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| music contracts 101: Contracts 101: Learn to Review and Negotiate Services Agreements (Including Intellectual Property Licensing) K. Anita Dodd, 2009-05-01 The Original Step-by-Step Guide for reviewing and negotiating Services Agreements (including intellectual property licensing). This book contains everything you need including:(a) detailed explanations of the contractual protections contained in standard Services Agreements; (b) form Services Agreements (in print and on disc) including alternative provisions, so you can tailor the Services Agreement to fit your transaction and circumstances; (c) Issues Checklists (with embedded contract language) making it unlikely you will ever overlook an important protection; and (d) drafting exercises (with answer keys), so you can practice the skills learned, reassuring yourself you have all of the information and understanding needed to review and negotiate Services Agreements. |
| music contracts 101: 101 Music Business Contracts Platinum Millennium, 2002-09 |
| music contracts 101: Contracts 101: Learn to Review and Negotiate Non-Disclosure Agreements K. Anita Dodd, 2008-08 A Guide for business owners, attorneys, contract managers and contract administrators, including: (a) detailed explanations of the contractual protections contained in standard Non-Disclosure Agreements; (b) a form Mutual Non-Disclosure Agreement (in print and on disc) including alternative provisions, so you can tailor the NDA to fit your transaction and circumstances; (c) Issues Checklists (with embedded contract language) making it unlikely you will ever overlook an important protection; and (d) drafting exercises (with answer keys), so you can practice the skills learned, reassuring yourself you have all of the information and understanding needed to review and negotiate Non-Disclosure Agreements |
| music contracts 101: The Complete Idiot's Guide to the Music Business Michael Miller, 2010-06-01 Instrumental in turning musicians into moneymakers The Complete Idiot's Guide® to the Music Business is written for every musician who needs to learn the business of music, as well as for all businesspeople entering the music industry. Author Michael Miller covers all the key business topics and reveals the wealth of job opportunities in the music industry from a business perspective. • Covers finding an agent, negotiating contracts, publishing songs, collecting royalties, and promotion strategies • Also covers such nonmusician industry careers as artist management, concert promotion, music production, and radio • Features essential information on the new frontiers of electronic and online music |
| music contracts 101: Music Business Handbook and Career Guide David Baskerville, Tim Baskerville, 2015-12-23 This powerhouse best-selling text remains the most comprehensive, up-to-date guide to the music industry. The breadth of coverage that Music Business Handbook and Career Guide, Eleventh Edition offers surpasses any other resource available. Readers new to the music business and seasoned professionals alike will find David Baskerville and Tim Baskerville’s handbook an indispensable resource, regardless of their specialty within the music field. This text is ideal for introductory courses such as Introduction to the Music Business, Music and Media, and Music Business Foundations as well as more specialized courses such as the record industry, music careers, artist management, and more. The fully updated Eleventh Edition includes coverage of key topics such as copyright, licensing, songwriting, concert venues, and the entrepreneurial musician. Uniquely, it provides career-planning insights on dozens of job categories in the diverse music industry. |
| music contracts 101: Artist Management for the Music Business Paul Allen, 2012-11-12 Allen prepares you for the realities of successfully directing the careers of talented performers in the high-risk, high-reward music business. You will learn to prepare yourself for a career in artist management - and then learn the tools to coach, lead, organize time, manage finances, market an artist, and carve out a successful career path for both yourself and your clients. The book features profiles of artist managers, an exclusive and detailed template for an artist career plan, and samples of major contract sections for artist management and record deals. Updated information including a directory of artist management companies is available at the book's companion website. A peer reviewer for Artist Management for the Music Business proclaimed .this is going to be an excellent text. It contains many unique insights and lots of valuable information. This is essential reading for managers, students, and artists in the music business. |
| music contracts 101: The Plain and Simple Guide to Music Publishing Randall D. Wixen, 2009 (Book). Publishing is one of the most complex and lucrative parts of the music business. Industry expert Randall Wixen covers everything from mechanical, performing and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation and more. Get a view from the top, in plain English. This updated and revised edition has been prepared in light of the ever-changing landscape of music publishing, taking into account factors like illegal downloading and recent announcements from the Copyright Royalty Board. With an added DIY chapter, the author demonstrates why the playing field has changed for the traditional copyright adminstrators, and how musicians just starting out can protect their own work until they hit the big time. |
| music contracts 101: The Music Business Dick Weissman, 2011-04-20 The Must-Have Guide for Breaking into the Music Business Completely revised and updated for the twenty-first century, The Music Business provides essential career advice and information on how to get started and advance in all areas of the music industry—from an author who’s had careers in music as an artist and professor for more than two decades. This comprehensive volume gives you guidance and information on: • Starting your music career • The ins and outs of recording contracts • Record producing and music engineering • The distribution and sale of records • The Internet and MP3s, and their effects on the music industry • The latest computer programs • Copyright law • Composing music and songwriting • Music education • The international music industry • And much more . . . The Music Business is an indispensable reference for anyone who wants to begin a career in any of the industry’s facets, as well as an invaluable aid to professional and would-be professional musicians alike. |
| music contracts 101: Unfree Masters Matt Stahl, 2013 DIVIn Unfree Masters, Matt Stahl examines recording artists' labor in the music industry as a form of creative work. He argues that the widespread perception of singers and musicians as free individuals doing enjoyable and fulfilling work obscures the realities of their occupation./div |
| music contracts 101: A&R Pioneers Brian Ward, Patrick Huber, 2018-06-26 Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019 A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as record producer. Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story. |
| music contracts 101: The Music Business Ty Cohen, 2006-02 This Book Makes it Easy for Almost Anyone to Generate Over $500,000.00 or More a Year as An Independent Artist in The Music Industry! Get the Insiders Secrets on How To Successfully: . Negotiate TOP DOLLAR when booking shows . Promote yourself PROFESSIONALLY . Develop the TOOLS YOU NEED to make a name for yourself . BREAK OUT of the gig to gig existence . Have clubs LINING UP to book YOU! . EARN MORE MONEY from the gigs you are already working . ALWAYS have a venue to play . Organize a HIGH PAYING TOUR . Work the media for MAXIMUM EXPOSURE . Negotiate for FREE advertising . Sell your CDs WITHOUT A RECORD LABEL . GRAB THE ATTENTION of the 'big guys' . SUCCESSFULLY promote yourself to the 'hidden markets' . MAKE YOURSELF RICH AND FAMOUS If you're seriously ready to kick start your career, this is the book you need, It's everything you need to make it to the top, except the talent! |
| music contracts 101: Songwriting For Dummies Dave Austin, Jim Peterik, Cathy Lynn, 2010-07-08 Proven techniques for songwriting success This friendly, hands-on guide tackles the new face of the recording industry, guiding you through the shift from traditional sales to downloads and mobile music, as well as how you can harness social media networks to get your music out there. You get basic songwriting concepts, insider tips and advice, and inspiration for writing — and selling — meaningful, timeless songs. Songwriting 101 — get a grip on everything you need to know to write a song, from learning to listen to your inner voice to creating a mood and everything in between Jaunt around the genres — discover the variety of musical genres and find your fit, whether it's rock, pop, R&B, gospel, country, or more Let the lyrics out — master the art of writing lyrics, from finding your own voice to penning the actual words to using hooks, verses, choruses, and bridges Make beautiful music — find your rhythm, make melodies, and use chords to put the finishing touches on your song Work the Web — harness online marketing and social networks like Facebook, Twitter, and others to get your music heard by a whole new audience Open the book and find: What you need to know before you write a single note Tips on finding inspiration Ways to use poetic devices in lyrics Computer and Web-based shortcuts and technologies to streamline songwriting A look at famous songwriting collaborators Writing for stage, screen, and television How to make a demo to get your song heard Advice on how to make money from your music Learn to: Develop your songwriting skills with tips and techniques from the pros Use social networking sites to get your music out to the public Break into the industry with helpful, how-to instructions |
| music contracts 101: Fritz Reiner Philip Hart, 1997-02-05 Thirty years after his death, Fritz Reiner's contribution--as a conductor, as a teacher (of Leonard Bernstein, among others), and as a musician--continues to be reassessed. Music scholar and long-time friend Philip Hart has written the definitive biography of this influential figure. |
| music contracts 101: Career Coach Shelly Field, 2008 Whether students dream of pursuing a singing career or becoming a big music producer, Ferguson Career Coach: Managing Your Career in the Music Industry offers practical tips for success in this highly competitive business. Author Shelly Field provides her own insider knowledge from years of experience in this field, as well as basic advice, industry secrets, and tips for readers looking to enter and excel in the exciting music industry. Personal experiences of successful professionals complete this extensive guide. Chapters include: Plan for Success in the Music Industry Job Search Strategies Tools for Success Getting Your Foot in the Door Marketing Yourself for Success Succeeding in the Workplace Succeeding in the Talent End of the Industry. |
| music contracts 101: Behind the Stage: Navigating the Music Industry Pasquale De Marco, 2025-04-20 Behind the Stage: Navigating the Music Industry is the ultimate guide for aspiring musicians seeking to succeed in the ever-changing music industry. This comprehensive book provides a roadmap to success, covering everything from developing your musical craft to navigating the business side of the industry. Inside, you'll discover insider insights into the key players, from record labels and publishers to managers and agents. You'll learn the art of songwriting, from crafting compelling lyrics to understanding music theory and composition. You'll delve into the world of recording and production, exploring the importance of high-quality production, choosing the right studio, and working with engineers and producers. But success in the music industry goes beyond just creating great music. Behind the Stage covers the essential aspects of marketing and promotion, including traditional and digital marketing channels, the role of radio and streaming platforms, and building partnerships with influencers. You'll also learn about the business of music, including understanding music contracts and agreements, managing your finances, and protecting your rights as a musician. Beyond the technical aspects, Behind the Stage also delves into the challenges and triumphs of the artist's journey. You'll learn how to overcome obstacles, stay true to your artistic vision, and balance creativity with business. This book will empower you with the knowledge and resilience you need to build a sustainable music career. Packed with inspiring success stories, practical advice from music professionals, and real-world examples, Behind the Stage is not just a book; it's a roadmap to success for aspiring musicians. Whether you're just starting out or looking to take your career to the next level, this book will provide you with the guidance and support you need to achieve your musical dreams. If you like this book, write a review on google books! |
| music contracts 101: The Craft and Business of Songwriting John Braheny, 1995-04-15 Music is a universal language, and John Braheny speaks it eloquently as he helps prepare us for our big musical break--by teaching us the craft of songwriting and revealing secrets of the music business. Includes anecdotes, exercises, and examples from dozens of songwriters, such as Harry Chapin, Paul McCartney, and many others. |
| music contracts 101: Entertainment Industry Contracts Jay S. Kenoff, Richard K. Rosenberg, 1989 |
| music contracts 101: Law 101 Brien A Roche Attorney at Law, John Roche, Sean Roche, 2009-08-01 Unlock the complexities of the legal system with Law 101 - your comprehensive guide to understanding the fundamentals of law and navigating legal issues with confidence. In this updated and expanded second edition, Brien A. Roche demystifies the intricacies of the legal world and presents key concepts in a clear and accessible manner. Whether you're a student, professional, or simply a curious reader, this book provides a solid foundation in law that empowers you to make informed decisions and protect your rights. Inside you'll find: Comprehensive Coverage: Explore various areas of law, including civil law, criminal law, constitutional law, contracts, torts, and more. Clear Explanations: Brien A. Roche breaks down the history of our legal system and complex legal concepts into understandable language, making the law accessible to readers of all backgrounds. Real-World Examples: Enhance your understanding of legal principles with real-world examples and case studies. These illustrations provide practical context and demonstrate how the law impacts our daily lives. Empowering Knowledge: Equip yourself with essential legal knowledge that empowers you to make informed decisions, protect your rights, and advocate for yourself and others in legal matters from drafting contracts to serving as a juror or witness in court. Gain a solid foundation in law with Law 101 by Brien A. Roche. Whether you're a student, professional, or simply seeking to expand your legal knowledge, this comprehensive guide provides the tools to navigate the complexities of the legal system with confidence. Empower yourself with a clear understanding of the law and its practical applications in our society. |
| music contracts 101: The New Music Industry: How to Use the Power of the Internet to Multiply Your Industry Exposure, Fan Base and Income Potential Online! Ty Cohen, 2005-10-16 No matter what genre of music you're into, this book is for you Ty shows you step-by-step: / How to make bucket loads of cash with your music Without a record deal. / How to get top websites, to promote and sell your music, then send you a big fat juicy royalty check every month / How to attract fans that will buy everything you sell to them, including your music, DVDs, posters, t-shirts and more / How to set up a free, professional website that you can sell your music and merchandise from, all on auto-pilot, hands free, 24 hours-a-day, raking in truckloads of cash / How to easily place your music online in the form of MP3's, and video for millions to hear. / And More Why Settle and Earn Royalties of Only 2 to 3% of Your Music's Sales, When You Can Get Paid 100% Using the Information Ty Cohen Teaches in this Book? P.S. Get Your copy now Ty Cohen Platinum Millennium Publishing www.MusicBizPhoneBook.com |
| music contracts 101: All You Need to Know about the Music Business Donald S. Passman, 2003 From one of the music industry's most sought-after lawyers comes the new edition of the book that the Los Angeles Times has proclaimed the industry bible. Comprehensive, savvy, and up to date, this is the insider's guide to every facet of a hugely lucrative--and risky--business. |
| music contracts 101: The Law of Theatres and Music-halls Sir William Nevill Montgomerie Geary, 1885 |
| music contracts 101: Streaming Music, Streaming Capital Eric Drott, 2023-12-29 In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music’s complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming’s benefits and pitfalls, Drott sheds light on music’s situation within digital capitalism, from growing concentrations of monopoly power and music’s use in corporate surveillance to issues of musical value, labor, and artist pay. |
| music contracts 101: Official Gazette of the United States Patent and Trademark Office , 2003 |
| music contracts 101: The Art of Music Publishing Helen Gammons, 2011-01-12 Do you want to pursue a career and succeed in the lucrative area of music publishing? The Art of Music Publishing provides real inspiration and a tangible hands on perspective to this exciting side of the high-risk, high-reward music business. Prepare yourself for a career in music publishing and understand this complex but profitable part of the music business. Author Gammons walks you through all you need to know * understanding the role of the publisher * copyright * managing rights * income streams * contracts*. Learn how, when and where income is generated in all the current areas of business as well as exploring the new industries offering new income streams and the business models that are developing. The supporting website includes video interviews and podcasts with music business legends. 'If there is anything that Helen Gammons doesn't know about music publishing, it's probably not worth knowing! If you want to take it to the next level in music publishing - read this book. I know I'll be referring to it often.' David 'Hawk' Wolinski Composer of Aint No Body (Rufus and Chaka Khan) and one of the most covered songs ever. Whether you're already a music publisher or would like to be one, this book will give you a mass of useful information - fresh ideas, up-to-date legal opinions, video interviews with music biz legends, provocative thoughts about where the business is heading, and plenty of good anecdotes. From Simon Napier Bell Manager: The Yardbrids, George Michael and Wham, Marc Bolan. Japan. |
| music contracts 101: Popular Music and the State in the UK Martin Cloonan, 2016-04-22 In an era of the rise of the free market and economic globalization, Martin Cloonan examines why politicians and policymakers in the UK have sought to intervene in popular music - a field that has often been held up as the epitome of the free market form. Cloonan traces the development of government attitudes and policies towards popular music from the 1950s to the present, discovering the prominence of two overlapping concerns: public order and the political economy of music. Since the music industry began to lobby politicians, particularly on the issue of copyright in relation to the internet, an inherent tension has become apparent with economic rationale on one side, and Romantic notions of 'the artist' on the other. Cloonan examines the development of policy under New Labour; numerous reports which have charted the economics of the industry; the New Deal for Musicians scheme and the impact of devolution on music policy in Scotland. He makes the case for the inherently political nature of popular music and asserts that the development of popular music policies can only be understood in the context of an increasingly close working relationship between government and the cultural industries. In addition he argues that a rather myopic view of the music industries has meant that policy initiatives have lacked cohesion and have generally served the interests of multinational corporations rather than struggling musicians. |
| music contracts 101: The Live Music Business Andy Reynolds, 2021-11-29 The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry. Previously published as The Tour Book, this new edition has been extensively revised, reorganized, and updated to reflect today’s music industry. This practical guidebook examines the roles of the key players – from booking agents to concert promoters, artist managers to talent buyers – and the deals, conventions, and processes that drive this global business. Written by a touring professional with over 25 years of experience, this book elucidates why playing live is crucial to the success of any musician, band, or artist, explaining issues like: what managers, promoters, and agents do and how they arrange shows and tours; how to understand and negotiate show contracts; how to create a contract rider, and how the rider affects the money you earn from a show; how to appear professional and knowledgeable in an industry with its own conventions, language, and baffling technical terms; and a three-year plan using live performance to kickstart your music career Intended for music artists and students, The Live Music Business presents proven live-music career strategies, covering every aspect of putting on a live show, from rehearsing and soundchecks to promotions, marketing, and contracts. In an era when performing live is more essential than ever, this is the go-to guidebook for getting your show on the road and making a living from music. |
| music contracts 101: Introduction to the Music Industry Catherine Fitterman Radbill, 2013 Introduction to the Music Industry: An Entrepreneurial Approach is an introductory textbook that offers a fresh look at one of the fastest-changing businesses int eh world today. Emphasizing the importance of entrepreneurial thinking for the music industry, this textbook engages college-level students in learning the fundamentals of the music business while discovering ways to shape the industry's future. Every chapter explores the inner workings of the music industry, using creative problem-solving exercises, and inspiring stories of actual music entrepreneurs. The textbook's companion website provides multimedia content, study guides, and an instructor's manual with lesson plans and suggestions for assessing students' work. |
| music contracts 101: The Ultimate Guide To Music Success Jaci Rae, 2006 |
| music contracts 101: Making It in the Music Business Lee Wilson, 2008-01-02 Using dozens of real-life examples, readers will find up-to-date information on avoiding copyright infringement, working effectively with managers and music lawyers, developing management and booking agreements, and more. This updated edition is completely revised and expanded with two brand-new chapters on the do's and don't's of starting and running a band, and how to make money from music. It also includes expanded material on Internet copyright issues. |
| music contracts 101: Intellectual Property Law Lionel Bently, Brad Sherman, 2014 'Intellectual Property Law' is the definitive textbook on this subject. It clearly sets out the law in relation to copyright, patents, trade marks, passing off and confidentiality, whilst enlivening the text with illustrations and diagrams. |
| music contracts 101: The Economics of the Popular Music Industry C. Byun, 2016-04-29 This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields. |
| music contracts 101: The Music of Michael Nyman Pwyll ap Siôn, 2017-07-05 Nyman's rise to international prominence during the last three decades has made him one of the world's most successful living composers. His music has nevertheless been criticized for its parasitic borrowing of other composers' ideas and for its relentless self-borrowing. In this first book-length study in English, Pwyll ap Si laces Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated. Drawing upon terms informed by intertextual theory in general, appropriation and borrowing are first introduced within the context of twentieth-century art music and theory. Intertextual concepts are explained and their terms defined before Nyman's musical language is considered in relation to a series of intertextual classifications and types. These types then form the basis of a more in-depth study of his works during the second half of the book, ranging from opera and chamber music to film. Rather than restricting style and technique, Nyman's intertextual approach, on the contrary, is shown to provide his music with an almost infinite amount of variety, flexibility and diversity, and this has been used to illustrate a wide range of technical, aesthetic and expressive forms. He composes with his ear towards the past as if it were a rich quarry to mine, working like a musical archaeologist, uncovering artefacts and chiselling fresh and vibrant sonic edifices out of them. |
| music contracts 101: The Business of Music Management Tom Stein, 2021-03-25 Readers will gain vital and accurate knowledge about the music business, how musicians get paid, the legal framework for business, and will learn to recognize and leverage opportunities through overcoming the inevitable obstacles to success in a rapidly-changing industry. The author offers valuable insights into the niche readers might fill with their career, and discover their unique path to success. Readers will come away with a greater understanding of the scope and demands of the music and entertainment industry. |
| music contracts 101: Making Money Making Music Quint Randle, Bill Evans, 2002 Regardless of talent, most musicians turning pro must play cover gigs to make their hard work pay off. This practical book gives artists step-by-step guidance for achieving financial success with a cover band: how to start or join one, choose the right covers, land the gigs, handle promotion, use sound and lighting systems, and successfully manage the details of gig playing. |
| music contracts 101: This Business of Music M. William Krasilovsky, Sidney Schemel, 2007 A complete and up-to-date guide to the music industry covers such topics as record industry trends, copyright law, sources of publishing income, buying and selling of catalogues, agents and managers, and music videos. |
| music contracts 101: Performing Popular Music David Cashman, Waldo Garrido, 2019-11-21 This book explores the fundamentals of popular music performance for students in contemporary music institutions. Drawing on the insights of performance practice research, it discusses the unwritten rules of performances in popular music, what it takes to create a memorable performance, and live popular music as a creative industry. The authors offer a practical overview of topics ranging from rehearsals to stagecraft, and what to do when things go wrong. Chapters on promotion, recordings, and the music industry place performance in the context of building a career. Performing Popular Music introduces aspiring musicians to the elements of crafting compelling performances and succeeding in the world of today’s popular music. |
| music contracts 101: Copyright, Property and the Social Contract John Gilchrist, Brian Fitzgerald, 2018-11-02 This book provides international perspectives on the law of copyright in relation to three core themes - copyright and developing countries; the government and copyright; and technology and the future of copyright. The third theme includes an examination of the extent to which technology will dictate the development of the law, and a re-examination of the role of copyright in fostering innovation and creativity. As a critique, one chapter discusses how certain rights can create or reinforce social inequality under copyright royalty systems. Underlying these themes is the role the law of copyright has in encouraging or impeding human flourishing. |
| music contracts 101: Introduction to Music Publishing for Musicians Bobby Borg, Michael Eames, 2021-06-03 At a time when artists are independently releasing their own music and acting as their own self-publishers, there has never been a greater need for a simple and easy-to-read introduction to the business and creative aspects of music publishing for musicians. Written by two musicians and industry pros with decades of experience, Introduction to Music Publishing For Musicians is organized into seven clearly written sections that will help musicians save time and avoid getting screwed. Topics include the basics of copyrights, types of publishing income, publishing companies and types of deals, creative matters of music publishing, and things you need to know about music publishing’s future.The book features: Short digestible chapters written in a conversational tone to keep artists focused Section-by-section FAQs that expand on key issues that musicians encounter today Boxed text stories featuring current events to emphasize key concepts Interviews with top beat makers, collaborators, and more to provide secrets of success A glossary to help you keep track of important publishing terms Publishing resources offering to help you place and promote your music Chapter quizzes and activity assignments to help measure your knowledge Bobby Borg and Michael Eames have created a compact, simple and easy-to-read overview of today’s music publishing industry that caters to both students and musicians (songwriters, producers, beat makers, and more) who want quick, up-to-date, credible, and relatable information so that they can get back to doing what they like best: creating music! |
| music contracts 101: Handbook of the Law of Contracts William Lawrence Clark, 1914 |
| music contracts 101: Managing Your Band - Sixth Edition Stephen Marcone, David Philp, 2017-06-01 (Book). Making it in music has never been easy, but today it's harder than ever before. The digital age has dawned and, with it, the music biz has wholly merged with the entertainment industry. Up-and-comers are immediately faced with a dire choice: alter your art to appease the powers that be or learn to navigate the notoriously grimy underside of the most glamorous profession in the world. Whether you're a self-reliant DIY musician or an aspiring personal manager, Stephen Marcone and David Philp's Managing Your Band Artist Management: The Ultimate Responsibility can help you keep your shirt and maybe just maybe make a buck, all for less than the price of a decent dinner. Now in its sixth edition, Managing Your Band has long since been the standard bearer for aspirants and hardened vets alike. From dive bars to festivals, from branding and merchandising to marketing and publicity, from publishing and licensing to rights and contracts, Marcone and Philp leave no stone unturned in this comprehensive guide to artist management. A lofty claim, eh? No need to take our word for it luminaries in every corner of the industry are willing to testify. To put it mildly, the book has a reputation with record labels. John Butler, Vice President of Promotion at Curb, believes that Marcone and Philp take on our ever-changing business with a fresh and complete approach. The breadth of information here is as important to veterans as it is to the new entrepreneurs that will power the current and next versions of the music industry. Paul Sinclair, the EVP of Digital Strategy & Innovation at Atlantic, attests that the 6th edition of Managing Your Band provides an excellent blueprint to follow paths of flexibility and specificity toward a successful career in music. In this book, you find the framework. Implement it well and you have a better shot of finding success with your musical art. Joe Riccitelli, the EVP/GM of RCA, considers the book a must for new and established managers who may need a brush-up on topics they have forgotten, as Stephen's & David's vast experience pays off in the 6th edition. Hell, this is the only book music mogul Harvey Leeds took to Israel to teach the Israelis about the international music and entertainment business! In the end, we think Doc McGhee, the man who whisked Bon Jovi and Motley Crue to superstardom, says it best: I wish I had something like this when I was starting out! What more can we say? Pick up the latest edition of Managing Your Band and chase that wild dream! |
Listen to music - Android - Google Assistant Help
Choose your default music service. Important: In August 2020, Google Play Music may shut down some of its services and in September 2020, access to Google Play Music might not be …
Ayuda de YouTube Music - Google Help
Denuncia problemas legales con la herramienta de IA conversacional, la sección Explora más temas, los cuestionarios generados automáticamente, los temas de comentarios, el Recap de …
Transfer your playlists from another service - YouTube Music Help
Move your playlists to your YouTube Music Library and enjoy your favorite music all in one place. After the transfer, your music will remain in your other music service. Changes made in …
What is YouTube Music? - YouTube Music Help - Google Help
YouTube Music Premium and YouTube Premium members may still see branding or promotions embedded in podcasts by the creator. If added or turned on by the creator, you may also find …
Download music & podcasts to listen offline - Computer
Enjoy your music with Smart Downloads. The app will automatically download music for you based on your ...
Aide YouTube Music - Google Help
Centre d'aide officiel de YouTube Music où vous trouverez des conseils et des didacticiels sur l'utilisation du produit, ainsi que les réponses aux questions fréquentes.
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These include machine learning, social signals, signals from other Google products and services, and human input (including from our listeners). These playlists serve as one of many inputs to …
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Official YouTube Music Help Center where you can find tips and tutorials on using YouTube Music and other answers to frequently asked questions.
Explore YouTube Music Premium benefits - YouTube Music Help
If you're a YouTube Music Premium member, you can access your paid membership benefits and music library in the YouTube Music app, even if you're in a country/region where YouTube …
Listen to music - Android - Google Assistant Help
Choose your default music service. Important: In August 2020, Google Play Music may shut down some of its services and in September 2020, access to Google Play Music might not be …
Ayuda de YouTube Music - Google Help
Denuncia problemas legales con la herramienta de IA conversacional, la sección Explora más temas, los cuestionarios generados automáticamente, los temas de comentarios, el Recap de …
Transfer your playlists from another service - YouTube Music Help
Move your playlists to your YouTube Music Library and enjoy your favorite music all in one place. After the transfer, your music will remain in your other music service. Changes made in …
What is YouTube Music? - YouTube Music Help - Google Help
YouTube Music Premium and YouTube Premium members may still see branding or promotions embedded in podcasts by the creator. If added or turned on by the creator, you may also find …
Download music & podcasts to listen offline - Computer
Enjoy your music with Smart Downloads. The app will automatically download music for you based on your ...
Aide YouTube Music - Google Help
Centre d'aide officiel de YouTube Music où vous trouverez des conseils et des didacticiels sur l'utilisation du produit, ainsi que les réponses aux questions fréquentes.
YouTube Music playlists - YouTube Help - Google Help
These include machine learning, social signals, signals from other Google products and services, and human input (including from our listeners). These playlists serve as one of many inputs to …
Use YouTube Music on other apps & devices
Listen to music and podcasts using your watch connected to a Bluetooth accessory, like headphones. Download music and podcasts directly to your watch so you can listen without an …
YouTube Music Help - Google Help
Official YouTube Music Help Center where you can find tips and tutorials on using YouTube Music and other answers to frequently asked questions.
Explore YouTube Music Premium benefits - YouTube Music Help
If you're a YouTube Music Premium member, you can access your paid membership benefits and music library in the YouTube Music app, even if you're in a country/region where YouTube …
