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| ngugi wa thiong o children: Weep Not, Child Ngugi wa Thiong'o, 2012-06-05 The Nobel Prize–nominated Kenyan writer’s powerful first novel Two brothers, Njoroge and Kamau, stand on a garbage heap and look into their futures: Njoroge is to attend school, while Kamau will train to be a carpenter. But this is Kenya, and the times are against them: In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau, the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up. The first East African novel published in English, Weep Not, Child explores the effects of the infamous Mau Mau uprising on the lives of ordinary men and women, and on one family in particular. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| ngugi wa thiong o children: Dreams in a Time of War Ngugi wa Thiong'o, 2010-03-09 Born in 1938 in rural Kenya, Ngũgĩ wa Thiong’o came of age in the shadow of World War II, amidst the terrible bloodshed in the war between the Mau Mau and the British. The son of a man whose four wives bore him more than a score of children, young Ngũgĩ displayed what was then considered a bizarre thirst for learning, yet it was unimaginable that he would grow up to become a world-renowned novelist, playwright, and critic. In Dreams in a Time of War, Ngũgĩ deftly etches a bygone era, bearing witness to the social and political vicissitudes of life under colonialism and war. Speaking to the human right to dream even in the worst of times, this rich memoir of an African childhood abounds in delicate and powerful subtleties and complexities that are movingly told. |
| ngugi wa thiong o children: The Perfect Nine Ngugi wa Thiong'o, 2020-10-08 *LONGLISTED FOR THE 2021 INTERNATIONAL BOOKER PRIZE.* 'One of the greatest writers of our time' Chimamanda Ngozi Adichie The Perfect Nine is a glorious epic about the founding of Kenya's Gikuyu people and the ideals of beauty, courage and unity. Gikuyu and Mumbi settled on the peaceful and bounteous foot of Mount Kenya after fleeing war and hunger. When ninety-nine suitors arrive on their land, seeking to marry their famously beautiful daughters, called The Perfect Nine, the parents ask their daughters to choose for themselves, but to choose wisely. First the young women must embark on a treacherous quest with the suitors, to find a magical cure for their youngest sister, Warigia, who cannot walk. As they journey up the mountain, the number of suitors diminishes and the sisters put their sharp minds and bold hearts to the test, conquering fear, doubt, hunger and many menacing ogres, as they attempt to return home. But it is perhaps Warigia's unexpected adventure that will be most challenging of all. Blending folklore, mythology and allegory, Ngugi wa Thiong'o chronicles the adventures of Gikuyu and Mumbi, and how their brave daughters became the matriarchs of the Gikuyu clans, in stunning verse, with all the epic elements of danger, humour and suspense. 'A tremendous writer... it's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong'o' Guardian |
| ngugi wa thiong o children: Weep Not, Child Ngũgĩ wa Thiongʼo, 1964 Two small boys stand on a rubbish heap and look into the future. One boy is excited, he is beginning school; the other, his brother, is an apprentice carpetner. Together, they will serve their country--the teacher and the craftsman. But this is Kenya and times are against them. In the forests, the Mau Mau are waging war against the white government, and two brothers, Njoroge and Kamau, and the rest of their family, need to decide where their loyalties lie. For the practical man, the choice is simple, but for Njoroge, the scholar, the dream of progress through learning is a hard one to give up--Page 4 of cover. |
| ngugi wa thiong o children: Wizard of the Crow Ngũgĩ wa Thiongʼo, 2007 |
| ngugi wa thiong o children: In the House of the Interpreter Ngugi wa Thiong'o, 2012-11-06 With black-and-white illustrations throughout World-renowned Kenyan novelist, poet, playwright, and literary critic Ng˜ug˜ý wa Thiong’o gives us the second volume of his memoirs in the wake of his critically acclaimed Dreams in a Time of War. In the House of the Interpreter richly and poignantly evokes the author’s life and times at boarding school—the first secondary educational institution in British-ruled Kenya—in the 1950s, against the backdrop of the tumultuous Mau Mau Uprising for independence and Kenyan sovereignty. While Ng˜ug˜ý has been enjoying scouting trips, chess tournaments, and reading about the fictional RAF pilot adventurer Biggles at the prestigious Alliance High School near Nairobi, things have been changing rapidly at home. Poised as he is between two worlds, Ng˜ug˜ý returns home for his first visit since starting school to find his house razed and the entire village moved up the road, closer to a guard checkpoint. Later, his brother Good Wallace, a member of the insurgency, is captured by the British and taken to a concentration camp. As for Ng˜ug˜ý himself, he falls victim to the forces of colonialism in the person of a police officer encountered on a bus journey, and he is thrown into jail for six days. In his second year at Alliance High School, the boarding school that was his haven in a heartless world is shattered by investigations, charges of disloyalty, and the politics of civil unrest. In the House of the Interpreter hauntingly describes the formative experiences of a young man who would become a world-class writer and, as a political dissident, a moral compass to us all. It is a winning celebration of the implacable determination of youth and the power of hope. |
| ngugi wa thiong o children: A Grain of Wheat Ngugi wa Thiong'o, 1968 |
| ngugi wa thiong o children: Something Torn and New Ngugi wa Thiong'o, 2009 Novelist Ngũgĩ wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. Here, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible force was Europhonism: the replacement of native names, languages, and identities with European ones. The result was the dismemberment of African memory. Seeking to remember language in order to revitalize it, Ngugi's quest is for wholeness. Wide-ranging, erudite, and hopeful, this book is a cri de coeur to save Africa's cultural future.--From publisher description. |
| ngugi wa thiong o children: Wrestling with the Devil Ngugi wa Thiong'o, 2018-04-05 Ngugi wa Thiong’o’s powerful prison memoir begins half an hour before his release on 12 December 1978. A year earlier, he recalls, armed police arrived at his home and took him to Kenya’s Kamiti Maximum Security Prison. There, Ngugi lives in a block alongside other political prisoners, but he refuses to give in to the humiliation. He decides to write a novel in secret, on toilet paper – it is a book that will become his classic, Devil on the Cross. Wrestling with the Devil is Ngugi’s unforgettable account of the drama and challenges of living under twenty-four-hour surveillance. He captures not only the pain caused by his isolation from his family, but also the spirit of defiance and the imaginative endeavours that allowed him to survive. |
| ngugi wa thiong o children: Unbury Our Dead with Song Mukoma Wa Ngugi, 2020-10-13 Unbury our Dead With Song is a novel about four talented Ethiopian musicians - The Diva, The Corporal, the Taliban Man and Miriam, who are competing to see who can sing the best Tizita (popularly referred to as Ethiopian blues). Taking place in an illegal boxing hall in Nairobi, Kenya, the competition is covered by a US educated Kenyan journalist, John Thandi Manfredi, who writes for a popular tabloid, The National Inquisitor. He follows the musicians back to Ethiopia in order to learn more about the Tizita and their lives. As he learns more about the Tizita and the multiple meanings of beauty, he uncovers that behind each of the musicians, there are layered lives and secrets. A love letter to African music, beauty and imagination. |
| ngugi wa thiong o children: Ngugi Wa Thiong'o, Gender, and the Ethics of Postcolonial Reading Brendon Nicholls, 2010 This is the first comprehensive book-length study of gender politics in Ngugi wa Thiong's fiction. Brendon Nicholls argues that the mechanisms of gender subordination are strategically crucial to Ngugi's ideological project, but that his fiction also creates transgressive spaces for women.Nicholls proposes a strategy of 'performative reading' that offers an ethical basis for analyzing cultural difference and critiquing cultural practices, while avoiding both cultural imperialism and cultural relativism. |
| ngugi wa thiong o children: Birth of a Dream Weaver Ngugi wa Thiong'o, 2016-10-04 One of Oprah.com's 17 Must-Read Books for the New Year and O Magazine's 10 Titles to Pick up Now. “Exquisite in its honesty and truth and resilience, and a necessary chronicle from one of the greatest writers of our time. ” —Chimamanda Ngozi Adichie, The Guardian, Best Books of 2016. “Every page ripples with a contagious faith in education and in the power of literature to shape the imagination and scour the conscience.” —The Washington Post From one of the world's greatest writers, the story of how the author found his voice as a novelist at Makerere University in Uganda Birth of a Dream Weaver charts the very beginnings of a writer's creative output. In this wonderful memoir, Kenyan writer Ngũgĩ wa Thiong'o recounts the four years he spent at Makerere University in Kampala, Uganda—threshold years during which he found his voice as a journalist, short story writer, playwright, and novelist just as colonial empires were crumbling and new nations were being born—under the shadow of the rivalries, intrigues, and assassinations of the Cold War. Haunted by the memories of the carnage and mass incarceration carried out by the British colonial-settler state in his native Kenya but inspired by the titanic struggle against it, Ngũgĩ, then known as James Ngugi, begins to weave stories from the fibers of memory, history, and a shockingly vibrant and turbulent present. What unfolds in this moving and thought-provoking memoir is simultaneously the birth of one of the most important living writers—lauded for his epic imagination (Los Angeles Times)—the death of one of the most violent episodes in global history, and the emergence of new histories and nations with uncertain futures. |
| ngugi wa thiong o children: Ngũgĩ Simon Gikandi, D. Ndirangu Wachanga, 2018 This collection of essays reflects on the life and work of Ngugi wa Thiong'o, who celebrated his 80th birthday in 2018. Drawing from a wide range of contributors, including writers, critics, publishers and activists, the volume traces the emergence of Ngugi as a novelist in the early 1960s, his contribution to the African culture of letters at its moment of inception, and his global artistic life in the twenty-first century. Here we have both personal and critical reflections on the different phases of the writer's life: there are poems from friends and admirers, commentaries from his co-workers in public theatre in Kenya in the 1970s and 1980s, and from his political associates in the fight for democracy, and contributions on his role as an intellectual of decolonization, as well as his experiences in the global art world. Included also are essays on Ngugi's role outside the academy, in the world of education, community theatre, and activism. In addition to tributes from other authors who were influenced by Ngugi, the collection contains hitherto unknown materials that are appearing in English for the first time. Both a celebration of the writer, and a rethinking of his legacy, this book brings together three generations of Ngugi readers. We have memories and recollections from the people he worked with closely in the 1960s, the students that he taught at the University of Nairobi in the 1970s, his political associates during his exile in the 1980s, and the people who worked with him as he embarked on a new life and career in the United States in the 1990s. First-hand accounts reveal how Ngugi's life and work have intersected, and the multiple forces that have converged to make him one of the greatest writers to come out of Africa in the twentieth century. |
| ngugi wa thiong o children: The Pear Field Nana Ekvtimishvili, 2020-10-30 Lela knows two things: her history teacher must die and she must start a new life beyond the pear field. On the outskirts of Tbilisi, in a newly independent Georgia, is the Residential School for Intellectually Disabled Children – or, as the locals call it, the School for Idiots. Abandoned by their parents, the pupils here receive lessons in violence and neglect. At eighteen, Lela is old enough to leave, but with nowhere to go she stays and plans, both for her own escape and for the future she hopes to give Irakli, a young boy at the school. When a couple from the USA decide they want to adopt a child, Lela is determined to do everything she can to help Irakli make the most of this chance. |
| ngugi wa thiong o children: Seasons in Hippoland Wanjiku Wa Ngugi, 2022-08 |
| ngugi wa thiong o children: Nairobi Heat Mukoma Wa Ngugi, 2011-09-13 A cop from Wisconsin pursues a killer through the terrifying slums of Nairobi and the memories of genocide IN MADISON, WISCONSIN, it’s a big deal when African peace activist Joshua Hakizimana—who saved hundreds of people from the Rwandan genocide—accepts a position at the university to teach about “genocide and testimony.” Then a young woman is found murdered on his doorstep. Local police Detective Ishmael—an African-American in an “extremely white” town—suspects the crime is racially motivated; the Ku Klux Klan still holds rallies there, after all. But then he gets a mysterious phone call: “If you want the truth, you must go to its source. The truth is in the past. Come to Nairobi.” It’s the beginning of a journey that will take him to a place still vibrating from the genocide that happened around its borders, where violence is a part of everyday life, where big-oil money rules and where the local cops shoot first and ask questions later—a place, in short, where knowing the truth about history can get you killed. |
| ngugi wa thiong o children: Ngugi Wa Thiong'o Speaks Ngũgĩ wa Thiongʼo, 2006 Ngugi wa Thiong'o's evolution as a thinker can be discerned in the conversations collected here. The earliest, recorded forty years ago, reflect his interest in exploring events in Kenya's colonial past that had a profound impact on his own people, the Kikuyu, and ultimately on his own life. More recent discussions focus on present conditions in Kenya and other parts of the Third World. – from publisher information. |
| ngugi wa thiong o children: Globalectics Ngũgĩ wa Thiong'o, 2012-01-31 A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika Ndeenda (I Will Marry When I Want), produced in Nairobi, sharply criticized the injustices of Kenyan society and unequivocally championed the causes of ordinary citizens. Following his release, Ngugi decided to write only in his native Gikuyu, communicating with Kenyans in one of the many languages of their daily lives, and today he is known as one of the most outspoken intellectuals working in postcolonial theory and the global postcolonial movement. In this volume, Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to decolonize the mind. Ngugi confronts the politics of language in African writing; the problem of linguistic imperialism and literature's ability to resist it; the difficult balance between orality, or orature, and writing, or literature; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon. Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose. |
| ngugi wa thiong o children: Minutes of Glory Ngũgĩ wa Thiong'o, Ngũgĩ wa Thiongʼo, 2019 A collection of short stories by the Kenyan writer covering the period of British colonial rule and resistance in Kenya to the experience of independence and including two stories that have never before been published in the United States--Provided by publisher. |
| ngugi wa thiong o children: Black Star Nairobi Mukoma Wa Ngugi, 2013-06-11 Two cops—one American, one Kenyan—team up to track down a deadly terrorist. It’s December 2007. The Kenyan presidential elections have gotten off to a troubled start, with threats of ethnic violence in the air, and the reports about Barack Obama on the campaign trail in the United States are the subject of newspaper editorials and barstool debates. And Ishmael and O have just gotten their first big break for their new detective agency, Black Star. A mysterious death they’re investigating appears to be linked to the recent bombing of a downtown Nairobi hotel. But local forces start to come down on them to back off the case, and then a startling act of violence tips the scales, setting them off on a round-the-globe pursuit of the shadowy forces behind it all. A thrilling, hard-hitting novel, from the author of Nairobi Heat, a major new crime talent. |
| ngugi wa thiong o children: Detained Ngũgĩ wa Thiongʼo, 1987 |
| ngugi wa thiong o children: Real American Julie Lythcott-Haims, 2017-10-03 “Courageous, achingly honest. —Michelle Alexander, New York Times bestselling author of The New Jim Crow: Mass Incarceration in the Age of Colorblindness “A compelling, incisive and thoughtful examination of race, origin and what it means to be called an American. Engaging, heartfelt and beautifully written, Lythcott-Haims explores the American spectrum of identity with refreshing courage and compassion.” —Bryan Stevenson, New York Times bestselling author of Just Mercy: A Story of Justice and Redemption A fearless memoir in which beloved and bestselling How to Raise an Adult author Julie Lythcott-Haims pulls no punches in her recollections of growing up a black woman in America. Bringing a poetic sensibility to her prose to stunning effect, Lythcott-Haims briskly and stirringly evokes her personal battle with the low self-esteem that American racism routinely inflicts on people of color. The only child of a marriage between an African-American father and a white British mother, she shows indelibly how so-called micro aggressions in addition to blunt force insults can puncture a person's inner life with a thousand sharp cuts. Real American expresses also, through Lythcott-Haims’s path to self-acceptance, the healing power of community in overcoming the hurtful isolation of being incessantly considered the other. The author of the New York Times bestselling anti-helicopter parenting manifesto How to Raise an Adult, Lythcott-Haims has written a different sort of book this time out, but one that will nevertheless resonate with the legions of students, educators and parents to whom she is now well known, by whom she is beloved, and to whom she has always provided wise and necessary counsel about how to embrace and nurture their best selves. Real American is an affecting memoir, an unforgettable cri de coeur, and a clarion call to all of us to live more wisely, generously and fully. |
| ngugi wa thiong o children: Warrior Boy Virginia Clay, 2018-09-06 Ben is sure he won't be accepted by his estranged Maasai family, but when he arrives in Kenya, he finds there is a lot more at stake than his pride ... In a stunning adventure, he embarks on a journey of self-discovery as he sets out to claim his true place in the world. |
| ngugi wa thiong o children: Mrs. Shaw Mukoma Wa Ngugi, 2015-06-15 In the fictional East African Kwatee Republic of the 1990s, the dictatorship is about to fall, and the nation’s exiles are preparing to return. One of these exiles, a young man named Kalumba, is a graduate student in the United States, where he encounters Mrs. Shaw, a professor emerita and former British settler who fled Kwatee’s postcolonial political and social turmoil. Kalumba’s girlfriend, too, is an exile: a Puerto Rican nationalist like her imprisoned father, she is an outcast from the island. Brought together by a history of violence and betrayals, all three are seeking a way of regaining their humanity, connecting with each other, and learning to make a life in a new land. Kalumba and Mrs. Shaw, in particular, are linked by a past rooted in colonial and postcolonial violence, yet they are separated by their differing accounts of what really happened. The memory of each is subject to certain lapses, whether selective or genuine. Even when they agree on the facts—be they acts of love, of betrayal, or of violence—each narrator shapes the story in his or her own way, by what is left in and what is left out, by what is remembered and what is forgotten. |
| ngugi wa thiong o children: Nairobi Noir Ngugi wa Thiong'o, Makena Onjerika, Rasna Warah, Stanley Gazemba, Kinyanjui Kombani, 2020-02-04 In this anthology, fourteen authors explore dark mysteries in the concrete jungle capital of Kenya, dealing with topics of race, religion, and corruption. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all-new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Ngugi wa Thiong’o, Stanley Gazemba, Ngumi Kibera, Peter Kimani, Winfred Kiunga, Kinyanjui Kombani, Caroline Mose, Kevin Mwachiro, Wanjiku wa Ngugi, Faith Oneya, Makena Onjerika, Troy Onyango, J.E. Sibi-Okumu, and Rasna Warah. Praise for Nairobi Noir “Nairobi Noir takes readers into the enigmas that haunt Kenya’s most populous city through the deft storytelling of a stellar cast of writers, which includes Ngugi wa Thiong’o, Stanley Gazemba, Makena Onjerika, Troy Onyango, and others.” —Brittle Paper, One of 50 Notable African Books of 2020 “Nairobi is a city of 3 million souls, so it makes sense as a setting Akashic Books’ famed noir series. 14 new stories fill a collection with Nairobi old and new; authors range in age from 24 to 81, and many layers of the city and its complex subcultures will be revealed as the reader makes their way through. Perfect for the armchair traveler!” —CrimeReads, included in CrimeReads’ Most Anticipated Crime Books of 2020 “Crime fiction fans have much to savor.” —Publishers Weekly |
| ngugi wa thiong o children: The Black Hermit Ngugi wa Thiong'o, Ngũgĩ wa Thiongʼo, 1968 |
| ngugi wa thiong o children: Reclaiming My Dreams , 2010 |
| ngugi wa thiong o children: The Fall of Saints Wanjiku wa Ngugi, 2014-02-25 In this stunning debut novel, a Kenyan expat is living the American Dream until she uncovers her husband’s secrets and opens a Pandora’s box of good versus evil. In this stunning debut novel, a Kenyan expat living the American dream with her husband and adopted son soon finds it marred by child trafficking, scandal, and a problematic past. Mugure and Zack seem to have the picture-perfect family: a young, healthy son, a beautiful home in Riverdale, New York, and a bright future. But one night, as Mugure is rummaging through an old drawer, she comes across a piece of paper with a note scrawled on it—a note that calls into question everything she’s ever believed about her husband . . . A wandering curiosity may have gotten the best of Mugure this time as she heads down a dangerous road that takes her back to Kenya, where new discoveries threaten to undo her idyllic life. She wonders if she ever really knew the man she married and begins to piece together the signs that were there since the beginning. Who was that suspicious man who trailed Zack and Mugure on their first date at a New York nightclub? What about the closing of the agency that facilitated the adoption of their son? The Fall of Saints tackles real-life political and ethical issues through a striking, beautifully rendered story. This extraordinary novel will tug at your heart and keep it racing until the end. |
| ngugi wa thiong o children: The Dawn Watch Maya Jasanoff, 2017 An exploration of the life and times of Joseph Conrad [and] his turbulent age of globalization--and our own--Provided by publisher. |
| ngugi wa thiong o children: Petals of Blood Ngugi wa Thiong'o, Ngũgĩ wa Thiongʼo, 2002 There has been a murder in the Kenyan village of Ilmorog. Four suspects are placed in detention: headmaster Munira, teacher and political activist Karega, spirited barmaid Wanja and storekeeper Abdulla. But there are no easy solutions to the crime in a place already filled with fear and intimidation. As the murder is investigated, it becomes clear how the lives of suspects and victims are inextricably linked to the fortunes of their village, and to the crisis of modern Kenya itself. Petals of Bloodwas published in 1977 to huge controversy, leading to Ngugi's imprisonment for his portrayal of a post-independence Kenya ruled by greed, corruption and brutality. Yet his blistering criticism of the legacy of colonialism still burns with hope for the future. |
| ngugi wa thiong o children: The East Africa Protectorate Charles Eliot, 1966 First Published in 1966. Routledge is an imprint of Taylor & Francis, an informa company. |
| ngugi wa thiong o children: Education for a National Culture Ngũgĩ wa Thiongʼo, 1981 |
| ngugi wa thiong o children: The Rise of the African Novel Mukoma Wa Ngugi, 2018-03-27 The Rise of the African Novel is the first book to situate South African and African-language literature of the late 1880s through the early 1940s in relation to the literature of decolonization that spanned the 1950s through the 1980s, and the contemporary generation of established and emerging continental and diaspora African writers of international renown. Calling it a major crisis in African literary criticism, Mukoma Wa Ngugi considers key questions around the misreading of African literature: Why did Chinua Achebe’s generation privilege African literature in English despite the early South African example? What are the costs of locating the start of Africa’s literary tradition in the wrong literary and historical period? What does it mean for the current generation of writers and scholars of African literature not to have an imaginative consciousness of their literary past? While acknowledging the importance of Achebe’s generation in the African literary tradition, Mukoma Wa Ngugi challenges that narrowing of the identities and languages of the African novel and writer. In restoring the missing foundational literary period to the African literary tradition, he shows how early South African literature, in both aesthetics and politics, is in conversation with the literature of the African independence era and contemporary rooted transnational literatures. This book will become a foundational text in African literary studies, as it raises questions about the very nature of African literature and criticism. It will be essential reading for scholars of African literary studies as well as general readers seeking a greater understanding of African literary history and the ways in which critical consensus can be manufactured and rewarded at the expense of a larger and historical literary tradition. |
| ngugi wa thiong o children: Re-membering Africa Ngũgĩ wa Thiongʼo, 2009 |
| ngugi wa thiong o children: The Dark Child Laye Camara, 1992 |
| ngugi wa thiong o children: Ugandan Children's Literature and Its Implications for Cultural and Global Learning in TEFL Stephanie Schaidt, 2018-01-15 The present study adds to TEFL discourse in several ways. First of all, it contributes to the widening of the canon as it focuses on Ugandan childrens fiction. Secondly, the research connects to the few empirical studies that exist in the field. It provides further implications for cultural and global learning and literary didactics in TEFL derived from insights into the mental processes of a group of Year 9 students in Germany engaging with Ugandan childrens fiction within the scope of an extensive reading project. |
| ngugi wa thiong o children: Africa for Kids Harvey Croze, 2007-04-01 Africa is brought to life in this imaginative look at the plants, animals, and people that make it such a fascinating continent. Studies of both traditional tribes and modern African cities showcase Africa's diversity, and authentic activities allow kids to dive into the rich culture by making a Maasai bivouac shelter, writing a fable in the African style, working as a field biologist, making a ritual elephant mask, and learning to tie an African Kanga dress. This cross-cultural study also shows kids what challenges Africa faces today while giving them a look at what it is like to live on this interesting continent. |
| ngugi wa thiong o children: Ngũgĩ in the American Imperium Timothy J. Reiss, 2020 This collection on Ngugi's work and the reach of his thinking chiefly within the US and areas of its closest hegemony joins artists, activists, critics and scholars (often the same) from the Caribbean through North America to Hawai'i. The chapters, together and singularly, track his hopeful but not naive path from decolonising the mind (defusing the 'cultural bomb' that is colonising's obliteration of names, languages, cultures and homeland bonds) to balancing cultures as equal knots in the mesh of an evenly-woven global net, then to finding and making ties and exchanges in a global dialogue. |
| ngugi wa thiong o children: Children of Hope Sandra Rowoldt Shell, 2018 In Children of Hope, Sandra Rowoldt Shell details the life histories of sixty-four Oromo children who were enslaved in Ethiopia in the late nineteenth century, liberated by the British navy, and ultimately sent to a Free Church of Scotland mission in South Africa, where their stories were recorded through a series of interviews. |
| ngugi wa thiong o children: Culture, Schooling, and Children's Learning Experiences , 2024-08-08 As countries experience increasing cultural diversity both within and between their borders, contemporary researchers are exploring the connection between culture and children's learning and academic experiences. One important goal is to provide all children with educational experiences that are culturally sensitive, relevant, and effective in helping them reach their maximum potential and preparing them for the future. With over twenty-five contributing authors, this volume investigates the connection between culture and children's schooling and learning experiences from multidisciplinary perspectives, diverse methodologies, and cross-cultural and culture specific approaches. The common thread running through the chapters is the understanding that learning is an activity that takes place within cultural contexts. Together, the chapters highlight the forces that shape children's everyday learning experiences. Core themes address how parental beliefs and cultural ways of learning and problem-solving shape children's learning experiences and social interactions with teachers; the importance of quality early childhood education and playful learning to children's school success and development; and how the complex intersection of cultural variables with forces such as historical injustice, social and educational inequality, economic stability, and political ideologies shape children's learning. The volume honors the experiences of Indigenous, newcomer, first-generation children, and children of underrepresented communities and highlights the vital role that policy makers, teacher educators, schools, and classroom educators play in helping all children reach their academic and social potential. |
Full List of Ngũgĩ wa Thiong’o’s Children: Everything You Need …
May 28, 2025 · Ngũgĩ has nine children: six from his first marriage to Nyambura and three from his second marriage to Njeeri, including her daughter from a previous relationship. Below is a …
Ngũgĩ wa Thiong'o - Wikipedia
Among his children are authors Mũkoma wa Ngũgĩ [14] and Wanjikũ wa Ngũgĩ. [15] Ngũgĩ was born on 5 January 1938 [3] in Kamiriithu, near Limuru [16] in Kiambu district, Kenya Colony of …
Ngugi wa Thiong’o’s Son Mukoma Opens Up On Family Rift, …
Jun 8, 2025 · Mukoma wa Ngugi, one of the children of the late literary icon Ngugi wa Thiong’o, has opened up about the deep rift that had separated him from his father in the final years of …
Ngugi wa Thiong’o's Son Breaks Silence on Family Rift and Abuse …
Jun 7, 2025 · Professor Mukoma wa Ngugi, son of the legendary Kenyan author Ngugi wa Thiong’o, has shared a poignant and raw account of their strained relationship following his …
Ngugi wa Thiong'o's son lifts lid on dark side of father's first ...
Mar 12, 2024 · Together, they had six children, including Professor Mukoma, who is also an author. Further complicating the family saga, Ngũgĩ wa Thiong'o's second marriage to Njeeri, a …
Mukoma wa Ngugi: 5 Facts About Ngugi wa Thiong'o’s Son and …
May 29, 2025 · His daughter, Wanjiku wa Ngugi, announced his death on social media. She shared that he died in Atlanta and promised more details would be released soon. Ngugi had …
Ngugi wa Thiong’o | Books, Decolonising the Mind, & Facts
May 29, 2025 · His popular Weep Not, Child (1964) was the first major novel in English by an East African. As he became sensitized to the effects of colonialism in Africa, Ngugi adopted his …
Profile of Ngũgĩ wa Thiong’o: Education, Career and Family
May 29, 2025 · The couple had six children namely Thiong’o, Kimunya, Nduchu, Mukoma, Wanjiku, and Njoki. Years later, while living in exile in the United States, Ngũgĩ met Njeeri wa …
Why Ngugi Wa Thiong’o Was Cremated In The US, 8 Days After …
Jun 6, 2025 · Ngugi wa Thiong'o//Courtesy. His daughter, Wanjiku wa Ngugi, was among the first to announce his demise, sharing a heartfelt message: "It is with a heavy heart that we …
Ngũgĩ wa Thiong’o Biography: Early life, change of name, exile …
May 28, 2025 · Ngũgĩ was previously married to Nyambura wa Ngũgĩ, his first wife who is now deceased. Together, they had several children, including authors Tee Ngũgĩ, Mũkoma wa …
Full List of Ngũgĩ wa Thiong’o’s Children: Everything You Need to …
May 28, 2025 · Ngũgĩ has nine children: six from his first marriage to Nyambura and three from his second marriage to Njeeri, including her daughter from a previous relationship. Below is a …
Ngũgĩ wa Thiong'o - Wikipedia
Among his children are authors Mũkoma wa Ngũgĩ [14] and Wanjikũ wa Ngũgĩ. [15] Ngũgĩ was born on 5 January 1938 [3] in Kamiriithu, near Limuru [16] in Kiambu district, Kenya Colony of …
Ngugi wa Thiong’o’s Son Mukoma Opens Up On Family Rift, …
Jun 8, 2025 · Mukoma wa Ngugi, one of the children of the late literary icon Ngugi wa Thiong’o, has opened up about the deep rift that had separated him from his father in the final years of …
Ngugi wa Thiong’o's Son Breaks Silence on Family Rift and …
Jun 7, 2025 · Professor Mukoma wa Ngugi, son of the legendary Kenyan author Ngugi wa Thiong’o, has shared a poignant and raw account of their strained relationship following his …
Ngugi wa Thiong'o's son lifts lid on dark side of father's first ...
Mar 12, 2024 · Together, they had six children, including Professor Mukoma, who is also an author. Further complicating the family saga, Ngũgĩ wa Thiong'o's second marriage to Njeeri, a …
Mukoma wa Ngugi: 5 Facts About Ngugi wa Thiong'o’s Son and …
May 29, 2025 · His daughter, Wanjiku wa Ngugi, announced his death on social media. She shared that he died in Atlanta and promised more details would be released soon. Ngugi had …
Ngugi wa Thiong’o | Books, Decolonising the Mind, & Facts
May 29, 2025 · His popular Weep Not, Child (1964) was the first major novel in English by an East African. As he became sensitized to the effects of colonialism in Africa, Ngugi adopted his …
Profile of Ngũgĩ wa Thiong’o: Education, Career and Family
May 29, 2025 · The couple had six children namely Thiong’o, Kimunya, Nduchu, Mukoma, Wanjiku, and Njoki. Years later, while living in exile in the United States, Ngũgĩ met Njeeri wa …
Why Ngugi Wa Thiong’o Was Cremated In The US, 8 Days After …
Jun 6, 2025 · Ngugi wa Thiong'o//Courtesy. His daughter, Wanjiku wa Ngugi, was among the first to announce his demise, sharing a heartfelt message: "It is with a heavy heart that we …
Ngũgĩ wa Thiong’o Biography: Early life, change of name, exile …
May 28, 2025 · Ngũgĩ was previously married to Nyambura wa Ngũgĩ, his first wife who is now deceased. Together, they had several children, including authors Tee Ngũgĩ, Mũkoma wa …
