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| morgen richard strauss: Morgen Richard Strauss, 1907 |
| morgen richard strauss: Richard Strauss Alan Jefferson, 1985 This book describes the pre-eminent achievement from the first years of collaboration between two great artists of the twentieth century, Hugo von Hofmannsthal and Richard Strauss. It explains how the poet drew upon a wealth of classical and literary sources to fashion his vivid characters, and how the composer further enhanced their lifelike charm in his potent and often magical score. An explanation of the psychological undertones of the libretto is supplemented by an appendix on Hofmannsthal's use of language. Critical comments and attacks on Der Rosenkavalier from its premiere to recent times are described and assessed, and the opera's stage history is recounted. The long central chapter of the book, adapted by Norman Del Mar from his celebrated three-volume study of the composer, combines musical analysis with a detailed synopsis. An appendix discusses versions of the opera as film and play. The book includes a bibliography and a detailed discography. |
| morgen richard strauss: All Music Guide to Classical Music Chris Woodstra, Gerald Brennan, Allen Schrott, 2005 Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original. |
| morgen richard strauss: Programme Boston Symphony Orchestra, 1909 |
| morgen richard strauss: Strauss Laurenz Lütteken, 2019-03-01 Richard Strauss is an outlier in the context of twentieth century music. Some consider him a composer of the late romantic period, while others declare him a traitor of modernity for his role in National Socialism. Despite the controversy surrounding him, Strauss's works--even beyond his most well-known operas Elektra and Rosenkavalier--are present in the repertories of concert halls worldwide and continue to enjoy large audiences. The details of the composer's life, however, remain shrouded in mystery and gossip. Laurenz Lütteken's Strauss presents a fresh approach to understanding this elusive composer's life and works. Dispensing with stereotypes and sensationalism, it reveals Strauss to be a sensitive intellectual and representative of modernity, with all light and shade of the turn of the twentieth century. |
| morgen richard strauss: Practical Instrumentation Frank Patterson, 1923 |
| morgen richard strauss: Programs Boston Symphony orchestra, 1912 |
| morgen richard strauss: Richard Strauss and His World Bryan Randolph Gilliam, 1992-08-30 Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic about face after Elektra; Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold [Publisher description]. |
| morgen richard strauss: Written by Herself: Volume I Jill Ker Conway, 1992-11-17 The bestselling author of The Road from Coorain presents an extraordinarily powerful anthology of the autobiographical writings of 25 women, literary predecessors and contemporaries that include Jane Addams, Zora Neale Hurst, Harriet Jacobs, Ellen Glasgow, Maya Angelou, Sara Josephine Baker, Margaret Mead, Gloria Steinem, and Maxine Hong Kingston. |
| morgen richard strauss: Works Performed at the Symphony Concerts During the Season of ... Boston Symphony Orchestra, 1916 |
| morgen richard strauss: Oberlin Alumni Magazine , 1912 |
| morgen richard strauss: Concert Bulletin[s] ... Boston Symphony Orchestra, 1917 |
| morgen richard strauss: The Aeolian Pipe-organ and Its Music Aeolian Company, 1919 |
| morgen richard strauss: Anthology for Hearing Rhythm and Meter Matthew Santa, 2019-09-09 This full-score anthology for Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Period Music supports the textbook of the same name, the first book to present a comprehensive course text on advanced analysis of rhythm and meter. From the Baroque to the Romantic era, Hearing Rhythm and Meter emphasizes listening, enabling students to recognize meters and metrical dissonances by type both with and without the score. Found here are masterworks carefully chosen as the ideal context for the presentation of foundational concepts. PURCHASING OPTIONS Textbook (Print Paperback): 978-0-8153-8448-9 Textbook (Print Hardback): 978-0-8153-8447-2 Textbook (eBook): 978-1-351-20431-6 Anthology (Print Paperback): 978-0-8153-9176-0 Anthology (Print Hardback): 978-0-367-34924-0 Anthology (eBook): 978-1-351-20083-7 |
| morgen richard strauss: School of Music Programs University of Michigan. School of Music, 1939 |
| morgen richard strauss: Diction in Context Brenda Smith, 2019-10-08 Diction in Context is a unique and highly practical textbook for singers learning to sing in English, Italian, German, and French. Each chapter is designed for use in diction courses in academic music and voice programs, helping students learn through pronunciation, articulation, enunciation, punctuation, and cultural context in each language. Students and teachers of singing will benefit from the text’s pertinent biographical, historical and literary sources along with diction rules and textual examples of English, Italian, German and French song. For each language, there is a section on sentence structure and syntax intended to assist readers with poetic analysis and word-by-word translations. Representative song texts are provided for the purpose of comparative listening and phonetic transcription. Comparative listening reveals subtle differences in expression and diction. In addition, the texts are presented in a workbook format, allowing space for IPA dictation practice. Diction in Context provides singers with the tools needed to delve deeply into the poetry and music they sing, to pronounce text accurately and to feel confident in expressing it. By combining English, Italian, German, and French into one easy-to-use textbook, students will benefit from a comparative perspective of singing in each language. Key Features: *Repertoire lists are provided for each language and are designed to be used for class presentations and assessments *Discussion questions to challenge reader comprehension of key concepts and songs *Word-by-word translations to accompany foreign language texts *An end-of-book glossary featuring definitions of terms in the text as well as terminology encountered in related literature *Three practical appendices, including: o Practice drills, quizzes, and assessment forms o A list of additional resources for diction learning o An Index of Works Cited featuring all poems and songs referenced in the book in one easily accessible list Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book. |
| morgen richard strauss: The Columbia Anthology of Gay Literature Byrne Fone, 1998 Here at last is a single volume that reveals the bright thread of gay literature throughout the Western tradition. With hundreds of works by authors ranging from Ovid to James Baldwin, from Plato to Oscar Wilde, The Columbia Anthology of Gay Literature presents a wide range of poetry, fiction, essays, and autobiography that depict love, friendship, intimacy, desire, and sex between men. |
| morgen richard strauss: Catalog of Copyright Entries Library of Congress. Copyright Office, 1971 |
| morgen richard strauss: Young Singer #2-Alto-Book & CD , 2000 |
| morgen richard strauss: Music as Discourse Victor Kofi Agawu, 2009 The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. This book presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself. |
| morgen richard strauss: Young Singer #1-Tenor-Book & CD Richard D. Row, 1965 |
| morgen richard strauss: What We Hear in Music Anne Faulkner Oberndorfer, 1921 |
| morgen richard strauss: Musical Digest , 1923 |
| morgen richard strauss: Ton und Wort Barbara A. Petersen, 1980 A study in style and analysis of Strauss's Lieder, including its poetry, creation, sources, performance and critical reception. |
| morgen richard strauss: More Legendary Voices , 1995 From the delectable Conchita Supervia (who made her debut at fourteen!) to the divine Maria Callas; from the gentle Elisabeth Schumann to the fiery Maria Jeritza (adored by the public, feared by several leading tenors and spat at by a fellow diva); from the giant Lauritz Melchior to the versatile Richard Tauber - More Legendary Voices mixes biography, anecdote, opinion, and penetrating analysis of each singer's strengths and weaknesses. Once more Nigel Douglas, the international tenor and well-known radio presenter, brings to this collection his professional knowledge of the world of opera, his infectious enthusiasm for the subject, and a natural gift for distilling the essence of a singer's life and career into one entertaining and instructive chapter. |
| morgen richard strauss: Richard Strauss, the Man and His Works Henry T. Finck, 1917 Richard Strauss, The Man and His Works by Henry Theophilus Finck, first published in 1917, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it. |
| morgen richard strauss: Listening to Art Song Margaret Olson, 2015-05-01 In Listening to Art Song, Margaret Olson offers an easy-to-read, fresh perspective on the remarkably diverse musical genre of art song, surveying for readers such topics as the development of song, the elements that make up song, and the art of listening to song. Readers will learn how to identify and evaluate song elements in order to listen critically and effectively and best appreciate this song form. |
| morgen richard strauss: Correspondence Between Richard Strauss and Hugo Von Hofmannsthal, 1907-1918 Richard Strauss, Hugo von Hofmannsthal, 1927 |
| morgen richard strauss: Herman Klein and the Gramophone Hermann Klein, 1990 (Amadeus). From Klein's comments on early recordings that remain available today, the reader can get a glimpse of what legendary singers such as Patti and Lind sounded like more than a century ago. The essays of Herman Klein that appeared in The Gramophone from 1924 until 1934 are indispensable sources of information on the singers of the Golden Age. |
| morgen richard strauss: Music Club Programs from All Nations Arthur Elson, 1907 |
| morgen richard strauss: Library of Congress Catalog Library of Congress, 1968 A cumulative list of works represented by Library of Congress printed cards. |
| morgen richard strauss: Official Bulletin , 1929 |
| morgen richard strauss: The Gramophone , 1926 |
| morgen richard strauss: Actes du Conseil Général Proceedings of the General Council M. Anthony Thompson, 2012-12-06 |
| morgen richard strauss: A Long Silence Sabina De Werth Neu, 2011-02-28 After more than sixty years, the nightmarish sufferings of so many victims of Germany’s Nazi regime have been documented extensively. Rarely, however, does one hear about the experiences of German children during World War II. Coming of age amidst the chaos, brutality, and destruction of war in their homeland, they had no understanding of what was happening around them and often suffered severe trauma and physical abuse. This haunting memoir tells the riveting story of one such German child. Born in Berlin in 1941, Sabina de Werth Neu knew little during her earliest years except the hardships and fear of a war refugee. She and her two sisters and mother were often on the run and sometimes homeless in the bombed-out cities of wartime Germany. At times they lived in near-starvation conditions. And as the Allies stormed through the crumbling German defenses, the mother and children were raped and beaten by marauding Russian soldiers. After the war, like so many Germans, they wrapped themselves in a cloak of deafening silence about their recent national and personal history, determined to forget the past. The result was that Sabina spent much of her time wrestling with shame and bouts of crippling depression. Finally, after decades of silence, she could no longer suppress the memories and began reconstructing her young life by writing down what had previously seemed unspeakable. Illustrated by vintage black-and-white family photographs, the book is filled with poignant scenes: her abused but courageous mother desperately trying to protect her children through the worst, the sickening horror of viewing Holocaust footage on newsreels shortly after the war, the welcome sight of American troops bringing hot meals to local schools, and the glimmer of hope finally offered by the Marshall Plan, which the author feels was crucial to her own survival and that of Germany as a whole. This book not only recalls the experiences of a now-distant war, but also brings to mind the disrupting realities of present-day refugee children. There is perhaps no more damning indictment of war than to read about its effects on children, its helpless victims. |
| morgen richard strauss: Programs University of Michigan. School of Music, Theatre & Dance, 2007 |
| morgen richard strauss: Music Theory for the Music Professional Richard Sorce, 1995-01-01 Written as a music theory text that not only addresses the important fundamental syntax of music in the classical sense but also relates this syntax to current practices and styles, this book should be particularly well-suited to musicians focusing on aspects of the music business and of popular culture. |
| morgen richard strauss: The Book of Lieder Ian Bostridge, Richard Stokes, 2011-03-03 This unique volume contains, in parallel translation, a thousand of the most frequently performed Lieder, both piano-accompanied and orchestral. Composers are arranged alphabetically, with their songs appearing under poet in chronological order of composition - thus allowing the reader to engage in depth with a particular poet and at the same time to follow the composer's development. Richard Stokes, whose work in this field is already widely acclaimed, provides illuminating short essays on each of the fifty composers' approach to Lieder composition, as well as well as notes on all the poets who inspired the songs.The volume is notable for the accuracy and elegance of its translations, and for its fidelity to the German verse: every care has been taken to print the words of the sung text, while adhering to the versification and punctuation of the original poem.Beethoven, Schubert and Schumann, Goethe, Heine and Schiller are among the highlights of a book which illuminates one of the great musical traditions and will be an indispensable handbook for every music lover. |
| morgen richard strauss: What We Hear in Music Anne Shaw Faulkner Oberndorfer, Anne Shaw Faulkner, 1928 |
| morgen richard strauss: The National Union Catalog, Pre-1956 Imprints Library of Congress, American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee, 1978 |
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What is the Morgen Calendar? Everything You Need to Know!
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Morgen - Daily planning in your calendars
Morgen integrates AI daily planning with your calendars, task managers, and schedulers in one powerful app. Available on macOS, Windows, Linux, iOS and Android.
What does morgen mean in German? - WordHippo
Need to translate "morgen" from German? Here's what it means.
Morgen Calendar & Task Manager 4+ - App Store
Schedule meetings, track tasks, share your availability, plan your day, and more, on-the-go. This is a companion to Morgen’s desktop app with a subset of features suited to time management …
Morgen Calendar & Task Manager - Apps on Google Play
Jun 11, 2025 · Morgen integrates with nearly all calendars, virtual conferencing tools, and many task managers, keeping your events and to-dos synced across devices and tools. It’s your …
Morgen translation in English | German-English dictionary
Während des Morgen ist es lustig, dynamisch, hell und sonnig. During the day it's funny, dynamic, bright and sunny. Er lief jeden Morgen; somit blieb er gesund und fit. He ran every morning; …
Morgen Review: The Calendar For The Remote Era - Caffeine
Sep 12, 2022 · What is Morgen? Morgen is a Desktop-based Calendar App that is made to help you manage your tasks, and reminders, as well as synchronize all aspects of your life. Morgen …
Pricing - Morgen
Everything you need to plan, low commitment. Powerful daily planning at a great price. 15% off for 1 year. Receive a discount when you switch from Motion, Reclaim, Fantastical, or Sunsama. …
Morgen changelog
We ship new functionalities in Morgen every 2 weeks on average. To make sure these improvements are not missed, Morgen will now notify you more prominently when an update is …
Morgen: The AI Calendar That Respects Your Time ⏰ - YouTube
Feb 26, 2025 · 🚀 Morgen: The AI Calendar That Respects Your Time ⏰ – Discover how this revolutionary tool combines cutting-edge AI with a personal touch to help you prioritize what …
What is the Morgen Calendar? Everything You Need to Know!
Mar 10, 2025 · Morgen Calendar is a versatile platform combining task management, scheduling, and calendar integration to enhance productivity for individuals and teams. Designed for …
