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| naji al ali cartoons: A Child in Palestine Naji Al-Ali, 2024-09-17 Naji al-Ali grew up in the Palestinian refugee camp of Ain al-Hilweh in the south Lebanese city of Sidon, where his gift for drawing was discovered by the Palestinian poet Ghassan Kanafani in the late 1950s. Early the following decade he left for Kuwait, embarking on a thirty-year career that would see his cartoons published daily in newspapers from Cairo to Beirut, London to Paris. Resolutely independent and unaligned to any political party, Naji al-Ali strove to speak to and for the ordinary Arab people; the pointed satire of his stark, symbolic cartoons brought him widespread renown. Through his most celebrated creation, the witness-child Handala, al-Ali criticized the brutality of Israeli occupation, the venality and corruption of the regimes in the region, and the suffering of the Palestinian people, earning him many powerful enemies and the soubriquet “the Palestinian Malcolm X.” For the first time in book form, A Child in Palestine presents the work of one of the Arab world’s greatest cartoonists, revered throughout the region for his outspokenness, honesty and humanity. “That was when the character Handala was born. The young, barefoot Handala was a symbol of my childhood. He was the age I was when I had left Palestine and, in a sense, I am still that age today and I feel that I can recall and sense every bush, every stone, every house and every tree I passed when I was a child in Palestine. The character of Handala was a sort of icon that protected my soul from falling whenever I felt sluggish or I was ignoring my duty. That child was like a splash of fresh water on my forehead, bringing me to attention and keeping me from error and loss. He was the arrow of the compass, pointing steadily towards Palestine. Not just Palestine in geographical terms, but Palestine in its humanitarian sense—the symbol of a just cause, whether it is located in Egypt, Vietnam or South Africa.”—Naji al-Ali, in conversation with Radwa Ashour |
| naji al ali cartoons: A Child in Palestine Naji Al-Ali, 2009-06-23 Naji al-Ali grew up in the Palestinian refugee camp of Ain al-Hilweh in the south Lebanese city of Sidon, where his gift for drawing was discovered by the Palestinian poet Ghassan Kanafani in the late 1950s. Early the following decade he left for Kuwait, embarking on a thirty-year career that would see his cartoons published daily in newspapers from Cairo to Beirut, London to Paris. Resolutely independent and unaligned to any political party, Naji al-Ali strove to speak to and for the ordinary Arab people; the pointed satire of his stark, symbolic cartoons brought him widespread renown. Through his most celebrated creation, the witness-child Handala, al-Ali criticized the brutality of Israeli occupation, the venality and corruption of the regimes in the region, and the suffering of the Palestinian people, earning him many powerful enemies and the soubriquet “the Palestinian Malcolm X.” For the first time in book form, A Child in Palestine presents the work of one of the Arab world’s greatest cartoonists, revered throughout the region for his outspokenness, honesty and humanity. “That was when the character Handala was born. The young, barefoot Handala was a symbol of my childhood. He was the age I was when I had left Palestine and, in a sense, I am still that age today and I feel that I can recall and sense every bush, every stone, every house and every tree I passed when I was a child in Palestine. The character of Handala was a sort of icon that protected my soul from falling whenever I felt sluggish or I was ignoring my duty. That child was like a splash of fresh water on my forehead, bringing me to attention and keeping me from error and loss. He was the arrow of the compass, pointing steadily towards Palestine. Not just Palestine in geographical terms, but Palestine in its humanitarian sense—the symbol of a just cause, whether it is located in Egypt, Vietnam or South Africa.”—Naji al-Ali, in conversation with Radwa Ashour |
| naji al ali cartoons: The Art of Controversy Victor S Navasky, 2013-04-09 A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's Duendecitos), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression. |
| naji al ali cartoons: Visual Culture in the Modern Middle East Christiane Gruber, Sune Haugbolle, 2013-07-17 A collection of essays examining the role and power of images from a wide variety of media in today’s Middle Eastern societies. This timely book examines the power and role of the image in modern Middle Eastern societies. The essays explore the role and function of image making to highlight the ways in which the images “speak” and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East addresses aspects of the visual in the Islamic world, including the presentation of Islam on television; on the internet and other digital media; in banners, posters, murals, and graffiti; and in the satirical press, cartoons, and children’s books. “This volume takes a new approach to the subject . . . and will be an important contribution to our knowledge in this area. . . . It is comprehensive and well-structured with fascinating material and analysis.” —Peter Chelkowski, New York University “An innovative volume analyzing and instantiating the visual culture of a variety of Muslim societies [which] constitutes a substantially new object of study in the regional literature and one that creates productive links with history, anthropology, political science, art history, media studies, and urban studies, as well as area studies and Islamic studies.” —Walter Armbrust, University of Oxford |
| naji al ali cartoons: Baddawi Leila Abdelrazaq, 2014-03-04 Baddawi is the story of a young boy struggling to find his place in the world. Raised in a refugee camp called Baddawi in northern Lebanon, Ahmad is just one of the many thousands of refugee children born to Palestinians who fled their homeland after the war in 1948 established the state of Israel. In this visually arresting graphic novel, Leila Abdelrazaq explores her father's childhood in the 1960s and '70s from a boy's eye view as he witnesses the world crumbling around him and attempts to carry on, forging his own path in the midst of terrible uncertainty. |
| naji al ali cartoons: White and Black , 2018-12 Palestinian political cartoonist Mohammad Sabaaneh has gained renown worldwide for his stark black-and-white drawings that express the numerous abuses and losses that his countrymen suffer under Israel's occupation and celebrate their popular resistance. This collection includes 180 of Sabaaneh's best cartoons, including some depicting the privations he and other Palestinian political prisoners have suffered in Israel's many prisons. This book offers profound insights into the political and social struggles facing the Palestinian people and a pointed critique of the inaction or complicity of the international community. Veteran graphic artist Seth Tobocman contributes a foreword. |
| naji al ali cartoons: Green Almonds Anaële Hermans, 2018-07-10 The graphic novel collaboration and true story of two sisters. Anaële, a writer, leaves for Palestine volunteering in an aid program, swinging between her Palestinian friends and her Israeli friends. Delphine is an artist, left behind in Liège, Belgium. From their different sides of the world, they exchange letters. Green Almonds: Letters from Palestine is a personal look into a complex reality, through the prism of the experience of a young woman writing letters to her sister about her feelings and adventures in the occupied territories. Green Almonds is an intimate story with big implications. A young woman discovers a country, works there, makes friends, lives a love story, and is confronted with the plight of the Palestinians, the violence on a daily basis that we see on our screens and read in our newspapers. Anaële's story is brought to life by Delphine's simple and evocative drawings, which give full force to the subject and evoke the complexity of this conflict, creating a journey to the everyday life of Palestinians.Green Almonds: Letters from Palestine received the Doctors Without Borders Award for best travel diary highlighting the living conditions of populations in precarious situations when it was published in France in 2011. |
| naji al ali cartoons: Footnotes in Gaza Joe Sacco, 2024-06-18 Sacco brings the conflict down to the most human level, allowing us to imagine our way inside it, to make the desperation he discovers, in some small way, our own.—Los Angeles Times Rafah, a town at the bottommost tip of the Gaza Strip, has long been a notorious flashpoint in the bitter Middle East conflict. Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinians shot dead by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah—cold-blooded massacre or dreadful mistake—reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco immerses himself in the daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. As in Palestine and Safe Area Goražde, his unique visual journalism renders a contested landscape in brilliant, meticulous detail. Spanning fifty years, moving fluidly between one war and the next, Footnotes in Gaza—Sacco's most ambitious work to date—transforms a critical conflict of our age into intimate and immediate experience. |
| naji al ali cartoons: Timescapes of Waiting , 2019-08-26 Timescapes of Waiting explores the intersections of temporality and space by examining various manifestations of spatial (im-)mobility. The individual articles approach these spaces from a variety of academic perspectives – including the realms of history, architecture, law and literary and cultural studies – in order to probe the fluid relationships between power, time and space. The contributors offer discussion and analysis of waiting spaces like ante-chambers, prisons, hospitals, and refugee camps, and also of more elusive spaces such as communities and nation-states. Contributors: Olaf Berwald, Elise Brault-Dreux, Richard Hardack, Kerstin Howaldt, Robin Kellermann, Amanda Lagji, Margaret Olin, Helmut Puff, Katrin Röder, Christoph Singer, Cornelia Wächter, Robert Wirth. |
| naji al ali cartoons: MEN IN THE SUN GHASSAN. KANAFANI, 2025 |
| naji al ali cartoons: Red Lines Cherian George, 2021 This graphic narrative tells the stories of political cartoonists around the world whose work has been censored-- |
| naji al ali cartoons: After the Spring Hélène Aldeguer, 2019 In 2011 one of the biggest political events in the world, the Arab Spring, swept across North Africa. But what came next? As the world moves on, four young Tunisians must cope with the reality of an uncertain future in this original graphic novel. |
| naji al ali cartoons: The Struggle for Iraq's Future Zaid Al-Ali, 2014-02-18 An unbarred account of life in post-occupation Iraq and an assessment of the nation's prospects for the future |
| naji al ali cartoons: Creating Spaces of Freedom Els van der Plas, Malu Halasa, Marlous Willemsen, 2002 Publisher Description |
| naji al ali cartoons: Resistance Literature Barbara Harlow, 2023-03-01 As one of the foundational texts in the field of postcolonial writing, Barbara Harlow’s Resistance Literature introduced new ground in Western literary studies. Originally published in 1987 and now reissued with a new Preface by Mia Carter, this powerfully argued and controversial critique develops an approach to literature which is essentially political. Resistance Literature introduces the reader to the role of literature in the liberation movements of the developing world during the 20th Century. It considers a body of writing largely ignored in the west. Although the book is organized according to generic topics – poetry, narrative, prison memoirs – thematic topics, and the specific historical conditions that influence the cultural and political strategies of various resistance struggles, including those of Palestine, Nicaragua and South Africa, are brought to the fore. Among the questions raised are the role of women in the developing world; communication in circumstances of extreme atomization; literature versus propaganda; censorship; and the problem of adopting literary forms identified with the oppressor culture. |
| naji al ali cartoons: Heroes and Martyrs of Palestine Laleh Khalili, 2007-03-29 The history of the Palestinians over the last half century has been one of turmoil, a people living under occupation or exiled from their homeland. Theirs has been at times a tragic story, but also one of resistance, heroism and nationalist aspiration. Laleh Khalili's book is based on her experiences in the Lebanese refugee camps, where commemorations of key moments in the history of the struggle have helped forge a sense of nationhood. She also observes how, as discourses of liberation have evolved in recent years within the international community, there has been a shift in the representation of Palestinian nationalism from the heroic to the tragic mode. This trend is exemplified through the elevation of martyrs to iconic figures in the Palestinian collective memory. This book will appeal to students and scholars of the Middle East, and to those interested in the politics of nationalism, commemoration and conflict. |
| naji al ali cartoons: Becoming Muhammad Ali James Patterson, Kwame Alexander, 2020-10-05 Two literary heavy-hitters deliver a knockout critically acclaimed, bestselling biographical novel of cultural icon Muhammad Ali. ★ Utterly delightful...a smash hit.―School Library Journal (starred review) ★ A knockout!―Booklist (starred review) ★ Stellar―Kirkus Reviews (starred review) ★ Two heavyweights in the world of books unite.―The Horn Book (starred review) ★ Powerful.―Publishers Weekly (starred review) Before he was a household name, Cassius Clay was a kid with struggles like any other. Kwame Alexander and James Patterson join forces to vividly depict his life up to age seventeen in both prose and verse, including his childhood friends, struggles in school, the racism he faced, and his discovery of boxing. Readers will learn about Cassius' family and neighbors in Louisville, Kentucky, and how, after a thief stole his bike, Cassius began training as an amateur boxer at age twelve. Before long, he won his first Golden Gloves bout and began his transformation into the unrivaled Muhammad Ali. Fully authorized by and written in cooperation with the Muhammad Ali estate, and vividly brought to life by Dawud Anyabwile's dynamic artwork, Becoming Muhammad Ali captures the budding charisma and youthful personality of one of the greatest sports heroes of all time. Winner of the 2021-2022 Sunshine State Young Readers Award (Grades 6-8) and 2022 Magnolia Book Award, and nominated for six state awards! |
| naji al ali cartoons: I Was Born There, I Was Born Here Mur?d Bargh?th?, 2012-01-01 A moving and revelatory Palestinian memoir by the author of I Saw Ramallah. |
| naji al ali cartoons: Superhero Thought Experiments Chris Gavaler, Nathaniel Goldberg, 2019-09-15 Examining the deep philosophical topics addressed in superhero comics, authors Gavaler and Goldberg read plot lines for the complex thought experiments they contain and analyze their implications as if the comic authors were philosophers. Reading superhero comic books through a philosophical lens reveals how they experiment with complex issues of morality, metaphysics, meaning, and medium. Given comics’ ubiquity and influence directly on (especially young) readers—and indirectly on consumers of superhero movies and video games—understanding these deeper meanings is in many ways essential to understanding contemporary popular culture. The result is an entertaining and enlightening look at superhero dilemmas. |
| naji al ali cartoons: A Mountainous Journey Fadwá Ṭūqān, Salma Khadra Jayyusi, 1990 |
| naji al ali cartoons: Struggle and Survival in Palestine/Israel Mark LeVine, Gershon Shafir, 2012-09-01 Too often, the study of Israel/Palestine has focused on elite actors and major events. Struggle and Survival in Palestine/Israel takes advantage of new sources about everyday life and the texture of changes on the ground to put more than two dozen human faces on the past and present of the region. With contributions from a leading cast of scholars across disciplines, the stories here are drawn from a variety of sources, from stories passed down through generations to family archives, interviews, and published memoirs. As these personal narratives are transformed into social biographies, they explore how the protagonists were embedded in but also empowered by their social and historical contexts. This wide-ranging and accessible volume brings a human dimension to a conflict-ridden history, emphasizing human agency, introducing marginal voices alongside more well-known ones, defying typical definitions of Israelis and Palestinians, and, ultimately, redefining how we understand both struggle and survival in a troubled region. |
| naji al ali cartoons: Encyclopedia of the Palestinians Philip Mattar, 2005 Presents the history of modern Palestine and biographies of important Palestinians. |
| naji al ali cartoons: But I Like it Joe Sacco, 2006 Follow award-winning cartoon journalist Joe Sacco on one of the most dangerous beats of all: rock 'n' roll! The centerpiece of the book is an expanded version of In the Company of Long Hair, the early '90s graphic novelette Sacco created on the subject of his raucous European tour with the punk band, the Miracle Workers. Long Hair appears here for the first time in an expanded version with an added 15-page section of his original sketches and notes from the time, and a bound-in CD featuring an excerpt from the Miracle Workers' live shows - including a blasting version of the Iggy Pop classic, I Got a Right. As for the rest of the book: Sacco turns his pitiless pen on all strata of Rock 'n' Roll, from old rockers (two stories on the Rolling Stones) to new; from salacious gossip to how-to (Woodstock in your Own Home); from portraits of typical rock creatures (Record Producer, The Musician Who Wanted to Save the World, The Rock Journalist) to self-deprecating autobiographical stories. |
| naji al ali cartoons: Ghaddar the Ghoul and Other Palestinian Stories , 2008-02-04 Why do snakes eat frogs? What makes a man-eating ghoul turn vegetarian? And how can a woman make a bored prince smile? The answers to these and many other questions can be found in this delicious anthology of Palestinian folk tales collected and retold by Sonia Nimr. A wry sense of humour runs through the characterful women, genial tricksters and mischievous animals who make an appearance. Sonia's upbeat storytelling, bubbling with wit and humour, will delight readers discovering for the first time the rich tradition of Palestinian storytelling. |
| naji al ali cartoons: Conqueror of the World Rene Grousset, 2018-11-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| naji al ali cartoons: Psi Spies Jim Marrs, 2007-01-01 Takes readers behind the scenes of the U.S. Army's formerly top-secret remote viewing unit, discussing how the military has used this psychic ability to its advantage since the unit's creation in the 1970's. |
| naji al ali cartoons: Notes from a Defeatist Joe Sacco, 2003 Before Joe Sacco crafted his two major works of 'cartoon journalism', Palestine and Safe Area Gorazde, he created a number of shorter pieces, ranging from one-page gags to thirty-page 'graphic novelettes'. This book finally collects the enti |
| naji al ali cartoons: Rhetorics of Belonging Anna Bernard, 2013-10-14 Rhetorics of Belonging describes the formation and operation of a category of Palestinian and Israeli “world literature” whose authors actively respond to the expectation that their work will “narrate” the nation, invigorating critical debates about the political and artistic value of national narration as a literary practice. |
| naji al ali cartoons: King of RPGs 1 Jason Thompson, 2012-04-11 Jason Thompson, Level 14 Shaman/Oozemaster and author of Manga: The Complete Guide, joins forces with Victor Hao to deliver a wickedly funny send-up of manga and gamer culture. Roll up your character and get ready! THE GREATEST GAMER ON EARTH At the University of California, Escondido, no one would guess that freshman Shesh Maccabee is a hard-core gamer—and in recovery to boot, following a court order, a wireless ban, and months of therapy (all because of one little seven-day Internet café episode). His friend Mike—who personally prefers Japanese-console RPGs—is tasked with keeping Shesh far away from any computer with access to World of Warfare. Everything's going according to plan—until a Ren Faire fangirl introduces them to the campus gaming club, where they meet Theodore, a fanatical tabletop game master whose single goal in life is to run the greatest Mages & Monsters game in the world. And there just happens to be room for two more players. Soon Shesh and Mike are dragged into the dungeon of hard-core gaming—and cops, baboon men, Sri Lankan cave roaches, and Gothémon card collectors converge in the zaniest adventure that ever involved twenty-sided dice! |
| naji al ali cartoons: Political Socialization of Youth Janette Habashi, 2017-01-06 This book increases the awareness of youth political agency and how it relates to adults, governments, communities, and local and global discourse. It reveals the complexity of youth’s political lives as it intersects with social identifiers such as location, gender, and political status, and interacts with neoliberal discourse embedded in media, local politics, education, and religious idioms. This book fills a gap in existing research to provide a body of literature on the political socialization and its manifestation in youth political agency. The research findings aid in understanding the abilities of youth to reason, reflect upon, articulate, and act upon their political views. This research is not only pertinent to children in Palestine, but can also be applied to children living everywhere as global discourse of oppression is not limited to a location, age or a group. |
| naji al ali cartoons: The Impossible Revolution Yassin al-Haj Saleh, 2017-07-27 Yassin al-Haj Saleh is a leftist dissident who spent sixteen years as a political prisoner and now lives in exile. He describes with precision and fervour the events that led to Syria's 2011 uprising, the metamorphosis of the popular revolution into a regional war, and the 'three monsters' Saleh sees 'treading on Syria's corpse': the Assad regime and its allies, ISIS and other jihadists, and Russia and the US. Where conventional wisdom has it that Assad's army is now battling religious fanatics for control of the country, Saleh argues that the emancipatory, democratic mass movement that ignited the revolution still exists, though it is beset on all sides. The Impossible Revolution is a powerful, compelling critique of Syria's catastrophic war, which has profoundly reshaped the lives of millions of Syrians. |
| naji al ali cartoons: Stories from Palestine Marda Dunsky, 2021-03-01 Stories from Palestine profiles Palestinians engaged in creative and productive pursuits in their everyday lives in the West Bank, Jerusalem, and the Gaza Strip. Their narratives amplify perspectives and experiences of Palestinians exercising their own constructive agency. In Stories from Palestine: Narratives of Resilience, Marda Dunsky presents a vivid overview of contemporary Palestinian society in the venues envisioned for a future Palestinian state. Dunsky has interviewed women and men from cities, towns, villages, and refugee camps who are farmers, scientists, writers, cultural innovators, educators, and entrepreneurs. Using their own words, she illuminates their resourcefulness in navigating agriculture, education, and cultural pursuits in the West Bank; persisting in Jerusalem as a sizable minority in the city; and confronting the challenges and uncertainties of life in the Gaza Strip. Based on her in-depth personal interviews, the narratives weave in quantitative data and historical background from a range of primary and secondary sources that contextualize Palestinian life under occupation. More than a collection of individual stories, Stories from Palestine presents a broad, crosscut view of the tremendous human potential of this particular society. Narratives that emphasize the human dignity of Palestinians pushing forward under extraordinary circumstances include those of an entrepreneur who markets the yields of Palestinian farmers determined to continue cultivating their land, even as the landscape is shrinking; a professor and medical doctor who aims to improve health in local Palestinian communities; and an award-winning primary school teacher who provides her pupils a safe and creative learning environment. In an era of conflict and divisiveness, Palestinian resilience is relatable to people around the world who seek to express themselves, to achieve, to excel, and to be free. Stories from Palestine creates a new space from which to consider Palestinians and peace. |
| naji al ali cartoons: Not the Israel My Parents Promised Me Harvey Pekar, 2012-07-03 Harvey Pekar's mother was a Zionist by way of politics. His father was a Zionist by way of faith. Whether Harvey was going to daily Hebrew classes or attending Zionist picnics, he grew up a staunch supporter of the Jewish state. But soon he found himself questioning the very beliefs and ideals of his parents. In Not the Israel My Parents Promised Me, the final graphic memoir from the man who defined the genre, Pekar explores what it means to be Jewish and what Israel means to the Jews. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies and realities surrounding the Jewish homeland. Pekar interweaves his increasing disillusionment with the modern state of Israel with a comprehensive history of the Jewish people from biblical times to the present, and the result is a personal and historical odyssey of uncommon power. Plainspoken and empathetic, Pekar had no patience for injustice and prejudice in any form, and though he comes to understand the roots of his parents' unquestioning love for Israel, he arrives at the firm belief that all peoples should be held to the same universal standards of decency, fairness, and democracy. With an epilogue written by Joyce Brabner, Not the Israel My Parents Promised Me is an essential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state. It is bound to create important discussions and debates for years to come. |
| naji al ali cartoons: Shooting the Witness ناجي علي, 2008 |
| naji al ali cartoons: Mission Accomplished Khalil Bendib, 2007 In an increasingly Manichean geopolitical world, Bendib happens to be both Us and Them, American and Muslim, a walking oxymoron - a Clash of Civilizations made flesh. He is the only American political cartoonist with an in-your-face non-Eurocentric perspective, a voice of the voiceless. Distributed to 1,700 small and mid-size newspapers across North America, Bendib's cartoons are the only widely circulated editorial cartoons free of the usual corporate narrative and they offer a radical, indigenous perspective in a visual medium accessible to all. Bendib's cartoons shine a light on such topics as the corrupting influence of money on democracy, African-American and immigrant issues, environmental degradation, labor and class struggles, U.S. imperialism and Zionism, the scapegoating of Arabs, Muslims and other people of color, as well as the complicity of our Orwellian mass media in maintaining the status quo. Bendib's cartoons are very popular with legions of alternative, educated, left-of-center readers (especially in the Bay Area, Los Angeles, New York and campus towns across the USA, as well as much of Canada, the UK and Australia) hungry for humorous voices of dissent and with many forgotten constituencies in this country, which are slowly becoming a majority: African-Americans, Muslims, Arabs, South Asians, Latinos, immigrants of all stripes, worldwide indigenous communities ravenous for edgy humor reflecting their specific concerns. -- Description from http://www.amazon.com (Nov. 3, 2011). |
| naji al ali cartoons: Secret Life of Syrian Lingerie Malu Halasa, Rana Salam, 2008-09-03 The most outrageous and exuberant lingerie in the world comes from a place youd probably never expect: Syria. Adorned with everything from faux fur, artificial flowers, and feathered birds to plastic toy cell phones, these intimates flash lights, play music, even vibrate. Well known across the Middle Eastin Syria the lingerie forms an important part of the folk tradition around trousseaus and weddingsit is openly displayed in the markets and souks. Authors Malu Halasa and Rana Salam have brought together a diverse and dramatic collection of photography and writing, including the voices of Syrian women, celebrating this little-known niche of fashion design in all its playful glory. |
| naji al ali cartoons: In the Name of Humanity Ilana Feldman, Miriam Ticktin, 2010-11-30 Scientists, activists, state officials, NGOs, and others increasingly claim to speak and act on behalf of “humanity.” The remarkable array of circumstances in which humanity is invoked testifies to the category’s universal purchase. Yet what exactly does it mean to govern, fight, and care in the name of humanity? In this timely collection, leading anthropologists and cultural critics grapple with that question, examining configurations of humanity in relation to biotechnologies, the natural environment, and humanitarianism and human rights. From the global pharmaceutical industry, to forest conservation, to international criminal tribunals, the domains they analyze highlight the diversity of spaces and scales at which humanity is articulated. The editors argue that ideas about humanity find concrete expression in the governing work that operationalizes those ideas to produce order, prosperity, and security. As a site of governance, humanity appears as both an object of care and a source of anxiety. Assertions that humanity is being threatened, whether by environmental catastrophe or political upheaval, provide a justification for the elaboration of new governing techniques. At the same time, humanity itself is identified as a threat (to nature, to nation, to global peace) which governance must contain. These apparently contradictory understandings of the relation of threat to the category of humanity coexist and remain in tension, helping to maintain the dynamic co-production of governance and humanity. Contributors. Arun Agrawal, Joao Biehl , Didier Fassin, Allen Feldman, Ilana Feldman, Rebecca Hardin, S. Lochann Jain, Liisa Malkki, Adriana Petryna, Miriam Ticktin, Richard Ashby Wilson, Charles Zerner |
| naji al ali cartoons: You Don't Have to Fuck People Over to Survive Seth Tobocman, 2009 New York, 1989 - a decade of activism around the urban housing crisis is coming to a close. Legendary graphic artist Seth Tobocman documents it in his bold comic style. In a collection of his most enduring images, Tobocman covers everything from the imprisonment of Mumia Abu-Jamal; the rise of Reaganomics; the struggle against apartheid and the Miami race riots. It is both a candid portrait of a decade of struggle to preserve basic human rights and a critical historical artefact. |
| naji al ali cartoons: The Multimodal Rhetoric of Humour in Saudi Media Cartoons Wejdan Alsadi, Martin Howard, 2021-02-22 Cartoons, as a form of humour and entertainment, are a social product which are revealing of different social and political practices that prevail in a society, humourised and satirised by the cartoonist. This book advances research on cartoons and humour in the Saudi context. It contributes to the growing multimodal research on non-interactional humour in the media that benefits from traditional theories of verbal humour. The study analyses the interaction between visual and verbal modes, highlighting the multimodal manifestations of the rhetorical devices frequently employed to create humour in English-language cartoons collected from the Saudi media. The multimodal analysis shows that the frequent rhetorical devices such as allusions, parody, metaphor, metonymy, juxtaposition, and exaggeration take a form which is woven between the visual and verbal modes, and which makes the production of humorous and satirical effect more unique and interesting. The analysis of the cartoons across various thematic categories further offers a window into contemporary Saudi society. |
| naji al ali cartoons: Underground Blake Atwood, 2021-09-28 How Iranians forged a vibrant, informal video distribution infrastructure when their government banned all home video technology in 1983. In 1983, the Iranian government banned the personal use of home video technology. In Underground, Blake Atwood recounts how in response to the ban, technology enthusiasts, cinephiles, entrepreneurs, and everyday citizens forged an illegal but complex underground system for video distribution. Atwood draws on archival sources including trade publications, newspapers, memoirs, films, and laws, but at the heart of the book lies a corpus of oral history interviews conducted with participants in the underground. He argues that videocassettes helped to institutionalize the broader underground within the Islamic Republic. As Atwood shows, the videocassette underground reveals a great deal about how people construct vibrant cultures beneath repressive institutions. It was not just that Iranians gained access to banned movies, but rather that they established routes, acquired technical knowledge, broke the law, and created rituals by passing and trading plastic videocassettes. As material objects, the videocassettes were a means of negotiating the power of the state and the agency of its citizens. By the time the Ministry of Culture and Islamic Guidance lifted the ban in 1994, millions of videocassettes were circulating efficiently and widely throughout the country. The very presence of a video underground signaled the failure of state policy to regulate media. Embedded in the informal infrastructure--even in the videocassettes themselves--was the triumph of everyday people over the state. |
Naji - Wikipedia
Naji (also transliterated as Nagy in Egyptian Arabic and Naci , Arabic: ناجي, Nājī) is an Arabic male given name, which is derived from the Arabic verb to survive. [1] It is also a surname.
Naji Marshall Stats, Height, Weight, Position, Draft Status and …
Checkout the latest stats of Naji Marshall. Get info about his position, age, height, weight, draft status, shoots, school and more on Basketball-Reference.com Sports Reference ®
Naji Marshall - Dallas Mavericks Small Forward - ESPN
View the profile of Dallas Mavericks Small Forward Naji Marshall on ESPN. Get the latest news, live stats and game highlights.
Meaning, origin and history of the name Naji
Oct 6, 2024 · Means "intimate friend" in Arabic, a derivative of نجا (najā) meaning "to save, to entrust, to confide in". This can also be another way of transcribing the name ناجي (see Naaji).
Naji - Meaning of Naji, What does Naji mean? - BabyNamesPedia
Naji is an Arabic, English, and Iranian name of Arabic origin. It is derived literally from the word 'naji' meaning safe. The name Najia (African, Arabic, and Swahili) is the female equivalent of …
Explore Naji: Meaning, Origin & Popularity - MomJunction
Jun 14, 2024 · Naji is a masculine name derived from an Arabic verb that means ‘to survive’ or ‘survivor.’ The name may also mean an ‘intimate or close friend’ in Arabic. Naji could also be …
DIDI NAJI x ISMA IP - ISII SISIN (OFFICIAL VIDEO) - YouTube
Music by Mohamed Naji (Naji The Pilot)Written By Karama Naji @ismaipmusic Directed by Nashwan NajiManagement: Labiib NajiSpecial Thanks To:King QaniRavionFaw...
What Does The Name Naji Mean? - The Meaning of Names
People with the last name Naji are most frequently White or African American. Learn more about the most popular surnames and their ethnicities and origins. How Popular is the name Naji? …
Naji - Baby Name Meaning, Origin, and Popularity
Jun 5, 2025 · The name Naji is a boy's name of Arabic origin meaning "safe". Spelled Najee, this was chosen by rapper LL Cool J for his son several years ago. Famous People Named Naji
Naji: Name Meaning, Popularity and Info on BabyNames.com
Jun 7, 2025 · The name Naji is primarily a male name of Arabic origin that means Safe. Click through to find out more information about the name Naji on BabyNames.com.
Naji - Wikipedia
Naji (also transliterated as Nagy in Egyptian Arabic and Naci , Arabic: ناجي, Nājī) is an Arabic male given name, which is derived from the Arabic verb to survive. [1] It is also a surname.
Naji Marshall Stats, Height, Weight, Position, Draft Status and …
Checkout the latest stats of Naji Marshall. Get info about his position, age, height, weight, draft status, shoots, school and more on Basketball-Reference.com Sports Reference ®
Naji Marshall - Dallas Mavericks Small Forward - ESPN
View the profile of Dallas Mavericks Small Forward Naji Marshall on ESPN. Get the latest news, live stats and game highlights.
Meaning, origin and history of the name Naji
Oct 6, 2024 · Means "intimate friend" in Arabic, a derivative of نجا (najā) meaning "to save, to entrust, to confide in". This can also be another way of transcribing the name ناجي (see Naaji).
Naji - Meaning of Naji, What does Naji mean? - BabyNamesPedia
Naji is an Arabic, English, and Iranian name of Arabic origin. It is derived literally from the word 'naji' meaning safe. The name Najia (African, Arabic, and Swahili) is the female equivalent of …
Explore Naji: Meaning, Origin & Popularity - MomJunction
Jun 14, 2024 · Naji is a masculine name derived from an Arabic verb that means ‘to survive’ or ‘survivor.’ The name may also mean an ‘intimate or close friend’ in Arabic. Naji could also be …
DIDI NAJI x ISMA IP - ISII SISIN (OFFICIAL VIDEO) - YouTube
Music by Mohamed Naji (Naji The Pilot)Written By Karama Naji @ismaipmusic Directed by Nashwan NajiManagement: Labiib NajiSpecial Thanks To:King QaniRavionFaw...
What Does The Name Naji Mean? - The Meaning of Names
People with the last name Naji are most frequently White or African American. Learn more about the most popular surnames and their ethnicities and origins. How Popular is the name Naji? …
Naji - Baby Name Meaning, Origin, and Popularity
Jun 5, 2025 · The name Naji is a boy's name of Arabic origin meaning "safe". Spelled Najee, this was chosen by rapper LL Cool J for his son several years ago. Famous People Named Naji
Naji: Name Meaning, Popularity and Info on BabyNames.com
Jun 7, 2025 · The name Naji is primarily a male name of Arabic origin that means Safe. Click through to find out more information about the name Naji on BabyNames.com.
