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| oratorical festival 2023: Joseph Elmer Cardinal Ritter Nicholas A. Schneider, 2008 Joseph Ritter was one of the most important and forward-thinking prelates of the Church in North America during the 20th century. He served as ordinary for the Archdiocese of Indianapolis and then as Cardinal Ritter in St. Louis for twenty years until his death in 1967. Through his efforts, the entire archdiocesan school system was desegregated, and he was the first bishop to send priests to Latin America as missionaries. This biography provides us with the first serious account of his life and accomplishments. It is written by a priest who knew him firsthand and ministered under his guidance. Readers will find this historical account of such a great man truly inspiring. View sample pages. Paperback Available for the Amazon Kindle: |
| oratorical festival 2023: The Orthodox Christian World Augustine Casiday, 2012-08-21 Over the last century unprecedented numbers of Christians from traditionally Orthodox societies migrated around the world. Once seen as an ‘oriental’ or ‘eastern’ phenomenon, Orthodox Christianity is now much more widely dispersed, and in many parts of the modern world one need not go far to find an Orthodox community at worship. This collection offers a compelling overview of the Orthodox world, covering the main regional traditions of Orthodox Christianity and the ways in which they have become global. The contributors are drawn from the Orthodox community worldwide and explore a rich selection of key figures and themes. The book provides an innovative and illuminating approach to the subject, ideal for students and scholars alike. |
| oratorical festival 2023: Visions in a Seer Stone William L. Davis, 2020-04-08 In this interdisciplinary work, William L. Davis examines Joseph Smith’s 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith’s process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis’s interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith’s creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley. |
| oratorical festival 2023: Like Wildfire Sean Patrick O'Rourke, Lesli K. Pace, 2020-06-02 The sit-ins of the American civil rights movement were extraordinary acts of dissent in an age marked by protest. By sitting in at whites only lunch counters, libraries, beaches, swimming pools, skating rinks, and churches, young African Americans and their allies put their lives on the line, fully aware that their actions would almost inevitably incite hateful, violent responses from entrenched and increasingly desperate white segregationists. And yet they did so in great numbers: most estimates suggest that in 1960 alone more than seventy thousand young people participated in sit-ins across the American South and more than three thousand were arrested. The simplicity and purity of the act of sitting in, coupled with the dignity and grace exhibited by participants, lent to the sit-in movement's sanctity and peaceful power. In Like Wildfire, editors Sean Patrick O'Rourke and Lesli K. Pace seek to clarify and analyze the power of civil rights sit-ins as rhetorical acts—persuasive campaigns designed to alter perceptions of apartheid social structures and to change the attitudes, laws, and policies that supported those structures. These cohesive essays from leading scholars offer a new appraisal of the origins, growth, and legacy of the sit-ins, which has gone largely ignored in scholarly literature. The authors examine different forms of sitting-in and the evolution of the rhetorical dynamics of sit-in protests, detailing the organizational strategies they employed and connecting them to later protests. By focusing on the persuasive power of demanding space, the contributors articulate the ways in which the protestors' battle for basic civil rights shaped social practices, laws, and the national dialogue. O'Rourke and Pace maintain that the legacies of the civil rights sit-ins have been many, complicated, and at times undervalued. |
| oratorical festival 2023: Even This I Get to Experience Norman Lear, 2015-10-27 Norman Lear is the renowned creator of such iconic television programs as All in the Family, Maude, and The Jeffersons. He remade our television culture from the ground up, and in Even This I Get To Experience, he opens up about the ups and downs of his three marriages, tells stories about time spent with Jerry Lewis and Dean Martin and offers a thrilling new look at the golden age of show business. He tells of life growing up in the Great Depression right through to his father's imprisonment and his own eventual affluence. Endlessly readable and unforgettable. |
| oratorical festival 2023: THE MAGIC PUDDING NORMAN LINDSAY, GRANDMA'S TREASURES, 2015-11-11 A magic pudding who changes from steak and kidney to jam roll and apple dumpling in seconds. A walking, talking dessert that never runs out of pleasing things to eat. A koala bear, named Bunyip Bluegum, A sailor named Bill Barnacle, and Sam Sawnoff the penguin have a wonderful hilarious magical adventure defending the Pudding against thieves who want it for themselves. |
| oratorical festival 2023: The Michigan Alumnus , 1935 In v.1-8 the final number consists of the Commencement annual. |
| oratorical festival 2023: The Leader in Me Stephen R. Covey, 2009-10-06 The Leader in Me tells the story of the extraordinary schools, parents, and business leaders around the world who are preparing the next generation to meet the great challenges and opportunities of the 21st century. |
| oratorical festival 2023: Farm Festivals Will Carleton, 2023-12-24 Reprint of the original, first published in 1882. |
| oratorical festival 2023: Failing Up Leslie Odom, Jr., 2018-03-27 Leslie Odom Jr., burst on the scene in 2015, originating the role of Aaron Burr in the Broadway musical phenomenon Hamilton. Since then, he has performed for sold-out audiences, sung for the Obamas at the White House, and won a Tony Award for Best Leading Actor in a Musical. But before he landed the role of a lifetime in one of the biggest musicals of all time, Odom put in years of hard work as a singer and an actor. With personal stories from his life, Odom asks the questions that will help you unlock your true potential and achieve your goals even when they seem impossible. What work did you put in today that will help you improve tomorrow? How do you surround yourself with people who will care about your dreams as much as you do? How do you know when to play it safe and when to risk it all for something bigger and better? These stories will inspire you, motivate you, and empower you for the greatness that lies ahead, whether you’re graduating from college, starting a new job, or just looking to live each day to the fullest. |
| oratorical festival 2023: The Rise and Fall of the Neoliberal Order Gary Gerstle, 2022-03-01 The most sweeping account of how neoliberalism came to dominate American politics for nearly a half century before crashing against the forces of Trumpism on the right and a new progressivism on the left. The epochal shift toward neoliberalism--a web of related policies that, broadly speaking, reduced the footprint of government in society and reassigned economic power to private market forces--that began in the United States and Great Britain in the late 1970s fundamentally changed the world. Today, the word neoliberal is often used to condemn a broad swath of policies, from prizing free market principles over people to advancing privatization programs in developing nations around the world. To be sure, neoliberalism has contributed to a number of alarming trends, not least of which has been a massive growth in income inequality. Yet as the eminent historian Gary Gerstle argues in The Rise and Fall of the Neoliberal Order, these indictments fail to reckon with the full contours of what neoliberalism was and why its worldview had such persuasive hold on both the right and the left for three decades. As he shows, the neoliberal order that emerged in America in the 1970s fused ideas of deregulation with personal freedoms, open borders with cosmopolitanism, and globalization with the promise of increased prosperity for all. Along with tracing how this worldview emerged in America and grew to dominate the world, Gerstle explores the previously unrecognized extent to which its triumph was facilitated by the collapse of the Soviet Union and its communist allies. He is also the first to chart the story of the neoliberal order's fall, originating in the failed reconstruction of Iraq and Great Recession of the Bush years and culminating in the rise of Trump and a reinvigorated Bernie Sanders-led American left in the 2010s. An indispensable and sweeping re-interpretation of the last fifty years, this book illuminates how the ideology of neoliberalism became so infused in the daily life of an era, while probing what remains of that ideology and its political programs as America enters an uncertain future. |
| oratorical festival 2023: Weapons of Mass Diplomacy Abel Lanzac, Christophe Blain, 2014-05-06 Following 9/11, President Bush's War on Terror with plans to invade Iraq erupted into a cultural clash between French reluctance and American assurance over the case for Weapons of Mass Destruction. In Weapons of Mass Diplomacy, diplomat Abel Lanzac reveals the tension and politics through a French insider's point of view, with satirical humor that softens the controversial subject matter. Readers follow Lanzac's fictionalized self, Arthur Vlaminck, a speechwriter for the French Foreign Minister. As part of a team of flamboyant ministerial advisors, he has been tasked with drafting France's response to the growing international crisis in the Middle East, which is then delivered before the United Nations Security Council. A graphic milestone of diplomacy, Weapons of Mass Diplomacy--a bestseller in Europe--pro-vides a revelatory account of a period that saw French fries become freedom fries and an alternative perspective on the decisions leading up to the U.S.-led invasion of Iraq. |
| oratorical festival 2023: About Chekhov Ivan Alekseevich Bunin, 2007-06-05 Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin. In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marullo subtitles About Chekhov The Unfinished Symphony, because although Bunin did not complete the work before his death in 1953, he nonetheless fashioned his memoir as a moving orchestral work on the writers' existence and art. . . . Even in its unfinished state, About Chekhov stands not only as a stirring testament of one writer's respect and affection for another, but also as a living memorial to two highly creative artists. Bunin draws on his intimate knowledge of Chekhov to depict the writer at work, in love, and in relation with such writers as Tolstoy and Gorky. Through anecdotes and observations, spirited exchanges and reflections, this memoir draws a unique portrait that plumbs the depths and complexities of two of Russia's greatest writers. |
| oratorical festival 2023: The Absolutely True Diary of a Part-time Indian Sherman Alexie, 2008 Tells the story of Junior, a budding cartoonist who leaves his school on the Spokane Indian Reservation to attend an all-white high school. |
| oratorical festival 2023: Doctor Hudson’s Secret Journal Lloyd C. Douglas, 2023-08-17 Here is the journal which ultimately proved the motive force for The Magnificent Obsession, the journal as it was set down by Doctor Hudson himself. One feels that he must have been a real person (or that at any rate, in his fictional being he represented the personification of someone’s experience and thought). Here we learn whence came the power—the inner strength through which he built spiritual, physical and worldly success. Here we trace the various experiments which proved his own theory. And here too we follow his opinion on a world facing much of what our world is facing today. This gives the book not only the customary hypodermic that Doctor Douglas so ably administers, but a timeliness that is not to be ignored. There is no one writing today who can put more punch into a sermon—without making one conscious it is a sermon. —Kirkus Review Lloyd C. Douglas was an American minister and author born in Indiana in 1877. He was married and had two children. He did not write his first novel until the age of 50 but was considered to be one of the most popular writers of his time. His works usually had a moral and religious tone. Two of his best known works were The Robe and The Big Fisherman, which were made into major motion pictures. The Robe, written in 1942, sold over two million copies in hardcover alone. It held the number one position on the New York Times Best Seller list for over a year and remained on the list for an additional two years. The film version of The Robe hit the screen in 1953 and starred Richard Burton. |
| oratorical festival 2023: Calling a Wolf a Wolf Kaveh Akbar, 2017-09-25 The struggle from late youth on, with and without God, agony, narcotics and love is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection. --Fanny Howe This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight. From Stop Me If You've Heard This One Before Sometimes you just have to leave whatever's real to you, you have to clomp through fields and kick the caps off all the toadstools. Sometimes you have to march all the way to Galilee or the literal foot of God himself before you realize you've already passed the place where you were supposed to die. I can no longer remember the being afraid, only that it came to an end. Kaveh Akbar is the founding editor of Divedapper. His poems appear recently or soon in The New Yorker, Poetry, APR, Tin House, Ploughshares, PBS NewsHour, and elsewhere. The recipient of a 2016 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and the Lucille Medwick Memorial Award from the Poetry Society of America, Akbar was born in Tehran, Iran, and currently lives and teaches in Florida. |
| oratorical festival 2023: Golden Mouth J. N. D. Kelly, 1998 John Chrysostom, or Golden Mouth, was a famous ascetic and preacher of the fourth/fifth century, a controversial bishop of Constantinople, and a brilliant orator - hence the epithet. This is the first comprehensive study of him in the English language in over a century. In the early chapters John Kelly highlights Chrysostom's youthful experiments with asceticism at Antioch in Syria, his six years as a monk and then a recluse in the nearby mountains, and his influential role as Antioch's leading preacher. The central section of the book shows him as a fearlessly outspoken populist bishop of the capital. Kelly focuses on his authoritarian style, his interventions in political crises, and his clashes with the Empress Eudoxia, as well as his efforts to promote the primacy of the see of Constantinople in the east. The final chapters reconstruct the plots that led to Chrysostom's downfall, the drama of his trial, and his exile and death. Golden Mouth also provides fresh analyses of Chrysostom's principal treatises and public addresses, and discussions of his views on monasticism, sexuality and marriage, education, and suffering. |
| oratorical festival 2023: Chambers's Encyclopaedia Anonymous, 2023-05-18 Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost. |
| oratorical festival 2023: Women, Race, & Class Angela Y. Davis, 2011-06-29 From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. “Angela Davis is herself a woman of undeniable courage. She should be heard.”—The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger’s racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work. |
| oratorical festival 2023: History of Greece (Vol. 1-12) George Grote, 2023-11-23 This history book is widely acknowledged as the most authoritative study of Ancient Greece. E-artnow presents an edition which contains all twelve volumes of the extensive history book written by the classical historian George Grote. This historical study draws upon Greek politics, philosophy, poetry and oratory to cover the famous episodes, eminent personalities, rulers and wars. Grote was an English classical historian and was considered as one of the greatest nineteenth-century Plato scholar. |
| oratorical festival 2023: Aretha Franklin Mark Bego, 2012-03-25 A frank examination of Aretha Franklin, Mark Bego’s definitive biography traces her career accomplishments from her beginnings as a twelve-year-old member of a church choir in the early 1950s, to recording her first album at the age of fourteen and signing a major recording contract at eighteen, right up through her headline-grabbing 2010 health scare. Originally positioned to become a gospel star in her father’s Detroit church, Aretha had a privileged urban upbringing—stars such as Mahalia Jackson, Dinah Washington, and Sam Cooke regularly visited her father, Rev. C. L. Franklin. It wasn’t long before she was creating a string of hits, from “Respect” to “Freeway of Love,” and becoming one of the most beloved singers of the twentieth century. This New York Times bestselling author’s detailed research includes in-person interviews with record producers Jerry Wexler, Clyde Otis, and Clive Davis, Aretha’s first husband, several of her singing star contemporaries, and a rare one-on-one session with Aretha herself. Every album, every accolade, and every heart-breaking personal drama is examined with clarity and neutrality, allowing Franklin’s colorful story to unfold on its own. With two teenage pregnancies and an abusive first marriage, drinking problems, battles with her weight, the murder of her father, and tabloid wars, Aretha’s life has been a roller coaster. This freshly updated and expanded biography will give readers a clear understanding of what made Aretha Franklin the “Queen of Soul.” |
| oratorical festival 2023: The Ideas-Informed Society Chris Brown, Graham Handscomb, 2023-09-28 Presenting concepts from academia, industry, and practice, The Ideas-Informed Society closes the gap between the ideal of the ideas-informed society and reality - the chapters conceive what an ideal ideas-informed society would look like, the key ingredients of an ideas-informed society, and how to make it happen. |
| oratorical festival 2023: Richard Nixon Paul Carter, 2023-09 This biography of Richard Nixon covers his uniquely Southern California life in full circle, from his birth in Yorba Linda to his final resting place just a few yards from the home in which he was born. |
| oratorical festival 2023: Paul Laurence Dunbar Gene Andrew Jarrett, 2023-10-17 This biography explores the life of Paul Laurence Dunbar (1872-1906), a major nineteenth-century American poet and one of the first African American writers to garner international attention and praise in the wake of emancipation. While Dunbar is perhaps best known for poems such as 'Sympathy' (a poem that ends 'I know why the caged bird sings!') and 'We Wear the Mask,' he wrote prolifically in many genres, including a newspaper he produced with his friends Orville and Wilbur Wright in their hometown of Dayton, Ohio. Before his early death he published fourteen books of poetry, four collections of short stories, and four novels, and also collaborated on theatrical productions, including the first musical with a full African American cast to appear on Broadway. In this book, Gene Jarrett traces Dunbar's personal and professional life in the context of the historical currents that shaped the author's development--to tell, in Jarrett's words, 'the full story of an African American who privately wrestled with the constraints of America in the Gilded Age, but who also sought to express or mitigate this strife through the written and spoken word.' Jarrett sketches the life and times of Paul Laurence Dunbar in three main parts. Against the backdrop of the Civil War, Reconstruction, and the rise of Jim Crow segregation, the first section, 'Broken Home,' begins with the lives of Joshua and Matilda, Paul's parents, who were born enslaved, and ends with the years leading up to 1893, when Dunbar published his first book, Oak and Ivy, and befriended Frederick Douglass. The second section, 'A True Singer,' bookends the era when Paul entered his literary prime and became one of the first professional African American writers. The final section, 'The Downward Way,' details his troubled marriage to Alice Dunbar-Nelson, his illnesses, including tuberculosis and alcoholism, and his death. An epilogue comments on Dunbar's enduring legacy. The book includes more than 40 black-and-white photographs of Dunbar's family, friends, colleagues, and published works |
| oratorical festival 2023: The Beethoven Syndrome Mark Evan Bonds, 2019 The Beethoven Syndrome is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged only after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers in general--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of New Objectivity marked a return not only to certain stylistic features of eighteenth-century music but to the earlier concept of expression itself. Objectivity would go on to become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening. |
| oratorical festival 2023: Aspects of Athenian Democracy Robert J. Bonner, 2023-11-15 The text explores the evolution of Athenian democracy, regarded as the most logical and comprehensive form of popular governance of its time. Beginning with a historical overview, it recounts how Athens transitioned from a monarchic system during the Heroic Age to an aristocracy, and later to a democracy shaped by key reforms. The Heroic Age saw a centralized government under kings like Theseus, whose successors were gradually supplanted by an aristocracy wielding power through the Areopagus council and elected magistrates. This transition led to socioeconomic strife, prompting the legislator Solon to institute reforms that restored the assembly's role, empowered the masses, and introduced judicial checks on magistrates. Cleisthenes expanded upon Solon’s framework by reorganizing tribal structures, creating the Council of Five Hundred, and introducing democratic practices like ostracism. These reforms fundamentally shifted power toward the popular assembly, setting the stage for Athens’ development into a fully democratic state. The text delves into the operational mechanisms of Athenian democracy, emphasizing the assembly's sovereignty over legislation, administration, and justice. The council played an advisory and preparatory role, while magistrates were often selected by lot to ensure equal participation and prevent oligarchic dominance. Safeguards like dokimasia (pre-office scrutiny) and regular audits upheld accountability. Military and diplomatic roles, requiring technical expertise, were exceptions to the lot system and filled by election. Despite criticisms of the lottery system and its potential for electing unqualified individuals, Athenians valued the participation of all citizens in governance, embodying the democratic principle of collective decision-making. The balance of power, administrative checks, and evolving reforms underlined Athens’ commitment to a system where the people were both the source and the executors of authority, achieving what Aristotle described as a democracy with supreme control through its assembly and law courts. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1933. |
| oratorical festival 2023: Bishop Gerasimos of Abydos Gerasimos Papadopoulos, Peter A. Chamberas, 1997 A biography of the saintly hierarch, an autobiography found among his papers at the time of his death, his last scholarly work on the hierarchical prayer of Jesus, and a reflection on his life by one of his spiritual children. |
| oratorical festival 2023: The Politics and Poetics of Cicero's Brutus Christopher S. van den Berg, 2023-07-20 Cicero's Brutus (46 BCE), a tour-de-force of intellectual and political history, was written amidst political crisis: Caesar's defeat of the republican resistance at the battle of Thapsus. This magisterial example of the dialogue genre capaciously documents the intellectual vibrancy of the Roman Republic and its Greco-Roman traditions. This book studies the work from several distinct yet interrelated perspectives: Cicero's account of oratorical history, the confrontation with Caesar, and the exploration of what it means to write a history of an artistic practice. Close readings of this dialogue-including its apparent contradictions and tendentious fabrications-reveal a crucial and crucially productive moment in Greco-Roman thought. Cicero, this book argues, created the first nuanced, sophisticated, and ultimately 'modern' literary history, crafting both a compelling justification of Rome's oratorical traditions and also laying a foundation for literary historiography that abides to this day. This title is also available as Open Access on Cambridge Core. |
| oratorical festival 2023: Stonehenge Mike Parker Pearson, 2023-04-06 Stonehenge is one of the world's most famous monuments. Who built it, how and why are questions that have endured for at least 900 years, but modern methods of investigation are now able to offer up a completely new understanding of this iconic stone circle. Stonehenge's history straddles the transition from the Stone Age to the Bronze Age, though its story began long before it was built. Serving initially as a burial ground, it evolved over time into a sacred place for gathering, feasting and building, and was remodelled several times as different peoples arrived in the area along with new technologies and customs. In more recent centuries it has found itself the centre of excavations, political protests and even conspiracy theories, embedding itself in the consciousness of the modern world. In this book Mike Parker Pearson draws on two decades of research, the results of recent excavations and cutting-edge scientific analyses to uncover many of the secrets that this prehistoric stone circle has kept for 5,000 years. In doing so, he paints the most comprehensive picture yet of the history of Stonehenge, from its origins up to the 21st century, and reveals how in some ways trying to explain its power of attraction in the present is harder than explaining its purpose in the ancient past. |
| oratorical festival 2023: Bang! Bang! You're Dead Tim J. Kelly, 1993 |
| oratorical festival 2023: The Orations of Demosthenes and Aeschines on the Crown George Simcox, 2023-03-26 Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost. |
| oratorical festival 2023: Rhetoric, Race, Religion, and the Charleston Shootings Sean Patrick O'Rourke, Melody Lehn, 2019-11-12 This book considers the 2015 Charleston mass shooting from a rhetorical perspective and offers an appraisal of the discourses that cradled and emerged from it. It argues that Charleston was different from other mass shootings in America and that the differences can be heard and seen in that rhetoric. |
| oratorical festival 2023: Echo and Critique Florian Gargaillo, 2023-05-10 In Echo and Critique, Florian Gargaillo skillfully charts the ways that poets have responded to the clichés of public speech from the start of the Second World War to the present. Beginning around 1939, many public intellectuals on both sides of the Atlantic lamented that the political lexicon had become saturated with bureaucratic stock phrases such as “the fight for freedom,” “revenue enhancement,” and “service the target,” designed for the mass media and used to euphemize, obfuscate, and evade. Instead of ridding their writing of such language, many poets parroted these tropes as a means of exploring the implications of such expressions, weighing their effects, and identifying the realities they distort and suppress. With its attentiveness to linguistic particulars, poetry proved especially well-suited to this innovative mode of close listening and intertextual commentary. At the same time, postwar poets recognized their own susceptibility to dead language, so that co-opting political clichés obliged them to scrutinize their writing and accept the inevitability of cant while simultaneously pushing against it. This innovative study blends close readings with historical context as it traces the development of echo and critique in the work of seven poets who expertly deployed the method throughout their careers: W. H. Auden, Randall Jarrell, Langston Hughes, Claude McKay, Robert Lowell, Josephine Miles, and Seamus Heaney. Gargaillo’s analysis reveals that poetry can encourage us to listen diligently and critically to the insincerity ubiquitous in public discourse. |
| oratorical festival 2023: The Mystery of Orcival Émile Gaboriau, 2023-06-13 A murder is discovered. The authorities quickly arrest an obvious suspect. A detective spends hours at the scene in disguise before making himself known, and proceeds to minutely examine the evidence with the assistance of a doctor, among others, before proclaiming the answer lies in a completely different direction. One would be forgiven for thinking the detective must be a certain famous Englishman and his doctor companion. But this detective is French rather than English, a professional working for the police rather than an amateur, and indulges in candy lozenges rather than cocaine. If there is a straight line between Poe’s Dupin and Doyle’s Holmes, then Gaboriau’s Lecoq lies right in the middle of it. He is a master of disguise, he is proud and sometimes arrogant, he notices infinitesimal things others do not, he makes great leaps in deduction while others are struggling to take small steps. He is both strikingly similar and distinctly different than his more famous English “cousin.” Although Monsieur Lecoq appeared in Gaboriau’s first novel, there he played only a minor part. Here, he is the main attraction. Solving the murder of a countess and disappearance of a count requires all of Lecoq’s skills, and as he steadily unravels the mystery one sees the debt that is owed by all who came after him. |
| oratorical festival 2023: The Oxford Handbook of Quintilian Marc van der Poel, 2021-12-03 M. Fabius Quintilianus was a prominent orator, declaimer, and teacher of eloquence in the first century CE. After his retirement, he wrote the Institutio oratoria, a unique treatise in antiquity because it is both a handbook of rhetoric and an educational treatise. Quintilian's fame and influence are not only based on the Institutio, but also on the two collections of Declamations which were later attributed to him. The Oxford Handbook of Quintilian aims to present Quintilian's Institutio as a key treatise in the history of Greco-Roman rhetoric and to trace its influence on the theory and practice of rhetoric and education up to the present day. Topics include Quintilian's educational programme, his concepts and classifications of rhetoric, his discussion of the five canons of rhetoric, his style, his views on literary criticism, declamation, and the relationship between rhetoric and law, and the importance of the visual and performing arts in his work. His legacy is presented in successive chapters devoted to Quintilian in late antiquity, the Middle Ages, the Italian Renaissance, Northern Europe during the Renaissance, Europe from the eighteenth to the twentieth century, and the United States of America. Other chapters examine the biographical tradition, the history of printed editions, and modern assessments of Quintilian. The contributors represent a wide range of expertise and scholarly traditions, offering a unique, multidisciplinary perspective. |
| oratorical festival 2023: Slandering the Sacred J. Barton Scott, 2023-04-05 Although blasphemy is as old as religion itself, its history has begun a new chapter in recent years. Slanders of the sacred are everywhere, as in the highly visible Charlie Hebdo case, with religion sometimes appearing as little more than a membrane for giving and receiving offense. Where some explain the contemporary preoccupation with blasphemy by pointing to the interconnectedness of twenty-first-century media, J. Barton Scott argues that we need to look deeper into the past at the colonial-era infrastructures that continue to shape our globalized world. Slandering the Sacred examines one such powerful and widely influential legal infrastructure: Section 295A of the Indian Penal Code. What would it look like to take Section 295A as a text in, of, and for religion-a connective tissue interlinking multiple religious worlds? To answer this question, Scott explores the cultural, intellectual, and legal pre-history of this law, moving between colonial India and imperial Britain as well as between secular law and modern religion. Section 295A reveals a set of problems with no easy solution. It places a chill on free speech, extends the power of the state over civil society, and exacerbates the culture of religious controversy that it was designed to fix. The legislators who enacted the law foresaw the damage it could do and they enacted it anyway, as a half-despairing measure to curb injurious speech. Their problems are still our problems. The twenty-first century has compounded modernity's free-speech headache. Section 295A opens a useful window onto these problems precisely because it is a problem, too. Its history is a tale about the afterlives of the holy dead, the legal definition of the anglophone category religion, and the transmissibility of outrage as bureaucratized affect-- |
| oratorical festival 2023: Postclassicisms The Postclassicisms Collective, 2019-12-27 Made up of nine prominent scholars, The Postclassicisms Collective aims to map a space for theorizing and reflecting on the values attributed to antiquity. The product of these reflections, Postclassicisms takes up a set of questions about what it means to know and care about Greco-Roman antiquity in our turbulent world and offers suggestions for a discipline in transformation, as new communities are being built around the study of the ancient Greco-Roman world. Structured around three primary concepts—value, time, and responsibility—and nine additional concepts, Postclassicisms asks scholars to reflect upon why they choose to work in classics, to examine how proximity to and distance from antiquity has been—and continues to be—figured, and to consider what they seek to accomplish within their own scholarly practices. Together, the authors argue that a stronger critical self-awareness, an enhanced sense of the intellectual history of the methods of classics, and a greater understanding of the ethical and political implications of the decisions that the discipline makes will lead to a more engaged intellectual life, both for classicists and, ultimately, for society. A timely intervention into the present and future of the discipline, Postclassicisms will be required reading for professional classicists and students alike and a model for collaborative disciplinary intervention by scholars in other fields. |
| oratorical festival 2023: Orthodox Handbook on Ecumenism Pantelis Kalaitzidis, Thomas Fitzgerald, Cyril Hovorun, 2014 Reading the articles in this handbook about Orthodox theologians on ecumenism, one feels awe at the courage and decisiveness of these great figures who were able to overcome stereotypes and long-established perceptions. With God's blessing, these Orthodox theologians were able to lay foundational stones not only of the history of Orthodoxy, but also of the history of ecumenism, contributing to theological progress and a better mutual understanding between churches inside and outside the Orthodox tradition. |
| oratorical festival 2023: Orations and Speeches on Various Occasions Edward Everett, 2023-04-16 Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost. |
| oratorical festival 2023: Rest in Pieces Bess Lovejoy, 2013-03-12 For some of the most influential figures in history, death marked the start of a new adventure. The famous deceased have been stolen, burned, sold, pickled, frozen, stuffed, impersonated, and even filed away in a lawyer's office. Their fingers, teeth, toes, arms, legs, skulls, hearts, lungs, and nether regions have embarked on voyages that crisscross the globe and stretch the imagination. |
ORATORICAL Definition & Meaning - Merriam-Webster
The meaning of ORATORICAL is of, relating to, or characteristic of an orator or oratory. How to use …
ORATORICAL | definition in the Cambridge English Dictionary
ORATORICAL meaning: 1. connected with skilful and effective public speaking: 2. connected with skillful …
ORATORICAL Definition & Meaning | Dictionary.com
See examples of ORATORICAL used in a sentence.
Oratorical - definition of oratorical by The Free Dictio…
Define oratorical. oratorical synonyms, oratorical pronunciation, oratorical translation, English dictionary …
ORATORICAL definition and meaning | Collins English Dict…
Oratorical means relating to or using oratory. [formal].... Click for English pronunciations, examples sentences, …
ORATORICAL Definition & Meaning - Merriam-Webster
The meaning of ORATORICAL is of, relating to, or characteristic of an orator or oratory. How to use oratorical in a sentence.
ORATORICAL | definition in the Cambridge English Dictionary
ORATORICAL meaning: 1. connected with skilful and effective public speaking: 2. connected with skillful and effective…. Learn more.
ORATORICAL Definition & Meaning | Dictionary.com
See examples of ORATORICAL used in a sentence.
Oratorical - definition of oratorical by The Free Dictionary
Define oratorical. oratorical synonyms, oratorical pronunciation, oratorical translation, English dictionary definition of oratorical. adj. Of, relating to, or characteristic of an orator or oratory. …
ORATORICAL definition and meaning | Collins English Dictionary
Oratorical means relating to or using oratory. [formal].... Click for English pronunciations, examples sentences, video.
oratorical adjective - Definition, pictures, pronunciation and usage ...
Definition of oratorical adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
What does oratorical mean? - Definitions.net
Oratorical refers to anything related to public speaking, oratory, or the art of speaking eloquently and persuasively, particularly in a formal or public context.
oratorical - WordReference.com Dictionary of English
given to oratory: an oratorical speaker. skill or ability in public speaking; the art of public speaking, esp. in a formal and eloquent manner. or•a•to•ry1 (ôr′ ə tôr′ē, -tōr′ē, or′ -), n. skill or eloquence in …
oratorical, adj.¹ meanings, etymology and more | Oxford English …
oratorical is a borrowing from Latin, combined with an English element. Etymons: Latin ōrātor, ‑ical suffix.
Oratorical - Definition, Meaning & Synonyms | Vocabulary.com
The word oratorical describes the way someone speaks in public. If you have a terribly sore throat, your oratorical skills may suffer. The adjective oratorical comes from a Latin root meaning "to …
Oratorical Definition & Meaning | Britannica Dictionary
ORATORICAL meaning: of or relating to the skill or activity of giving speeches of or relating to oratory
ORATORICAL | English meaning - Cambridge Dictionary
ORATORICAL definition: 1. connected with skilful and effective public speaking: 2. connected with skillful and effective…. Learn more.
Oratorical Definition & Meaning - YourDictionary
Oratorical definition: Of, relating to, or characteristic of an orator or oratory.
ORATORICAL - Definition & Translations | Collins English Dictionary
Discover everything about the word "ORATORICAL" in English: meanings, translations, synonyms, pronunciations, examples, and grammar insights - all in one comprehensive guide.
ORATORIAL Definition & Meaning - Merriam-Webster
The meaning of ORATORIAL is oratorical.
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