passion, Susie Bright proves that sexual knowledge can indeed be salvation and inspiration.
  on our backs magazine: The Twittering Machine Richard Seymour, 2019-08-29 'If you really want to set yourself free, you should read a book – preferably this one.' Observer In surrealist artist Paul Klee's The Twittering Machine, the bird-song of a diabolical machine acts as bait to lure humankind into a pit of damnation. Leading political writer and broadcaster Richard Seymour argues that this is a chilling metaphor for relationship with social media. Former social media executives tell us that the system is an addiction-machine. Like drug addicts, we are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience.Through journalism, psychoanalytic reflection and interviews with users, developers, security experts and others, Seymour probes the human side of this machine, asking what we're getting out of it, and what we're getting into.
  on our backs magazine: Shameless Arlene Stein, 2006-07 Shame, a powerful emotion, leads individuals to feel vulnerable, victimized, rejected. In Shameless, noted scholar and writer Arlene Stein explores American culture's attitudes toward shame and sexuality. Some say that we live in a world without shame. But American culture is a curious mix of the shameless and the shamers, a seemingly endless parade of Pamela Andersons and Jerry Falwells strutting their stuff and wagging their fingers. With thoughtful analysis and wit, Shameless analyzes these clashing visions of sexual morality. While conservatives have brought back sexual shame—by pushing for abstinence-only sex education, limitations on abortion, and prohibitions of gay/lesbian civil rights—progressives hold out for sexual liberalization and a society beyond “the closet.” As these two Americas compete with one another, the future of family life, the right to privacy, and the very meaning of morality hang in the balance.
  on our backs magazine: Carrying the Sun on Our Backs Effa Okupa, 2006
  on our backs magazine: Hot Lesbian Erotica Tristan Taormino, 2005-06-01 Tristan Taormino, the biggest name in lesbian erotica, picks 22 tales of lesbian desire to send the mercury soaring. Lust, love, strip down, strap-on — it’s all here. As always, Taormino sets the standard for lesbian erotic writing with stories that entertain, surprise, and arouse. Lighter in tone than Taormino’s other collections, these stories get right to the good part. Contributors include Rakelle Valencia, Skian McGuire, Maria Helena Dolan, Cheyenne Blue, L. Shane Conner, and Jean Roberta.
  on our backs magazine: The Analectic Magazine , 1913
  on our backs magazine: Queercore Curran Nault, 2017-08-07 Queercore is a queer and punk transmedia movement that was instigated in 1980s Toronto via the pages of the underground fanzine (zine) J.D.s. Authored by G.B. Jones and Bruce LaBruce, J.D.s. declared civil war on the punk and gay and lesbian mainstreams, consolidating a subculture of likeminded filmmakers, zinesters, musicans and performers situated in pointed opposition to the homophobia of mainline punk and the lifeless sexual politics and exclusionary tendencies of dominant gay and lesbian society. More than thirty years later, queercore and its troublemaking productions remain under the radar, but still culturally and politically resonant. This book brings renewed attention to queercore, exploring the homology between queer theory/practice and punk theory/practice at the heart of queercore mediamaking. Through analysis of key queercore texts, this book also elucidates the tropes central to queercore’s subcultural distinction: unashamed sexual representation, confrontational politics and shocking embodiments, including those related to size, ability and gender variance. An exploration of a specific transmedia subculture grounded in archival research, ethnographic interviews, theoretical argumentation and close analysis, ultimately, Queercore proffers a provocative, and tangible, new answer to the long-debated question, What does it mean to be queer?
  on our backs magazine: How To Write A Dirty Story Susie Bright, 2012-12-11 From bookstores to the Internet to Susie Bright's own tremendous success with the BEST AMERICAN EROTICA series, we are clearly reading and writing erotica more than ever. Now Susie Bright shows readers how to heat up sex scenes in everything from traditional novels and romances to science fiction and horror. She guides aspiring writers in reading erotica to discover the elements and styles that work. Then she walks them through the writing process: how to get hot ideas, devise steamy plots, use language like a pro and bring the story to a memorable climax. Each chapter features writing exercises and suggestions for non-writing activities that will galvanise the imagination and flatten any hurdle. Drawing on her own experiences, Bright explains how to find an agent, work with an editor, choose a publishing company and sell the work.
  on our backs magazine: Thicker Than Water Erica Cirino, 2021-10-07 Much of what you’ve heard about plastic pollution may be wrong. Instead of a great island of trash, the infamous Great Pacific Garbage Patch is made up of manmade debris spread over hundreds of miles of sea—more like a soup than a floating garbage dump. Recycling is more complicated than we were taught: less than nine percent of the plastic we create is reused, and the majority ends up in the ocean. And plastic pollution isn’t confined to the open ocean: it’s in much of the air we breathe and the food we eat. In Thicker Than Water: The Quest for Solutions to the Plastic Crisis, journalist Erica Cirino brings readers on a globe-hopping journey to meet the scientists and activists telling the real story of the plastic crisis. From the deck of a plastic-hunting sailboat with a disabled engine, to the labs doing cutting-edge research on microplastics and the chemicals we ingest, Cirino paints a full picture of how plastic pollution is threatening wildlife and human health. Thicker Than Water reveals that the plastic crisis is also a tale of environmental injustice, as poorer nations take in a larger share of the world’s trash, and manufacturing chemicals threaten predominantly Black and low-income communities. There is some hope on the horizon, with new laws banning single-use items and technological innovations to replace plastic in our lives. But Cirino shows that we can only fix the problem if we face its full scope and begin to repair our throwaway culture. Thicker Than Water is an eloquent call to reexamine the systems churning out waves of plastic waste.
  on our backs magazine: Off Our Backs , 2004
  on our backs magazine: Munsey's Magazine , 1913
  on our backs magazine: Tough Girls Lori Selke, 2001-11 Tough Girls are not your typical girls next door. They're bad girls, brats, sluts and bitches, dykes from the wrong part of town, the other side of the tracks. The girls you weren't supposed to hang out with in school. Girls in prison, girls with knives, daddies and girls, strippers, punks, and truckers. Tough Girls like it rough. This collection of erotic tales, featuring authors such as Laura Antoniou, Marilyn Jaye Lewis, and Fetish Diva Midori, edited by Lori Selke, takes a walk on the wild side of lesbian sex.
  on our backs magazine: Sometimes She Lets Me Tristan Taormino, 2010 Does the swagger of a sure-footed butch make you swoon? Do your knees go weak when you see a femme straighten her stockings? A duet between two sorts of women, butch/femme is a potent sexual dynamic. Tristan Taormino chose her favorite butch/femme stories from the Best Lesbian Erotica series, which has sold over 200,000 copies in the 16 years she was editor. And if you think you know what goes in in the bedroom between femmes and butches, these 22 shorts will delight you with erotic surprises. In Joy Parks's delicious Sweet Thing, the new femme librarian in town shows a butch baker a new trick in bed. The stud in Tag!, by D. Alexandria, finds her baby girl after a chase in the woods by scent alone. And the girl in a pleated skirt gets exactly what she wants from her Daddy in Peggy Munson's The Rock Wall. Sometimes She Lets Me shows that it's all about attitude ? predicting who will wind up on top isn't easy in stories by S. Bear Bergman, Rosalind Christine Lloyd, Samiya A. Bashir, and many more.
  on our backs magazine: McClure's Magazine , 1917
  on our backs magazine: Moby Dyke Krista Burton, 2024-06-04 A former Rookie contributor and creator of the popular blog Effing Dykes investigates the disappearance of America’s lesbian bars by visiting the last few in existence. Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream? In Moby Dyke, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars. Her pilgrimage includes taking in her first drag show since the onset of the pandemic at The Back Door in Bloomington, Indiana; competing in dildo races at Houston’s Pearl Bar; and, despite her deep-seated hatred of karaoke, joining a group serenade at Nashville’s Lipstick Lounge and enjoying the dreaded pastime for the first time in her life. While Burton sets out on the excursion to assess the current state of lesbian bars, she also winds up examining her own personal journey, from coming out to her Mormon parents to recently marrying her husband, a trans man whose presence on the trip underscores the important conversation about who precisely is welcome in certain queer spaces—and how they and their occupants continue to evolve. Moby Dyke is an insightful and hilarious travelogue that celebrates the kind of community that can only be found in windowless rooms soundtracked by Britney Spears-heavy playlists and illuminated by overhead holiday lights no matter the time of year.
  on our backs magazine: Munsey's Magazine for ... , 1913
  on our backs magazine: Cheap Chic Caterine Milinaire, Carol Troy, 2015-09-01 “I think it’s terrific.” –Diane von Furstenberg, of the original edition of Cheap Chic Beloved by designers and style mavens alike, the LBD of fashion guides—with a new foreword by Tim Gunn—is back and more in fashion than ever. Before there were street-style blogs and ‘zines, there was Cheap Chic. Selling hundreds of thousands of copies when it was originally published in 1975, this classic guide revealed how to find the clothes that will make you feel comfortable, confident, sexy, and happy, whether they come from a high-end boutique, sporting-goods store, or thrift shop. Astonishingly relevant forty years later, Cheap Chic provides timeless practical advice for creating an affordable, personal wardrobe strategy: what to buy, where to buy it, and how to put it all together to make your own distinctive fashion statement without going broke. Alongside outfit ideas, shopping guides, and other practical tips are the original vintage photographs and advice from fashion icons such as Diana Vreeland and Yves Saint Laurent. Inspiring decades of fashion lovers and designers, Cheap Chic is the original fashion bible that proves you don’t have to be wealthy to be stylish.
  on our backs magazine: I Am My Lover Joani Blank, 1997 Down There Press authors have been answering that question for twenty-five years! From Joani Blank's Good Vibrations RM bringing to light the sexual potential of personal massagers, to Jack Morin's still the-only-one-of-its-kind Anal Pleasure & Health, to Susie Bright's genre-launching Herotica RM, San Francisco's oldest publisher of award-winning sex-positive books has been breaking boundaries to delight and entertain its readers. Founded in 1975, Down There Press is the nation's first independent publisher devoted exclusively to publishing sexual health books. Founder and Publisher Emerita Joani Blank, then working as a sex educator and counselor, started writing her own books about sexuality at her clients' and other therapists' behest. The press currently has a list of eighteen sexual self-awareness titles, including innovative and practical non-fiction with non-judgmental techniques for strengthening sexual communication. Down There Press also publishes lively literary and photographic erotica.
  on our backs magazine: American Magazine , 1929
  on our backs magazine: Down & Out: The Magazine Volume 2 Issue 1 Walter Satterthwait, Dane F. Baylis, Benjamin Boulden, Brendan DuBois, Ray Daniel, Kellye Garrett, April Kelly, J. Kingston Pierce, Richard Prosch, Richard Risemberg, Sylvia Maultash Warsh, Robb T. White, 2019-11-18 In this issue, pioneering TV writer and producer April Kelly opens with a wicked story that may remind you to pay attention to what you eat. Brendan DuBois appears with the story of an assassination and its aftermath—from the killer’s point of view. Ray Daniel & Kellye Garrett team up with a story that brings together characters from their own series. Our feature is by Walter Satterthwait, who comes at us with his first new story in a while. The lead character, Fallon, helps—in his own way—solve a murder at a monastery. Edgar Award-winning author Sylvia Maultash Warsh brings us a piece about deception in the world of art, and we welcome Benjamin Boulden back with his second story for us. Robb T. White returns following his Best Mystery Stories of 2019 entry in our pages, and Dane F. Baylis, Richard Prosch and Richard Risemberg debut in our magazine with some of the most entertaining crime fiction you’ll find.
  on our backs magazine: Bottoms Up: Writing About Sex Diana Cage, 2004-09-27 Bottoms Up: Writing About Sex is a collection of writing about desire. The stories are not straight up sexual narrations, but pieces, poems and stories that examine the concept and manifestation of desire itself. Rather than describing the physical acts of sex, the book examines the impetus, experiences, thoughts and feelings that drive desire. Contributors include Eileen Myles, Michelle Tea, Red Jordan Arobateau, Lori Selke, Victoria Brownworth, Robert Gluck and Patrick Califia. The stories in the collection are varied: an examination of iconoclastic sexuality(musing on what it would be like to both fuck James Dean and fuck like James Dean), the zenith of desire residing in the sweat-darkened leather pants of Lenny Kaye after a Patti Smith Group show, genderqueer cruising, the connection between sex and loss. The book is not explicitly gay, but it is explicitly queer. The stories often break down normal conceptions of gender, eliminating categories such as homo- and heterosexual.
  on our backs magazine: Protest on the Page James L. Baughman, Jennifer Ratner-Rosenhagen, James P. Danky, 2015-04-20 Explores the intertwined histories of print and protest in the United States from Reconstruction to the 2000s. Ten essays look at how protestors of all political and religious persuasions, as well as aesthetic and ethical temperaments, have used the printed page to wage battles over free speech; test racial, class, sexual, and even culinary boundaries; and to alter the moral landscape in American life.
  on our backs magazine: Box Lunch Diana Cage, 2004 Written by a woman experienced on both ends of the oral sex equation, this nuts-and-bolts exploration of cunnilingus is written for both novices and pros, and demystifies the female anatomy with an eye towards making oral sex as satisfying for the giver as it is for the receiver. Explicit, detailed, and enormously entertaining, Cage guides women (and men) through the basics to more advanced topics such as anilingus, G spot stimulation, female ejaculation, and clit pumping.
  on our backs magazine: Printers' Ink; the ... Magazine of Advertising, Management and Sales , 1897
  on our backs magazine: Lesbian Erotics Karla Jay, 1995-04 The first anthology to investigate cultural production of lesbian sexuality The question of whether lesbians have sex, how they have sex, and when they began having sex has long obsessively preoccupied the heterosexual imagination. Today, discussions of lesbian sex abound with such terms as romantic friendships, stealth lesbians, and genitally sexual. As we approach the end of the twentieth century, lesbian sexuality remains hotly contested ground. What exactly qualifies as lesbian sex? What is the relationship, if any, between lesbian erotica and heterosexual pornography? How did the issue of sex in lesbian communities come to be such a fiercely debated subject? Lesbian Erotics is the first anthology to investigate the cultural production of sexually charged images of lesbians in film, law, literature, and popular culture in general. The contributors address an enormous range of sexualities and fora in which these sexualities flourish. In her chapter, Not Tonight, Dear, I'm Deconstructing a Headache: Confessions of a Lesbian Sex Therapist, Marny Hall illustrates how difficult some women find it to maintain erotic tension in lesbian relationships. Elizabeth Meese grapples with increasingly complex sexual identities in cyperspace. Kitty Tsui, cover model for On Our Backs, relays how she developed her own body into an art form in order to combat stereotypes of passive and invisible Asian women. This work, as Karla Jay writes in the introduction, invites readers to consider the implications, variations, and complexities of lesbian erotics. In the end, it is our sexual lives that mark us as outlaws. Therefore, we need to investigate and engage representations of our sexuality to define for ourselves, if we so choose, the scope, shape, and permutations of lesbian erotics.
  on our backs magazine: Brainscapes Rebecca Schwarzlose, 2021 A path-breaking journey into the brain, showing how perception, thought, and action are products of maps etched into your gray matter--and how technology can use them to read your mind.
  on our backs magazine: In Praise of Quiet Waters Lorraine M. Duvall, 2016-10-18 An inspiring collection of canoe journeys, packed with bits of regional history and environmental concern. As she flows through the Adirondacks, Duvall guides readers towards a fuller appreciation of water and a need for deepened advocacy; water evolves into a sacred entity.
  on our backs magazine: Cincinnati Magazine , 1987-09 Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
  on our backs magazine: Her Body, Our Laws Michelle Oberman, 2018-01-16 With stories from the front lines, a legal scholar journeys through distinct legal climates to understand precisely why and how the war over abortion is being fought. Drawing on her years of research in El Salvador—one of the few countries to ban abortion without exception—legal scholar Michelle Oberman explores what happens when abortion is a crime. Oberman reveals the practical challenges raised by a thriving black market in abortion drugs, as well as the legal challenges to law enforcement. She describes a system in which doctors and lawyers collaborate in order to identify and prosecute those suspected of abortion-related crimes, and the troubling results of such collaboration: mistaken diagnoses, selective enforcement, and wrongful convictions. Equipped with this understanding, Oberman turns her attention to the United States, where the battle over abortion is fought almost exclusively in legislatures and courtrooms. Beginning in Oklahoma, one of the most pro-life states, and through interviews with current and former legislators and activists, she shows how Americans voice their moral opposition to abortion by supporting laws that would restrict it. In this America, the law is more a symbol than a plan. Oberman challenges this vision of the law by considering the practical impact of legislation and policies governing both motherhood and abortion. Using stories gathered from crisis pregnancy centers and abortion clinics, she unmasks the ways in which the law already shapes women’s responses to unplanned pregnancy, generating incentives or penalties, nudging pregnant women in one direction or another. In an era in which every election cycle features a pitched battle over abortion’s legality, Oberman uses her research to expose the limited ways in which making abortion a crime matters. Her insight into the practical consequences that will ensue if states are permitted to criminalize abortion calls attention to the naïve and misguided nature of contemporary struggles over abortion’s legality. A fresh look at the battle over abortion law, Her Body, Our Laws is an invitation to those on all sides of the issue to move beyond the incomplete discourse about legality by understanding how the law actually matters.
  on our backs magazine: Uncle Remus's Magazine , 1907
  on our backs magazine: American Illustrated Magazine , 1914
OUR Definition & Meaning - Merriam-Webster
The meaning of OUR is of or relating to us or ourselves or ourself especially as possessors or possessor, agents or agent, or objects or object of an action. How to use our in a sentence.

OUR | English meaning - Cambridge Dictionary
We use pronouns to refer to possession and ‘belonging’. There are two types: possessive pronouns and possessive determiners. We use possessive determiners before a noun. …

Are vs. Our: What’s the Difference? - Writing Explained
Are is a verb, while our is a possessive pronoun. They cannot be substituted for each other, and to do so would be a mistake. A re is an important a uxiliary verb.

OUR definition and meaning | Collins English Dictionary
You use our to indicate that something belongs or relates both to yourself and to one or more other people.

Our - definition of our by The Free Dictionary
1. of, belonging to, or associated in some way with us: our best vodka; our parents are good to us. 2. belonging to or associated with all people or people in general: our nearest planet is Venus. 4. informal (often sarcastic) used instead of …

OUR Definition & Meaning - Merriam-Webster
The meaning of OUR is of or relating to us or ourselves or ourself especially as possessors or possessor, agents or agent, or objects or object of an action. How to use our in a sentence.

OUR | English meaning - Cambridge Dictionary
We use pronouns to refer to possession and ‘belonging’. There are two types: possessive pronouns and possessive determiners. We use possessive determiners before a noun. We …

Are vs. Our: What’s the Difference? - Writing Explained
Are is a verb, while our is a possessive pronoun. They cannot be substituted for each other, and to do so would be a mistake. A re is an important a uxiliary verb.

OUR definition and meaning | Collins English Dictionary
You use our to indicate that something belongs or relates both to yourself and to one or more other people.

Our - definition of our by The Free Dictionary
1. of, belonging to, or associated in some way with us: our best vodka; our parents are good to us. 2. belonging to or associated with all people or people in general: our nearest planet is Venus. …

What does our mean? - Definitions.net
"Our" is a possessive pronoun used to indicate ownership or association with a group of people that includes the speaker and one or more other individuals. It suggests a sense of belonging …

Are vs. Our: What’s the Difference? - twominenglish.com
Mar 28, 2024 · Are and our may seem similar at a glance, or when spoken quickly in a conversation. Yet, they play very different roles in the English language. One is a verb, …

Our vs. We — What’s the Difference?
Apr 3, 2024 · "Our" is a possessive pronoun indicating ownership by the speaker and others, while "we" is a subject pronoun referring to the speaker and at least one other person.

OUR Definition & Meaning | Dictionary.com
Our definition: (a form of the possessive case of we used as an attributive adjective).. See examples of OUR used in a sentence.

Our vs. Are: Meanings, Differences, and Proper Use - YourDictionary
Jun 3, 2021 · While “our” and “are” sound very similar, these two words have completely different meanings. Knowing when to use "our" vs. "are" can save you an embarrassing grammar …