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nedjma kateb yacine: Nedjma, Translated by Richard Howard Yacine Kateb, 1991 Nedjma is a masterpiece of North African writing. Its intricate plot involves four men in love with the beautiful woman whose name serves as the title of the novel. Nedjma is the central figure of this disorienting novel, but more than the unfortunate wife of a man she does not love, more than the unwilling cause of rivalry among many suitors, Nedjma is the symbol of Algeria. Kateb has crafted a novel that is the saga of the founding ancestors of Algeria through the conquest of Numidia by the Romans, the expansion of the Ottoman Empire, and French colonial conquest. Nedjma is symbolic of the rich and sometimes bloody past of Algeria, of its passions, of its tenderness; it is the epic story of a human quest for freedom and happiness. |
nedjma kateb yacine: Fantasia Assia Djebar, 1985 |
nedjma kateb yacine: Transfigurations of the Maghreb Winifred Woodhull, 1993 Recent years have seen growing interest in the politics, history, and literature of the postcolonial world. In the case of the Maghreb, scholars have examined the consequences of decolonization for both North Africans and Maghrebian immigrant communities now living in France, and international attention is currently focused on the rise of fundamentalism in Algeria and the implications of this for France and Algeria's domestic and foreign policies. Transfigurations of the Maghreb, which emphasizes the intersections of literature and politics, the local and the global, is at once a timely addition to contemporary debates about the Maghreb and a valuable contribution to the field of postcolonial studies in general. Transfigurations of the Maghreb addresses the question of gender in the context of postcolonial studies by examining the ways in which gender is inscribed in texts written about the Maghreb since the 1950s by both French and Maghrebian authors. -- from http://www.jstor.org (June 23, 2014). |
nedjma kateb yacine: Knot of the Soul Stefania Pandolfo, 2018-05-09 Through a dual engagement with the unconscious in psychoanalysis and Islamic theological-medical reasoning, Stefania Pandolfo’s unsettling and innovative book reflects on the maladies of the soul at a time of tremendous global upheaval. Drawing on in-depth historical research and testimonies of contemporary patients and therapists in Morocco, Knot of the Soul offers both an ethnographic journey through madness and contemporary formations of despair and a philosophical and theological exploration of the vicissitudes of the soul. Knot of the Soul moves from the experience of psychosis in psychiatric hospitals, to the visionary torments of the soul in poor urban neighborhoods, to the melancholy and religious imaginary of undocumented migration, culminating in the liturgical stage of the Qur’anic cure. Demonstrating how contemporary Islamic cures for madness address some of the core preoccupations of the psychoanalytic approach, she reveals how a religious and ethical relation to the “ordeal” of madness might actually allow for spiritual transformation. This sophisticated and evocative work illuminates new dimensions of psychoanalysis and the ethical imagination while also sensitively examining the collective psychic strife that so many communities endure today. |
nedjma kateb yacine: The Poor Man's Son Mouloud Feraoun, 2005 Like the autobiographical hero of this, his classic first novel, Mouloud Feraoun grew up in the rugged Kabyle region of French-controlled Algeria, where the prospects for most Muslim Berber men were limited to shepherding or emigrating to France for factory work. While Feraoun escaped such a fate by excelling in the colonial school system—as a student and, later, as a teacher at the École Normale—he remained firmly rooted in Kabyle culture. This dual perspective only enhanced his view, often brutally, of the ravages on his country by poverty, colonial rule, and a world war that descended on Algeria like a great storm. This embattled society, and Feraoun’s unique position within it, became the raw material for The Poor Man’s Son . Originally published in 1950, the novel was reissued in 1954, when its style was fixed to remove colloquial mannerisms and tenses. Perhaps more importantly, an entire section was omitted, significantly altering the conclusion and, indeed, the whole thrust of the book. Nonetheless, it is this version by which the book is known to this day in French. Based on the original 1950 text, this new translation is notable not only for bringing Feraoun’s classic to an English-speaking audience but also for presenting the book in its entirety for the first time in fifty years. A direct response to Albert Camus’ call for Algerians to tell the world their story, The Poor Man’s Son remains after half a century the definitive map of the Kabyle soul. |
nedjma kateb yacine: The Children of the Ghetto: I Elias Khoury, 2019-07-23 Lit by the sublime beauty and tragedy of classical Arabic poetry, a Palestinian falafel seller in New York sets out to shape fragments of his family history Weaving history, memory, and poetry, this unforgettable novel—and the 1st book in a trilogy—provides a sprawling memorial to the Nakba and the strangled lives left in its wake. Long exiled in New York, Palestinian ex-pat Adam Dannoun thought he knew himself. But an encounter with Blind Mahmoud, a father figure from his childhood, changes everything. It is when Adam encounters his former teacher that Adam discovers the story he must tell. Ma’moun’s testimony brings Adam back to the first years of his life in the ghetto of Lydia, in Palestine, where his family endured thirst, hunger, and terror in the aftermath of unspeakable horror. With unmatched literary craft and empathy, Khoury peels away layers of lost stories and repressed memories to unveil Adam’s story. Oscillating between two narrators—the self-reflexive Elias Khoury and Adam himself—Children of the Ghetto: My Name is Adam engages real (and invented) scholarly texts, Khoury’s own work, and Adam’s lost notebooks in an intertextual account of a life shadowed by atrocity. |
nedjma kateb yacine: The Cambridge Companion to the African Novel F. Abiola Irele, 2009-07-23 Africa's strong tradition of storytelling has long been an expression of an oral narrative culture. African writers such as Amos Tutuola, Naguib Mahfouz, Wole Soyinka and J. M. Coetzee have adapted these older forms to develop and enhance the genre of the novel, in a shift from the oral mode to print. Comprehensive in scope, these new essays cover the fiction in the European languages from North Africa and Africa south of the Sahara, as well as in Arabic. They highlight the themes and styles of the African novel through an examination of the works that have either attained canonical status - an entire chapter is devoted to the work of Chinua Achebe - or can be expected to do so. Including a guide to further reading and a chronology, this is the ideal starting-point for students of African and world literatures. |
nedjma kateb yacine: The Queue Basma Abdel Aziz, 2016-05-24 “Weird and wild.” —BookRiot “An effective critique of authoritarianism.” —NPR “Equal parts dystopia, satire, and allegory. —Los Angeles Review of Books Set against the backdrop of a failed political uprising in Egypt, this chilling debut evokes Orwellian dystopia, Kafkaesque surrealism, and a very real vision of life after the Arab Spring. In a surreal, but familiar, vision of modern day Egypt, a centralized authority known as ‘the Gate’ has risen to power in the aftermath of the ‘Disgraceful Events,’ a failed popular uprising. Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate never opens, and the queue in front of it grows longer. Citizens from all walks of life mix and wait in the sun: a revolutionary journalist, a sheikh, a poor woman concerned for her daughter’s health, and even the brother of a security officer killed in clashes with protestors. Among them is Yehia, a man who was shot during the Events and is waiting for permission from the Gate to remove a bullet that remains lodged in his pelvis. Yehia’s health steadily declines, yet at every turn, officials refuse to assist him, actively denying the very existence of the bullet. Ultimately it is Tarek, the principled doctor tending to Yehia’s case, who must decide whether to follow protocol as he has always done, or to disobey the law and risk his career to operate on Yehia and save his life. Written with dark, subtle humor, The Queue describes the sinister nature of authoritarianism, and illuminates the way that absolute authority manipulates information, mobilizes others in service to it, and fails to uphold the rights of even those faithful to it. |
nedjma kateb yacine: Postcolonial Maghreb and the Limits of IR Jessica da Silva C. de Oliveira, 2019-06-19 This book explores narratives produced in the Maghreb in order to illustrate shortcomings of imagination in the discipline of international relations (IR). It focuses on the politics of narrating postcolonial Maghreb through a number of writers, including Abdelkebir Khatibi, Fatema Mernissi, Kateb Yacine and Jacques Derrida, who explicitly embraced the task of (re)imagining their respective societies after colonial independence and subsequent nation-building processes. Narratives are thus considered political acts speaking to the turbulent context in which postcolonial Maghrebian Francophone literature emerges as sites of resistance and contestation. Throughout the chapters, the author promotes an encounter between narratives from the Maghreb and IR and makes a case for the kinds of thinking and writing strategies that could be used to better approach international and global studies. |
nedjma kateb yacine: Colonial Madness Richard C. Keller, 2007-05-15 Nineteenth-century French writers and travelers imagined Muslim colonies in North Africa to be realms of savage violence, lurid sexuality, and primitive madness. Colonial Madness traces the genealogy and development of this idea from the beginnings of colonial expansion to the present, revealing the ways in which psychiatry has been at once a weapon in the arsenal of colonial racism, an innovative branch of medical science, and a mechanism for negotiating the meaning of difference for republican citizenship. Drawing from extensive archival research and fieldwork in France and North Africa, Richard Keller offers much more than a history of colonial psychology. Colonial Madness explores the notion of what French thinkers saw as an inherent mental, intellectual, and behavioral rift marked by the Mediterranean, as well as the idea of the colonies as an experimental space freed from the limitations of metropolitan society and reason. These ideas have modern relevance, Keller argues, reflected in French thought about race and debates over immigration and France’s postcolonial legacy. |
nedjma kateb yacine: The Algerian Novel and Colonial Discourse Abdelkader Aoudjit, 2010 During the last fifty years, Mouloud Feraoun, Mohammed Dib, Mouloud Mammeri, and Kateb Yacine achieved significant international recognition yet remain little known in the United States. Filling a pressing need, The Algerian Novel and Colonial Discourse provides a critical introduction and a new approach to the works of these Algerian novelists. Beginning with an overview of their novels, this book goes on to discuss critical approaches to them, challenging the widely held notion that they are merely ethnographic, upholding the status quo. The Algerian Novel and Colonial Discourse provides a new reading, and, most significantly, argues that they are best read as witnesses to the kind of conflict Jean-François Lyotard calls a différend - a conflict in which one suffers an injustice and is at the same time deprived of the means to argue. The Algerian Novel and Colonial Discourse then examines the issue of humanism that the novels allegedly both appeal to and reject and demonstrates that the Algerian authors' condemnation of colonialism is both a coherent political position and consistent with their critique of liberal humanism. It concludes with a discussion on the ongoing relevance of the Algerian novels. The Algerian Novel and Colonial Discourse includes a glossary and a short history of modern Algeria to provide readers with the political and cultural contexts they need to understand its literature. This combination of innovative theoretical approach and political context makes this book of utmost importance for students of Francophone literature and for literary critics interested in colonialism, postcolonialism, and Lyotard's philosophy. |
nedjma kateb yacine: Women and the War Story Miriam Cooke, 2023-09-01 In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the War Story, a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative—and with it the way we think about and conduct war—can be changed. As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions—home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat—that have framed, and ultimately promoted, war. In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the War Story, a genre formerly reserved for men. Concentrating on the contemporary lite |
nedjma kateb yacine: History's Place Seth Graebner, 2007-01-01 History's Place explores nostalgia as one of the defining aspects of the relationship between France and North Africa. Dr. Seth Graebner argues that France's most important colony developed a historical consciousness through literature, and that post-colonial writers revised it while retaining its dominant effect. |
nedjma kateb yacine: Poems for the Millennium, Volume Four Jerome Rothenberg, Pierre Joris, Jeffrey Cane Robinson, Habib Tengour, 1995 Global anthology of twentieth-century poetry--Back cover. |
nedjma kateb yacine: Land and Blood Mouloud Feraoun, 2012 In Land and Blood, his second novel, the Algerian-Kabyle writer Mouloud Feraoun offers a detailed portrait of life for Algerian Kabyles in the 1920s and 1930s through the story of a Kabyle-Berber man, Amer. Like many Kabyle men of the 1930s, Amer leaves his village to work in the coal mines of France. While in France, he inadvertently kills his own uncle in an accident that sets in motion forces of betrayal and revenge once he returns home. Unlike The Poor Man's Son, his first fictional work, Land and Blood is not autobiographical but is rather the first in a series of novels Feraoun planned to write about immigrant ties between France and Algeria in the years leading up to World War II. Through Amer's story, Feraoun unveils what daily life was like in a poor village of colonial-era Algeria. Published in 1953, a year before the outbreak of the Algerian War, Land and Blood provides a fascinating account of Muslim, Berber-Arab social, cultural, and religious practices of rural Algeria in the pre-independence era. |
nedjma kateb yacine: Time of White Horses Ibrahim Nasrallah, 2016-03-15 Shortlisted for the International Prize for Arabic Fiction Spanning the collapse of Ottoman rule and the British Mandate in Palestine, this is the story of three generations of a defiant family from the Palestinian village of Hadiya before 1948. Through the lives of Mahmud, elder of Hadiya, his son Khaled, and Khaled’s grandson Naji, we enter the life of a tribe whose fate is decided by one colonizer after another. Khaled’s remarkable white mare, Hamama, and her descendants feel and share the family’s struggles and as a siege grips Hadiya, it falls to Khaled to save his people from a descending tyranny. |
nedjma kateb yacine: The Sand Child Tahar Ben Jelloun, 2000-08-01 A poetic vision of power, colonialism, and gender in North Africa, The Sand Child has been justifiably celebrated around the world as a daring and significant work of international fiction. |
nedjma kateb yacine: Art, Creativity, and Politics in Africa and the Diaspora Abimbola Adelakun, Toyin Falola, 2018-07-26 This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world. |
nedjma kateb yacine: What the Day Owes the Night Yasmina Khadra, 2011 As a young man Younes' life is irrevocably changed when he leaves his broken home for the vibrant, colourful and affluent European district of Rio Salado. Renamed Jonas, he begins a new life and forges a unique friendship with a group of boys, an enduring bond that nothing - not even the Algerian Revolt - will shake. |
nedjma kateb yacine: The Bride of Amman Fadi Zaghmout, 2015-07-21 The Bride of Amman, a huge and controversial bestseller when first published in Arabic, takes a sharp-eyed look at the intersecting lives of four women and one gay man in Jordan's historic capital, Amman-a city deeply imbued with its nation's traditions and taboos. When Rana finds herself not only falling for a man of the wrong faith, but also getting into trouble with him, where can they go to escape? Can Hayat's secret liaisons really suppress the memories of her abusive father? When Ali is pressured by society's homophobia into a fake heterosexual marriage, how long can he maintain the illusion? And when spinsterhood and divorce spell social catastrophe, is living a lie truly the best option for Leila? What must she do to avoid reaching her 'expiry date' at the age thirty like her sister Salma, Jordan's secret blogger and a self-confessed spinster with a plot up her sleeve to defy her city's prejudices? These five young lives come together and come apart in ways that are distinctly modern yet as unique and timeless as Amman itself. |
nedjma kateb yacine: 'Nedjma' de Kateb Yacine Marc Gontard, 1985 |
nedjma kateb yacine: Decadence and the Making of Modernism David Weir, 1995 The cultural phenomenon known as decadence has often been viewed as an ephemeral artistic vogue that fluorished briefly in late nineteenth- and early twentieth-century Europe. This study makes the case for decadence as a literary movement in its own right, based on a set of aesthetic principles that formed a transitional link between romanticism and modernism. Understood in this developmental context, decadence represents the aesthetic substratum of a wide range of fin-de-siecle literary schools, including naturalism, realism, Parnassianism, aestheticism, and symbolism. As an impulse toward modernism, it prefigures the thematic, structural, and stylistic concerns of later literature. David Weir demonstrates his thesis by analyzing a number of French, English, Italian, and American novels, each associated with some specific decadent literary tendency. The book concludes by arguing that the decadent sensibility persists in popular culture and contemporary theory, with multiculturalism and postmodernism representing its most current manifestations. |
nedjma kateb yacine: Talismano Abdelwahab Meddeb, 2011-05-03 Talismano is a novelistic exploration of writing seen as a hallucinatory journey through half-remembered, half-imagined cities—in particular, the city of Tunis, both as it is now, and as it once was. Walking and writing, journey and journal, mirror one another to produce a calligraphic, magical work: a palimpsest of various languages and cultures, highlighting Abdelwahab Meddeb's beguiling mastery of both the Western and Islamic traditions. Meddeb's journey is first and foremost a sensual one, almost decadent, where the narrator luxuriates in the Tunis of his memories and intercuts these impressions with recollections of other cities at other times, reviving the mythical figures of Arab-Islamic legend that have faded from memory in a rapidly westernizing North Africa. A fever dream situated on the knife-edge between competing cultures, Talismano is a testament to the power of language to evoke, and subdue, experience. |
nedjma kateb yacine: Sherazade Leïla Sebbar, 1999 Sherazade is seventeen, Algerian, and a run-away in Paris. She is haunted by her Algerian past; she searchs for her true identity in Arab books but is caught between worlds -- Africa and Europe, her parents' and her own, colony and capital... |
nedjma kateb yacine: The Search of Identity in Kateb Yacine's Nedjma Assia Kacedali, 2016 |
nedjma kateb yacine: The Crisis of the Arab Intellectual Abd Allah Arawi, Abdallah Laroui, ʻAbd Allāh ʻArawī, ʿAbdallāh al- ʿArawī, 1976-01-01 This book intends to review the meaning of contemporary in Arab intellectual history. It presents a classification of four periods in modern Arab intellectual history; they are the following: 1) Nahda: the great Arab renaissance period, from 1850 to 1914. The Nahda sought through translation and vulgarization to assimilate the great achievements of modern European civilization; 2) the period between the two wars characterized by the the development of thoughts which played a leading role in social movements, especially in nationalist movements; 3) the period the Arab nationalist experiments on the unionist ideology; and 4) the period of moral and political crisis after the defeat in the 1967 War. The central thesis of this book is that the concept of history - a concept playing a capital role in modern thought - is in fact peripheral to all the ideologies that have dominated the Arab world till now. |
nedjma kateb yacine: Perennial Decay Liz Constable, Dennis Denisoff, Matthew Potolsky, 1999 When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of gratitude to the marquis of Queensberry for destroying the high Priest of the Decadents. But reports of the death of decadence were greatly exaggerated, and today, more than one hundred years after the famous trial and at the beginning of a new millennium, the phenomenon of decadence continues to be a significant cultural force. Indeed, decadence in the nineteenth century, and in our own period, has been a concept whose analysis yields a broad set of associations. In Perennial Decay, Emily Apter, Charles Bernheimer, Sylvia Molloy, Michael Riffaterre, Barbara Spackman, Marc Weiner, and others extend the critical field of decadence beyond the traditional themes of morbidity, the cult of artificiality, exoticism, and sexual nonconformism. They approach the question of decadence afresh, reevaluating the continuing importance of late nineteenth-century decadence for contemporary literary and cultural studies. |
nedjma kateb yacine: White Shadows Carroll Yoder, 1991 |
nedjma kateb yacine: Male Trouble Abigail Solomon-Godeau, 1999-05-01 Why did the male nude become an object of spectacle and erotic display in the late eighteenth and early nineteenth centuries? Why was the male nude later eclipsed by the female nude? Why have historians ignored this crisis in the representation of masculinity, characterized by a taste for feminized male bodies? In this pioneering and compelling book, Abigail Solomon-Godeau shows that the masculine ideal, whether in the guise of martial, virile heroes or languishing, disempowered youths, raises important questions about the fashioning of masculinity itself. Examining the different forms of ideal manhood in relation to the cataclysms of the French Revolution and to international Neoclassicism, she explores how and why the beautiful male body dominated the visual culture of the time and appealed so powerfully to male spectators. Drawing on feminist, psychoanalytic, and critical theory, as well as on art and cultural history, Solomon-Godeau proposes a radical revision of Neoclassical visual culture as it relates to the emerging bourgeois order, demonstrating how both reflect the status of women. |
nedjma kateb yacine: The Algerian War 1954–62 Martin Windrow, 1997-11-15 It is hard to convey the public impact of France's war to maintain her colonial grip on Algeria; yet in the late 1950s this ugly conflict dominated Europe's media to almost the same extent as would Vietnam ten years later. It brought France to the very verge of military coup d'etat; it destroyed thousands of careers; bitterly divided the French military and political classes for a generation; and sent hundreds of thousands of European settler families into often ruinous exile. This title details the history, organisation, equipment and uniforms of the forces involved in the Algerian War (1954-1962). |
nedjma kateb yacine: Deconstructing War Discourse Miriam Cooke, 1989 |
nedjma kateb yacine: Dreams Of Trespass Fatima Mernissi, 1995-09-04 This wonderful and enchanting memoir tells the revelatory true story of one Muslim girl's life in her family's French Moroccan harem, set against the backdrop of World War II (The New York Times Book Review). I was born in a harem in 1940 in Fez, Morocco... So begins Fatima Mernissi in this illuminating narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass, Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth -- women who, without access to the world outside, recreated it from sheer imagination. A beautifully written account of a girl confronting the mysteries of time and place, gender and sex, Dreams of Trespass illuminates what it was like to be a modern Muslim woman in a place steeped in tradition. |
nedjma kateb yacine: Colonial and Postcolonial Literature: Migrant Metaphors Elleke Boehmer, 2005-10-06 Colonial and Postcolonial Literature is the leading critical overview of and historical introduction to colonial and postcolonial literary studies. Highly praised from the time of its first publication for its lucidity, breadth, and insight, the book has itself played a crucial part in founding and shaping this rapidly expanding field. The author, an internationally renowned postcolonial critic, provides a broad contextualizing narrative about the evolution of colonial and postcolonial writing in English. Illuminating close readings of texts by a wide variety of writers - from Kipling and Conrad through to Kincaid, from Ngugi to Noonuccal and Naipaul - explicate key theoretical terms such as 'subaltern', 'colonial resistance', 'writing back', and 'hybridity'. This revised edition includes new critiques of postcolonial women's writing, an expanded and fully annotated bibliography, and a new chapter and conclusion on postcolonialism exploring keynote debates in the field relating to sexuality, transnationalism, and local resistance. |
nedjma kateb yacine: Kateb Yacine's "Nedjma" Salah Mohammed Moukhlis, 2000 |
nedjma kateb yacine: Who Remembers the Sea Mohammed Dib, 1985 |
nedjma kateb yacine: Decolonising the Intellectual Jane Hiddleston, 2014 This book explores the impossible dilemma facing Francophone intellectuals writing in the lead-up to decolonisation: How could they redefine their culture, and the 'humanity' they felt had been denied by the colonial project, in terms that did not replicate the French thinking by which they were formed? |
nedjma kateb yacine: Nedjma. Roman Yacine Kateb, 1957 |
nedjma kateb yacine: History's Place Seth Graebner, 2007-05-30 History's Place explores nostalgia as one of the defining aspects of the relationship between France and North Africa. Dr. Seth Graebner argues that France's most important colony developed a historical consciousness through literature, and that post-colonial writers revised it while retaining its dominant effect. The North African city became a privileged place in the relationship between literacy and historical discourses in the colony. Graebner analyzes the importance of architecture and urbanism as markers of historical development, as the urban fabric and descriptions of it became signs of difference between metropole and colony. Discussing writers as diverse as Bertrand, Randau, and Kateb, this book examines how the changing Algerian city has remained the locus of a debate colored by various sorts of nostalgia. Graebner demonstrates that nostalgia was symptomatic of historical anxiety generated by colonial conditions, but with literary consequences for mainland France as well. History's Place is a comprehensive and valuable addition to the study of French literature and cultural studies. |
nedjma kateb yacine: Nedjma Yacine Kateb, 1961 |
Nedjma - Wikipedia
Nedjma is a novel written by Kateb Yacine and published in 1956. It tells the story of four young men (Mustapha, Lakhdar, Rachid, Mourad) who fall in love with Nedjma, daughter of an …
Nedjma by Kateb Yacine - Goodreads
Nedjma is set in Algeria in the late French Colonial era from the eyes of an Algeria. As someone not familiar with the region there is much to learn concerning the tribal history, the perspective …
Nedjma - Encyclopedia.com
In Nedjma, Kateb explores the contradictions behind attempts to forge an Algerian identity. Every attempt to determine the origins of Nedjma and, by extension, Algeria, fails.
Nedjma, a Novel (Caribbean and African Literature): Kateb ...
Aug 29, 1991 · Nedjma is a masterpiece of North African writing. Its intricate plot involves four men in love with the beautiful woman whose name serves as the title of the novel.
Nedjma - UVA Press
Nedjma is a masterpiece of North African writing. Its intricate plot involves four men in love with the beautiful woman whose name serves as the title of the novel.
Nedjma | work by Kateb | Britannica
Kateb’s first novel, Nedjma (1956), is undoubtedly the one work that has most influenced the course of Francophone North African literature. Nedjma recounts a tale of intraclan conflict …
Yacine: Nedjma - The Modern Novel
Kateb has created the character of Nedjma, the daughter of a French woman and Arab man, as a mythic person, loved by four men – Mourad, Lakhdar, Mustapha et Rachid – who share …
Nedjma - Wikipedia
Nedjma is a novel written by Kateb Yacine and published in 1956. It tells the story of four young men …
Nedjma by Kateb Yacine - Goodreads
Nedjma is set in Algeria in the late French Colonial era from the eyes of an Algeria. As someone not familiar …
Nedjma - Encyclopedia.com
In Nedjma, Kateb explores the contradictions behind attempts to forge an Algerian identity. Every attempt to …
Nedjma, a Novel (Caribbean and African Literature): Kate…
Aug 29, 1991 · Nedjma is a masterpiece of North African writing. Its intricate plot involves four men in love with …
Nedjma - UVA Press
Nedjma is a masterpiece of North African writing. Its intricate plot involves four men in love with the …