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| my family's slave alex tizon: Big Little Man Alex Tizon, 2014 A journalist presents an intimate assessment of the mythology, experience, and psyche of the Asian-American male that traces his own experiences as an immigrant under the constraints of American cultural stereotypes. |
| my family's slave alex tizon: Clinging to Mammy Micki McElya, 2007-10-31 When Aunt Jemima beamed at Americans from the pancake mix box on grocery shelves, many felt reassured by her broad smile that she and her product were dependable. She was everyone's mammy, the faithful slave who was content to cook and care for whites, no matter how grueling the labor, because she loved them. This far-reaching image of the nurturing black mother exercises a tenacious hold on the American imagination. Micki McElya examines why we cling to mammy. She argues that the figure of the loyal slave has played a powerful role in modern American politics and culture. Loving, hating, pitying, or pining for mammy became a way for Americans to make sense of shifting economic, social, and racial realities. Assertions of black people's contentment with servitude alleviated white fears while reinforcing racial hierarchy. African American resistance to this notion was varied but often placed new constraints on black women. McElya's stories of faithful slaves expose the power and reach of the myth, not only in popular advertising, films, and literature about the South, but also in national monument proposals, child custody cases, white women's minstrelsy, New Negro activism, anti-lynching campaigns, and the civil rights movement. The color line and the vision of interracial motherly affection that helped maintain it have persisted into the twenty-first century. If we are to reckon with the continuing legacy of slavery in the United States, McElya argues, we must confront the depths of our desire for mammy and recognize its full racial implications. |
| my family's slave alex tizon: Household Workers Unite Premilla Nadasen, 2016-09-06 Telling the stories of African American domestic workers, this book resurrects a little-known history of domestic worker activism in the 1960s and 1970s, offering new perspectives on race, labor, feminism, and organizing. In this groundbreaking history of African American domestic-worker organizing, scholar and activist Premilla Nadasen shatters countless myths and misconceptions about an historically misunderstood workforce. Resurrecting a little-known history of domestic-worker activism from the 1950s to the 1970s, Nadasen shows how these women were a far cry from the stereotyped passive and powerless victims; they were innovative labor organizers who tirelessly organized on buses and streets across the United States to bring dignity and legal recognition to their occupation. Dismissed by mainstream labor as “unorganizable,” African American household workers developed unique strategies for social change and formed unprecedented alliances with activists in both the women’s rights and the black freedom movements. Using storytelling as a form of activism and as means of establishing a collective identity as workers, these women proudly declared, “We refuse to be your mammies, nannies, aunties, uncles, girls, handmaidens any longer.” With compelling personal stories of the leaders and participants on the front lines, Household Workers Unite gives voice to the poor women of color whose dedicated struggle for higher wages, better working conditions, and respect on the job created a sustained political movement that endures today. Winner of the 2016 Sara A. Whaley Book Prize |
| my family's slave alex tizon: The Best American Magazine Writing 2018 The American Society of Magazine Editors, 2018-12-18 In a time of reckoning, this year’s National Magazine Awards finalists and winners focus on abuse of power in many forms. Ronan Farrow’s Pulitzer Prize–winning revelation of Harvey Weinstein’s depredations (New Yorker), along with Rebecca Traister’s charged commentary for New York and Laurie Penny’s incisive Longreads columns, speak to the urgency of the #MeToo moment. Ginger Thompson’s reporting on the botched U.S. operation that triggered a cartel massacre in Mexico (National Geographic/ProPublica) and Azmat Khan and Anand Gopal’s New York Times Magazine investigation of the civilian casualties of drone strikes in Iraq amplify the voices of those harmed by U.S. actions abroad. And Alex Tizon’s “My Family’s Slave” (Atlantic) is a powerful attempt to come to terms with the cruelty that was in plain sight in his own upbringing. Responding to the overt racism of the Trump era, Ta-Nehisi Coates’s “My President Was Black” (Atlantic) looks back at the meaning of Obama. Howard Bryant (ESPN the Magazine) and Bim Adewunmi (Buzzfeed) offer incisive columns on the intersections of pop culture, sports, race, and politics. In addition, David Wallace-Wells reveals the coming disaster of our climate-change-ravaged future (New York); Don Van Natta Jr. and Seth Wickersham’s ESPN the Magazine reporting exposes the seamy sides of the NFL; Nina Martin and Renee Montagne investigate America’s shameful record on maternal mortality (NPR/ProPublica); Ian Frazier asks “What Ever Happened to the Russian Revolution?” (Smithsonian); and Alex Mar considers “Love in the Time of Robots” (Wired with Epic Magazine). The collection concludes with Kristen Roupenian’s viral hit short story “Cat Person” (New Yorker). |
| my family's slave alex tizon: Autobiografía de Un Esclavo Juan Francisco Manzano, 1996 A heart-rendering history of the systematic, unrelenting destruction of human dignity and individual will. |
| my family's slave alex tizon: Welfare Warriors Premilla Nadasen, 2004-11-29 In her study of the welfare rights movement, Premilla Nadasen breaks new ground by tracing the history of a distinctive brand of feminism that emerged in the 1960s. |
| my family's slave alex tizon: Unfair Advantage Lance A. Compa, 2000 New York City Apparel Shops |
| my family's slave alex tizon: Banyaga Charlson Ong, 2006 This novel spans nearly a century of Filipino history as it recounts the life, times, and fortunes of three immigrants--from the 1920s and the Commonwealth and the War to the new Millennium--who like other foreigners were deemed to have no place in the Filipino imagined community. |
| my family's slave alex tizon: The Brothers Milton Hatoum, 2002-06-06 A tale of a disintegrating family, set in a Lebanese immigrant community in the Brazilian port of Manaus, finds identical twins Yaqub and Omar vying for their mother's attention. |
| my family's slave alex tizon: The Race Beat Gene Roberts, Hank Klibanoff, 2008-06-17 An unprecedented examination of how news stories, editorials and photographs in the American press—and the journalists responsible for them—profoundly changed the nation’s thinking about civil rights in the South during the 1950s and ‘60s. Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen—black and white—revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation’s history, as told by those who covered it. |
| my family's slave alex tizon: Black Slaveowners Larry Koger, 1995 A chapter of African American history that will shock many readers. |
| my family's slave alex tizon: Housegirl Michael Donkor, 2018-09-05 One of The Observer's New Faces of Fiction A moving and unexpectedly funny exploration of friendship and family, shame and forgiveness, Michael Donkor's debut novel follows three adolescent girls grappling with a shared experience: the joys and sorrows of growing up. Belinda knows how to follow the rules. As a housegirl, she has learned the right way to polish water glasses, to wash and fold a hundred handkerchiefs, and to keep a tight lid on memories of the village she left behind when she came to Kumasi. Mary is still learning the rules. Eleven-years-old and irrepressible, the young housegirl-in-training is the little sister Belinda never had. Amma has had enough of the rules. A straight-A student at her exclusive London school, she has always been the pride of her Ghanaian parents--until now. Watching their once-confident teenager grow sullen and wayward, they decide that sensible Belinda is the shining example Amma needs. So Belinda must leave Mary behind as she is summoned from Ghana to London, where she tries to impose order on her unsettling new world. As summer turns to autumn, Belinda and Amma are surprised to discover common ground. But when the cracks in their defenses open up, the secrets they have both been holding tightly threaten to seep out. |
| my family's slave alex tizon: Love and Trouble Claire Dederer, 2017-05-09 Blazingly intelligent, wickedly funny, and piercingly honest, a memoir that captures the perils and pleasures of girlhood, womanhood, and life itself. “One of my favorite books of the last few years.” —Cheryl Strayed “Sentence for sentence, a more pleasure-yielding midlife memoir is hard to think of.” —The Atlantic At mid-life, Claire Dederer developed a sudden yearning for jailbreak. In this exuberant memoir, she reflects on two periods in her life uncannily similar in their emotional intensity: her present experience as a middle-aged mom in the grip of unruly and mysterious new hungers, and her recollections of herself as a teenager. |
| my family's slave alex tizon: Journey for Justice Gayle Romasanta, Dawn Mabalon, 2018-10 This book, written by historian Dawn Bohulano Mabalon with writer Gayle Romasanta, richly illustrated by Andre Sibayan, tells the story of Larry Itliong's lifelong fight for a farmworkers union, and the birth of one of the most significant American social movements of all time, the farmworker's struggle, and its most enduring union, the United Farm Workers. |
| my family's slave alex tizon: Free Negro Owners of Slaves in the United States in 1830 Carter Godwin Woodson, 1924 This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature. |
| my family's slave alex tizon: Historical Dictionary of the Philippines Artemio R. Guillermo, 2012 The Historical Dictionary of the Philippines, Third Edition contains a chronology, an introductory essay, an extensive bibliography, and several hundred cross-referenced dictionary entries. |
| my family's slave alex tizon: Filipino Friends Liana Romulo, Corazon Dandan-Albano, 2006-12-15 Through the eyes of Sam, a Filipino-American boy visiting the Philippines for the very first time, children will learn about Philippine customs and language. Soft, whimsical watercolors labeled with English words and Filipino translations bring to light the differences between Western and Philippine lifestyles. Children of expatriate Filipinos as well as expatriate children living in the Philippines will find Filipino Friends indispensable in bridging the gap between the two cultures. |
| my family's slave alex tizon: Post Bling Bling Eileen Tabios, 2005 |
| my family's slave alex tizon: An Etymological Dictionary of the Romance Languages Friedrich Diez, T. C. Donkin, 1864 |
| my family's slave alex tizon: When Crime Pays Milan Vaishnav, 2017-01-01 The first thorough study of the co-existence of crime and democratic processes in Indian politics In India, the world's largest democracy, the symbiotic relationship between crime and politics raises complex questions. For instance, how can free and fair democratic processes exist alongside rampant criminality? Why do political parties recruit candidates with reputations for wrongdoing? Why are one-third of state and national legislators elected--and often re-elected--in spite of criminal charges pending against them? In this eye-opening study, political scientist Milan Vaishnav mines a rich array of sources, including fieldwork on political campaigns and interviews with candidates, party workers, and voters, large surveys, and an original database on politicians' backgrounds to offer the first comprehensive study of an issue that has implications for the study of democracy both within and beyond India's borders. |
| my family's slave alex tizon: History of the Northwest Coast Hubert Howe Bancroft, 1890 |
| my family's slave alex tizon: How to Make a Salagubang Helicopter & Other Poems Jim Pascual Agustin, 2018 |
| my family's slave alex tizon: The Leper Spy Ben Montgomery, 2017 32. Independence -- 33. Spotlight -- 34. Discovery -- 35. Return to the Rock -- 36. All That Is Changed -- 37. Medals -- 38. Friends of Friends -- 39. Carville -- 40. Old Fears -- 41. Crusader -- 42. Fallen -- 43. Controversy -- 44. Fences -- 45. Walk Alone -- 46. Praise -- 47. Bureaucracy -- 48. Sisters -- 49. Deportation -- 50. California -- 51. Sunset -- 52. Disappear -- 53. I Am Still Alive -- 54. Anonymous -- Acknowledgments -- Bibliography -- Index -- Back Flip: About the Author -- Back Cover |
| my family's slave alex tizon: Apologies Forthcoming Xujun Eberlein, 2008 Fiction. Asian Studies. This sometimes disturbing, always illuminating collection of stories centers around China's Cultural Revolution and its aftermath, which, as we learn, continues even today, with both sides still hold out, and with apologies forthcoming. Xujun Eberlein lived in China during that tumultuous period and now makes her home in America. Xujun Eberlein is a fresh voice in American fiction, a Chinese writer with a remarkably shrewd, interesting tongue....There is a richness in her vision that sets it apart -- Jay Parini. The stories have a subtly addictive momentum -- Sven Birkerts. |
| my family's slave alex tizon: The Loneliest Americans Jay Caspian Kang, 2021-10-12 A “provocative and sweeping” (Time) blend of family history and original reportage that explores—and reimagines—Asian American identity in a Black and white world “[Kang’s] exploration of class and identity among Asian Americans will be talked about for years to come.”—Jennifer Szalai, The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Mother Jones In 1965, a new immigration law lifted a century of restrictions against Asian immigrants to the United States. Nobody, including the lawmakers who passed the bill, expected it to transform the country’s demographics. But over the next four decades, millions arrived, including Jay Caspian Kang’s parents, grandparents, aunts, and uncles. They came with almost no understanding of their new home, much less the history of “Asian America” that was supposed to define them. The Loneliest Americans is the unforgettable story of Kang and his family as they move from a housing project in Cambridge to an idyllic college town in the South and eventually to the West Coast. Their story unfolds against the backdrop of a rapidly expanding Asian America, as millions more immigrants, many of them working-class or undocumented, stream into the country. At the same time, upwardly mobile urban professionals have struggled to reconcile their parents’ assimilationist goals with membership in a multicultural elite—all while trying to carve out a new kind of belonging for their own children, who are neither white nor truly “people of color.” Kang recognizes this existential loneliness in himself and in other Asian Americans who try to locate themselves in the country’s racial binary. There are the businessmen turning Flushing into a center of immigrant wealth; the casualties of the Los Angeles riots; the impoverished parents in New York City who believe that admission to the city’s exam schools is the only way out; the men’s right’s activists on Reddit ranting about intermarriage; and the handful of protesters who show up at Black Lives Matter rallies holding “Yellow Peril Supports Black Power” signs. Kang’s exquisitely crafted book brings these lonely parallel climbers together and calls for a new immigrant solidarity—one rooted not in bubble tea and elite college admissions but in the struggles of refugees and the working class. |
| my family's slave alex tizon: Warm Waters Vlad Sokhin, 2021-09-07 Documenting the devastating effects of global warming and climate change, Warm Waters is a multi-year photographic documentary across the Pacific and Arctic Oceans, from Northern Alaska to the remote outposts of New Zealand. The journey started in 2013 in Papua New Guinea, where photographer Vlad Sokhin documented illegal logging and deforestation. In 2014, Sokhin covered the rise of sea levels, coastal erosion and the effects of El Niño in Papua New Guinea, Kiribati, Nauru, the Marshall Islands and Niue. In 2015, 2016 and 2018, he extensively covered the aftermath of tropical cyclones across Pacific island nations and delved deeper into documenting struggles of the affected communities, their resilience and adaptation to the realities of global warming. In 2019, he documented severe drought in Timor-Leste, caused by the weather anomalies. Warm Waters also looks at other environmental issues our planet is facing, such as climate migrants and their resettlement, permafrost melting, coral bleaching, and the need for renewable energy. The book shows the evidence of fight, adaptation, and hope of remote island and coastal communities. It takes you right into the lives of Inupiat and Yupik people in Alaska, and to the towns and villages that are being destroyed by the sea and coastal erosion on the Russian Kamchatka Peninsula. You will see how scientists work in the field, studying the effects of climate change, and how the people, affected by extreme weather conditions, are trying to survive and rebuild their lives after catastrophic events have ruined their land and homes. Warm Waters not only shows tragedy however; it shows the beauty of our planet, communities living in harmony with nature, and people that are tirelessly working to protect their fragile shores from the biggest environmental threat ever they have ever faced. |
| my family's slave alex tizon: Foundations for Mission Emma Wild-Wood, Peniel Rajkumar, 2013-01-11 This volume provides an important resource for those wishing to gain an overview of significant issues in contemporary missiology whilst understanding how they are applied in particular contexts. Contributors from across the globe and from different Christian traditions explore foundations for mission. The chapters examine in what ways experience, the Bible, and theology are foundational for mission and how they together inform the missional thought of different traditions. The book also raises questions about the continued use of foundations as a helpful metaphor mission reflection and impetus. Graduate students and scholars surveying the field will find this a useful and accessible way to understand changing trends within mission studies. |
| my family's slave alex tizon: Is Lighter Better? Joanne L. Rondilla, Paul R. Spickard, 2007 Colorism is defined as discriminatory treatment of individuals falling within the same 'racial' group on the basis of skin color. In other words, some people, particularly women, are treated better or worse on account of the color of their skin relative to other people who share their same racial category. Colorism affects Asian Americans from many different backgrounds and who live in different parts of the United States. Is Lighter Better? discusses this often-overlooked topic. Joanne L. Rondilla and Paul Spickard ask important questions such as: What are the colorism issues that operate in Asian American communities? Are they the same issues for all Asian Americans--for women and for men, for immigrants and the American born, for Chinese, Filipinos, Koreans, Vietnamese, and other Asian Americans? Do they reflect a desire to look like White people, or is some other motive at work? Including numerous stories about and by people who have faced discrimination in their own lives, this book is an invaluable resource for people interested in colorism among Asian Americans. |
| my family's slave alex tizon: Hold Michael Donkor, 2018-07-12 Moving between Ghana and London, Hold is an intimate, powerful coming-of-age novel. It’s a story of friendship and family, shame and forgiveness; of learning what we should cling to, and when we need to let go. |
| my family's slave alex tizon: Babaylan Leny Mendoza Strobel, 2010 |
| my family's slave alex tizon: Elites and Ilustrados in Philippine Culture Caroline S. Hau, 2017 This book examines how Filipino literature has intervened in the intellectual and popular debates on the historical origins, ascendancy, power, and legitimacy of the elites. Writers like Jose Rizal, Nick Joaquin, Ninotchka Rosca, Miguel Syjuco, and Ramon Guillermo are unsparing in their criticism of elite authorship of the Philippines' past and present woes while seeking to recuperate the critical stance represented by the ilustrado. The book highlights a number of figures--the middle sector or middle element in Manila and other urban areas, Manila men and musicians, overseas Filipino workers, intellectuals, and Fil-foreigners--whose emergence as social forces points to the ongoing redefinition of the elites and the transformation of Philippine society, politics, and economy. |
| my family's slave alex tizon: The Black and the Blue Matthew Horace, Ron Harris, 2018-08-07 During his 28-year career, Matthew Horace rose through the ranks from a police officer working the beat to a federal agent working criminal cases in some of the toughest communities in America to a highly decorated federal law enforcement executive managing high-profile investigations nationwide. Yet it was not until seven years into his service- when Horace found himself face down on the ground with a gun pointed at his head by a white fellow officer-that he fully understood the racism seething within America's police departments. Through gut-wrenching reportage, on-the-ground research, and personal accounts from interviews with police and government officials around the country, Horace presents an insider's examination of archaic police tactics. He dissects some of the nation's most highly publicized police shootings and communities to explain how these systems and tactics have hurt the people they serve, revealing the mistakes that have stoked racist policing, sky-high incarceration rates, and an epidemic of violence. Horace's authority as an experienced officer, as well as his obvious integrity and courage, provides the book with a gravitas. -- The Washington Post The Black and the Blue is an affirmation of the critical need for criminal justice reform, all the more urgent because it/DIVDIVcomes from an insider who respects his profession yet is willing to reveal its flaws. -- USA Today |
| my family's slave alex tizon: Music of the Ghetto and the Bible Lazare Saminsky, 2018-11-11 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| my family's slave alex tizon: Stage Dreams Melanie Gillman, 2019-09-03 In this rollicking queer western adventure, acclaimed cartoonist Melanie Gillman (Stonewall Award Honor Book As the Crow Flies) puts readers in the saddle alongside Flor and Grace, a Latinx outlaw and a trans runaway, as they team up to thwart a Confederate plot in the New Mexico Territory. When Flor—also known as the notorious Ghost Hawk—robs the stagecoach that Grace has used to escape her Georgia home, the first thing on her mind is ransom. But when the two get to talking about Flor's plan to crash a Confederate gala and steal some crucial documents, Grace convinces Flor to let her join the heist. |
| my family's slave alex tizon: As the Crow Flies Melanie Gillman, 2017 When thirteen year-old, lesbian, African American, Charlie questions her belief in God she spends a week at an all-white Christian youth camp for some soul searching. |
| my family's slave alex tizon: Cryin Meri , 2014-09-15 |
| my family's slave alex tizon: Timetables of World Literature George Thomas Kurian, 2003 Which authors were contemporaries of Charles Dickens? Which books, plays, and poems were published during World War II? Who won the Pulitzer Prize in the year you were born? Timetables of World Literature is a chronicle of literature from ancient times through the 20th century. It answers the question Who wrote what when? and allows readers to place authors and their works in the context of their times. A chronology of the best in global writing, this valuable resource lists more than 12,000 titles and 9,800 authors, includes all genres of literature from more than 58 countries, and covers 41 languages. It is divided into seven sections, spanning the Classical Age (to 100 CE), the Middle Ages (100–1500 CE), and the 16th through the 20th centuries. Comprehensive in scope, Timetables of World Literature provides students, researchers, and browsers with basic facts and a worldwide perspective on literature through time. Four extensive indexes by author, title, language/nationality, and genre make research quick and easy. Features include: Birth and death dates as well as nationalities of authors and other literary figures Winners of major literary prizes and awards, such as the Nobel Prize in Literature and the Pulitzer Prizes, for each year Brief discussions of literary developments in each period or century, and the relationship of literature to the social and political climate Timelines of key historical events in each century. |
| my family's slave alex tizon: The Expeditions of Zebulon Montgomery Pike Zebulon Montgomery Pike, Elliott Coues, 1965 |
| my family's slave alex tizon: Invocation to Daughters Barbara Jane Reyes, 2017 2018 California Book Award Finalist Reyes writes with conviction about the various ways imperialism transforms women into 'capital, collateral, damaged soul.' However, the women that appear throughout the book are not merely victims; in Reyes's radical cosmology, these women--these daughters--are rebels, saints, revolutionaries, and torchbearers, 'sharp-tongued, willful.' This book is a call to arms against oppressive languages, systems, and traditions.--Publishers Weekly, starred review Infused with Spanish and Tagalog, Reyes's beautiful, angry verse shines throughout. For a wide range of readers.--Library Journal, starred review Invocation to Daughters is a book of prayers, psalms, and odes for Filipina girls and women trying to survive and make sense of their own situations. Writing in an English inflected with Tagalog and Spanish, in meditations on the relationship between fathers and daughters and impassioned pleas on behalf of victims of brutality, Barbara Jane Reyes unleashes the colonized tongue in a lyrical feminist broadside written from a place of shared humanity. Praise for Invocation to Daughters Against violence against women, Barbara Jane Reyes rips and runs, jumping off Audre Lorde's 'the master's tools will never dismantle the master's house, ' Invocation to Daughters recombines registers--prayers, pleas and elegy--braiding a trilingual triple-threat, a 3-pronged poetics that enjambs and reconfigures the formal with the street, utterance with erasure, the prose sentence with the liminal. Invocation to Daughters reminds me of the 70's in the East Bay, when Jessica Hagedorn met Ntozake Shange and ignited a green flash seen from horizon to horizon. Barbara Jane Reyes is one of the Bay Area's incendiary voices.--Sesshu Foster Invocation to Daughters is a space for multitudes, a hypnotic collection that draws from family history--particularly the complex cultural gendered dynamic between father and daughter--in order to create a manual for emancipation from the interior and exterior binds that keep us from ourselves. Through prayers, calls to actions, and testimonies, Reyes invents 'a language so that we know ourselves, so that we may sing, and tell, and pray.'--Carmen Gim nez Smith |
| my family's slave alex tizon: The Lausanne Movement Lars Dahle, Margunn Serigstad Dahle, Knud Jørgensen, 2014 |
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求小明剑魔直播原文？ - 知乎
Look at my eyes. 跟我讲啊 越简单的英雄要的操作就越多 越你m越 你要的那些操作我都要 我还比你复杂更难 我还要预判距离 啊 剑魔又超模了 剑魔又超 我我Q会不会空了 Q空的时候就不出 …
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求小明剑魔直播原文？ - 知乎
Look at my eyes. 跟我讲啊 越简单的英雄要的操作就越多 越你m越 你要的那些操作我都要 我还比你复杂更难 我还要预判距离 啊 剑魔又超模了 剑魔又超 我我Q会不会空了 Q空的时候就不出 …
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