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| nn lolita: A Multitude of Women Stefania Lucamante, 2008-01-01 A Multitude of Women looks at the ways in which both Italian literary tradition and external influences have assisted Italian women writers in rethinking the theoretical and aesthetic ties between author, text, and readership in the construction of the novel. Stefania Lucamante discusses the valuable contributions that Italian women writers have made to the contemporary novel and illustrates the relevance of the novelistic examples set by their predecessors. She addresses various discursive communities, reading works by Di Lascia, Ferrante, Vinci, and others with reference to intertextuality and the theories of Elsa Morante and Simone de Beauvoir. This study identifies a positive deviation from literary and ideological orthodoxy, a deviation that helps give meaning to the Italian novel and to transform the traditional notion of the canon in Italian literature. Lucamante argues that this is partly due to the merits of women writers and their ability to eschew obsolete patterns in narrative while favouring forms that are more attuned to the ever-changing needs of society. She shows that contemporary novels by women authors mirror a shift from previous trends in which the need for female emancipation interfered with the actual literary and aesthetic significance of the novel. A Multitude of Women offers a new epistemology of the novel and will appeal to those interested in women's writing, readership, Italian studies, and literary studies in general. |
| nn lolita: Narrative and Culture Janice Carlisle, Daniel R. Schwarz, 2010-08-01 Narrative and Culture draws together fourteen essays in which leading scholars discuss narrative texts and practices in a variety of media and genres, subjecting them to sustained cultural analysis. The essays cross national borders and historical periods as often and as easily as they traverse disciplinary boundaries, and they examine canonical fiction as well as postmodern media—photography, film, television. The primary subject of these pieces, notes Janice Carlisle, is “the relation between the telling of tales and the engagement of their tellers and listeners in the practices of specific societies.” Contributors: Nina Auerbach, Thomas B. Byers, Jay Clayton, Marcel Cornis-Pope, Mary Lou Emery, Colleen Kennedy, Vera Mark, Caroline McCracken-Flesher, Paul Morrison, Ingeborg Majer O'Sickey, John Carlos Rowe, Daniel R. Schwarz, Carol Siegel, Felipe Smith |
| nn lolita: Dictionary Catalog of the Slavonic Collection New York Public Library. Slavonic Division, New York Public Library. Research Libraries, 1974 |
| nn lolita: The Prose of Sasha Sokolov Elena Ivanovna Kravchenko, 2013 Hailed as one of the most significant writers in contemporary Russian literature, Sasha Sokolov (1943-) nevertheless remains one of its most hermetic. Despite a considerable scholarly interest in his work, no comprehensive book-length study has yet been published on Sokolov. With the focus on his three main texts, 'School for Fools', 'Between Dog and Wolf' and 'Palisandriia', this groundbreaking monograph is an exploration of Sokolov's aesthetics in which language is shown to embody reality, rather than express it. In her study Elena Kravchenko invites us to examine how language and art affect our perception of the real that, fading away into its reflections, finds its essence. Elena Kravchenko is an independent researcher, whose doctoral thesis (School of Slavonic and Eastern European Studies, UCL) laid a foundation for this monograph. |
| nn lolita: Italians to America: Passengers arriving at New York November 1890-December 1891 Ira A. Glazier, Percy William Filby, 1992 |
| nn lolita: The Queer Child, or Growing Sideways in the Twentieth Century Kathryn Bond Stockton, 2009-10-20 Children are thoroughly, shockingly queer, as Kathryn Bond Stockton explains in The Queer Child, where she examines children’s strangeness, even some children’s subliminal “gayness,” in the twentieth century. Estranging, broadening, darkening forms of children emerge as this book illuminates the child queered by innocence, the child queered by color, the child queered by Freud, the child queered by money, and the grown homosexual metaphorically seen as a child (or as an animal), alongside the gay child. What might the notion of a “gay” child do to conceptions of the child? How might it outline the pain, closets, emotional labors, sexual motives, and sideways movements that attend all children, however we deny it? Engaging and challenging the work of sociologists, legal theorists, and historians, Stockton coins the term “growing sideways” to describe ways of growing that defy the usual sense of growing “up” in a linear trajectory toward full stature, marriage, reproduction, and the relinquishing of childish ways. Growing sideways is a mode of irregular growth involving odd lingerings, wayward paths, and fertile delays. Contending that children’s queerness is rendered and explored best in fictional forms, including literature, film, and television, Stockton offers dazzling readings of works ranging from novels by Henry James, Radclyffe Hall, Virginia Woolf, Djuna Barnes, and Vladimir Nabokov to the movies Guess Who’s Coming to Dinner, The Hanging Garden, Heavenly Creatures, Hoop Dreams, and the 2005 remake of Willy Wonka and the Chocolate Factory. The result is a fascinating look at children’s masochism, their interactions with pedophiles and animals, their unfathomable, hazy motives (leading them at times into sex, seduction, delinquency, and murder), their interracial appetites, and their love of consumption and destruction through the alluring economy of candy. |
| nn lolita: National Union Catalog , 1973 Includes entries for maps and atlases. |
| nn lolita: How We Found America Magdalena J. Zaborowska, 1995 Until now, the East European canon in American literature has been dominated by male dissident figures such as Brodsky, Milosz, and Kundera. Magdalena Zaborowska challenges that canon by demonstrating the contributions of lesser-known immigrant and expatr |
| nn lolita: Dictionary Catalog of the Dance Collection New York Public Library. Dance Collection, 1974 |
| nn lolita: Collaborative Translation Anthony Cordingley, Céline Frigau Manning, 2016-12-15 For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation. This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Günter Grass, Vladimir Nabokov and Haruki Murakami. The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers. |
| nn lolita: The Naked And The Undead Cynthia Freeland, 2018-03-05 Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil?both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others. |
| nn lolita: The National Union Catalog, Pre-1956 Imprints , 1975 |
| nn lolita: Poop Culture Dave Praeger, 2007-05-01 Is “The Origin of Feces” a Darwinian concern? Perhaps not, but it is the title to the preface of this tongue-in-cheek and unexpectedly revealing exploration of human behavior by the webmaster behind the popular PoopReport.com. This book is not a history of poop, but a study of today. Its goal is to understand how poop affects us, how we view it, and why; to appreciate its impact from the moment it slides out of our anal sphincters to the moment it enters the sewage treatment plant; to explore how we’ve arrived at this strange discomfort and confusion about a natural product of our bodies; to see how this contradiction—the natural as unnatural—shapes our minds, relationships, environment, culture, economics, media, and art. Paul Provenza, the director of The Aristocrats, says in his foreword: “It’s shocking to think that a book about poop can be considered an act of courage. But it is. Most of us have knee-jerk responses to the topic that we are not even aware of. Attitudes that, like the awful stench of poop itself, permeate all of society and culture. This book has some very profound and beautiful things to say. It takes a dirty, smelly, unpleasant subject like shit and brings forth ideas that are empowering, dignifying and life affirming.” |
| nn lolita: Paternalism Incorporated David Leverenz, 2004 Between the Civil War and World War I, David Leverenz maintains, the corporate transformation of American work created widespread desire for upward mobility along with widening class divisions. In his view, several significant narrative constructs, notably the daddy s girl and the daddy s boy, emerge at the intersection between paternalist practices and more democratic possibilities for self-advancement. From Mark Twain s Laura Hawkins in The Gilded Age to the protagonist of Theodore Dreiser s Sister Carrie and Willa Cather s Alexandra Bergson in O Pioneers!, Leverenz finds that the image of the daddy s girl constrains the emerging threat of the career woman even as it articulates the lure of upward mobility for women. In surveying the figure of the daddy s boy, Leverenz examines tensions between young men s desires for upward mobility and older men s desires for paternal control. Paternalism Incorporated also addresses yearnings for individualism and paternalism in various critiques of the emerging corporation. Another chapter links honor and shaming to race in the philanthropic practices of Andrew Carnegie and John D. Rockefeller, framed with narratives by William Dean Howells, Booker T. Washington, and Jane Addams. After showing how a daddy s girl becomes a paternalist in Henry James s The Golden Bowl, Leverenz considers F. Scott Fitzgerald s Tender is the Night as paternalism s elegy, contrasted with the Shirley Temple film The Little Colonel. |
| nn lolita: Oxford Dictionary of Quotations Elizabeth Knowles, 2014-09-18 The first edition of the Oxford Dictionary of Quotations was published in 1941 and for over 70 years this bestselling book has remained unrivalled in its coverage of quotations past and present. The eighth edition is a vast treasury of wit and wisdom spanning the centuries and providing the ultimate answer to the question, 'Who said that?' Find that half-remembered line in a browser's paradise of over 20,000 quotations, comprehensively indexed for ready reference. Lord Byron may have taken the view: 'I think it great affectation not to quote oneself', but for the less self-centred the Oxford Dictionary of Quotations provides a quote for every occasion from the greatest minds of history and from undistinguished characters known only for one happy line. Drawing on Oxford's unrivalled dictionary research programme and unique language monitoring, over 700 new quotations have been added to this eighth edition from authors ranging from St Joan of Arc and Coco Chanel to Albrecht Dürer and Thomas Jefferson. New sayings from across the ages include 'It would not be better if things happened to men just as they wish' (the classical writer Heraclitus), 'Fight on, and God will give the Victory' (the suffragette Emily Wilding Davison), and 'The future is already here--it's just not evenly distributed' (the writer William Gibson). |
| nn lolita: Water Pollution Series , 1952 |
| nn lolita: Le Poesian 1/7 : Les monts des Exilés , |
| nn lolita: Rivers of Gold, Lives of Bondage Sherwin K. Bryant, 2014-11-17 In this pioneering study of slavery in colonial Ecuador and southern Colombia--Spain's Kingdom of Quito--Sherwin Bryant argues that the most fundamental dimension of slavery was governance and the extension of imperial power. Bryant shows that enslaved black captives were foundational to sixteenth-century royal claims on the Americas and elemental to the process of Spanish colonization. Following enslaved Africans from their arrival at the Caribbean port of Cartagena through their journey to Quito, Bryant explores how they lived during their captivity, formed kinships and communal affinities, and pressed for justice within a slave-based Catholic sovereign community. In Cartagena, officials branded African captives with the royal insignia and gave them a Catholic baptism, marking slaves as projections of royal authority and majesty. By licensing and governing Quito's slave trade, the crown claimed sovereignty over slavery, new territories, natural resources, and markets. By adjudicating slavery, royal authorities claimed to govern not only slaves but other colonial subjects as well. Expanding the diaspora paradigm beyond the Atlantic, Bryant's history of the Afro-Andes in the early modern world suggests new answers to the question, what is a slave? |
| nn lolita: The Theatre of Paula Vogel Lee Brewer Jones, 2023-06-15 In this volume, Lee Brewer Jones examines Paula Vogel as both a playwright and renowned teacher, analyzing texts and early reviews of Vogel's major plays-including Indecent, Desdemona, How I Learned to Drive, and The Baltimore Waltz-before turning attention to her influence upon other major American playwrights, including Sarah Ruhl, Lynn Nottage, and Quiara Alegría Hudes. Chapters explore Vogel's plays in chronological order, consider her early influences and offer detailed accounts of her work in performance. Enriched by an interview with Lynn Nottage and essays from scholars Ana Fernández-Caparrós and Amy Muse, this is a vibrant exploration of Paula Vogel as a major American playwright. By the time Paula Vogel made her Broadway debut with her 2017 Rebecca Taichman collaboration Indecent, she was already an accomplished playwright, with a Pulitzer Prize for How I Learned to Drive (1998) and two Obie Awards. She had also enjoyed a brilliant career as a professor at Brown and Yale with students such as Sarah Ruhl, a MacArthur “Genius” Grant winner, Pulitzer Prize winners Nilo Cruz, Quiara Alegría Hudes, and the only woman to win two Pulitzers for Drama, Lynn Nottage. Vogel's theatre draws upon Russian Formalist Viktor Shklovsky and uses devices such as “defamiliarization” and “negative empathy” to challenge conventional definitions of protagonists and antagonists. |
| nn lolita: Supplement to the Minutes of the Board of Trustees of the University of Illinois University of Illinois (System). Board of Trustees, 1970 |
| nn lolita: Diario Oficial Colombia, 1982 |
| nn lolita: Bibliographic Guide to Dance New York Public Library. Dance Collection, 1993 |
| nn lolita: Nabokov's Novels in English Lucy Maddox, 2010-03-01 Lucy Maddox's sensitive treatment of Nabokov's eight finished novels written in English—Pale Fire, Ada, Lolita, Bend Sinister, The Real Life of Sebastian Knight, Transparent Things, Look at the Harlequins! and Pnin—approaches the novelist's work as significant fiction with its own integrity. Maddox provides the kind of discursive introduction that makes Nabokov's complex work more accessible, focusing on the relationship between the eccentric, artificial structures of the novels and their deeply traditional, humanistic themes. While the forms of the novels are idiosyncratic and often bizarre, says Maddox, the texts themselves are neither unfamiliar nor eccentric. Repeatedly the text is the frustration of desire or loss, which is for Nabokov the most agonizing and inescapable of human experiences. Maddox also traces through all eight novels the development of Nabokov's style, which she treats as a matter of both technique and vision. |
| nn lolita: Nabokov’s Secret Trees Stephen H. Blackwell, 2024-06-03 In nearly all his literary works, Vladimir Nabokov inscribed networks of trees to create meaningful patterns of significance around one or more of his passionate interests – in consciousness, memory, creativity, epistemology, ethics, and love, with a deep connection to nature serving as a constant undercurrent. Nabokov’s Secret Trees explores this neglected area of his art, one that positions nature as a hidden but vital core of his work. The book presents an entirely new, previously unsuspected Nabokov, one who crafts intricate patterns of arboreal imagery lurking behind his often-baroque psychological narratives. It reveals how Nabokov activates arboreal potentials by exploring the hidden ubiquity of trees, their essence as complex natural phenomena, and their role as quiet presences that have accompanied and fostered human civilization and art since their beginnings. The book uncovers how trees offer a rich and intricate field for structural, semantic, allusive, and metaphorical exploration. Based on the published corpus as well as archival materials, Nabokov’s Secret Trees demonstrates that trees not only populate Nabokov’s art in stunning, yet furtive, abundance, but also as mysterious natural entities, directly animating his works’ worlds and his readers’ experience of them. |
| nn lolita: Transactions of the Board of Trustees University of Illinois (System). Board of Trustees, 1969 |
| nn lolita: He Said, She Says Mica Howe, Sarah Appleton Aguiar, 2001 The essays in this volume demonstrate the range of revisioning of women's reinterpretations of patriarchal texts. Women's responses are reaching beyond the story and into the primal bases for narrative: the philosophies, theologies, psychology, politics, and archetypal geneses that comprise the origins of narrative itself. 'He Said, She Says' brings together myriad perspectives that cover such primal narratives as the Bible, the Torah, mythology, traditional literary texts, male depictions of female sexuality, patriarchal Marxism, American democracy, and multiculturalism. |
| nn lolita: De ordine procedendi in judiciis in Romana curia praxis recentior (etc.) IV. ed. Germana aucta, illustrata et purgata Petrus Ridolfini, 1680 |
| nn lolita: National Register of Microform Masters , 1982 |
| nn lolita: Petri Ridolphini De ordine procedendi in iudiciis in Romana curia praxis recentior Pietro Ridolfini, 1680 |
| nn lolita: PETRI RIDOLPHINI J. C. NOBILIS CORTONENSIS, PATRITIIQVE ROMANI, AC PROTONOTARII APOSTOLICI, De ordine procedendi in Iudiciis in Romana Curia PRAXIS RECENTIOR Pietro Ridolfini, 1680 |
| nn lolita: The Modern Satiric Grotesque and Its Traditions John R. Clark, 2014-07-15 Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art. |
| nn lolita: Bucklin-Estanquero Library of Congress. Catalog Publication Division, 1976 |
| nn lolita: Gideon Lincecum, 1793-1874 Lois Wood Burkhalter, 2010-06-28 In Gideon Lincecum's lifetime the United States expanded from fifteen to thirty-eight states—and Lincecum moved always with or ahead of that expansion. Possessed of a driving intellectual curiosity undeterred by lack of formal education, Lincecum examined all he confronted. He learned from Indians, he read widely, and he corresponded with the great minds of his day. In the process he became many things: physician, musician, botanist, entomologist, ornithologist, and translator of Indian dialects. His collection of information and specimens in the field of natural science was used by leading authorities. From his voluminous letters, Mrs. Burkhalter has constructed a picture of a remarkable and delightful American who deserves a place in the history of this country. |
| nn lolita: Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971 New York Public Library. Research Libraries, 1979 |
| nn lolita: Reference Guide to Russian Literature Neil Cornwell, 2013-12-02 First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public. |
| nn lolita: Dostoevsky and Suicide N. N. Shneidman, 1984 |
| nn lolita: Texas, 2000 , 2002 |
| nn lolita: Saul Bellow Against the Grain Ellen Pifer, 1991-06 Pifer contends that Bellow's fiction is fundamentally radical. Going against the grain of contemporary culture and its secular pieties, he undermines accepted notions of reality and challenges the orthodoxies created by materialist values and rationalist thought. Charged by his belief in the soul, his 10 novels test the assumptions of traditional realism. Pifer stresses the importance to Bellow of the invisible world, the longing for revelation, and the capacity to love and to suffer. She also shows how Bellow's hero is a man torn between his modern predilection for secular rationalism and a primordial attachment to the soul, and how he is led to demolish reigning idols of contemporary thought and culture. ISBN 0-8122-8203-5: $29.95. |
| nn lolita: The National Union Catalog, Pre-1956 Imprints Library of Congress, American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee, 1973 |
| nn lolita: Leopardi's Nymphs Fabio A. Camilletti, 2017-12-02 How can one make poetry in a disenchanted age? For Giacomo Leopardi (1798-1837) this was the modern subject's most insolvable deadlock, after the Enlightenment's pitiless unveiling of truth. Still, in the poems written in 1828-29 between Pisa and the Marches, Leopardi manages to turn disillusion into a powerful source of inspiration, through an unprecedented balance between poetic lightness and philosophical density. The addressees of these cantos are two prematurely dead maidens bearing names of nymphs, and thus obliquely metamorphosed into the charmingly disquieting deities that in Greek lore brought knowledge and poetic speech through possession. The nymph, Camilletti argues, can be seen as the inspirational power allowing the utterance of a new kind of poetry, bridging antiquity and modernity, illusion and disenchantment, life and death. By reading Leopardi's poems in the light of Freudian psychoanalysis and of Aby Warburg's and Walter Benjamin's thought, Camilletti gives a groundbreaking interpretation of the way Leopardi negotiates the original fracture between poetry and philosophy that characterises Western culture. Fabio Camilletti is Assistant Professor in Italian at the University of Warwick. |
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It is a letter in the Spanish alphabet that is used for many words—for example, the Spanish word año "year" ( anno in Old Spanish) derived from Latin: annus. Other languages used the …
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