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| nicky klarsfeld: 1000 on 42nd Street , 2000 Essay by Tibor & Maira Kalman and Art Direction by Yolanda Cuomo In order to capture the profound structural and cultural changes taking place in Times Square, Selkirk shot head-one, full-frame, 1000 people of all shapes, colours and origins - some famous, some four-legged - passing through the Crossroads of the World, asking of each only name, hometown and reason for being in Times Square. The results are lively, engaging and surprising, a millennial look at the life of the world's most famous city. Illustrated with 1000 full-colour photos. |
| nicky klarsfeld: House Beautiful , 2001 |
| nicky klarsfeld: Mick Christopher Andersen, 2012-07-10 Shares insights into the iconic rock-and-roll performer's life, from his substance abuse challenges and his bisexual history to his connections to the British royal family and the secret attempt on his life. |
| nicky klarsfeld: Friends , |
| nicky klarsfeld: The Righteous Martin Gilbert, 2010-04-01 “Important. . . . The very fact that there were so many tales of courage is reason to take heed of this heartening aspect of one of history’s darkest moments.” —Publishers Weekly Drawing from twenty-five years of original research, eminent historian Sir Martin Gilbert re-creates the remarkable stories of non-Jews who risked their lives to help Jews during the Holocaust. According to Jewish tradition, “Whoever saves one life, it is as if he saved the entire world.” Non-Jews who helped save Jewish lives during World War II are designated Righteous Among the Nations by Yad Vashem, the Holocaust archive in Jerusalem. In The Righteous, distinguished historian Sir Martin Gilbert, through extensive interviews, explores the courage of those who-throughout Germany and in every occupied country from Norway to Greece, from the Atlantic to the Baltic-took incredible risks to help Jews whose fate would have been sealed without them. Indeed, many lost their lives for their efforts. Those who hid Jews included priests, nurses, teachers, neighbors and friends, employees and colleagues, soldiers and diplomats, and, above all, ordinary citizens. From Greek Orthodox Princess Alice of Greece, who hid Jews in her home in Athens, to the Ukrainian Uniate Archbishop of Lvov, who hid hundreds of Jews in his churches and monasteries, to Muslims in Bosnia and Albania, many risked, and lost, everything to help their fellow man. “One of the book’s virtues is Gilbert’s ability to set the local context briefly before recounting the personal stories, thus keeping the human dimension paramount.” —Library Journal “This emotionally stirring book is an essential addition to Holocaust collections.” —Booklist |
| nicky klarsfeld: Inspecting Jews Laurence Roth, 2004 Inthis book, Laurence Roth argues that the popular genre of Jewish detective stories offers new insights into the construction of ethnic and religious identity. Roth frames his study with the concept of kosher hybridity to look at the complex process of mediation between Jewish and American culture in which Jewish writers voice the desire to be both different from and yet the same as other Americans. He argues that the detective story, located at the intersection of narrative and popular culture in modern America, examines the need for order in a disorderly society, and thus offers a window into the negotiation of Jewish identity differing from that of literary fiction. The writers of these popular cultural texts, which are informed by contradiction and which thrive on intended and unintended ironies, formulate idioms for American Jewish identities that intentionally and unintentionally create social, ethnic, and religious syntheses in American Jewish life. Roth examines stories about American Jewish detectives--including Harry Kemelman's Rabbi Small, Faye Kellerman's Peter Decker and Rina Lazarus, Stuart Kaminsky's Abe Lieberman, and Rochelle Krich's Jessica Drake--not only as a genre of literature but also as a reflection of contemporary acculturation in the American Jewish popular arts. |
| nicky klarsfeld: Encyclopedia of Television Film Directors Jerry Roberts, 2009-06-05 From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium. |
| nicky klarsfeld: Midnight's Furies Nisid Hajari, 2015-06-15 A few bloody months in South Asia during the summer of 1947 explain the world that troubles us today. |
| nicky klarsfeld: Great World Trials Edward W. Knappman, 1997 Famous trials outside of the United States, from 415 B.C. to 1996. |
| nicky klarsfeld: Film Directors Michael Singer, 1989 |
| nicky klarsfeld: Harun Farocki, Against What? Against Whom? Nora M. Alter, 2009 Against What? Against Whom? is a monograph about the author, film maker and video artist Harun Farocki. Its the first book about Farocki that is neither a purely academic publication nor an exhibition catalogue. it brings together the most diverse of themes, tonalities and approaches: alongside a complete filmography and list of installations, there are 21 contributions that take a discursive (or use drawings to) look at Farocki's complex oeuvre. Additionally there are two key Farocki texts, previous reflections on his film and video work, and a new text he has written especially for this book, which begins quite biographically and underhandedly becomes a short history of the making of films and art in (West) Germany over the past 40 years. The themes discussed are as varied as the authors involved, with much focus on individual Farocki films, beginning with the early political, Marxist, educational films, via his cinema direct films and his essay films, that have become classics in the meantime, up To The films and installations, which For The most make use of found footage of the most varied types of image, such as amateur recordings, archive pictures, surveillance images, technical images and computer animations. English text. |
| nicky klarsfeld: National Identification Systems Carl Watner, Wendy McElroy, 2004-01-07 Throughout history, governments have sought more efficient ways to count, tax, allocate, monitor and order the activities of their citizens. Watner and McElroy have compiled a collection of essays that present the historical, religious, moral and practical arguments against government enumeration. The articles look at several government naming practices and the census and discuss how the collection of seemingly innocent data could be used to commit abuses. Section one recounts the history of what we now call national ID. Section two covers contemporary technologies, such as microchips, email tracking and camera-based surveillance systems, applying to each the test, How would this catch terrorists or other criminals without destroying the rights of peaceable people? Section three imagines a future of rebellion against a government tracking its citizens in the name of security, but offers some hope that American culture does not lend itself to the fanatical control that a high-tech national ID system could make possible. |
| nicky klarsfeld: Israeli Film Amy Kronish, Costel Safirman, 2003-05-30 Israeli cinema is a central tool for understanding the contemporary challenges facing Israeli society as it has developed its identity during the past decades. Although films can be considered individual pieces of work, we can gain a unique perspective on the nation's society through a careful analysis of the subject matter, issues, and styles of expression of this unique medium. Since its inception, Israeli cinema has been occupied with the hardships of an ongoing war, problems of Jewish-Arab relations, and the major survival issues of the state. Despite this focus, Israeli filmmaking is in fact much more complex and varied. Indeed, it covers a wide spectrum of issues that have developed during the 70 years during the production of its first feature film. Israeli Film: A Reference Guide provides a survey of all major films made in Israel, as well as biographies of major Israeli filmmakers and an overview essay summarizing major trends in Israeli film—and, in doing so, offers a commentary on social trends, historical challenges, and societal issues. |
| nicky klarsfeld: Film Composers Guide , 1996 |
| nicky klarsfeld: International Television & Video Almanac , 1993 |
| nicky klarsfeld: Motion Picture Almanac , 1990 |
| nicky klarsfeld: I giusti. Gli eroi sconosciuti dell'olocausto Martin Gilbert, 2007 |
| nicky klarsfeld: The Ethnic Penalty Reza Hasmath, 2016-03-23 Populations of visible ethnic minorities have steadily increased over the past few decades in immigrant-receptive societies. While a complex calculus of push and pull factors has motivated this increase, one of the main impetuses for this migration has been the search for employment, better wages and a higher standard of living. It is therefore not surprising that the educational attainments of the first generation and beyond have achieved convergence with, or exceeded the non-ethnic minority cohort. These outcomes may suggest a greater propensity for visible ethnic minorities to attain labour market success and to fully integrate within the community. However, the narrative derived from statistical analysis, interviews and participant observation suggest an uneasiness boldly to claim this as the most convincing conclusion at this juncture. The Ethnic Penalty argues that a penalty has impeded the occupational success of ethnic minorities during the job search, hiring and promotion process. As a result, ethnic minorities have a lower income, higher unemployment and a general failure to convert their high educational attainments into comparable occupational outcomes. In this context, the book examines whether explanatory factors such as discrimination, an individual's social network, a firm's working culture, and a community's social trust are major contributing reasons behind this apparent penalty, whilst also making suggestions for improving the integration, education delivery, and labour market outcomes of visible ethnic minorities. |
| nicky klarsfeld: Flight from the Reich Deborah Dwork, Robert Jan Pelt, 2009 A bold, groundbreaking work that provides the definitive answer to the persistent question: Why didn't more Jews flee Nazi Europe? |
| nicky klarsfeld: At the Edge of the Abyss David Koker, 2012-03-29 Finalist for 2012 National Jewish Book Award in the Holocaust category During his time in the Vught concentration camp, the 21-year-old David recorded on an almost daily basis his observations, thoughts, and feelings. He mercilessly probed the abyss that opened around him and, at times, within himself. David's diary covers almost a year, both charting his daily life in Vught as it developed over time and tracing his spiritual evolution as a writer. Until early February 1944, David was able to smuggle some 73,000 words from the camp to his best friend Karel van het Reve, a non-Jew. |
| nicky klarsfeld: The Armenian Genocide Raymond Kévorkian, 2011-03-30 The Armenian Genocide was one of the greatest atrocities of the twentieth century, an episode in which up to 1.5 million Armenians lost their lives. In this major new history, the renowned historian Raymond Kevorkian provides an authoritative account of the origins, events and consequences of the years 1915 and 1916. He considers the role that the Armenian Genocide played in the construction of the Turkish nation state and Turkish identity, as well as exploring the ideologies of power, rule and state violence. Crucially, he examines the consequences of the violence against the Armenians, the implications of deportations and attempts to bring those who committed the atrocities to justice. Kevorkian offers a detailed and meticulous record, providing an authoritative analysis of the events and their impact upon the Armenian community itself, as well as the development of the Turkish state. This important book will serve as an indispensable resource to historians of the period, as well as those wishing to understand the history of genocidal violence more generally. |
| nicky klarsfeld: The Complete Index to British Sound Film Since 1928 Alan Goble, 1999 From the editor of the Complete Index to World Film comes an equally comprehensive, if specialized, sourcebook on the output of the British film industry in the sound era. A vast range of theatrical styles and talents are covered in II fast-access indexes, including: -- 12,900 film entries with information on title, year, director(s), actor(s), type of film, length, alternative title, production/releasing company, and coproducing countries -- 3,900 directors -- 24,600 actors -- 1,100 cinematographers -- 1,200 composers -- 2,400 authors whose literary works were adapted to the screen |
| nicky klarsfeld: Hell's Cartel Diarmuid Jeffreys, 2008-07-22 The remarkable rise and shameful fall of one of the twentieth century’s greatest conglomerates At its peak in the 1930s, the German chemical conglomerate IG Farben was one of the most powerful corporations in the world. To this day, companies formerly part of the Farben cartel—the aspirin-maker Bayer, the graphics supplier Agfa, the plastics giant BASF—continue to play key roles in the global market. IG Farben itself, however, is remembered mostly for its infamous connections to the Nazi Party and its complicity in the atrocities of the Holocaust. After the war, Farben’s leaders were tried for crimes that included mass murder and exploitation of slave labor. In Hell’s Cartel, Diarmuid Jeffreys presents the first comprehensive account of IG Farben’s rise and fall, tracing the enterprise from its nineteenth-century origins, when the discovery of synthetic dyes gave rise to a vibrant new industry, through the upheavals of the Great War era, and on to the company’s fateful role in World War II. Drawing on extensive research and original interviews, Hell’s Cartel sheds new light on the codependence of industry and the Third Reich, and offers a timely warning against the dangerous merger of politics and the pursuit of profit. |
| nicky klarsfeld: The Case for Auschwitz Robert Jan van Pelt, 2016-03-23 From January to April 2000 historian David Irving brought a high-profile libel case against Penguin Books and Deborah Lipstadt in the British High Court, charging that Lipstadt's book, Denying the Holocaust (1993), falsely labeled him a Holocaust denier. The question about the evidence for Auschwitz as a death camp played a central role in these proceedings. Irving had based his alleged denial of the Holocaust in part on a 1988 report by an American execution specialist, Fred Leuchter, which claimed that there was no evidence for homicidal gas chambers in Auschwitz. In connection with their defense, Penguin and Lipstadt engaged architectural historian Robert Jan van Pelt to present evidence for our knowledge that Auschwitz had been an extermination camp where up to one million Jews were killed, mainly in gas chambers. Employing painstaking historical scholarship, van Pelt prepared and submitted an exhaustive forensic report that he successfully defended in cross-examination in court. |
| nicky klarsfeld: Ward's Business Directory of Major U.S. Private Companies , 1987 |
| nicky klarsfeld: A Companion to the Historical Film Robert A. Rosenstone, Constantin Parvulescu, 2012-01-02 Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies |
| nicky klarsfeld: Imperial Hubris Michael Scheuer, 2004-06-30 Though U.S. leaders try to convince the world of their success in fighting al Qaeda, one anonymous member of the U.S. intelligence community would like to inform the public that we are, in fact, losing the war on terror. Further, until U.S. leaders recognize the errant path they have irresponsibly chosen, he says, our enemies will only grow stronger. According to the author, the greatest danger for Americans confronting the Islamist threat is to believe-at the urging of U.S. leaders-that Muslims attack us for what we are and what we think rather than for what we do. Blustering political rhetor. |
| nicky klarsfeld: Discrimination at Work Marie Mercat-Bruns, 2016-02-22 Consists of interviews with American professors. |
| nicky klarsfeld: Generational Career Shifts Eddy S. Ng, Sean T. Lyons, Linda Schweitzer, 2018-02-28 Offering an overview of existing research and drawing upon the authors’ own study of approximately 3,000 students and knowledge workers, this book documents how careers have fundamentally shifted over the past five decades and offers crucial insights into what these shifts mean for employers and their management strategies. |
| nicky klarsfeld: Getting New Things Done David Obstfeld, 2017-07-25 Our networks—and how we work them—create vital ties that bind. Organizations recognize and reward this fact by leaning ever more heavily on collaboration, particularly when it comes to getting new things done. This book offers a framework that explains how innovators use network processes to broker knowledge and mobilize action. How well they do so directly influences the outcome of attempts to innovate, especially when a project is not tied to prescribed organizational routines. An entrepreneur launches a business. A company rolls out a new product line. Two firms form a partnership. These instances and many more like them dot today's business landscape. And yet, we understand little about the social dimension of these undertakings. Disentangling brokerage from network structure and building on his theoretical work regarding tertius iungens, David Obstfeld explains how actors with diverse interests, expertise, and skills leverage their personal and intellectual connections to create new ventures and products with extraordinary results. |
| nicky klarsfeld: Dictionnaire économique et juridique Jean Baleyte, 1992 |
| nicky klarsfeld: Witness to the Holocaust Michael Berenbaum, 1997-04-03 50 years after the liberation of the death camps in Nazi Germany, the former project director of the U.S. Holocaust Memorial Museum in Washington, DC, and current director of its Research Institute, compiles a fascinating collection of firsthand accounts of the Holocaust. From the first boycott of Jewish businesses in Germany in 1933 to testimony at the Nuremberg Trials in 1946, this illustrated volume includes survivor testimonies, letters, government documents, newspaper reports, diary entries and other firsthand materials, as well as Holocaust scholar Michael Berenbaum's insightful commentary putting the materials into context. The book's chronologically organized documentary approach provides a unique perspective on this much-published subject, and drawing on the most current research in the field of Holocaust studies, offers readers an unforgettable and engrossing history of the Nazis' largely successful effort to eradicate the Jews and other undesirables of Europe. |
| nicky klarsfeld: Through Our Eyes Itzhak Tatelbaum (B.), 1985 |
| nicky klarsfeld: Discourse and Communication Teun A. van Dijk, 2011-07-13 No detailed description available for Discourse and Communication. |
| nicky klarsfeld: Remembering Che Aleida March, 2024-05-07 Che Guevara’s widow remembers a great revolutionary romance tragically cut short by Che’s assassination in Bolivia. When Aleida March first met Che Guevara, she was a twenty-year-old combatant from the provinces of Cuba, he an already legendary revolutionary and larger-than-life leader. And yet there was another, more human side to Che, one Aleida was given special access to, first as his trusted compañera and later as the love of his life. With great immediacy and poignancy, Aleida recounts the story of their epic romance—their fitful courtship against the backdrop of the Cuban revolutionary war, their marriage at the war’s end and the birth of their four children, up through Che’s tragic assassination in Bolivia less than ten years later. Featuring excerpts from their letters, nearly one hundred never-before-seen photographs from their private collection, and a moving short story Che wrote for Aleida, here is an intimate look at the man behind the legend and the tenacious, courageous woman who knew him best—a story of passionate love, wrenching sacrifice, and unwavering heroism. |
| nicky klarsfeld: Livres hebdo , 1998 |
| nicky klarsfeld: When Israel is King Jérôme Tharaud, Jean Tharaud, 1924 |
| nicky klarsfeld: Warriors, Witches, Whores Rachel S. Harris, 2017-10-16 Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues. This section demonstrates how feminists use film (and work within the film industry) in order to position women in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have affected the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera and in the stories they tell. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph. |
| nicky klarsfeld: The Children of Izieu Serge Klarsfeld, 1985 Presents the story of an orphanage in Izieu, France that sheltered Jewish children from all over Europe who had escaped Nazi persecution. In 1944, one month before World War II ended, the Gestapo sent soldiers to the ophanage to arrest all the children and caretakers. Those arrested were taken to Auschwitz for immediate execution. The events are recounted through the stories of those who escaped the Nazi raid. |
| nicky klarsfeld: Bibliographie annuelle de l'histoire de France du cinquième siècle à 1958 , 2005 |
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Nick Rivera Caminero (born March 17, 1981), [4] known professionally as Nicky Jam, is an American singer. He is best known for hits such as "X", "Travesuras", "El Perdón", "Hasta el …
Nicky, Ricky, Dicky & Dawn (TV Series 2014–2018) - IMDb
Nicky, Ricky, Dicky & Dawn: Created by Michael Feldman, Matt Fleckenstein. With Lizzy Greene, Casey Simpson, Aidan Gallagher, Allison Munn. 11-year-old Nicky, Ricky, Dicky, and Dawn …
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Nick Rivera Caminero, known professionally as Nicky Jam, is an American singer. He is best known for hits such as "X", "Travesuras", "El Perdón", "Hasta el Amanecer", and "El Amante"; …
Nicky | Sonic Wiki Zone | Fandom
In the Sonic the Hedgehog manga, Nicky is the primary character and a fourth-grade student at Hedgehog Elementary School. He is a gentle hedgehog from Hedgehog Town with a dream to …
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Nicky - Wikipedia
Nicky is a diminutive form of the name Nicholas, Nicola and Nicole, occasionally used as a given name in its own right. Sometimes it is spelled as Nikki, Niki. It can also be used as a diminutive …
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Niki and the Collection of new Stories for kids - YouTube
Niki and the Collection of new Stories for kidsVlad and Niki Merch https://vladandniki.com/VLAD …
Nicky Jam - Wikipedia
Nick Rivera Caminero (born March 17, 1981), [4] known professionally as Nicky Jam, is an American singer. He is …
Nicky, Ricky, Dicky & Dawn (TV Series 2014–2018) - IMDb
Nicky, Ricky, Dicky & Dawn: Created by Michael Feldman, Matt Fleckenstein. With Lizzy Greene, Casey Simpson, …
Nicky Jam - YouTube Music
Nick Rivera Caminero, known professionally as Nicky Jam, is an American singer. He is best known …
Nicky | Sonic Wiki Zone | Fandom
In the Sonic the Hedgehog manga, Nicky is the primary character and a fourth-grade student at Hedgehog …
