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| musical instruction to be silent: General Musical Instruction Adolf Bernhard Marx, 2012-06-14 A work on music theory and practice, published in 1854, in Novello's Library for the Diffusion of Musical Knowledge series. |
| musical instruction to be silent: The Silent Musician Mark Wigglesworth, 2019-03-21 The conductor—tuxedoed, imposingly poised above an orchestra, baton waving dramatically—is a familiar figure even for those who never set foot in an orchestral hall. As a veritable icon for classical music, the conductor has also been subjected to some ungenerous caricatures, presented variously as unhinged gesticulator, indulged megalomaniac, or even outright impostor. Consider, for example: Bugs Bunny as Leopold Stokowski, dramatically smashing his baton and then breaking into erratic poses with a forbidding intensity in his eyes, or Mickey Mouse in Fantasia, unwittingly conjuring dangerous magic with carefree gestures he doesn’t understand. As these clichés betray, there is an aura of mystery around what a conductor actually does, often coupled with disbelief that he or she really makes a difference to the performance we hear. The Silent Musician deepens our understanding of what conductors do and why they matter. Neither an instruction manual for conductors, nor a history of conducting, the book instead explores the role of the conductor in noiselessly shaping the music that we hear. Writing in a clever, insightful, and often evocative style, world-renowned conductor Mark Wigglesworth deftly explores the philosophical underpinnings of conducting—from the conductor’s relationship with musicians and the music, to the public and personal responsibilities conductors face—and examines the subtler components of their silent art, which include precision, charisma, diplomacy, and passion. Ultimately, Wigglesworth shows how conductors—by simultaneously keeping time and allowing time to expand—manage to shape ensemble music into an immersive, transformative experience, without ever making a sound. |
| musical instruction to be silent: General musical instruction, tr. by G. Macirone. The musical portion revised by J. Pittman Adolf Bernhard Marx, 1854 |
| musical instruction to be silent: Musical Standard , 1913 |
| musical instruction to be silent: The Musical Standard , 1864 |
| musical instruction to be silent: Musical Digest , 1926 |
| musical instruction to be silent: Gallery Sound Caleb Kelly, 2017-08-24 Sound is an integral part of contemporary art. Once understood to be a marginal practice, increasingly we encounter sound in art exhibitions through an array of sound making works in various art forms, at times played to very high audio levels. However, works of art are far from the only thing one might hear: music performances, floor talks, exhibition openings and the noisy background sounds that emanate from the gallery café fill contemporary exhibition environments. Far from being hallowed spaces of quiet reflection, what this means is that galleries have swiftly become very noisy places. As such, a straightforward consideration of artworks alone can then no longer account for our experiences of art galleries and museums. To date there has been minimal scholarship directed towards the intricacies of our experiences of sound that occur within the bounds of this purportedly 'visual' art space. Kelly addresses this gap in knowledge through the examination of historical and contemporary sound in gallery environments, broadening our understanding of artists who work with sound, the institutions that exhibit these works, and the audiences that visit them. Gallery Sound argues for the importance of all of the sounds to be heard within the walls of art spaces, and in doing so listens not only to the deliberate inclusion of sound within the art gallery in the form of artworks, performances, and music, but also to its incidental sounds, such as their ambient sounds and the noise generated by audiences. More than this, however, Gallery Sound turns its attention to the ways in which the acoustic characteristics specific to gallery spaces have been mined by artists for creative outputs, ushering in entirely new art forms. |
| musical instruction to be silent: Musical Education and Musical Art Edith V. Eastman, 1893 |
| musical instruction to be silent: Musical Education Watkins Shaw, 1946 |
| musical instruction to be silent: Principles of Musical Education James Lockhart Mursell, 1927 |
| musical instruction to be silent: Western Journal of Education , 1921 |
| musical instruction to be silent: Joining the Dots Steve Hobson, 2009-01-12 A guide for those who are new to classical music, nervous of it, or irritated by it. It suggests strategies for listening, provides a general history, and explores the mysteries of live performance. |
| musical instruction to be silent: The New System of Musical Education; Joseph Kemp, 1819 |
| musical instruction to be silent: The Musical World , 1888 |
| musical instruction to be silent: Musical Education Albert Lavignac, 1902 |
| musical instruction to be silent: Musical Education ... Eleanor M. Geary, 1851 |
| musical instruction to be silent: Musical education: with practical observations on the art of piano-forte playing Eleanor Margaret Geary, 1851 |
| musical instruction to be silent: "Silence, Music, Silent Music " Nicky Losseff, 2017-07-05 The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy. |
| musical instruction to be silent: Therese Hennes and Her Musical Education Aloys Hennes, 1877 |
| musical instruction to be silent: Baby's Quiet Time Music Book Sam Taplin, 2019-06 Sometimes, after lunchtime, after a family cook-out, or after playing, babies and toddlers need some quiet time to rest, relax and have some quality time with their parents. This book will be the perfect tool to allow children and their parents to have a calmer moment. Listen to the quiet music as you follow a band of little animals going down a river on a raft playing classics like Pachelbel's canon and other famous soothing music. |
| musical instruction to be silent: The Musical Times and Singing-class Circular , 1865 |
| musical instruction to be silent: Dwight's Journal of Music , 1871 |
| musical instruction to be silent: Musical times and singing-class circular , 1866 |
| musical instruction to be silent: Musical News , 1895 |
| musical instruction to be silent: Harvard Musical Review , 1913 |
| musical instruction to be silent: Harmony and Discord Lynn M. Sargeant, 2011-01-26 This text explores the development of Russian musical life during the 19th and early 20th centuries. At the heart of this cultural history lies the Russian Musical Society, as both a driving force behind the institutionalization of music and a representative of the growing importance of voluntary associations in public life. |
| musical instruction to be silent: Musical Record and Review Dexter Smith, Lorin Fuller Deland, Philip Hale, Thomas Tapper, 1878 |
| musical instruction to be silent: Resources in Education , 1995 |
| musical instruction to be silent: Proceedings of the Royal Musical Association Royal Musical Association, 1878 |
| musical instruction to be silent: Musical Courier and Review of Recorded Music , 1913 |
| musical instruction to be silent: Musical Jottings Joseph Proudman, 2023-06-09 Reprint of the original, first published in 1872. |
| musical instruction to be silent: Education and the Culture of Print in Modern America Adam R. Nelson, John L. Rudolph, 2010-05-26 Vividly revealing the multiple layers on which print has been produced, consumed, regulated, and contested for the purpose of education since the mid-nineteenth century, the historical case studies in Education and the Culture of Print in Modern America deploy a view of education that extends far beyond the confines of traditional classrooms. The nine essays examine “how print educates” in settings as diverse as depression-era work camps, religious training, and broadcast television—all the while revealing the enduring tensions that exist among the controlling interests of print producers and consumers. This volume exposes what counts as education in American society and the many contexts in which education and print intersect. Offering perspectives from print culture history, library and information studies, literary studies, labor history, gender history, the history of race and ethnicity, the history of science and technology, religious studies, and the history of childhood and adolescence, Education and the Culture of Print in Modern America pioneers an investigation into the intersection of education and print culture. |
| musical instruction to be silent: Off Broadway Musicals, 1910-2007 Dan Dietz, 2010-03-10 Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer. |
| musical instruction to be silent: Erie Canal Sings, The: A Musical History of New York’s Grand Waterway Bill Hullfish With Dave Ruch, 2019 Life working along the banks of the Erie Canal is preserved in the songs of America's rich musical history. Thomas Allen's Low Bridge, Everybody Down has achieved iconic status in the American songbook, but its true story has never been told until now. Erie songs such as The E-ri-e Is a-Risin' would transform into The C&O Is a-Risin' as the song culture spread among a network of other canals, including the Chesapeake and Ohio and the Pennsylvania Main Line. As motors replaced mules and railroads emerged, the canal song tradition continued on Broadway stages and in folk music recordings. Author Bill Hullfish takes readers on a musical journey along New York's historic Erie Canal. |
| musical instruction to be silent: The Musical Monitor , 1919 |
| musical instruction to be silent: Norfolk and Western Magazine Norfolk and Western Railway Company, 1937 |
| musical instruction to be silent: Musical jottings, useful and humorous Joseph Proudman, 1872 |
| musical instruction to be silent: Musical Forecast , 1929 |
| musical instruction to be silent: The Musical Record , 1895 |
| musical instruction to be silent: The Chronicle , 1884 |
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