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| modern african tragedy: The Politics of Adaptation Astrid Van Weyenberg, 2013 This book explores contemporary African adaptations of classical Greek tragedies. Six South African and Nigerian dramatic texts – by Yael Farber, Mark Fleishman, Athol Fugard, Femi Osofisan, and Wole Soyinka – are analysed through the thematic lens of resistance, revolution, reconciliation, and mourning. The opening chapters focus on plays that mobilize Greek tragedy to inspire political change, discussing how Sophocles’ heroine Antigone is reconfigured as a freedom fighter and how Euripides’ Dionysos is transformed into a revolutionary leader. The later chapters shift the focus to plays that explore the costs and consequences of political change, examining how the cycle of violence dramatized in Aeschylus’ Oresteia trilogy acquires relevance in post-apartheid South Africa, and how the mourning of Euripides’ Trojan Women resonates in and beyond Nigeria. Throughout, the emphasis is on how playwrights, through adaptation, perform a cultural politics directed at the Europe that has traditionally considered ancient Greece as its property, foundation, and legitimization. Van Weyenberg additionally discusses how contemporary African reworkings of Greek tragedies invite us to reconsider how we think about the genre of tragedy and about the cultural process of adaptation. Against George Steiner’s famous claim that tragedy has died, this book demonstrates that Greek tragedy holds relevance today. But it also reveals that adaptations do more than simply keeping the texts they draw on alive: through adaptation, playwrights open up a space for politics. In this dynamic between adaptation and pre-text, the politics of adaptation is performed. |
| modern african tragedy: Wole Soyinka and Modern Tragedy Ketu Katrak, 1986-06-24 The tragic drama of Nigeria's leading playwright, Wole Soyinka, is the focus of this in-depth study. Ketu H. Katrak explores Soyinka's concept of the tragic experience as it relates to Yoruba culture and analyzes the unique features of his theory of tragedy which blends Yoruba traditional drama with Western tragic forms. Opening with a biographical overview of Soyinka's life and career, Katrak addresses the major issues presented by Soyinka in his essay on tragedy, The Fourth Stage. These include the origin of tragic feeling, the components of the tragic experience, and the concretization of these abstract notions in the Yoruba god Ogun. The author demonstrates that it is through these themes and the elements of ritual and myth that Soyinka imparts communal values to his work, ultimately achieving a metaphysical level of expression. Katrak also discusses the element of the death of the protagonist in a number of Soyinka's plays and how it is beneficial for the community. The history of a community, a nation, and mankind, as it appears in other Soyinka plays, is also discussed. Throughout the work, the study of Soyinka's drama is balanced with an analysis of dramatic structure and stagecraft. Included are interviews and discussions with many of Nigeria's academicians, as well as with Soyinka himself. |
| modern african tragedy: Black Dionysus Kevin J. Wetmore (Jr.), 2003-03-19 African American adaptations of Greek tragedy on the continuum of these two models are then discussed, and plays by Peter Sellars, Adrienne Kennedy, Lee Breuer, Rita Dove, Jim Magnuson, Ernest Ferlita, Steve Carter, Silas Jones, Rhodessa Jones and Derek Walcott are analyzed.--BOOK JACKET. |
| modern african tragedy: Genocide in Nigeria Ken Saro-Wiwa, 1992 This collection of newspaper columns and articles mostly written in the 1970s and 1980s perhaps provides the best overview of Saro-Wiwa's political and environmental concerns. The articles document his concerns about the fate of the Ogoni people and their mistreatment by multinational oil companies and collaborating Nigerian government. Saro-Wiwa argues that the Ogoni are a minority in Nigeria, exploited by the ruling ethnic majority, and that the Federal Government of Nigeria was threatening the Ogoni with genocide. At the time, this was a key publication in bringing the Ogoni tragedy to the attention of the international community. Nowadays, it is of continual relevance to present day concerns about the actions of the oil companies, indigenous and environmental rights in the Delta region. |
| modern african tragedy: The Comic Imagination in Modern African Literature and Cinema Maik Nwosu, 2016-02-05 This book is a seminal study that significantly expands the interdisciplinary discourse on African literature and cinema by exploring Africa’s under-visited carnivalesque poetics of laughter. Focusing on modern African literature as well as contemporary African cinema, particularly the direct-to-video Nigerian film industry known as Nollywood, the book examines the often-neglected aesthetics of the African comic imagination. In modern African literature, which sometimes creatively traces a path back to African folklore, and in Nollywood — with its aesthetic relationship to Onitsha Market Literature — the pertinent styles range from comic simplicitas to comic magnitude with the facilitation of language, characterization, and plot by a poetics of laughter or lightness as an important aspect of style. The poetics at work is substantially carnivalesque, a comic preference or tendency that is attributable, in different contexts, to a purposeful comic sensibility or an unstructured but ingrained or virtual comic mode. In the best instances of this comic vision, the characteristic laughter or lightness can facilitate a revaluation or reappreciation of the world, either because of the aesthetic structure of signification or the consequent chain of signification. This referentiality or progressive signification is an important aspect of the poetics of laughter as the African comic imagination variously reflects, across genres, both the festival character of comedy and its pedagogical value. This book marks an important contribution to African literature, postcolonial literature, world literature, comic imagination, poetics, critical theory, and African cinema. |
| modern african tragedy: Things Fall Apart Chinua Achebe, 1994-09-01 “A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities. |
| modern african tragedy: On the Sacred in African Literature M. Mathuray, 2009-07-23 This innovative book provides an original approach to the analysis of the representation of myth, ritual, and 'magic' in African literature. Emphasizing the ambivalent nature of the sacred, it advances work on the religious dimension of canonical African texts and attends to the persistence of pre-colonial cultures in postcolonial spaces. |
| modern african tragedy: Tragedy and Postcolonial Literature Ato Quayson, 2021-01-21 This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies. |
| modern african tragedy: Modern Tragedy Raymond Williams, 1966 |
| modern african tragedy: Chaka Thomas Mofolo, 2013-05-21 Chaka is a genuine masterpiece that represents one of the earliest major contributions of black Africa to the corpus of modern world literature. Mofolos fictionalized life-story account of Chaka (Shaka), translated from Sesotho by D. P. Kunene, begins with the future Zulu kings birth followed by the unwarranted taunts and abuse he receives during childhood and adolescence. The author manipulates events leading to Chakas status of great Zulu warrior, conqueror, and king to emphasize classic tragedys psychological themes of ambition and power, cruelty, and ultimate ruin. Mofolos clever nods to the supernatural add symbolic value. Kunenes fine translation renders the dramatic and tragic tensions in Mofolos tale palpable as the richness of the authors own culture is revealed. A substantial introduction by the translator provides valuable context for modern readers. |
| modern african tragedy: Hofmeyr Alan Paton, 1964 |
| modern african tragedy: African Modernity and the Philosophy of Culture in the Works of Femi Euba Iyunolu Osagie, 2017-06-05 This book is a significant and original contribution to the ongoing conversation on modernity. It uses the creative and critical works of Nigerian playwright and novelist Femi Euba to demonstrate the place and function of African cultures in modernity and makes the case for the vibrancy of such cultures in the shaping and constitution of the modern world. In addition to a critique of Euba’s fifty-year artistic career, this book offers an account of Euba’s formative relationship with the 1986 Nobel Prize for Literature winner Wole Soyinka, during the promising days of the Nigerian theatre in the immediate post-independence period, and the effect of this relationship on Euba’s artistic choices and reflections. Euba contributes to our understanding of Africa’s negotiation of modernity in significant ways, especially in his sensitive reading of Esu, the Yoruba god of fate and chance, as an artistic consciousness whose historical and ideological mobility during New World slavery, during Africa’s colonial period, and in the manifestations in the black diaspora today emblematizes the process we call modernity. By using ritual, myth, and satire as avenues to the debate on modernity, Euba lays emphasis on the transformative possibilities at the crossroads of history. His works engage the psychological interconnections between old gods and new worlds and the dialogic relationship between tradition and modernity. Delineating the philosophical and literary debates that reject an easy division between a stereotypically traditional Africa and a modern West, the author shows how Euba’s plays and novel engage the entwined and intimate relationships between the modern and the traditional in contemporary Africa, and thereby she asserts the global resonance of Euba’s African, and specifically Yoruba, conception of the world. By meticulously collecting, cataloguing, and critiquing Euba’s works, Osagie models a new way of practicing African literary studies and invites us to glimpse narrative genius on the continent that she firmly believes African scholars should both promote and celebrate. |
| modern african tragedy: The Oxford Handbook of Modern African History John Parker, Richard Reid, 2013-10 Provides the latest insights into, and interpretations of, the history of Africa |
| modern african tragedy: The Modern African State Godfrey Mwakikagile, 2001 This book examines the modern African State as a fragile institution because of its structural flaws. It focuses on a number of African countries whose combined analyses provide a focal point for looking at the whole continent as one giant place with crumbling state institutions whose fragility threatens the very existence of several African countries. Even in rich African countries, peace and stability is threatened and rampant corruption and dictatorship. Nothing better demonstrates the weakness and cruelty of the modern African State than its willingness to instigate tribal violence in a number of African countries and its inability to contain such hostilities in many others. In an attempt to put such weakness in proper perspective, the author focuses on analyses of case studies, as the context for a better understanding of the modern African State, as the most dominant institution on the African continent. |
| modern african tragedy: The Princeton Encyclopedia of Poetry and Poetics Roland Greene, Stephen Cushman, Clare Cavanagh, Jahan Ramazani, Paul Rouzer, Harris Feinsod, David Marno, Alexandra Slessarev, 2012-08-26 Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993. |
| modern african tragedy: A Tragedy of Democracy Greg Robinson, 2009-06-30 The confinement of some 120,000 Japanese Americans during World War II, often called the Japanese American internment, has been described as the worst official civil rights violation of modern U. S. history. Greg Robinson not only offers a bold new understanding of these events but also studies them within a larger time frame and from a transnational perspective. Drawing on newly discovered material, Robinson provides a backstory of confinement that reveals for the first time the extent of the American government's surveillance of Japanese communities in the years leading up to war and the construction of what officials termed concentration camps for enemy aliens. He also considers the aftermath of confinement, including the place of Japanese Americans in postwar civil rights struggles, the long movement by former camp inmates for redress, and the continuing role of the camps as touchstones for nationwide commemoration and debate. Most remarkably, A Tragedy of Democracy is the first book to analyze official policy toward West Coast Japanese Americans within a North American context. Robinson studies confinement on the mainland alongside events in wartime Hawaii, where fears of Japanese Americans justified Army dictatorship, suspension of the Constitution, and the imposition of military tribunals. He similarly reads the treatment of Japanese Americans against Canada's confinement of 22,000 citizens and residents of Japanese ancestry from British Columbia. A Tragedy of Democracy recounts the expulsion of almost 5,000 Japanese from Mexico's Pacific Coast and the poignant story of the Japanese Latin Americans who were kidnapped from their homes and interned in the United States. Approaching Japanese confinement as a continental and international phenomenon, Robinson offers a truly kaleidoscopic understanding of its genesis and outcomes. The confinement of some 120,000 Japanese Americans during World War II, often called the Japanese American internment, has been described as the worst official civil rights violation of modern U. S. history. Greg Robinson not only offers a bold new understanding of these events but also studies them within a larger time frame and from a transnational perspective. Drawing on newly discovered material, Robinson provides a backstory of confinement that reveals for the first time the extent of the American government's surveillance of Japanese communities in the years leading up to war and the construction of what officials termed concentration camps for enemy aliens. He also considers the aftermath of confinement, including the place of Japanese Americans in postwar civil rights struggles, the long movement by former camp inmates for redress, and the continuing role of the camps as touchstones for nationwide commemoration and debate. Most remarkably, A Tragedy of Democracy is the first book to analyze official policy toward West Coast Japanese Americans within a North American context. Robinson studies confinement on the mainland alongside events in wartime Hawaii, where fears of Japanese Americans justified Army dictatorship, suspension of the Constitution, and the imposition of military tribunals. He similarly reads the treatment of Japanese Americans against Canada's confinement of 22,000 citizens and residents of Japanese ancestry from British Columbia. A Tragedy of Democracy recounts the expulsion of almost 5,000 Japanese from Mexico's Pacific Coast and the poignant story of the Japanese Latin Americans who were kidnapped from their homes and interned in the United States. Approaching Japanese confinement as a continental and international phenomenon, Robinson offers a truly kaleidoscopic understanding of its genesis and outcomes. |
| modern african tragedy: Black Moses Alain Mabanckou, 2017-06-06 The heart-breaking (New York Times Book Review), rollicking, award-winning novel that has been described as Oliver Twist in 1970s Africa (Les Inrockuptibles) One of the most compelling books you'll read in any language this year. —Rolling Stone Winner of the Hurston-Wright Legacy Award Longlisted for the Man Booker International Prize Shortlisted for the Albertine Prize Shortlisted for the Aspen Words Literary Prize Longlisted for the PEN Translation Prize Greeted with wildly enthusiastic reviews on publication, Alain Mabanckou's riotous novel begins in an orphanage in 1970s Congo-Brazzaville run by a malicious political stooge who makes the life of our hero, Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko—his name means Let us thank God, the black Moses is born on the lands of the ancestors, but most people just call him Moses—very difficult. Moses is also terrorized by his two fellow orphans—the twins Songi-Songi and Tala-Tala—but after Moses exacts revenge on them by lacing their food with hot pepper, the twins take Moses under their wing, escape the orphanage, and move to the bustling port town of Pointe-Noire, where they form a gang that survives on petty theft. What follows is a pointed (Los Angeles Times), vivid and funny (New York Times), larger-than-life tale that chronicles Moses's ultimately tragic journey through the Pointe-Noire underworld and the politically repressive reality of Congo-Brazzaville in the 1970s and '80s. Ringing with beautiful poetry, (Wall Street Journal) Black Moses is a vital new extension of Mabanckou's cycle of Pointe-Noire novels that stand out as one of the grandest and funniest fictional projects of our time. |
| modern african tragedy: Black Africa V. Klima, K.F. Ruzicka, P. Zima, 2012-12-06 In October 1972, our Czech-written book Literatury eerne Afriky (Literatures of Black Mrica) was published in Prague, presenting a survey of an extensive field. The publication, which was signed at that time by all three authors, differed from most contemporary introductions to the study of Mrican literatures in a threefold way: a) The authors attempted to cover various literacy and literary efforts in the area roughly delimited by Senegal in the west, Kenya in the east, Lake Chad in the north and the Cape in the south. We were well aware-even at that time-that neither technically nor linguistically would it be possible to cover all literary efforts within that area. We did try, however, to include in our survey both the literacies and literatures written in the Indo-European linguae francae (English, French, Portuguese) and in at least several of the major African languages of the area. We did not attempt an exhaustive description, but wished, rather, to show the mutual relationships which emerge, if the literatures of thii\ area, written either in the major linguae francae or in the African languages, are studied not as isolated phenomena, but as mutually complementary features. b) As two of us were linguists and one was a literary historian, we did not limit our analysis of the developing literacies and literatures to the purely cultural and literary aspects. Our intention waR to deal-whcre and if it was relevant-not only with the process of African literary development, but also with the simultaneous, complementar. |
| modern african tragedy: Undercurrents of Power Kevin Dawson, 2021-05-07 Kevin Dawson considers how enslaved Africans carried aquatic skills—swimming, diving, boat making, even surfing—to the Americas. Undercurrents of Power not only chronicles the experiences of enslaved maritime workers, but also traverses the waters of the Atlantic repeatedly to trace and untangle cultural and social traditions. |
| modern african tragedy: The Nature of Tragedy in Modern African Drama , 1982 |
| modern african tragedy: Parameters , 2000 |
| modern african tragedy: A Companion to Sophocles Kirk Ormand, 2015-06-02 A Companion to Sophocles presents the first comprehensive collection of essays in decades to address all aspects of the life, works, and critical reception of Sophocles. First collection of its kind to provide introductory essays to the fragments of his lost plays and to the remaining fragments of one satyr-play, the Ichneutae, in addition to each of his extant tragedies Features new essays on Sophoclean drama that go well beyond the current state of scholarship on Sophocles Presents readings that historicize Sophocles in relation to the social, cultural, and intellectual world of fifth century Athens Seeks to place later interpretations and adaptations of Sophocles in their historical context Includes essays dedicated to issues of gender and sexuality; significant moments in the history of interpreting Sophocles; and reception of Sophocles by both ancient and modern playwrights |
| modern african tragedy: A Constitutional History of the Kingdom of Eswatini (Swaziland), 1960–1982 Hlengiwe Portia Dlamini, 2019-09-25 Swaziland—recently renamed Eswatini—is the only nation-state in Africa with a functioning indigenous political system. Elsewhere on the continent, most departing colonial administrators were succeeded by Western-educated elites. In Swaziland, traditional Swazi leaders managed to establish an absolute monarchy instead, qualified by the author as benevolent and people-centred, a system which they have successfully defended from competing political forces since the 1970s. This book is the first to study the constitutional history of this monarchy. It examines its origins in the colonial era, the financial support it received from white settlers and apartheid South Africa, and the challenges it faced from political parties and the judiciary, before King Sobhuza II finally consolidated power in 1978 with an auto-coup d’état. As Hlengiwe Dlamini shows, the history of constitution-making in Swaziland is rich, complex, and full of overlooked insight for historians of Africa. |
| modern african tragedy: Beyond State Failure and Collapse George Klay Kieh, 2007-01-01 There is a general consensus in the scholarly literature that the post-colonial state in Africa has failed. Some states (Liberia, Rwanda, Sierra Leone, Somalia) have collapsed. Various arguments have been proffered to explain this dynamics of African state failure and collapse. However, the literature on state reconstitution is inchoate and minimal. This edited volume focuses on prescriptions for reconstituting the post-colonial state in Africa. Essays on nine African states (Burundi, the Democratic Republic of the Congo, Ethiopia, Kenya, Nigeria, Sierra Leone, Somalia, South Africa, and Uganda) are preceded by an introduction to the political economy of the African state. |
| modern african tragedy: The Black Radical Tragic Jeremy Matthew Glick, 2016-01-15 Also available as an ebook -- Verso title page. |
| modern african tragedy: Intertextuality in Contemporary African Literature Ode Ogede, 2011-09-16 This book is a study in African literary influence. It focuses on the importance of indigenous sources to new writing. The analytical framework for the study draws on recent conceptual advances in theories of authorship. Juxtaposing works and authors that are traditionally thought to be unlikely bedfellows, the book persuasively identifies their hitherto unexamined points of contact, opening up a vigorous debate about the roots of African literature and offering a radical critique of the assumptions underlying conventional notions of African literature. The book provides valuable insight on the roles of such activities as appropriation, copying, pastiche, parody, simulation, foraging, grafting, padding, recycling, and remodeling in underwriting literary expression in Africa. Alive with wit and full of delight in the texts it discusses, it is a marvel of close and attentive, detective reading. |
| modern african tragedy: Contemporary African American Women Playwrights Philip C. Kolin, 2007-11-07 In the last 50 years, American and World theatre have been challenged and enriched by the rise to prominence of numerous female African American dramatists. Contemporary African American Women Playwrights is the first critical volume to explore the contexts and influences of these writers, and their exploration of black history and identity through a wealth of diverse, courageous and visionary dramas. |
| modern african tragedy: FonTomFrom Kofi Anyidoho, 2000 Includes articles, annotated filmography, interviews, creative writing, and book reviews. |
| modern african tragedy: Typologies of Humor in African Literatures Adwoa A Opoku-Agyemang, 2024-10-17 Typologies of Humor in African Literatures is a study on the use of humor and comedy in African literary texts across the twentieth century. Despite humor being omnipresent in African societies and their literatures, discussions of contemporary African literature have largely dismissed it as being too lighthearted compared to the more serious issues of post-colonial history, class inequality, and politics. Adwoa A. Opoku-Agyemang, while acknowledging the seriousness of the subject matter, establishes humor as an essential component of African fiction. The book analyzes four comedic archetypes: the Trickster, who is unapologetically amoral and entertaining; the Mimic, whose everyday dealings exude ambiguity; the Interpreter, who demonstrates the comic potential of language differences while showing how a single message can mean contrasting things; and the Deviant, who throws norms into question all the while reinforcing them. These character types and the humor they produce present a constant pursuit of balance between contrasting worldviews and frames of reference within the imbrication of different languages, classes, political factions, genders, and (un)officialdoms. The product of these rowdy relations are people who take the weirdness and run with it to generate diegetic and intradiegetic laughs. By analyzing Francophone and Anglophone African writing and how it overlays local languages, Opoku-Agyemang contributes a uniquely African voice to the primarily Western-dominated field of humor studies. |
| modern african tragedy: African Textualities Bernth Lindfors, 1997 African literary texts can be approached in a variety of ways. They may be examined in isolation as verbal artifacts that have a unique integrity. They may be studied in relation to other texts that preceded and followed them. Or they may be seen against the backdrop of the times, traditions and circumstances that helped to shape them. In this book, all these approaches have been utilized, sometimes singly, sometimes in combination. |
| modern african tragedy: Ethics and Aesthetics in Contemporary African Cinema James S. Williams, 2019-03-21 Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of sound and language, male intimacy and desire, the borderzones of migration and transcultural drift - this study reveals the possibility for new, non-conceptual kinds of beauty in African cinema: abstract, material, migrant, erotic, convulsive, queer. Through close readings of key works such as Life on Earth (1998), The Night of Truth (2004), Bamako (2006), Daratt (Dry Season) (2006), A Screaming Man (2010), Tey (Today) (2012), The Pirogue (2012), Mille soleils (2013) and Timbuktu (2014), Williams argues that contemporary African filmmakers are proposing propitious, ethical forms of relationality and intersubjectivity. These stimulate new modes of cultural resistance and transformation that serve to redefine the transnational and the cosmopolitan as well as the very notion of the political in postcolonial art cinema. |
| modern african tragedy: Black African Literature in English, 1997-1999 Bernth Lindfors, 2003 This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources. |
| modern african tragedy: Handbook of Global Economic Policy Stuart Nagel, 2019-02-21 Written by over 20 leading international economists, this book offers win-win scenarios to economic problems. As in the other volumes of this set of public policy handbooks, the Handbook of Global Economic Policy employs a unique organizational principle: from viewing economic problems from conservative and liberal perspectives, to developing practical, non-ideological solutions to the problems, and finally testing the solution's feasibility in terms of economic, administrative, political, psychological, legal, international, and technological obstacles. The authors confront conventional wisdom about tradeoffs between unemployment and inflation, economic growth and displaced workers, and c |
| modern african tragedy: The Politics of Humanitarian Organizations Intervention Ndubisi Obiaga, 2004 Nigeria stands to become the most populous country in Africa, accounting for perhaps one-fifth of the continent's entire population. With its diverse cultures and abundant natural wealth, it has attracted attention on the international level. Since gaining its independence from Britain in1960 and the advent of civil war from 1967 to 1970, Nigeria has been in an upheaval of political and economic change. The military rule of the country for more than three decades has further contributed to the breakdown of its first and second republics. This book takes a close look at an aspect of Nigeria's development that has to date received inadequate attention-- the role that humanitarian organizations played during the civil war. Using foreign policy, historical analysis, and the traditional law concept in defining intervention, this book will broaden the overall scope of critically analyzing the effect that non-governmental agents in a society have on foreign relations. By focusing on the role of the humanitarian organization as a societal determinant of foreign policy in the Nigerian Civil War, which demonstrates that local humanitarian actions dovetail into international foreign policy choices that are overly political, this book fills an up-until-now serious gap in the literature of Nigeria's development.humanitarian organization as a societal determinant of foreign policy in the Nigerian Civil War, which demonstrates that local humanitarian actions dovetail into international foreign policy choices that are overly political, this book fills an up-until-now serious gap in the literature of Nigeria's development.humanitarian organization as a societal determinant of foreign policy in the Nigerian Civil War, which demonstrates that local humanitarian actions dovetail into international foreign policy choices that are overly political, this book fills an up-until-now serious gap in the literature of Nigeria's development.humanitarian organization as a societal determinant of foreign policy in the Nigerian Civil War, which demonstrates that local humanitarian actions dovetail into international foreign policy choices that are overly political, this book fills an up-until-now serious gap in the literature of Nigeria's development. |
| modern african tragedy: Africa Air University (U.S.). Library, 1969 |
| modern african tragedy: African Literatures in English Gareth Griffiths, 2014-09-19 Here is an introduction to the history of English writing from East and West Africa drawing on a range of texts from the slave diaspora to the post-war upsurge in African English language and literature from these regions. |
| modern african tragedy: Africa's Armies Robert Edgerton, 2009-03-25 Africa's Armies traces the military history of sub-Saharan Africa from the pre-colonial era to the present. Robert Edgerton begins this sweeping chronicle by describing the role of African armies in pre-colonial times, when armed forces or militias were essential to the maintenance and prosperity of their societies. During the colonial era, African soldiers fought with death-defying courage, earning such respect as warriors that they were often recruited into the colonial armies not simply to enforce colonial rule in Africa, but to fight for the European homelands as well. After independence swept through Africa, African military men seized political power in country after country, ruling dictatorially for their own benefit and for that of their kinsmen and cronies. The author describes the post-colonial civil wars that have devastated much of sub-Saharan Africa -- catastrophes marked by genocide, famine, disease, economic collapse, and steadily declining life expectancy. He closes by describing the role that Africa's military forces can and must play if the future is to bring better times to the continent's many peoples. |
| modern african tragedy: Contemporary African Cinema Olivier Barlet, 2016-08-01 African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art. |
| modern african tragedy: Church, State and Society in Kenya Galia Sabar, 2012-12-06 This volume offers a debate on the role of Christianity in post-colonial Kenya, charting the role of the church, state and society in the transformation of Kenya and the relationship between the three. It shows how the church initiated health, education, and economic activities, showing it to be a major instrument of transformation. |
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At Modern Optical, we believe all families deserve fashionable, affordable eyewear. Founded in 1974 by my father, Yale Weissman, Modern …
MODERN Definition & Meaning - Merriam-Webster
The meaning of MODERN is of, relating to, or characteristic of the present or the immediate past : contemporary. How to use modern in a sentence.
MODERN | English meaning - Cambridge Dictionary
MODERN definition: 1. designed and made using the most recent ideas and methods: 2. of the present or recent …
Modern - Wikipedia
Modernity, a loosely defined concept delineating a number of societal, economic and ideological features that contrast with "pre-modern" times or …
Modern - definition of modern by The Free Dictionary
Characteristic or expressive of recent times or the present; contemporary or up-to-date: a modern lifestyle; a modern way of thinking. 2. a. Of or …
