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most toxic artists: Starting Your Career as an Artist Angie Wojak, Stacy Miller, 2023-01-03 An integral resource for aspiring artists, this third edition updates key pieces of the classic Starting Your Career as an Artist. In this comprehensive manual, veteran art career professionals Angie Wojak and Stacy Miller show aspiring artists how to evaluate their goals and create a plan of action to advance their professional careers, and use their talents to build productive lives in the art world. In addition, the book includes insightful interviews with professional artists and well-known players in the art scene. The third edition features a chapter on social media and includes interviews with artists, museum professionals, and educators, as well as new chapters on how to navigate the post-pandemic art world. All chapters cover topics essential to the emerging artist, such as: •Using social media to advance your practice •Health and safety for artists •Artist’s resumes and CVs •Finding alternative exhibition venues •Building community through networking •Collaborating and finding mentors •Refining career aspirations This invaluable resource is sure to encourage and inspire artists to create their own opportunities as they learn how the creativity that occurs inside the studio can be applied to developing a successful career in the art world. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
most toxic artists: No More Starving Artists John Paul Fischbach, 2018-11-01 Your art is great: it's your business skills that suck! Being an artist in business doesn't have to be so hard. No More Starving Artists is written by an artist for artists in language that de-mystifies business and marketing for all artists in any field. International author, producer, director, designer, educator and arts business consultant John Paul Fischback shares his years of wisdom and practical advice in this book. Learn the secrets of business that artists were never taught so that you can build a sustainable life being the awesome artist you are. You'll learn:- How to crush the old saying you can't make a living doing this- The proven way to market yourself and your art- The secret to managing your time, your focus and energy- How to smash through your limiting beliefs to restore confidence in yourself and your art- How to deal with all the business shit and still make art- The secret marketing language that will get you more fans, followers and money- The 5 fundamentals of a successful business that artists were never told about...and so much more. This book is jammed with information that will change everything. |
most toxic artists: The Artist's Complete Health and Safety Guide Monona Rossol, 2001-11-01 In its third edition, The Artist's Complete Health and Safety Guide speaks to today's artists in the clearest terms possible. Through dozens of handy tables, diagrams, and charts, this volume points out dangerous ingredients found in specific brands of paint, dye, and adhesives; simple supplies such as goggles and ladders that keep classrooms and studios safe; and steps that art educators can take to comply with OSHA regulations. This volume also details helpful and potentially life-saving subjects such as: Questions to ask when ordering art supplies Recommendations for proper ventilation Safe work practices Precautions for individual media Art materials and projects for children and other high risk individuals Not only artists, but those who work in school administration, health care, and risk analysis will benefit from the surprising facts revealed. For example, art and craft supplies labeled as biodegradable, water-based, and natural must be handled with utmost caution, because they can still contain highly toxic properties. With the information contained in The Artist's Complete Health and Safety Guide, artists can at last be free from fear and confusion to return to creativity in the safest, healthiest environment possible. |
most toxic artists: Culture Strike Laura Raicovich, 2021-12-14 A leading activist museum director explains why museums are at the center of a political storm In an age of protest, cultural institutions have come under fire. Protestors have mobilized against sources of museum funding, as happened at the Metropolitan Museum, and against board appointments, forcing tear gas manufacturer Warren Kanders to resign at the Whitney. That is to say nothing of demonstrations against exhibitions and artworks. Protests have roiled institutions across the world, from the Abu Dhabi Guggenheim to the Akron Art Museum. A popular expectation has grown that galleries and museums should work for social change. As Director of the Queens Museum, Laura Raicovich helped turn that New York muni- cipal institution into a public commons for art and activism, organizing high-powered exhibitions that doubled as political protests. Then in January 2018, she resigned, after a dispute with the Queens Museum board and city officials. This public controversy followed the museum’s responses to Donald Trump’s election, including her objections to the Israeli government using the museum for an event featuring Vice President Mike Pence. In this lucid and accessible book, Raicovich examines some of the key museum flashpoints and provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding conservative, capitalist values. And she suggests ways museums can be reinvented to serve better, public ends. |
most toxic artists: Art Spiegelman Joseph Witek, 2007 Interviews with the Pulitzer Prize-winning creator of Maus: A Survivor's Tale |
most toxic artists: Scenic Art for the Theatre Susan Crabtree, Peter Beudert, 2005 With plenty of hints and tips, 'Scenic Art for the Theatre' is an easily understood textbook for students and professionals alike who want to know more about set design and the history of scenic artistry. |
most toxic artists: Classroom Art, Ages 11+ Amelia Ruscoe, 2012 This beautiful, full-color book is a compilation of art activities to inspire students to communicate through visual arts and to explore their artistic interests and ability! |
most toxic artists: Whole Green Catalog Michael W. Robbins, 2009-09-01 A consumer's reference to green living counsels readers on how to identify truly eco-friendly products and includes reviews and advice for everything from home furnishings and appliances to toys and clothing. Original. |
most toxic artists: Job Safety & Health Quarterly , 1992 |
most toxic artists: Health Hazards Manual for Artists Michael McCann, Angela Babin, 2008-07-01 This is the trusted resource for working artists and art students written by the leading authority on these health hazards. Whether you work in painting, photography, sculpture, ceramics, printmaking, woodworking, textiles, computer, or children’s art, this is the only reference book that covers all the dangers associated with metals, minerals, and chemicals. With illustrations throughout, this first aid book shows how to treat injuries and work with proper caution while still being creative. Updates include new ventilation, photo processing, and computer systems. Whether you are a beginner or professional, this is a must for every school, art studio, and home. |
most toxic artists: The Pure Cure Sharyn Wynters, 2012-05-22 The human race has invented nearly every toxin imaginable. In our food, there are chemicals that kill pests, make foods ripen faster and grow bigger, and lengthen shelf life. In our clothing, chemicals make fabrics soft, keep them from wrinkling, make them fire retardant and resistant to stains, and keep them from collecting static. In our kitchens and bathrooms, chemicals create suds, remove grease, stiffen our hair, make our skin feel smooth, stop us from perspiring, change our hair color, lengthen our lashes, and make us smell good. Unfortunately, many of these chemicals, designed to improve and simplify our lives, cause birth defects, hyperactivity, learning disabilities, attention deficit, early puberty, and developmental problems—to name a few. The Pure Cure takes readers to a new level of awareness regarding the dangers of the toxins in everyday products and services. Taking a thorough and comprehensive approach, the book guides readers through every room in the house and beyond, identifying problematic toxins and a course of action for eliminating them. The author also points to surprising new areas of concern, makes suggestions for healthy solutions, and provides a lists of products and companies that can offer safer alternatives. |
most toxic artists: The Everything Art Handbook Walter Foster Creative Team, 2016-09-01 Pick up your pencil or brush and start creating with this go-to resource for artists of all skill levels, covering drawing, painting, and mixed media. A refreshing, accessible compendium of art materials and techniques, The Everything Art Handbook is the perfect all-inclusive resource for beginning artists wanting to experiment and play with a variety of art mediums and techniques. The Everything Art Handbook is divided into sections focusing on different types of mediums and art concepts. Each section includes a basic overview of the topic, instructions for selecting and working with the right tools and materials, step-by-step sample artwork, and helpful sidebars with advice from professional artists. Expand and refresh your artistic skills with such topics as: Getting started, including how to set up a studio and where to find inspiration Art fundamentals, such as value and light, perspective, and composition Color basics, including complementary colors, primaries, secondaries, and neutrals Drawing techniques for working with graphite, charcoal, colored pencil, pastel, pen and ink, and more Painting techniques for working with oil, acrylic, and watercolor Mixed media tools and techniques, including stamping, encaustics, and textures Using clear, informative explanations for achieving the best results, The Everything Art Handbook is an approachable reference guide for contemporary artists of any skill level. |
most toxic artists: ARTnews , 1953 |
most toxic artists: The Complete Guide To Art Materials and Techniques Caroline West, 2016-11-15 Don't be overwhelmed by the dizzying array of art materials on the market, allow us to be your guide to art success with info and techniques. |
most toxic artists: A Skeptic's Guide to Arts in the Church Mark Coppenger, 2018-09-19 Evangelical discourse on the role of arts in the church can be radioactive, and the twenty-one contributors to this book walk right into the “hot zone” to pick up on twenty contentious questions. The volume is a series of written dialogues, each one keyed to a cranky question, one that a skeptic might raise (hence the title). Herein, the gainsayers are taken seriously and given their voice. They even find support in some of the contributors’ comments. But apologists for greater use of arts and artists in the church have their say, and things can get edgy. Topics range from the biblically august (the Second Commandment; the regulative principle; Great Commission priorities) to the prudential (expense; “bohemian” influence; weaker brothers) to the programmatic (Christmas festivities; committee makeup). Some of the parties to the discussion are church staffers (pastors and ministers of music); some are professors; several are doctoral students; one is a college student; another, a gallery owner; yet another, a denominational ethicist; and there’s a Canadian and a Korean in the mix. The collection of speakers and opinions is illuminating and bracing, and the fruit of their thinking makes for great reading and discussion. |
most toxic artists: Teaching Art Rhian Brynjolson, 2010 This resource is written for classroom teachers, art education specialists, childcare workers, artists working in schools, parents who home-school their children, and school administrators. It can also be used as a university textbook for Education students. The book provides a framework for teaching art in a way that is integrated with regular classroom practice and mindful of current art curriculum outcomes. Although the book focuses on art for primary and middle-school students from pre-school to grade eight, Teaching Art is also useful to art specialists at the high-school level who are looking for new strategies or project ideas to add to their established secondary programs. Revised and expanded from the author's previous resource, Art & Illustration. This resource integrates new developments in art education. |
most toxic artists: Current Awareness in Health Education , 1984-03 |
most toxic artists: Art and Upheaval William Cleveland, 2008-08 Citizen artists successfully rebuild the social infrastructure in six communities devastated by war, repression and dislocation. Author William Cleveland tells remarkable stories from Northern Ireland, Cambodia, South Africa, United States (Watts, Los Angeles), aboriginal Australia, and Serbia, about artists who resolve conflict, heal unspeakable trauma, give voice to the forgotten and disappeared, and restitch the cultural fabric of their communities. Art can be a powerful agent of personal, institutional and community change. The stories in this book have valuable implications for artists, academics, educators, human service providers, philanthropists, and community leaders throughout the world. The artists documented in the book have generated new technologies for advocacy, organizing, peacemaking, healing trauma and the rebuilding of community. Creativity is our most powerful capacity, and it can mitigate and heal our most destructive tendencies. |
most toxic artists: The Comics Journal #306 Gary Groth, Kristy Valenti, RJ Casey, 2020-10-06 In this issue, Gary Groth interviews Roz Chast, the New Yorker humor cartoonist turned graphic memoirist (Can’t We Talk About Something More Pleasant?). TCJ #306 focuses on the intersections between comics and politics. It includes op-eds on the importance (and lack thereof) of modern political cartooning. Also featured is a meditation on the creator of the Dilbert newspaper comic strip, Scott Adams; a piece about Daisy Scott, the first African American woman political cartoonist; a gallery of underground cartoonist John Pound’s code-generated comics; portraits of mass shooting victims; a selection of Spider-Gwen artist Chris Vision’s sketchbook pages; and other essays and galleries. |
most toxic artists: Entering the Picture Jill Fields, 2012-02-27 In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art – including the famous Cunt Cheerleaders – were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and scholars, many of whom were eye witnesses to landmark events, relates how feminists produced vibrant bodies of art in Fresno and other locales where similar collaborations flourished. Articles on topics such as African American artists in New York and Los Angeles, San Francisco’s Las Mujeres Muralistas and Asian American Women Artists Association, and exhibitions in Taiwan and Italy showcase the artistic trajectories that destabilized traditional theories and practices and reshaped the art world. An engaging editor’s introduction explains how feminist art emerged within the powerful women’s movement that transformed America. Entering the Picture is an exciting collection about the provocative contributions of feminists to American art. |
most toxic artists: Advice to Young Artists in a Postmodern Era William V. Dunning, 2000-02-01 Is art a matter of inspiration or of learning? Advice to Young Artists in a Postmodern Era, offers practical advice to the young artist about making the successful Dunning writes that in his years of teaching, he has heard students ask why no classes are ever offered to teach them what ingredients are helpful to the success of an artist: how to approach and deal with galleries and dealers; what to do about setting up their own studio and how to light it; and even how they should support themselves while they are attempting to do all this. Drawing on thirty-five years of experience as an artist and an art teacher, and those of several successful colleagues, the author follows the model of Rilke's Letters to a Young Poet and Hiram William's Notes for a Young Painter to compose this practical guide book. Advice to Young Artists is the only book of its kind geared to aspiring artists. |
most toxic artists: The Medical Bulletin , 1894 |
most toxic artists: Child Safety Protection United States. Congress. House. Committee on Energy and Commerce. Subcommittee on Commerce, Consumer Protection, and Competitiveness, 1993 |
most toxic artists: CPSC Authorization United States. Congress. Senate. Committee on Commerce, Science, and Transportation. Subcommittee on the Consumer, 1987 |
most toxic artists: The Business of Being an Artist Daniel Grant, 2022-10-04 You've got the artistic talent; now learn how to make a career out of it! Fine artists are taught many things about the craft of art in various art schools and university art programs, but rarely do they learn much if anything about how to make a career of their talents. The Business of Being an Artist, now in its sixth edition, contains information on how artists may develop a presence in the art world that leads to sales. The book contains information on how artists can learn to sell their work directly to the public with an understanding of the principles of marketing and sales as they're applicable to works of art. Artists will also learn how to find a suitable gallery that will arrange sales and commissions and how to set up a contractual relationship with the dealer that is both equitable and profitable. Among the topics covered in The Business of Being an Artist are: the range of exhibition opportunities for emerging and mid-career artists; how to set prices for artwork; when or if artists should pay to advance their careers; how artists may communicate with the public; applying for loans, grants, and fellowships; areas of the law that concern artists; using art materials safely; online sales and marketing, and much more. In addition to all of this priceless information, The Business of Being an Artist includes a unique discussion of some of the emotional issues that face artists throughout their careers, such as working alone, confronting stereotypes, handling criticisms and rejection, the glare of publicity, and the absence of attention. Without a doubt, The Business of Being an Artist is a must-have book for every artist ready to turn their talent into a successful business. |
most toxic artists: Engaging Communities Through Civic Engagement in Art Museum Education Bobick, Bryna, DiCindio, Carissa, 2020-12-25 As art museum educators become more involved in curatorial decisions and creating opportunities for community voices to be represented in the galleries of the museum, museum education is shifting from responding to works of art to developing authentic opportunities for engagement with their communities. Current research focuses on museum education experiences and the wide-reaching benefits of including these experiences into art education courses. As more universities add art museum education to their curricula, there is a need for a text to support the topic and offer examples of real-world museum education experiences. Engaging Communities Through Civic Engagement in Art Museum Education deepens knowledge on museum and art education and civic engagement and bridges the gap from theory to practice. The chapters focus on various sectors of this research, including diversity and inclusion in museum experiences, engaging communities through new techniques, and museum and university partnerships. As such, it includes coverage on timely topics that include programs and audience engagement with the LGBTQ+, refugee, disability, and senior communities; socially responsive museum pedagogy; and the use of student workers. This book is ideal for museum educators, museum directors, curators, professionals, practitioners, researchers, academicians, and students who are interested in updated knowledge and research in art education, curriculum development, and civic engagement. |
most toxic artists: JS+H, Job Safety and Health Magazine , 1978 |
most toxic artists: Job Safety & Health , 1977 |
most toxic artists: Green Guide for Artists Karen Michel, 2009-06-01 The Green Guide for Artists inspires artists to make better eco-conscious choices within their work and their studios and shows them how. The book has four sections: The first contains recipes for DIY art supplies such as ones for mixing your own non-toxic paints and adhesives and making your own papers from recycled paper. The second offers safe and green practices for the workspace. The next section shares a fresh look at using recycled materials through creative step-by-step projects and a gallery section. The final section contains a resource guide for eco-friendly materials and supplies, including websites and forum links. |
most toxic artists: The Work of Art Adam Moss, 2024-04-16 THE NEW YORK TIMES BESTSELLER and The gift book of the year, a volume that should have broad appeal and deliver many hours of pleasure to the recipient. The Work of Art is a gorgeous book.” —John Warner, The Chicago Tribune From former editor of New York magazine Adam Moss, a collection of illuminating conversations examining the very personal, rigorous, complex, and elusive work of making art What is the work of art? In this guided tour inside the artist’s head, Adam Moss traces the evolution of transcendent novels, paintings, jokes, movies, songs, and more. Weaving conversations with some of the most accomplished artists of our time together with the journal entries, napkin doodles, and sketches that were their tools, Moss breaks down the work—the tortuous paths and artistic decisions—that led to great art. From first glimmers to second thoughts, roads not taken, crises, breakthroughs, on to one triumphant finish after another. Featuring: Kara Walker, Tony Kushner, Roz Chast, Michael Cunningham, Moses Sumney, Sofia Coppola, Stephen Sondheim, Susan Meiselas, Louise Glück, Maria de Los Angeles, Nico Muhly, Thomas Bartlett, Twyla Tharp, John Derian, Barbara Kruger, David Mandel, Gregory Crewdson, Marie Howe, Gay Talese, Cheryl Pope, Samin Nosrat, Joanna Quinn & Les Mills, Wesley Morris, Amy Sillman, Andrew Jarecki, Rostam, Ira Glass, Simphiwe Ndzube, Dean Baquet & Tom Bodkin, Max Porter, Elizabeth Diller, Ian Adelman / Calvin Seibert, Tyler Hobbs, Marc Jacobs, Grady West (Dina Martina), Will Shortz, Sheila Heti, Gerald Lovell, Jody Williams & Rita Sodi, Taylor Mac & Machine Dazzle, David Simon, George Saunders, Suzan-Lori Parks |
most toxic artists: The Fine Art of Chinese Brush Painting Walter Chen, 2006 This extraordinary on-the-page class in brush painting explores both the technical and spiritual aspects of China’s ancient art, helping students to paint with confidence, skill, and understanding. Lavishly packed with breathtaking illustrations and detailed instructional photos, it discusses materials, styles, and themes, as well as special topics such as the influence of calligraphy on painting, the importance of arranging the workspace properly, and the use of a seal to sign” the finished work. Each chapter is like a perfectly formed monograph rich in information on inks, papers, art utensils, holding the brush correctly, making exquisite-looking strokes and pictograms, applying color, and mastering the techniques for representing vegetation, animals, the human figure, portraits, and evocative landscapes. Well-constructed practice exercises complete this enlightening course. |
most toxic artists: Home Safe Home Debra Lynn Dadd, 2005-04-21 Home Safe Home is the ultimate reference of its kind, written by the leading authority on eliminating toxics in the home. It offers more than four hundred tips, including do-it-yourself formulas for inexpensive, safe products to replace the harmful substances we are exposed to in our own households. If you suffer from unexplained headaches, fatigue, or depression, or if you worry about the link between increased use of toxic chemicals and the rising rate of cancer, the many suggestions in this book can make your life virtually toxic-free! Here are some of the many useful facts you'll learn: - You can make a window cleaner from vinegar and water that is safe, more effective, and less expensive than any product on the market. - A mineral powder, which costs pennies per use, is the safest way to get whites their whitest. - Simply changing your type of sheets and pillows may cure insomnia. |
most toxic artists: The Business of Art Lee Evan Caplin, 1989 Offers guidance for artists in financial planning, copyright protection, the preparation of a portfolio, and sale of works to art dealers, museums, and other markets. |
most toxic artists: Chronic Hazards Labeling Legislation United States. Congress. House. Committee on Interstate and Foreign Commerce. Subcommittee on Consumer Protection and Finance, 1981 |
most toxic artists: Billboard , 2004-05-29 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
most toxic artists: The Art of the Affair Catherine Lacey, 2017-01-03 A vibrantly illustrated chain of entanglements (romantic and otherwise) between some of our best-loved writers and artists of the twentieth century--fascinating, scandalous, and surprising. Poet Robert Lowell died of a heart attack, clutching a portrait of his lover, Caroline Blackwood, painted by her ex-husband, Lucian Freud. Lowell was on his way to see his own ex-wife, Elizabeth Hardwick, who was a longtime friend of Mary McCarthy. McCarthy left the father of her child to marry Edmund Wilson, who had encouraged her writing, and had also brought critical attention to the fiction of Anaïs Nin . . . whom he later bedded. And so it goes, the long chain of love, affections, and artistic influences among writers, musicians, and artists that weaves its way through the The Art of the Affair--from Frida Kahlo to Colette to Hemingway to Dali; from Coco Chanel to Stravinsky to Miles Davis to Orson Welles. Scrupulously researched but playfully prurient, cleverly designed and colorfully illustrated, it's the perfect gift for your literary lover--and the perfect read for any good-natured gossip-monger. |
most toxic artists: Art World Fred Wellington Ruckstuhl, 1916 |
most toxic artists: Classroom Art, Ages 8-10 Amelia Ruscoe, 2012 This beautiful, full-color book is a compilation of art activities to inspire students to communicate through visual arts and to explore their artistic interests and ability! |
most toxic artists: The Art of Environmental Law Benjamin J Richardson, 2019-12-12 Environmental law has aesthetic dimensions. Aesthetic values have shaped the making of environmental law, and in turn such law governs many of our nature-based sensory experiences. Aesthetics is also integral to understanding the very fabric of environmental law, in its institutions, procedures and discourses. The Art of Environmental Law, the first book of its kind, brings new insights into the importance of aesthetic issues in a variety of domains of environmental governance around the world, from climate change to biodiversity conservation. It also argues for aesthetics, and relatedly the arts, to be taken more seriously in the practice of environmental law so as to improve our emotional and ethical capacities to address the upheavals of the Anthropocene. |
most toxic artists: Environmental Health Perspectives , 1993 |
grammar - When to use "most" or "the most" - English Language …
Jul 7, 2015 · "But what I remembered most is moving a lot" is correct, with or without "the". Although "the most" is the superlative, preferable. Here, "most" is used as an adverb modifying …
meaning - Is "most" equivalent to "a majority of"? - English …
"Most of the children chose cauliflower." Probably means a majority. "Cauliflower was chosen the most." Could be just a plurality. But wow, it's pretty vague. It might be very hard to say without …
"Most of which" or "most of whom" or "most of who"?
Apr 1, 2022 · Since "most of _____" is a prepositional phrase, the correct usage would be "most of whom." The phrase "most of who" should probably never be used. Another way to think …
Most is vs most are - English Language & Usage Stack Exchange
Most men are stupid. B. Most of the men in that club are stupid. C. Most of the men in the world are stupid. Sentences A and C seem the same in principle, but only A is completely unlimited. …
Punctuation for the phrase "including but not limited to"
Oct 1, 2013 · Comma use is subjective and in most, but not all cases is a style choice. The only place in that sentence where commas are required is in the list at the end (running, jumping, …
What is the most formal way to address a respected person while ...
Nov 10, 2014 · The most formal, respectful and deferential way of addressing a person today is Respected Sir, or Respected Madam. Use it when the other person is clearly not your equal in …
Is “zzzzz” the most common spelling to represent a person sleeping?
What is the most common or correct spelling of "zzzzz"? (1) zzzzz (5 letters) (2) zzzz (4 letters) (3) zzz (3 letters) My question stems from when I first wrote it as "zzzzz" (5 letters) in an …
Why is 'c*nt' so much more derogatory in the US than the UK?
Remember that most towns in England, in the Middle Ages, had a Gropecunt Lane, including several in London. The last recorded new one was named in 1561. In modern times they have …
Is "funnest" a word? - English Language & Usage Stack Exchange
My 2 cents, do not use "funnest", replace it with "the best". E.g.: "That was the funnest party ever!" vs "That was the best party ever!" For the nit-picky, the best way of saying the above …
Why is "pineapple" in English but "ananas" in all other languages?
Nov 7, 2013 · Never believe everything you read on the internet. That list is hand-picked in order to try to prove a point. While it's true that most European languages use some variant of …
grammar - When to use "most" or "the most" - English Language …
Jul 7, 2015 · "But what I remembered most is moving a lot" is correct, with or without "the". Although "the most" is the superlative, preferable. Here, "most" is used as an adverb modifying …
meaning - Is "most" equivalent to "a majority of"? - English …
"Most of the children chose cauliflower." Probably means a majority. "Cauliflower was chosen the most." Could be just a plurality. But wow, it's pretty vague. It might be very hard to say without …
"Most of which" or "most of whom" or "most of who"?
Apr 1, 2022 · Since "most of _____" is a prepositional phrase, the correct usage would be "most of whom." The phrase "most of who" should probably never be used. Another way to think …
Most is vs most are - English Language & Usage Stack Exchange
Most men are stupid. B. Most of the men in that club are stupid. C. Most of the men in the world are stupid. Sentences A and C seem the same in principle, but only A is completely unlimited. …
Punctuation for the phrase "including but not limited to"
Oct 1, 2013 · Comma use is subjective and in most, but not all cases is a style choice. The only place in that sentence where commas are required is in the list at the end (running, jumping, …
What is the most formal way to address a respected person while ...
Nov 10, 2014 · The most formal, respectful and deferential way of addressing a person today is Respected Sir, or Respected Madam. Use it when the other person is clearly not your equal in …
Is “zzzzz” the most common spelling to represent a person sleeping?
What is the most common or correct spelling of "zzzzz"? (1) zzzzz (5 letters) (2) zzzz (4 letters) (3) zzz (3 letters) My question stems from when I first wrote it as "zzzzz" (5 letters) in an …
Why is 'c*nt' so much more derogatory in the US than the UK?
Remember that most towns in England, in the Middle Ages, had a Gropecunt Lane, including several in London. The last recorded new one was named in 1561. In modern times they have …
Is "funnest" a word? - English Language & Usage Stack Exchange
My 2 cents, do not use "funnest", replace it with "the best". E.g.: "That was the funnest party ever!" vs "That was the best party ever!" For the nit-picky, the best way of saying the above …
Why is "pineapple" in English but "ananas" in all other languages?
Nov 7, 2013 · Never believe everything you read on the internet. That list is hand-picked in order to try to prove a point. While it's true that most European languages use some variant of …