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| movie of jose rizal: El Filibusterismo José Rizal, 1968 José Rizal has a good claim to being the first Asian nationalist. An extremely talented Malay born a hundred years ago in a small town near Manila, educated partly in the Philippines and partly in Europe, Rizal inspired the Filipinos by his writing and example to make the first nationalist revolution in Asia in 1896. Today the Philippines revere Rizal as their national hero, and they regard his two books, The Lost Eden (Noli Me Tangere) and The Subversive (El Filibusterismo) as the gospel of their nationalism.The Subversive, first published in 1891, is strikingly timely today. New nations emerging in Africa and Asia are once again in conflict with their former colonial masters, as were the Filipinos with their Spanish rulers in Rizal's day. The Subversive poses questions about colonialism which are still being asked today: does a civilizing mission justify subjection of a people? Should a colony aim at assimilation or independence? If independence, should it be by peaceful evolution or force of arms?Despite the seriousness of its theme, however, The Subversive is more than a political novel. It is a romantic, witty, satirical portrait of Spanish colonial rule in the Philippines at the end of the nineteenth century, written in the tradition of the great adventure romances. The translation by Leon Ma. Guerrero, Philippine ambassador to the Court of St. James, conveys the immediacy of the original, and makes this important work available to a new generation of readers. His translation of The Lost Eden is also available in the Norton Library. |
| movie of jose rizal: Film Nick Deocampo, 2017-11-09 This book is a sequel to Cine: Spanish Influences on Early Cinema in the Philippines, and part of Nick Deocampo’s extensive research on Philippine cinema. Tracing the beginnings of motion pictures from its Spanish roots, this book advances Deocampo’s scholarly study of cinema’s evolution in the hands of Americans. |
| movie of jose rizal: The Story of José Rizal, the Greatest Man of the Brown Race Austin Craig, 2018-10-15 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| movie of jose rizal: The Revolution According to Raymundo Mata Gina Apostol, 2021-01-12 Revealing glimpses of the Philippine Revolution and the Filipino writer Jose Rizal emerge despite the worst efforts of feuding academics in Apostol’s hilariously erudite novel, which won the Philippine National Book Award. Gina Apostol’s riotous second novel takes the form of a memoir by one Raymundo Mata, a half-blind bookworm and revolutionary, tracing his childhood, his education in Manila, his love affairs, and his discovery of writer and fellow revolutionary, Jose Rizal. Mata’s 19th-century story is complicated by present-day foreword(s), afterword(s), and footnotes from three fiercely quarrelsome and comic voices: a nationalist editor, a neo-Freudian psychoanalyst critic, and a translator, Mimi C. Magsalin. In telling the contested and fragmentary story of Mata, Apostol finds new ways to depict the violence of the Spanish colonial era, and to reimagine the nation’s great writer, Jose Rizal, who was executed by the Spanish for his revolutionary activities, and is considered by many to be the father of Philippine independence. The Revolution According to Raymundo Mata offers an intoxicating blend of fact and fiction, uncovering lost histories while building dazzling, anarchic modes of narrative. |
| movie of jose rizal: Pelikula , 2001 |
| movie of jose rizal: The Lost Eden (Noli Me Tangere) José 1861-1896 Rizal, 2021-09-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| movie of jose rizal: Cine Nick Deocampo, 2017-11-22 This book fathoms the depths of Philippine cinema as the author ventures into the largely unknown terrain of the country’s history of early cinema. With meticulous scholarship and engaging insights, prize-winning filmmaker and author Nick Deocampo investigates the origin and formation of cinema as it became the Filipinos’ preeminent entertainment and cultural form. |
| movie of jose rizal: The Social Cancer Jose Rizal, 2016-09-01 We travel rapidly in these historical sketches. The reader flies in his express train in a few minutes through a couple of centuries. The centuries pass more slowly to those to whom the years are doled out day by day. Institutions grow and beneficently develop themselves, making their way into the hearts of generations which are shorter-lived than they, attracting love and respect, and winning loyal obedience; and then as gradually forfeiting by their shortcomings the allegiance which had been honorably gained in worthier periods. We see wealth and greatness; we see corruption and vice; and one seems to follow so close upon the other, that we fancy they must have always co-existed. We look more steadily, and we perceive long periods of time, in which there is first a growth and then a decay, like what we perceive in a tree of the forest. FROUDE, Annals of an English Abbey. |
| movie of jose rizal: Jose Rizal Gregorio F. Zaide, Sonia M. Zaide, 2014 |
| movie of jose rizal: A Dictionary of Film Studies Annette Kuhn, Guy Westwell, 2012-06-21 This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism. |
| movie of jose rizal: Early Cinema in Asia Nick Deocampo, 2017-10-09 Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region. |
| movie of jose rizal: Grammars of Creation George Steiner, 2002-01-01 We have no more beginnings,” George Steiner begins in this, his most radical book to date. A far-reaching exploration of the idea of creation in Western thought, literature, religion, and history, this volume can fairly be called a magnum opus. He reflects on the different ways we have of talking about beginnings, on the core-tiredness” that pervades our end-of-the-millennium spirit, and on the changing grammar of our discussions about the end of Western art and culture. With his well-known elegance of style and intellectual range, Steiner probes deeply into the driving forces of the human spirit and our perception of Western civilization’s lengthening afternoon shadows. Roaming across topics as diverse as the Hebrew Bible, the history of science and mathematics, the ontology of Heidegger, and the poetry of Paul Celan, Steiner examines how the twentieth century has placed in doubt the rationale and credibility of a future tense--the existence of hope. Acknowledging that technology and science may have replaced art and literature as the driving forces in our culture, Steiner warns that this has not happened without a significant loss. The forces of technology and science alone fail to illuminate inevitable human questions regarding value, faith, and meaning. And yet it is difficult to believe that the story out of Genesis has ended, Steiner observes, and he concludes this masterful volume of reflections with an eloquent evocation of the endlessness of beginnings. |
| movie of jose rizal: The Reign of Greed José Rizal, Charles Derbyshire, 1912 Classic story of the last days of Spanish rule in the Philippines. |
| movie of jose rizal: The Star-entangled Banner Sharon Delmendo, 2004 During a ceremony held in 1996 to commemorate the fiftieth anniversary of formal Philippine independence, the U.S. flag was being lowered while the Philippine flag was being raised, and the two became entangled. In The Star-Entangled Banner, Sharon Delmendo demonstrates that this incident is indicative of the longstanding problematic relationship between the two countries. When faced with a national crisis or a compelling need to reestablish its autonomy, each nation paradoxically turns to its history with the other to define its place in the world. Each chapter of the book deals with a separate issue in this linked history: the influence of Buffalo Bill's show on the proto-nationalism of José Rizal, who is often described as the First Filipino; the portrayal of the Philippines in American children's books; Back to Bataan, a World War II movie starring John Wayne; the post-independence fiction of F. Sionil José; and the refusal of the U..S military to return the Balangiga Bells, which were taken as war booty during the Philippine-American War. Ultimately, Delmendo demonstrates how the effects of U.S. imperialism in the Philippines continue to resonate in U.S. foreign policy in the post cold war era and the war on terrorism. |
| movie of jose rizal: Third World Film Making and the West Roy Armes, 1987-07-29 This is the fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema. Third World countries now produce well over half of the world's films. Armes places this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World. In addition to charting filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresses the role of distribution in defining and limiting production, queries simplistic notions of independent national cinemas, and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makes who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. |
| movie of jose rizal: Twisted Jessica Zafra, 2000 |
| movie of jose rizal: Ang Larawan Culturtain Musicat Productions Inc, Nick Joaquin, 2018-03-29 Now available as an e-book! This definitive volume brings together Nick Joaquin’s classic play, A Portrait of the Artist as Filipino, Rolando Tinio’s libretto of Ang Larawan, The Musical (which is based on the play), and the screenplay of Ang Larawan, The Movie. Includes 16 colored pages of photos of the stage musical and movie, the last interview of Tinio, a learning guide, the behind-the-scenes photos of the film-making process and more. An indispensable guide for students and teachers. A collector’s item for theater and film fans. A book that truly captures Joaquin’s vocation, “To remember and to sing!” |
| movie of jose rizal: Pa(ng)labas Gerard Lico, 2020 |
| movie of jose rizal: Modern Philippines Patricio N. Abinales, 2022-07-08 This comprehensive thematic encyclopedia focuses on the Philippines, and explores the geography, history, and society of this important island nation. The Philippines is a nation that has experience being ruled by two separate colonial powers, home to a people who have had strong attachments to democratic politics, with a culture that is a rich mix of Chinese, Spanish, and American influences. What are some important characteristics of contemporary daily life and culture in the Philippines today? Thematic chapters examine topics such as government and politics, history, food, etiquette, education, gender, marriage and sexuality, media and popular culture, music, art, and more. Each chapter opens with a general overview of the topic and is followed by alphabetically arranged entries that hone in even closer on the topic. Sidebars and illustrations appear throughout the text, and appendixes cover a glossary, facts and figures, holidays chart, and vignettes that paint a picture of a typical Day in the Life. |
| movie of jose rizal: A Sacrifice for Friendship D. S. Bauden, 2003-12-01 When Frankie Camarelli begins hearing voices, she travels back 20 years in her dreams to find the girl who is calling out for help. After Frankie returns to the present, her best friend tries to help her validate of her experience. |
| movie of jose rizal: Cinemaya , 2000 |
| movie of jose rizal: The Women of Malolos Nicanor G. Tiongson, 2004 |
| movie of jose rizal: The Appeal of the Philippines José Miguel Díaz Rodríguez, 2018-06-13 This book examines the different means through which Spain has revisited its ex-colony - the Philippines - since 2000. Focusing on several major exhibitions organised in the period 1998-2017, the ‘poetics’ (narratives and meaning) and ‘politics’ (institutional power) of Spanish representations of the Philippines are critically examined. Even though Spain’s intention was to offer a fresh and updated look at the Philippines through the events organised, there was also a tendency to refer to and recreate a colonial past, posing important questions about the continuity of conceptions concerning the old Spanish Empire in the 21st Century. Díaz Rodríguez further analyses Spanish cultural policy concerned with cultural promotion outside Spain and, in particular, in the Philippines. He considers the Spanish official approach to cultural exchange in the Philippines and the consequences of particular intercultural events supported by Spanish institutions in the Philippines. This is evidenced by unique data gathered from a number of interviews conducted by the author with Spanish and Filipino artists and cultural workers. His conclusions contribute to the understanding of the transnational movement of culture, including cultural representation, arts funding, and the links between politics and the arts. |
| movie of jose rizal: José Rizal: Life, Works and Writings Gregorio F. Zaide, 1970 |
| movie of jose rizal: The First Impulse Laurel Fantauzzo, 2017-10-20 The First Impulse is about the still-unsolved murder of Filipino-Canadian film critic Alexis Tioseco and his girlfriend, Slovenian film critic and magazine editor Nika Bohinc, as retold by Laurel Fantauzzo. This book recounts the love and life of Alexis and Nika, the circumstances surrounding their murder in September 2009, the investigations, and what happened for the people related to the couple before and after the incident, aside from some commentary on the Philippine film industry. |
| movie of jose rizal: Asian Film Journeys Rashmi Doraiswamy, Latika Padgaonkar, 2011-02-02 For lovers of Asian cinema and for those simply curious to know its trends and moods, experiments and innovations since it strode the world stage with assurance in the mid- 80s, Asian Film Journeys is a feast. It presents a selection of articles that appeared in the pages of Cinemaya, The Asian Film Quarterly between 1988 and 2004, articles that closely tracked the bold new film narrative of both the well-known and the lesser-known cinemas as it unfolded. The Quarterly remained, for fifteen years, the one and only serious yet lively platform for writing on the cinemas of Asian countries. Given that the writers were mostly Asian-apart from some keen and long-standing followers of Asian cinema from the West-the magazine offered, for the first time, a truly authentic point of view, a look at films from within their cultures. The book gives a bird’s eye view of the style and substance, art and craft of these cinemas and captures some of the Asian air it let in! |
| movie of jose rizal: The Star-entangled Banner Sharon Delmendo, 2005 This work looks at the problematic relationship between the Phillippines and the US. It argues that when faced with a national crisis or a compelling need to reestablish its autonomy, each nation paradoxically turns to its history with the other to define its place in the world. |
| movie of jose rizal: Rizal, Philippine Nationalist and Martyr Austin Coates, 1968 |
| movie of jose rizal: The Philippines Damon L. Woods, 2005-12-09 A unique, revealing look at the history and contemporary culture of the Philippine Islands and their multicultural and foreign-influenced facets. Interest in the Philippines has grown substantially over recent years. The Philippines: A Global Studies Handbook provides an all-encompassing introduction to the dramatic history of this intriguing nation as well as the contemporary social, political, economic, religious, and artistic life, written for travelers, business people, researchers, students, or general readers. The author, an award-winning professor of Asian studies, explores the effects of centuries of change and continuity on this fascinating, often contradictory land. It is a locals-eye view that gets straight to the heart of the Filipino experience—a cultural tour that measures the profound impact of the islands' Japanese, Spanish, and American conquerors, as well as the influence of Islam, the Marcos regime, and the People Power revolutions that ousted Ferdinand Marcos and, 15 years later, Joseph Estrada. |
| movie of jose rizal: Creative Nonfiction Cristina Pantoja-Hidalgo, 2003 |
| movie of jose rizal: Salome Ricardo Lee, 1993 Salome, one of the finest films from the new Filipino cinema, is presented in both English and Tagalog with more than twenty stills from the original movie. Distributed for the Center for Southeast Asian Studies, University of Wisconsin-Madison |
| movie of jose rizal: Integration of Astronomy in the Rizal Course Jose A. Fadul, 2009-05-15 This book deals with the integration of astronomy in the Rizal Course, with plenty of photographs and historical accounts related to astronomy in the Philippines. The book also investigates why Rizal appeared not to have constructed any telescope when he had the know-how and materials to do so. Did his teacher in astronomy Fr. Faura fail to motivate him enough? Using backcasting and scenario techniques, the bright future of astronomy in the Philippines and other Asian countries is pictured. |
| movie of jose rizal: Global Currents Tasha G. Oren, Patrice Petro, 2004 Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences. Bringing together the best new work on contemporary media practices, technologies, and policies, the essayists in Global Currents argue that neither of these extreme views accurately represents the role of media technology today. New ways of thinking about film, television, music, and the internet demonstrate that it is not only media technologies that affect the cultures into which they are introduced--it is just as likely that the receiving culture will change the media. Topics covered in the volume include copyright law and surveillance technology, cyber activism in the African Diaspora, transnational monopolies and local television industries, the marketing and consumption of global music, click politics and the war on Afghanistan, the techno-politics of distance education, artificial intelligence and global legal institutions, and traveling and squatting in digital space. Balanced between major theoretical positions and original field research, the selections address the political and cultural meanings that surround and configure new technologies. |
| movie of jose rizal: The Archival Afterlives of Philippine Cinema Bliss Cua Lim, 2024-01-05 Drawing on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography, Bliss Cua Lim analyzes the crisis-ridden history of Philippine film archiving—a history of lost films, limited access, and collapsed archives. Rather than denigrate underfunded Philippine audiovisual archives in contrast to institutions in the global North, The Archival Afterlives of Philippine Cinema shows how archival practices of making do can inspire alternative theoretical and historical approaches to cinema. Lim examines formal state and corporate archives, analyzing restorations of the last nitrate film and a star-studded lesbian classic as well as archiving under the Marcos dictatorship. She also foregrounds informal archival efforts: a cinephilic video store specializing in vintage Tagalog classics; a microcuratorial initiative for experimental films; and guerilla screenings for rural Visayan audiences. Throughout, Lim centers the improvisational creativity of audiovisual archivists, collectors, advocates, and amateurs who embrace imperfect access in the face of inhospitable conditions. |
| movie of jose rizal: Provenance and Early Cinema Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, Joshua Yumibe, 2021-02-01 Remnants of early films often have a story to tell. As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, How did these moving images get here for me to see them? This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives. |
| movie of jose rizal: Events in the Philippine Islands Antonio de Morga, 1971 First history of the Spanish Phillipines by a layman. |
| movie of jose rizal: Mondo Macabro Pete Tombs, 1998-04-15 The author of Immoral Tales now brings readers into the exotic, erotic, and eccentric international film scene. Fully illustrated, this book includes an Indian song-and-dance version of Dracula; Turkish version of Star Trek and Superman; China's hopping vampire films, and much more. 332 illustrations. of color photos. |
| movie of jose rizal: Filipinas Magazine , 2004 |
| movie of jose rizal: Contemporizing the Classics Gregory Sarno, 2005-02 Contemporizing the Classics: Poe, Shakespeare, Doyle is a how-to on the art and craft of transforming a classic into a feature-film screenplay with a modern storyline. The introduction probes an issue that weaves throughout: role of artistic license in balancing fidelity to the original versus dramatic needs of the script. Contemporization of a classic being the most flagrant form of dramatic license, the introduction presents three guidelines for a considered exercise thereof. Each part debuts a feature-film script that resets a classic work(s) in the present. Part One offers a contemporary visualization ofMacbeth, in the process turning an Elizabethan tragedy into a dramatic comedy. Part Two applies the guidelines to several renowned works by Edgar Allan Poe. Arthur Conan Doyle's The Hound of the Baskervilles having frequently screened as a period piece, Part Three gives the hound a twenty-first century twist. |
| movie of jose rizal: Hong Kong Connections Meaghan Morris, Siu Leung Li, Stephen Ching-kiu Chan, 2005-10-01 Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders? Hong Kong Connections brings leading film scholars together to explore the uptake of Hong Kong cinema in Japan, Korea, India, Australia, France and the US as well as its links with Taiwan, Singapore and the Chinese mainland. In the process, this collective study examines diverse cultural contexts for action cinema's popularity, and the problems involved in the transnational study of globally popular forms suggesting that in order to grasp the history of Hong Kong action cinema's influence we need to bring out the differences as well as the links that constitute popularity. |
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