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| mrcchakatika by sudraka: The Little Clay Cart Śūdraka, 1905 Drama, on the love of Carudatta, an impoverished merchant, for Vasantasena, a hetaera. |
| mrcchakatika by sudraka: The Mrichchhakatika of Sudraka M. R. Kale, 2019-01-01 Among the known dramatic composition of ancient India, the Mrichchhakatika occupies a very high and distinguished position. It is a creation of outstanding brilliance. The Mrichchhatika is a drama in ten Acts based on the story of the love of Charudatta, a prominent but poor inhabitant of Ujjayini, and Vasantasena, an exquisitely beautiful but pure-minded courtesan of the city. By virtue of its high dramatic charm and its great literary excellence it has endeared itself to generations of spectators and readers; the play has been adapted in many Indian vernaculars, and in that modern form still continues to draw admiring crowds. The editor makes this book as comprehensive and useful as possible. To the commentary of Prithvidhara, which is somewhat abrupt and meager in places, he has made considerable additions where he felt them to be necessary for the elucidation of the text. The relation of this play to: Bhasa's Charudatta has been fully discussed in the Introduction. The Prakrit passages, which prove a hindrance to the student, have been printed below the text, and along with the' text, only the Sanskrit renderings are given above; the utility of this contrivance has been established in actual use. |
| mrcchakatika by sudraka: The Little Clay Cart Śūdraka, 2021-04-10 The Little Clay Cart is a masterful Sanskrit play attributed to ≈ö≈ ́draka, notable for its vibrant portrayal of human emotions and societal norms during ancient Indian times. Blending elements of romance and comedy, the play tells the story of the love between the noble hero, Charudatta, and the courtesan, Vasantika, against a backdrop of caste disparities and moral dilemmas. ≈ö≈ ́draka's adept use of lyrical language alongside wit and humor creates a rich tapestry that reveals the complexities of human relationships, while the interplay of ethical and social themes reflects the cultural fabric of early Indian society, reminiscent of the classical works of KƒÅlidƒÅsa and Bhasa. The authorship of ≈ö≈ ́draka has been a subject of scholarly debate, with many suggesting that his background as a playwright and social commentator informs the nuanced characterizations and settings within his work. The themes of love, sacrifice, and social justice are vividly explored, likely influenced by ≈ö≈ ́draka'Äôs observations of societal hierarchies and personal experiences within a culturally rich and diverse milieu, revealing a deep empathy towards marginalized voices. The Little Clay Cart is a timeless exploration of love and social conscience, making it a must-read for those interested in classical literature, theatre, and the cultural history of India. Its intricate blend of humor and moral inquiry not only entertains but also prompts critical reflection on the complexities of human life, earning ≈ö≈ ́draka'Äôs work a revered place in the literary canon. |
| mrcchakatika by sudraka: The Loom Of Time Kalidasa, 2005-09-15 Kalidasa is the greatest poet and playwright in classical Sanskrit literature and one of the greatest in world literature. Kalidasa is said to have lived and composed his work at the close of the first millennium BC though his dates have not been conclusively established. In all, seven of his works have survived: three plays, three long poems and an incomplete epic. Of these, this volume offers, in a brilliant new translation, his two most famous worksthe play Sakuntala, a beautiful blend of romance and fairy tale with elements of comedy; and Meghadutam (The Cloud Messenger), the many-layered poem of longing and separation. Also included is Rtusamharam (The Gathering of the Seasons), a much-neglected poem that celebrates the fulfillment of love and deserves to be known better. Taken together, these works provide a window to the remarkable world and work of a poet of whom it was said: -Once, when poets were counted, Kalidasa occupied the little finger; the ring finger remains unnamed true to its name; for his second has not been found |
| mrcchakatika by sudraka: The Clay Toy-Cart Shudraka, 2018-01-29 A gripping satire of romance, betrayal and intrigue set in ancient India The Clay Toy-cart remains one of the foundational works of Sanskrit drama, having been performed numerous times around the world and even serving as the inspiration for Girish Karnad's highly acclaimed film Utsav. The story follows the fortunes of a rich and beautiful courtesan, Vasantasena, who falls in love with the handsome Charudatta, a former merchant who is now penniless. Although Charudatta is happily married, he is deeply drawn to Vasantasena. The two embark on a love affair that leads to some terrible complications and shocking reversals of fortune-involving violent crime as well as political rebellion-before matters are ingeniously resolved. Padmini Rajappa's lucid translation revitalizes this iconic play for contemporary readers while also shedding light on its unique place in the Sanskrit canon as well as the mystery shrouding the identity of its author. |
| mrcchakatika by sudraka: Courtly Culture and Political Life in Early Medieval India Daud Ali, 2004-06-24 Publisher Description |
| mrcchakatika by sudraka: A Concise History of Classical Sanskrit Literature Gaurinath Bhattacharyya Shastri, Gaurinath Sastri, 1998 This book contains an elaborate account of all branches of Classical Sanskrit Literature on the basis of literary, epigraphical and numismatical sources. In 23 chapters, each chapter dealing with a particular topic arranged chronologically. The book is documented with a critical apparatus. Beside notes and references it has an illuminating Introduction and index of authors and works. |
| mrcchakatika by sudraka: The Little Clay Cart Arvind Sharma, 1994-01-11 The Little Clay Cart is a Sanskrit play revolving around a romantic theme of the love of a high-born man for a courtesan. It contains dramatic developments involving a dynastic overthrow and contains realistic portrayals of a wide range of characters. |
| mrcchakatika by sudraka: Indian Kāvya Literature A. K. Warder, 1972 This volume on the twelfth and thirteenth centuries starts with Vidyakara`s retrospect over anonymous poets (named ones having mostly found their places in earlier volumes). After some smaller anthologies a few novels and Mankhaka`s mythological epic we come to a historical epic. History is the most substantial source of matter for literature in the volume. That might seem to contrast with Vol. Vi, but as literature its aim is always are, not facts which narrows the gap. |
| mrcchakatika by sudraka: The Little Clay Cart Arvind Sharma, 1994-01-01 An English translation of a well-known Sanskrit play which revolves around the romantic theme of the love of a high-born man for a courtesan. |
| mrcchakatika by sudraka: The Little Clay Cart (Mrcchakatika) Śūdraka, 1905 Drama, on the love of Carudatta, an impoverished merchant, for Vasantasena, a hetaera. |
| mrcchakatika by sudraka: An Introduction to the Study of Indian History Late Damodar Dharmanand Kosambi, 2019-01-17 The use of scientific methodology, modern techniques of interpretation, and selection and analysis of basic problems make An Introduction to the Study of Indian History a vivid and absorbing read. The author has thrown open new fields for research through this book, which serves as a critical guide to scientific historical thought. It helps the reader gain profound insight into the past by examining monuments, customs and surviving records. At the same time, the present is shown to be the inevitable result of a steady historical development. Complete grasp of the material and mastery of detail shown in the survey of the development from a pre-historic tribal society to the present machine-age make this volume a unique contribution to contemporary historiography. This book is the culmination of patient research and mature reflection of a profoundly original mind and has earned universal recognition and honour over the last few decades. |
| mrcchakatika by sudraka: The Cilappatikāram Iḷaṅkōvaṭikaḷ, 2004 Men And Women Of Maturai Of The Four Temples! I Curse This City. Its King Erred In Killing The Man I Loved One Of The World'S Masterpieces, The Cilappatikaram (5Th Century Ce) By Ilanko Atikal Is India'S Finest Epic In A Language Other Than Sanskrit. It Spells Out In Unforgettable Verse The Problems That Humanity Has Been Wrestling With For A Long Time: Love, War, Evil, Fate And Death. The Tale Of An Anklet Is The Love Story Of Kovalan And Kannaki. Originating In Tamil Mythology, The Compelling Tale Of Kannaki Her Love, Her Feats And Triumphs, And Her Ultimate Transformation To Goddess Follows The Conventions Of Tamil Poetry And Is Told In Three Phases: The Erotic, The Heroic And The Mythic. This Epic Ranks With The Ramayana And The Mahabharata As One Of The Great Classics Of Indian Literature And Is Presented For The First Time In A Landmark English Verse Translation By The Eminent Poet R. Parthasarathy, Making It Accessible To A Wider Audience. Winner Of The 1995 Sahitya Akademi Prize For Translation (English), The 1994 Pen/ Book-Of-The-Month Club Translation Citation Of The Pen American Centre, And The 1996 Association For Asian Studies A.K. Ramanujan Book Prize For Translation. |
| mrcchakatika by sudraka: Mashuq - E - Jaan Dr. Shadab Ahmed, 2023-04-03 Though the territorial world we live in is pretty and glamorizing, it also lacks anything real other than chagrin, monotony and general annoyance. Over centuries and trans-continentally, the deprived and defenestrated human beings have exalted, glorified and revered explosive sexuality, longing and desire in many forms. In the pre-technological era sans automation and mechanics, spiritual poetry and erotic verses has remained two of the most popular forms of devotion to the beloved. Eroticism and Mysticism in love often appears confusingly entangled and inextricable. It often becomes hard to discern whether there is erotic love camouflaged under the illusion of mysticism, or there is mystical spiritual love tacitly masquerading as erotic proclivity. In spite of sensual badgering and carnal victimization, the concupiscent poets and poeticules dared to write candidly and canonize their sybaritic love for the beloved. Many of them vanished, engulfed and eclipsed into their beloved. Many of them dispersed, subsumed and merged subconsciously with their demiurge. What remains back is their enthralling and intrepid chronicle of love and longing, desire and affection. Presented in this book are a compendium of translated verses and songs of love & devotion to the “Beloved & the Lover” - across the Indian Heartlands and Persian Frontiers. You will discover that your longings are universal longings, you are not alone. |
| mrcchakatika by sudraka: The Pot of Gold and Other Plays Titus Maccius Plautus, 1965 One of the supreme comic writers of the Roman world, Plautus (c.254–184 BC), skilfully adapted classic Greek comic models to the manners and customs of his day. This collection features a varied selection of his finest plays, from the light-hearted comedy Pseudolus, in which the lovesick Calidorus and his slave try to liberate his lover from her pimp, to the more subversive The Prisoners, which raises serious questions about the role of slavery. Also included are The Brothers Menaechmus, which formed the prototype for Shakespeare’s The Comedy of Errors, and The Pot of Gold, whose old miser Euclio is a glorious study in avarice. Throughout, Plautus breathes new, brilliant life into classic comic types – including deceitful twins, scheming slaves, bitter old men and swaggering soldiers – creating an entertaining critique of Roman life and values. |
| mrcchakatika by sudraka: Beef, Brahmins, and Broken Men B. R. Ambedkar, 2020-04-07 One of twentieth-century India’s great polymaths, statesmen, and militant philosophers of equality, B. R. Ambedkar spent his life battling Untouchability and instigating the end of the caste system. In his 1948 book The Untouchables, he sought to trace the origin of the Dalit caste. Beef, Brahmins, and Broken Men is an annotated selection from this work, just as relevant now, when the oppression of and discrimination against Dalits remains pervasive. Ambedkar offers a deductive, and at times a speculative, history to propose a genealogy of Untouchability. He contends that modern-day Dalits are descendants of those Buddhists who were fenced out of caste society and rendered Untouchable by a resurgent Brahminism since the fourth century BCE. The Brahmins, whose Vedic cult originally involved the sacrifice of cows, adapted Buddhist ahimsa and vegetarianism to stigmatize outcaste Buddhists who were consumers of beef. The outcastes were soon relegated to the lowliest of occupations and prohibited from participation in civic life. To unearth this lost history, Ambedkar undertakes a forensic examination of a wide range of Brahminic literature. Heavily annotated with an emphasis on putting Ambedkar and recent scholarship into conversation, Beef, Brahmins, and Broken Men assumes urgency as India witnesses unprecedented violence against Dalits and Muslims in the name of cow protection. |
| mrcchakatika by sudraka: Subhāshitāvali , 2007 This selection from the 'Subhashitavali', a celebrated verse anthology compiled by Vallabhadeva in 15th-century Kashmir, offers a rich variety of erotic poetry and a wealth of lyrical and gnomic verse. One section is given to earthy humour and cynical satire seldom available in English renditions. |
| mrcchakatika by sudraka: Plant Myths and Traditions in India Shakti M. Gupta, 1991 |
| mrcchakatika by sudraka: The Hitopadesa Narayana, 2006-08-31 Composed between 800 and 950 AD, Narayana's Hitopadesa is one of the best-known of all works in Sanskrit literature. A fascinating collection of fables, maxims and sayings in verse, it combines a wide variety of writings from earlier authors in one volume - a 'garden of pleasing stories' created to provide guidance, wisdom and political advice to the reader. With elegance and great humour, Narayana weaves a framework for the classic tales, here narrated by animals who quote from and reflect on stories from the Pancatantra and other traditional sources. At once an anthology of folk wisdom and an original and satirical work in its own right, the Hitopadesa has been deeply admired and widely read for more than a thousand years for its humorous and profound reflections on human lives, loves, follies and philosophies. |
| mrcchakatika by sudraka: A Study of Skanda Cult S. S. Rana, 1995 On the cult of Kārttikeya, Hindu deity. |
| mrcchakatika by sudraka: The Little Clay Cart Śūdraka, 1924 |
| mrcchakatika by sudraka: Mah_bh_rata Adam Bowles, 2006 published in the geek chic format - BookforumThe Book of Karna relates the events of the two dramatic days after the defeat of the great warriors and generals Bhishma and Drona, in which Karna - great hero and the eldest Pandava - leads the Kaurava army into combat. This first volume of Karna depicts mighty battles in gory detail, sets the scene for Karna's tragic death, and includes a remarkable verbal duel between Karna and his reluctant charioteer Shalya, the king of the Madras, as they hurl abuse at each other before entering the fray. |
| mrcchakatika by sudraka: Garland of the Buddha’s Past Lives (Volume 1) Aryashura, 2017-04-01 The Garland of Past Lives is a collection of thirty four stories depicting the miraculous deeds performed by the Buddha in his previous rebirths. Composed in the fourth century C.E. by the Buddhist monk Aryashura, the text’s accomplished artistry led Indian aesthetic theorists to praise its elegant mixture of verse and prose. The twenty stories in this first volume deal primarily with the virtues of giving and morality. Ascetics sacrifice their lives for hungry tigers, kings open their veins for demons to drink their blood, helmsmen steer their crew through perilous seas, and quail chicks quench forest fires by proclaiming words of truth. The experience is intended to arouse astonishment in the audience, inspiring devotion, through the future Buddha’s transcendence of conventional norms in his quest to acquire enlightenment and save the world from suffering. The importance of such stories of past lives in traditional Buddhist culture, throughout Asia and up to today, cannot be overestimated. |
| mrcchakatika by sudraka: Dr. Nishikānta Chaṭṭopādhyāya's Mṛcchakaṭika, Or, The Toy-cart of King Śūdraka Nisikanta Chattopadhyaya, 1984 |
| mrcchakatika by sudraka: Indian Theatre Farley P. Richmond, Darius L. Swann, Phillip B. Zarrilli, 1993 Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come. |
| mrcchakatika by sudraka: Perspectives and Challenges in Indian-English Drama Neeru Tandon, 2006 The Present Critical Anthology On Indian-English Drama Is A Welcome Addition To The Ever-Increasing Repertoire Of The Academic World. It Contains Some Twenty-Two Papers On Diverse Authors, Themes And Trends. The Authors Treated In It Are Girish Karnad, Mahesh Dattani, Badal Sircar, Rabindranath Tagore (Chronologically, Tagore Should Have Been Placed First), And Vijay Tendulkar. The Themes Dealt With Herein Are Myths And Folk Tales, Religious Propensity, Social Alienation, Audience Participation, Feminine Psyche, Role Of Freedom, And Man-Woman Relationship. And The Trends Touched Upon In This Anthology Are Mythic And Symbolic Interpretations, Focusing On Folklore, Experimentations In Third Theatre And Street Plays, And Feminist Approaches To Certain Plays. The Broad Spectrum Of Indian-English Drama Has Also Been Presented In A Few Papers.In Its Present Shape And Size, This Anthology Will, Hopefully, Find A Place On The Library Shelves And Enlighten The Academics On The Perspectives And Challenges Inherent In Indian-English Drama. |
| mrcchakatika by sudraka: Bhatti’s Poem: The Death of Ravana , 2016-10-01 To the dry bones of grammar Bhatti gave juicy flesh in his poem, telling the greatest Indian story in elegant Sanskrit. Composed in the fourth century CE, in South India, ”Bhatti’s Poem: The Death of Rávana” is both a poetic retelling of Rama’s adventures, and a compendium of grammatical and rhetorical examples for students. Bhatti’s study aid to Pánini’s groundbreaking grammatical treatise, the “Eight Books,” gives examples disguised as the gripping, morally improving “Ramáyana” story. In Bhatti’s own words: “This composition is a lamp to those whose eyes have language as their goal.” Tradition has it that an elephant ambled between Bhatti and his pupils, interrupting their outdoors grammar class. By Hindu law this intrusion canceled class for a year. Lest time be lost, Bhatti composed his poem to teach grammar without textbooks. Ever since, “The Death of Rávana” has been one of the most popular poems in Sanskrit literature. |
| mrcchakatika by sudraka: Translations of Shakuntala Kalidasa, 2014-05-01 Regarded as the most important figure in the Classical Sanskrit literary canon, Kalidasa was a poet and playwright who likely lived in the fifth century AD. This collection brings together some of Kalidasa's most well-regarded dramatic works, including the timeless story of Shakuntala, a beautiful maiden who was abandoned at birth and raised in a remote hermitage. Though she later enchants a powerful king who desires to take the young woman as his bride, Shakuntala must overcome a series of obstacles before she can reign as queen. |
| mrcchakatika by sudraka: Samarāṅgana Sūtradhāra of Bhojadeva (Paramāra Ruler of Dhārā) Bhojarāja (King of Malwa), 2007 Ancient treatise on Hindu architecture; Sanskrit text with English translation. |
| mrcchakatika by sudraka: A Short History of Sanskrit Literature Hans Raj Aggarwal, 1963 |
| mrcchakatika by sudraka: Proceedings and Transactions of the Indian Oriental Conference , 1920 |
| mrcchakatika by sudraka: The Little Clay Cart Arthur William Ryder, 2016-05-24 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| mrcchakatika by sudraka: Mahabharata Book Twelve (Volume 3) , 2017-04-01 The Book of Liberation is perhaps the most enigmatic philosophical text from ancient India. Presented as the teachings of Bhishma as he lies dying on the battlefield, after the epic war between the Pándavas and Káuravas, it was composed by unknown authors in the last centuries BCE, during the early period of world-renunciation, when peripatetic sages meditated under trees and practiced austerities in forest groves, and wandering sophists debated in the towns and cities. There has been no time like it before or since: such freedom of thought and expression is unparalleled in the history of the world. The freedom enjoyed by these ancient thinkers was not an end in itself. Above all this animated work is the record of philosophers seeking liberation (moksha) from a world they believed unsatisfactory. The speculation herein is but a means to an end, for its authors believed they could attain freedom from the world by knowing philosophical truths. |
| mrcchakatika by sudraka: Proceedings & Transactions of the ... Oriental Conference , 1925 |
| mrcchakatika by sudraka: History of Early Stone Sculpture at Mathura Sonya Rhie Quintanilla, 2007 This volume provides the first comprehensive chronology of the earliest known stone sculptures from the north Indian city of Mathura. It includes new evidence for the reattribution of objects, emergence of the anthropomorphic Buddha image, and predominance of a heterodox sect of Jainism. |
| mrcchakatika by sudraka: Harvard Oriental Series , 1905 |
| mrcchakatika by sudraka: The Rise of Wisdom Moon Krishna mishra, 2016-10-01 The Rise of Wisdom Moon was composed during the mid-eleventh century by Krishna mishra, an otherwise unknown poet in the service of the Chandella dynasty, whose cultural and religious capital was Khajuraho. The early popularity of Krishna mishra’s work led to its frequent translation into the vernaculars of both North and South India, and even Persian as well. Famed as providing the enduring model of the allegorical play for all subsequent Sanskrit literature, The Rise of Wisdom Moon offers a satirical account of the conquest of the holy city of Benares by Nescience, of the war of liberation waged by the forces of Intuition, and of the freedom of the Inner Man that then follows the rise of Wisdom. But at the outset, when Nescience still has the upper hand, with minions like Lord Lust, such developments seem unlikely. |
| mrcchakatika by sudraka: Indian Classical Literature Tanmoy Kundu, Ujjwal Kr. Panda, 2024-06-06 This book critically analyses classical Indian literature and explores the philosophical, literary, and cultural landscapes which have emerged in response to ancient Indian texts. It highlights the relevance of these texts and studies and how they have come to influence modern Indian literature in various ways. The authors look at classical literature both as a theoretical premise that primarily seeks to develop new knowledge and as a sphere of serious modern/postmodern critical attention. The volume features essays on key texts including Abhijnanasakuntalam, The Cilappatikaram: A Tale of An Anklet, Mrichchakatika, Panchatantra, and Mahabharata. A useful guide to ancient Indian texts, the book will be indispensable for students and researchers of mythology and classical literature, literary and critical theory, Indian literature, Sanskrit studies, and South Asian studies. |
| mrcchakatika by sudraka: Trade and Traders in Early Indian Society Ranabir Chakravarti, 2020-06-09 Highlighting diverse types of market places and merchants, this book situates the commercial scenario of early India (up to c. ad 1300) in the overall agrarian material milieu of the subcontinent. The book questions the stereotypical narrative of early Indian trade as exchanges in small quantity, exotic, portable luxury items and strongly argues for the significance of trade in relatively inexpensive bulk commodities – including agrarian/floral products – at local and regional levels and also in long distance trade. That staple items had salience in the sea-borne trade of early India figures prominently in this book which points out that commercial exchanges touched the everyday life of a variety of people. A major feature of this work is the conspicuous thrust on and attention to the sea-borne commerce in the subcontinent. The history of Indic seafaring in the Indian Ocean finds a prominent place in this book pointing out the braided histories of overland and maritime networks in the subcontinent. In addition to three specific chapters on the maritime profile of early Bengal, the third edition of Trade and Traders in Early Indian Society offers two new chapters (14 and 15) on the commercial scenario of Gujarat, dealing respectively with an organization of merchants during the early sixth century ad and with the long-term linkages between money-circulation and overseas trade in Gujarat c. ad 500-1500). A new preface to the Third Edition discusses the emerging historiographical issues in the history of trade in early India. Rich in the interrogation of a wide variety of primary sources, the book analyses the changing perspectives on early Indian trade by taking into account the current literature on the subject. |
| mrcchakatika by sudraka: The Subhāṣitaratnakoṣa Damodar Dharmanand Kosambi, Vasudeo Vishwanath Gokhale, 1957 This edition of the Sanskrit text of the Subhāṣitaratnakoṣa--in the editors' opinion the oldest known general anthology of Sanskrit verse--is the result of years of work deciphering and comparing the five different versions. The editors' aim has been to restore, as far as the sources permit, the text compiled by Vidyākara between A.D. 1100 and 1130. |
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