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| ngugi wa thiong o best book: A Grain of Wheat Ngugi wa Thiong'o, 1968 |
| ngugi wa thiong o best book: Wizard of the Crow Ngũgĩ wa Thiongʼo, 2007 |
| ngugi wa thiong o best book: Minutes of Glory Ngũgĩ wa Thiong'o, Ngũgĩ wa Thiongʼo, 2019 A collection of short stories by the Kenyan writer covering the period of British colonial rule and resistance in Kenya to the experience of independence and including two stories that have never before been published in the United States--Provided by publisher. |
| ngugi wa thiong o best book: Wrestling with the Devil Ngugi wa Thiong'o, 2018-04-05 Ngugi wa Thiong’o’s powerful prison memoir begins half an hour before his release on 12 December 1978. A year earlier, he recalls, armed police arrived at his home and took him to Kenya’s Kamiti Maximum Security Prison. There, Ngugi lives in a block alongside other political prisoners, but he refuses to give in to the humiliation. He decides to write a novel in secret, on toilet paper – it is a book that will become his classic, Devil on the Cross. Wrestling with the Devil is Ngugi’s unforgettable account of the drama and challenges of living under twenty-four-hour surveillance. He captures not only the pain caused by his isolation from his family, but also the spirit of defiance and the imaginative endeavours that allowed him to survive. |
| ngugi wa thiong o best book: Weep Not, Child Ngugi wa Thiong'o, 2012-06-05 The Nobel Prize–nominated Kenyan writer’s powerful first novel Two brothers, Njoroge and Kamau, stand on a garbage heap and look into their futures: Njoroge is to attend school, while Kamau will train to be a carpenter. But this is Kenya, and the times are against them: In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau, the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up. The first East African novel published in English, Weep Not, Child explores the effects of the infamous Mau Mau uprising on the lives of ordinary men and women, and on one family in particular. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| ngugi wa thiong o best book: Birth of a Dream Weaver Ngugi wa Thiong'o, 2016-10-04 One of Oprah.com's 17 Must-Read Books for the New Year and O Magazine's 10 Titles to Pick up Now. “Exquisite in its honesty and truth and resilience, and a necessary chronicle from one of the greatest writers of our time. ” —Chimamanda Ngozi Adichie, The Guardian, Best Books of 2016. “Every page ripples with a contagious faith in education and in the power of literature to shape the imagination and scour the conscience.” —The Washington Post From one of the world's greatest writers, the story of how the author found his voice as a novelist at Makerere University in Uganda Birth of a Dream Weaver charts the very beginnings of a writer's creative output. In this wonderful memoir, Kenyan writer Ngũgĩ wa Thiong'o recounts the four years he spent at Makerere University in Kampala, Uganda—threshold years during which he found his voice as a journalist, short story writer, playwright, and novelist just as colonial empires were crumbling and new nations were being born—under the shadow of the rivalries, intrigues, and assassinations of the Cold War. Haunted by the memories of the carnage and mass incarceration carried out by the British colonial-settler state in his native Kenya but inspired by the titanic struggle against it, Ngũgĩ, then known as James Ngugi, begins to weave stories from the fibers of memory, history, and a shockingly vibrant and turbulent present. What unfolds in this moving and thought-provoking memoir is simultaneously the birth of one of the most important living writers—lauded for his epic imagination (Los Angeles Times)—the death of one of the most violent episodes in global history, and the emergence of new histories and nations with uncertain futures. |
| ngugi wa thiong o best book: The Perfect Nine Ngugi wa Thiong'o, 2020-10-08 *LONGLISTED FOR THE 2021 INTERNATIONAL BOOKER PRIZE.* 'One of the greatest writers of our time' Chimamanda Ngozi Adichie The Perfect Nine is a glorious epic about the founding of Kenya's Gikuyu people and the ideals of beauty, courage and unity. Gikuyu and Mumbi settled on the peaceful and bounteous foot of Mount Kenya after fleeing war and hunger. When ninety-nine suitors arrive on their land, seeking to marry their famously beautiful daughters, called The Perfect Nine, the parents ask their daughters to choose for themselves, but to choose wisely. First the young women must embark on a treacherous quest with the suitors, to find a magical cure for their youngest sister, Warigia, who cannot walk. As they journey up the mountain, the number of suitors diminishes and the sisters put their sharp minds and bold hearts to the test, conquering fear, doubt, hunger and many menacing ogres, as they attempt to return home. But it is perhaps Warigia's unexpected adventure that will be most challenging of all. Blending folklore, mythology and allegory, Ngugi wa Thiong'o chronicles the adventures of Gikuyu and Mumbi, and how their brave daughters became the matriarchs of the Gikuyu clans, in stunning verse, with all the epic elements of danger, humour and suspense. 'A tremendous writer... it's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong'o' Guardian |
| ngugi wa thiong o best book: In the Name of the Mother Ngũgĩ wa Thiongʼo, 2013 Alongside the impact of his early novels and plays, and his more recent memoirs, these essays give new insights into Ngugi's and other writers' responses to colonialism - there is new material here for students of literature, politics and culture. Renowned worldwide, as novelist and dramatist, Ngugi wa Thiongo's contributions to the body of critical writing on African literature, politics and society have been highly significant. His best known critical work is Decolonising the Mind, which since publication in 1986 has profoundly influenced other writers, critics, scholars and students. These latest essays reflect Ngugi's continuing interests and enthusiasms. His choice of writers is original. He makes us look again at their novels to address his lifelong concerns with the ways to independence, the meanings of colonialism and the takeover by neo-colonialism, and the functions of literature in political as well asliterary terms. They will appeal not only to his international band of supporters. They will also introduce his views to young people discovering African and Caribbean literature. Ngugi wa Thiong'o is Distinguished Professor of English and Comparative Literature at the University of California, Irvine. Ngugi is renowned for his essays, including the seminal Decolonising the Mind (James Currey 1986); his plays, which led to his detentionin Kenya; his novels - the most recent works being The Wizard of the Crow (2007, translated into English from Gikuyu) and his memoirs Dreams in a Time of War and In the House of the Interpreter East Africa [Kenya, Tanzania, Uganda and Rwanda]: EAEP |
| ngugi wa thiong o best book: Dreams in a Time of War Ngugi wa Thiong'o, 2010-03-09 Born in 1938 in rural Kenya, Ngũgĩ wa Thiong’o came of age in the shadow of World War II, amidst the terrible bloodshed in the war between the Mau Mau and the British. The son of a man whose four wives bore him more than a score of children, young Ngũgĩ displayed what was then considered a bizarre thirst for learning, yet it was unimaginable that he would grow up to become a world-renowned novelist, playwright, and critic. In Dreams in a Time of War, Ngũgĩ deftly etches a bygone era, bearing witness to the social and political vicissitudes of life under colonialism and war. Speaking to the human right to dream even in the worst of times, this rich memoir of an African childhood abounds in delicate and powerful subtleties and complexities that are movingly told. |
| ngugi wa thiong o best book: I Will Marry when I Want Ngugi wa Thiongo, 1988 |
| ngugi wa thiong o best book: Barrel of a Pen Ngũgĩ wa Thiongʼo, 1983 |
| ngugi wa thiong o best book: In the House of the Interpreter Ngugi wa Thiong'o, 2012-11-06 With black-and-white illustrations throughout World-renowned Kenyan novelist, poet, playwright, and literary critic Ng˜ug˜ý wa Thiong’o gives us the second volume of his memoirs in the wake of his critically acclaimed Dreams in a Time of War. In the House of the Interpreter richly and poignantly evokes the author’s life and times at boarding school—the first secondary educational institution in British-ruled Kenya—in the 1950s, against the backdrop of the tumultuous Mau Mau Uprising for independence and Kenyan sovereignty. While Ng˜ug˜ý has been enjoying scouting trips, chess tournaments, and reading about the fictional RAF pilot adventurer Biggles at the prestigious Alliance High School near Nairobi, things have been changing rapidly at home. Poised as he is between two worlds, Ng˜ug˜ý returns home for his first visit since starting school to find his house razed and the entire village moved up the road, closer to a guard checkpoint. Later, his brother Good Wallace, a member of the insurgency, is captured by the British and taken to a concentration camp. As for Ng˜ug˜ý himself, he falls victim to the forces of colonialism in the person of a police officer encountered on a bus journey, and he is thrown into jail for six days. In his second year at Alliance High School, the boarding school that was his haven in a heartless world is shattered by investigations, charges of disloyalty, and the politics of civil unrest. In the House of the Interpreter hauntingly describes the formative experiences of a young man who would become a world-class writer and, as a political dissident, a moral compass to us all. It is a winning celebration of the implacable determination of youth and the power of hope. |
| ngugi wa thiong o best book: The Black Hermit Ngugi wa Thiong'o, Ngũgĩ wa Thiongʼo, 1968 |
| ngugi wa thiong o best book: Petals of Blood Ngugi wa Thiong'o, Ngũgĩ wa Thiongʼo, 2002 There has been a murder in the Kenyan village of Ilmorog. Four suspects are placed in detention: headmaster Munira, teacher and political activist Karega, spirited barmaid Wanja and storekeeper Abdulla. But there are no easy solutions to the crime in a place already filled with fear and intimidation. As the murder is investigated, it becomes clear how the lives of suspects and victims are inextricably linked to the fortunes of their village, and to the crisis of modern Kenya itself. Petals of Bloodwas published in 1977 to huge controversy, leading to Ngugi's imprisonment for his portrayal of a post-independence Kenya ruled by greed, corruption and brutality. Yet his blistering criticism of the legacy of colonialism still burns with hope for the future. |
| ngugi wa thiong o best book: Nairobi Heat Mukoma Wa Ngugi, 2011-09-13 A cop from Wisconsin pursues a killer through the terrifying slums of Nairobi and the memories of genocide IN MADISON, WISCONSIN, it’s a big deal when African peace activist Joshua Hakizimana—who saved hundreds of people from the Rwandan genocide—accepts a position at the university to teach about “genocide and testimony.” Then a young woman is found murdered on his doorstep. Local police Detective Ishmael—an African-American in an “extremely white” town—suspects the crime is racially motivated; the Ku Klux Klan still holds rallies there, after all. But then he gets a mysterious phone call: “If you want the truth, you must go to its source. The truth is in the past. Come to Nairobi.” It’s the beginning of a journey that will take him to a place still vibrating from the genocide that happened around its borders, where violence is a part of everyday life, where big-oil money rules and where the local cops shoot first and ask questions later—a place, in short, where knowing the truth about history can get you killed. |
| ngugi wa thiong o best book: Nairobi Noir Ngugi wa Thiong'o, Makena Onjerika, Rasna Warah, Stanley Gazemba, Kinyanjui Kombani, 2020-02-04 In this anthology, fourteen authors explore dark mysteries in the concrete jungle capital of Kenya, dealing with topics of race, religion, and corruption. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all-new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Ngugi wa Thiong’o, Stanley Gazemba, Ngumi Kibera, Peter Kimani, Winfred Kiunga, Kinyanjui Kombani, Caroline Mose, Kevin Mwachiro, Wanjiku wa Ngugi, Faith Oneya, Makena Onjerika, Troy Onyango, J.E. Sibi-Okumu, and Rasna Warah. Praise for Nairobi Noir “Nairobi Noir takes readers into the enigmas that haunt Kenya’s most populous city through the deft storytelling of a stellar cast of writers, which includes Ngugi wa Thiong’o, Stanley Gazemba, Makena Onjerika, Troy Onyango, and others.” —Brittle Paper, One of 50 Notable African Books of 2020 “Nairobi is a city of 3 million souls, so it makes sense as a setting Akashic Books’ famed noir series. 14 new stories fill a collection with Nairobi old and new; authors range in age from 24 to 81, and many layers of the city and its complex subcultures will be revealed as the reader makes their way through. Perfect for the armchair traveler!” —CrimeReads, included in CrimeReads’ Most Anticipated Crime Books of 2020 “Crime fiction fans have much to savor.” —Publishers Weekly |
| ngugi wa thiong o best book: Globalectics Ngũgĩ wa Thiong'o, 2012-01-31 A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika Ndeenda (I Will Marry When I Want), produced in Nairobi, sharply criticized the injustices of Kenyan society and unequivocally championed the causes of ordinary citizens. Following his release, Ngugi decided to write only in his native Gikuyu, communicating with Kenyans in one of the many languages of their daily lives, and today he is known as one of the most outspoken intellectuals working in postcolonial theory and the global postcolonial movement. In this volume, Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to decolonize the mind. Ngugi confronts the politics of language in African writing; the problem of linguistic imperialism and literature's ability to resist it; the difficult balance between orality, or orature, and writing, or literature; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon. Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose. |
| ngugi wa thiong o best book: A Grain of Wheat Ngũgĩ wa Thiongʼo, 1968 In this ambitious and densely worked novel, we begin to see early signs of Ngugi's increasing bitterness about the ways in which the politicians are the true benefactors of the rewards of independence. |
| ngugi wa thiong o best book: Detained Ngũgĩ wa Thiongʼo, 1987 |
| ngugi wa thiong o best book: Moving the Centre Ngũgĩ wa Thiongʼo, 1992 In this collection Ngugi is concerned with moving the centre in two senses - between nations and within nations - in order to contribute to the freeing of world cultures from the restrictive walls of nationalism, class, race and gender. Between nations the need is to move the centre from its assumed location in the West to a multiplicity of spheres in all the cultures of the world. Within nations the move should be away from all minority class establishments to the real creative centre among working people in conditions of racial, religious and gender equality. -- Back cover. |
| ngugi wa thiong o best book: Something Torn and New Ngugi wa Thiong'o, 2009 Novelist Ngũgĩ wa Thiong'o has been a force in African literature for decades: Since the 1970s, when he gave up the English language to commit himself to writing in African languages, his foremost concern has been the critical importance of language to culture. Here, Ngugi explores Africa's historical, economic, and cultural fragmentation by slavery, colonialism, and globalization. Throughout this tragic history, a constant and irrepressible force was Europhonism: the replacement of native names, languages, and identities with European ones. The result was the dismemberment of African memory. Seeking to remember language in order to revitalize it, Ngugi's quest is for wholeness. Wide-ranging, erudite, and hopeful, this book is a cri de coeur to save Africa's cultural future.--From publisher description. |
| ngugi wa thiong o best book: Foreign Gods, Inc. Okey Ndibe, 2014-01-14 From a disciple of the late Chinua Achebe comes a masterful and universally acclaimed novel that is at once a taut, literary thriller and an indictment of greed’s power to subsume all things, including the sacred. Foreign Gods, Inc., tells the story of Ike, a New York-based Nigerian cab driver who sets out to steal the statue of an ancient war deity from his home village and sell it to a New York gallery. Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world. Forced to eke out a living as a cab driver, he is unable to manage the emotional and material needs of a temperamental African American bride and a widowed mother demanding financial support. When he turns to gambling, his mounting losses compound his woes. And so he travels back to Nigeria to steal the statue, where he has to deal with old friends, family, and a mounting conflict between those in the village who worship the deity, and those who practice Christianity. A meditation on the dreams, promises and frustrations of the immigrant life in America; the nature and impact of religious conflicts; an examination of the ways in which modern culture creates or heightens infatuation with the exotic, including the desire to own strange objects and hanker after ineffable illusions; and an exploration of the shifting nature of memory, Foreign Gods is a brilliant work of fiction that illuminates our globally interconnected world like no other. |
| ngugi wa thiong o best book: Ngugi Wa Thiong'o Speaks Ngũgĩ wa Thiongʼo, 2006 Ngugi wa Thiong'o's evolution as a thinker can be discerned in the conversations collected here. The earliest, recorded forty years ago, reflect his interest in exploring events in Kenya's colonial past that had a profound impact on his own people, the Kikuyu, and ultimately on his own life. More recent discussions focus on present conditions in Kenya and other parts of the Third World. – from publisher information. |
| ngugi wa thiong o best book: Things Fall Apart Chinua Achebe, 1994-09-01 “A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities. |
| ngugi wa thiong o best book: Wake In Fright: Text Classics Kenneth Cook, 2012-04-26 Wake in Fright tells the tale of John Grant's journey into an alcoholic, sexual and spiritual nightmare. It is the original and the greatest outback horror story. Bundanyabba and its citizens will forever haunt its readers. This edition includes an introduction by Peter Temple and an afterword by David Stratton. Wake in Fright was made into a film in 1971, arguably the greatest film ever made in Australia. It starred Donald Pleasence, Chips Rafferty, and Jack Thompson in his first screen role. Lost for many years, the restored film was re-released to acclaim in 2009. Kenneth Cook was born in Sydney in 1929. Wake in Fright was published in 1961 to high praise in New York and London, and launched Cook's writing career. Cook wrote twenty-one books in all, along with screenplays and scripts for radio and TV. Peter Temple is one of Australia's finest writers. His novel Truth won the 2010 Miles Franklin Award and the Victorian Premier's Literary Award. Temple has written nine novels and has been published in more than twenty countries. David Stratton is co-presenter of At the Movies on ABC television and film critic for the Australian. He has also served as a President of the International Critics Jury for the Cannes and Venice Film Festivals, written three books and is currently lecturing in Film History at the University of Sydney. textclassics.com.au 'It might be fifty years since the novel appeared yet it retains its freshness, its narrative still compels, and its bleak vision still disquiets...Cook can make us feel the heat, see the endless horizon, hear the sad singing on a little train as it traverses the monotonous plain.' Peter Temple, from the Introduction 'Wake in Fright deserves its status as a modern classic. Cook's prose is masterful and the story is gripping from the first page to the last.' M. J. Hyland 'A classic novel which became a classic film. The Outback without the sentimental bulldust. Australia without the sugar coating.' Robert Drewe 'Wake in Fright is a classic of the ugly side of Menzies' Australia, its brutality, its drunkenness, its anxiety to crush all sensibility. All of this is harrowingly reacorded - the destruction of a young soul fresh to Australia - in Kenneth Cook's remarkable novel.' Thomas Keneally 'A true dark classic of Australian literature.' J. M. Coetzee '...a kind of outback Lord of the Flies...Written entirely from Grant's point of view, the prose is at first straightforward, the landscape and its people evoked simply and vividly. But later, as Grant descends into his own personal hell and finally to the depths of despair, the writing takes on the quality of a delirious dream. The concluding narrative twists will rock both Grant (and the reader) back on their heels.' Crime Time UK ‘A chilling outback horror and an Australian classic.’ Guardian, Top 10 tales from the frontier |
| ngugi wa thiong o best book: Reclaiming My Dreams , 2010 |
| ngugi wa thiong o best book: The Promised Land Grace Ogot, 1991-06-15 A young farmer and his wife who have migrated to Tanzania from Kenya become embroiled in issues of personal jealousy and materialism, and a melodramatic tale of tribal hatreds ensues. The novel explores Ogot's concept of the ideal African wife: obedient and submissive to her husband; family and community orientated; and committed to non-materialist goals. The style is distinctively ironic giving the story power and relevance. Grace Ogot has been employed in diverse occupations as a novelist, short story writer, scriptwriter, politician, and representative to the UN. Some of her other works include The Island of Tears (1980), the short story collection Land Without Thunder (1988), The Strange Bride (1989) and The Other Woman (1992). The Promised Land was originally published in 1966, and has since been reprinted five times. |
| ngugi wa thiong o best book: Weep Not, Child Ngũgĩ wa Thiongʼo, 1964 Two small boys stand on a rubbish heap and look into the future. One boy is excited, he is beginning school; the other, his brother, is an apprentice carpetner. Together, they will serve their country--the teacher and the craftsman. But this is Kenya and times are against them. In the forests, the Mau Mau are waging war against the white government, and two brothers, Njoroge and Kamau, and the rest of their family, need to decide where their loyalties lie. For the practical man, the choice is simple, but for Njoroge, the scholar, the dream of progress through learning is a hard one to give up--Page 4 of cover. |
| ngugi wa thiong o best book: How to Read the Air Dinaw Mengestu, 2010-10-14 A beautifully written* (New York Times Book Review) novel of redemption by a prize-winning international literary star. From the acclaimed author of The Beautiful Things that Heaven Bears comes a heartbreaking literary masterwork about love, family, and the power of imagination. Following the death of his father Yosef, Jonas Woldemariam feels compelled to make sense of the volatile generational and cultural ties that have forged him. Leaving behind his marriage and job in New York, he sets out to retrace his mother and father's honeymoon as young Ethiopian immigrants and weave together a family history that will take him from the war-torn country of his parents' youth to a brighter vision of his life in America today. In so doing, he crafts a story- real or invented-that holds the possibility of reconciliation and redemption. |
| ngugi wa thiong o best book: Nikolski Nicolas Dickner, 2009-05-12 Spring 1989. Three young people leave their far-flung birthplaces to follow their own songs of migration. Each ends up in Montreal, each on a voyage of self-discovery, dealing with the mishaps of heartbreak and the twisted branches of their shared family tree. Filled with humor, charm, and good storytelling, this novel shows the surprising links between cartography, garbage-obsessed archeologists, pirates past and present, a mysterious book with no cover, and a broken compass whose needle obstinately points to the Aleutian village of Nikolski (a minuscule village inhabited by thirty-six people, five thousand sheep, and an indeterminate number of dogs). |
| ngugi wa thiong o best book: Mau Mau From Within Karari Njama, Donald L Barnett, 2021-01-16 Mau Mau from Within is told by Karari Njama, a school teacher who was directly involved in the struggles for freedom from colonial rule, to anthropologist Donald L Barnett. As the late Basil Davidson put it: Njama writes of the forest leaders' efforts to overcome dissension, to evolve effective tactics, to keep discipline (including sexual discipline) and mete out justice ... His narrative is crowded with excitement. Those who know much of Africa and those who know little will alike find it compulsive reading. Some 10,000 Africans died fighting in those years . Here, in the harsh detail of everyday experience, are the reasons why. Originally published as Mau Mau From Within: An analysis of Kenya's Peasant Revolt, it is a story of courage, passion, heroism, combined with recounting of colonial terror, brutality and betrayal. Far from being just an analysis of a peasant revolt, this is the inside story of the struggles of Kenya's Land and Freedom Army told from within by a person who worked closely with Dedan Kimathi. This new expanded edition includes new commentary by Karari Njama, and contributions from Ngugi wa Thiong'o, Micere Githae Mugo as well as a statement from Gitu Wa Kahengeri, Secretary General of the Mau Mau War Veterans Association. |
| ngugi wa thiong o best book: Ngugi Wa Thiong'o Simon Gikandi, 2000 |
| ngugi wa thiong o best book: Migritude Shailja Patel, 2010 The U.S. debut of internationally acclaimed poet and performance artist Shailja Patel, Migritude is a tour-de-force hybrid text that confounds categories and conventions. Part poetic memoir, part political history, Migritude weaves together family history, reportage and monologues to create an achingly beautiful portrait of women's lives and migrant journeys undertaken under the boot print of Empire. Patel, who was born in Kenya and educated in England and the U.S., honed her poetic skills in performances of this work that have received standing ovations throughout Europe, Africa and North America. She has been described by the Gulf Times as the poetic equivalent of Arundhati Roy and by CNN as the face of globalization as a people-centered phenomenon of migration and exchange. Migritude includes interviews with the author, as well as performance notes and essays. |
| ngugi wa thiong o best book: Three Days on the Cross Wahome Mutahi, 1991 The author, a well-known Kenyan journalist, and a former detainee, sets his novel in an un-named African country ruled by the Illustrious One - a paranoiac despot. When he demands a crackdown on dissidents, the director of the special police must please him with arrests and detentions. Two of the suspects, a bank employee and a newspaper reporter, are denounced to the authorities, and detained. What follows is a story of Kafkaesque horror, following the men through the dungeons and torture chambers hidden in the capital of a nation masquerading as civil society. The novel enjoyed instant bestseller success in Kenya. |
| ngugi wa thiong o best book: Sosu's Call Meshack Asare, 2023-06-14 Sosu's Call, won the 1999 UNESCO 1st prize for Children's and Young People's Literature in the Service of Tolerance. It is listed as one of the top twelve titles of Africa's 100 Best Books; and has been named an Honor Book for Young Children by the African Studies Association's Children's Africana Book Committee, as a contribution to accurate and balanced material on Africa for children. Beautifully illustrated on artpaper, the story tells of Sosu, a young disabled boy who cannot walk. Sosu misses going to school and all the activities of the other children. His village is on a lagoon, and one day when everyone is away fishing, working in the fields or at school, he raises the alarm with his drumming, and saves the village from total destruction by the sea. His heroism is rewarded when a wheelchair is donated and at last he can go to school. This is a newly enhanced, digitally produced version of this classic African children's book. |
| ngugi wa thiong o best book: Across the Bridge Mwangi Gicheru, 1979 |
| ngugi wa thiong o best book: Out of Africa Isak Dinesen, Karen Blixen, 2011 In 1914 Karen Blixen arrived in Kenya with her husband to run a coffee-farm. Drawn to the exquisite beauty of Africa, she spent her happiest years there until the plantation failed. A poignant farewell to her beloved farm, Out of Africa describes her friendships with the local people, her dedication for the landscape and wildlife, and great love for the adventurer Denys Finch-Hatton. |
| ngugi wa thiong o best book: Dance of the Jakaranda Peter Kimani, 2018 Set in the shadow of Kenya's independence from Great Britain, this story reimagines the special circumstances that brought black, brown, and white men together to lay the railroad that heralded the birth of the nation.-- |
| ngugi wa thiong o best book: Paradise Abdulrazak Gurnah, 2022-02-17 By the winner of the 2021 Nobel Prize in Literature A BBC RADIO 4 Book at Bedtime SHORTLISTED FOR THE BOOKER PRIZE _______________________ 'A poetic and vividly conjured book about Africa and the brooding power of the unknown' Independent on Sunday 'Gurnah evokes his world in poetic prose which is pure and lucid - a small paradise in itself ... The pleasures, sadnesses and losses in all the shining facets of this book are lingering and exquisite' Guardian 'An obliterated world is enthrallingly retrieved' Sunday Times _______________________ Born in East Africa, Yusuf has few qualms about the journey he is to make. It never occurs to him to ask why he is accompanying Uncle Aziz or why the trip has been organised so suddenly, and he does not think to ask when he will be returning. But the truth is that his 'uncle' is a rich and powerful merchant and Yusuf has been pawned to him to pay his father's debts. Paradise is a rich tapestry of myth, dreams and Biblical and Koranic tradition, the story of a young boy's coming of age against the backdrop of an Africa increasingly corrupted by colonialism and violence. |
| ngugi wa thiong o best book: Re-membering Africa Ngũgĩ wa Thiongʼo, 2009 |
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The 30 Best Risk Management Software of 2024 - nTask
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Constituição
Nós, representantes do povo brasileiro, reunidos em Assembléia Nacional Constituinte para instituir um Estado Democrático, destinado a assegurar o exercício dos direitos sociais e …
Constituição Federal de 1988 - Portal da Câmara dos Deputados
Aug 11, 2020 · Acesse a página da Livraria da Câmara dos Deputados para baixar a Constituição em diversos formatos. ADCT atualizado até a Emenda Constitucional nº 135/2024. Ato das …
Constituição Federal - Senado Federal
Acesse o texto da Constituição Federal de 1988 e do Ato das Disposições Constitucionais Transitórias (ADCT), disponibilizados no Portal normas.leg.br, além do texto atualizado …
Supremo Tribunal Federal
Página que apresenta a Constituição Federal e leis infraconstitucionais anotadas com a jurisprudência do STF. Página que reúne compilados de pesquisa de jurisprudência do STF …
Dunas Motors - CFMOTO | Juntos, Muito Além da Experiência
Com um stand repleto de potência, tecnologia e design, levamos ao público o que temos de melhor no universo dos veículos utilitários off Road. Assista ao vídeo completo da coletiva de …
Constituição Federal | CONSTITUIÇÃO FEDERAL, DE 1988 - Jusbrasil
CONSTITUIÇÃO DA REPUBLICA FEDERATIVA DO BRASIL DE 1988 Vide Emenda Constitucional nº 91, de 2016 Vide Emenda Constitucional nº 106, de 2020 Vide Emenda …
Fortaleza Esporte Clube - Wikipedia
Fortaleza Esporte Clube (Portuguese: [foʁtaˈlezɐ isˈpɔʁt͡ʃi ˈklubi]) is a Brazilian multi-sport club based in Fortaleza, capital of the state of Ceará. Founded in 18 October 1918, [3] primarily a …
SUPREMO TRIBUNAL FEDERAL CONSTITUIÇ - stf.jus.br
ais da República Federativa do Brasil: I – construir uma sociedade livre, justa e solidária; II – garantir o desenvolvimento nacional; III – erradicar a pobreza e a marginalização e reduzir as …
Constituição da República Federativa do Brasil
Texto constitucional promulgado em 5 de outubro de 1988, com as alterações determinadas pelas Emendas Constitucionais de Revisão nos 1 a 6/94, pelas Emendas Constitucionais nos …
Constituicao-Compilado
Art. 1º A República Federativa do Brasil, formada pela união indissolúvel dos Estados e Municípios e do Distrito Federal, constitui-se em Estado Democrático de Direito e tem como …
