Advertisement
| mulatto langston hughes: A Study Guide for Langston Hughes's "Mulatto" Gale, Cengage Learning, 2016 A Study Guide for Langston Hughes's Mulatto, excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs. |
| mulatto langston hughes: The Collected Works of Langston Hughes Langston Hughes, Dolan Hubbard, 2001 The sixteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work. |
| mulatto langston hughes: Five Plays Langston Hughes, 1973 |
| mulatto langston hughes: Interracialism Werner Sollors, 2000-10-19 Interracialism, or marriage between members of different races, has formed, torn apart, defined and divided our nation since its earliest history. This collection explores the primary texts of interracialism as a means of addressing core issues in our racial identity. Ranging from Hannah Arendt to George Schuyler and from Pace v. Alabama to Loving v. Virginia, it provides extraordinary resources for faculty and students in English, American and Ethnic Studies as well as for general readers interested in race relations. By bringing together a selection of historically significant documents and of the best essays and scholarship on the subject of miscegenation, Interracialism demonstrates that notions of race can be fruitfully approached from the vantage point of the denial of interracialism that typically informs racial ideologies. |
| mulatto langston hughes: Hughes: Poems Langston Hughes, 1999-03-23 A collection of poems by the African-American poet Langston Hughes. |
| mulatto langston hughes: Encyclopedia of the Harlem Renaissance: K-Y Cary D. Wintz, Paul Finkelman, 2004 An interdisciplinary look at the Harlem Renaissance, it includes essays on the principal participants, those who defined the political, intellectual and cultural milieu in which the Renaissance existed; on important events and places. |
| mulatto langston hughes: The Collected Works of Langston Hughes: Mulatto Langston Hughes, Arnold Rampersad, Dolan Hubbard, Leslie Catherine Sanders, Donna Sullivan Harper, Christopher C. De Santis, Dianne Johnson, Steven Carl Tracy, Joseph McLaren, Dellita Martin-Ogunsola, 2001 The eighteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work. |
| mulatto langston hughes: The Collected Works of Langston Hughes: The plays to 1942: Mulatto to the sun do move Langston Hughes, 1942 |
| mulatto langston hughes: Not Without Laughter Langston Hughes, 2008-04-04 Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African-American family in rural Kansas, explores the dilemmas of life in a racially divided society. |
| mulatto langston hughes: The Collected Works of Langston Hughes: The plays to 1942: Mulatto to The sun do move Langston Hughes, 2001 |
| mulatto langston hughes: The Weary Blues Langston Hughes, 2022-01-24 Immediately celebrated as a tour de force upon its release, Langston Hughes's first published collection of poems still offers a powerful reflection of the Black experience. From The Weary Blues to Dream Variation, Hughes writes clearly and colorfully, and his words remain prophetic. |
| mulatto langston hughes: Staging Whiteness Mary F. Brewer, 2005-07-29 How whiteness is portrayed in contemporary drama and enacted in everyday life. |
| mulatto langston hughes: A Companion to the Harlem Renaissance Cherene Sherrard-Johnson, 2015-05-26 A Companion to the Harlem Renaissance presents acomprehensive collection of original essays that address theliterature and culture of the Harlem Renaissance from the end ofWorld War I to the middle of the 1930s. Represents the most comprehensive coverage of themes and uniquenew perspectives on the Harlem Renaissance available Features original contributions from both emerging scholars ofthe Harlem Renaissance and established academic “stars”in the field Offers a variety of interdisciplinary features, such as thesection on visual and expressive arts, that emphasize thecollaborative nature of the era Includes “Spotlight Readings” featuring lesserknown figures of the Harlem Renaissance and newly discovered orundervalued writings by canonicalfigures |
| mulatto langston hughes: The Big Sea Langston Hughes, 2022-08-01 In The Big Sea, Langston Hughes artfully chronicles his journey from the Midwest to Harlem during the vibrant period of the Harlem Renaissance, blending autobiographical narrative with profound social commentary. Written in a lyrical prose style, the book captures his artistic growth, personal struggles, and encounters with influential figures in the world of literature and jazz. Hughes's reflection on race, identity, and the African American experience is interspersed with rich imagery and poignant anecdotes, making the text not only a memoir but also a timeless exploration of cultural heritage and resilience. Langston Hughes, known for his pioneering contributions to American literature and the Harlem Renaissance, was deeply influenced by his own life experiences, growing up in a racially segregated America. His travels to Paris, where he mingled with expatriate artists, profoundly impacted his worldview and literary voice. Hughes's commitment to using art as a vehicle for social change and cultural expression imbues The Big Sea with a sense of urgency and relevance that resonates with readers from all backgrounds. This remarkable memoir is recommended for anyone seeking an understanding of the socio-cultural landscape of early 20th-century America, as well as those interested in the intersections of race, art, and identity. Hughes's insightful reflections and eloquent prose offer both historical context and personal depth, making The Big Sea an essential read for lovers of literature and advocates of social justice. |
| mulatto langston hughes: The Ways of White Folks Langston Hughes, 2011-09-07 A collection of vibrant and incisive short stories depicting the sometimes humorous, but more often tragic interactions between Black people and white people in America in the 1920s and ‘30s. One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes may be best known as a poet, but these stories showcase his talent as a lively storyteller. His work blends elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. Stories included in this collection: Cora Unashamed Slave on the Block Home Passing A Good Job Gone Rejuvenation Through Joy The Blues I'm Playing Red-Headed Baby Poor Little Black Fellow Little Dog Berry Mother and Child One Christmas Eve Father and Son |
| mulatto langston hughes: Playbill for Mulatto by Langston Hughes , |
| mulatto langston hughes: Selected Poems of Langston Hughes Langston Hughes, 2011-10-26 Langston Hughes electrified readers and launched a renaissance in Black writing in America—the poems in this collection were chosen by Hughes himself shortly before his death and represent stunning work from his entire career. The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who rushed the boots of Washington; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in the raffle of night. They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture. They spanned the range from the lyric to the polemic, ringing out wonder and pain and terror—and the marrow of the bone of life. The collection includes The Negro Speaks of Rivers, The Weary Blues, Still Here, Song for a Dark Girl, Montage of a Dream Deferred, and Refugee in America. It gives us a poet of extraordinary range, directness, and stylistic virtuosity. |
| mulatto langston hughes: Loose Canons Henry Louis Gates Jr., 1993-05-20 Multiculturalism. It has been the subject of cover stories in Time and Newsweek, as well as numerous articles in newspapers and magazines around America. It has sparked heated jeremiads by George Will, Dinesh D'Sousa, and Roger Kimball. It moved William F. Buckley to rail against Stanley Fish and Catherine Stimpson on Firing Line. It is arguably the most hotly debated topic in America today--and justly so. For whether one speaks of tensions between Hasidim and African-Americans in Crown Heights, or violent mass protests against Moscow in ethnic republics such as Armenia, or outright war between Serbs and Bosnians in the former Yugoslavia, it is clear that the clash of cultures is a worldwide problem, deeply felt, passionately expressed, always on the verge of violent explosion. Problems of this magnitude inevitably frame the discussion of multiculturalism and cultural diversity in the American classroom as well. In Loose Canons, one of America's leading literary and cultural critics, Henry Louis Gates, Jr., offers a broad, illuminating look at this highly contentious issue. Gates agrees that our world is deeply divided by nationalism, racism, and sexism, and argues that the only way to transcend these divisions--to forge a civic culture that respects both differences and similarities--is through education that respects both the diversity and commonalities of human culture. His is a plea for cultural and intercultural understanding. (You can't understand the world, he observes, if you exclude 90 percent of the world's cultural heritage.) We feel his ideas most strongly voiced in the concluding essay in the volume, Trading on the Margin. Avoiding the stridency of both the Right and the Left, Gates concludes that the society we have made simply won't survive without the values of tolerance, and cultural tolerance comes to nothing without cultural understanding. Henry Louis Gates is one of the most visible and outspoken figures on the academic scene, the subject of a cover story in The New York Times Sunday Magazine and a major profile in The Boston Globe, and a much sought-after commentator. And as one of America's foremost advocates of African-American Studies (he is head of the department at Harvard), he has reflected upon the varied meanings of multiculturalism throughout his professional career, long before it became a national controversy. What we find in these pages, then, is the fruit of years of reflection on culture, racism, and the American identity, and a deep commitment to broadening the literary and cultural horizons of all Americans. |
| mulatto langston hughes: The Mule-Bone Zora Neale Hurston, 2022-05-17 This story begins in Eatonville, Florida, on a Saturday afternoon with Jim and Dave fighting for Daisy's affection. An argument breaks out between two men, and Jim picks up a hock bone from a mule and knocks Dave out. Because of that Jim gets arrested and is held for trial in Joe Clarke's barn. When the trial begins the townspeople are divided along religious lines: Jim's Methodist supporters sit on one side of the church, Dave's Baptist supporters on the other. The issue to be decided at the trial is whether or not Jim has committed a crime. |
| mulatto langston hughes: A Study Guide for Langston Hughes's ""Mulatto"" Cengage Learning Gale, 2016 |
| mulatto langston hughes: Mulatto, a Play of the Deep South Langston Hughes, 1932 Carbon of typescript (79 p.) of play, including original cover. Also, photocopies of three clippings of reviews of the play, 1935. |
| mulatto langston hughes: The Collected Poems of Langston Hughes Langston Hughes, 1995-10-31 The definitive sampling of a writer whose poems were “at the forefront of the Harlem Renaissance and of modernism itself, and today are fundamentals of American culture” (OPRAH Magazine). Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them. Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language. The collection spans five decades, and is comprised of 868 poems (nearly 300 of which never before appeared in book form) with annotations by Arnold Rampersad and David Roessel. Alongside such famous works as The Negro Speaks of Rivers and Montage of a Dream Deferred, The Collected Poems includes Hughes's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as Goodbye Christ that were once suppressed. |
| mulatto langston hughes: A Study Guide for Langston Hughes's "Mulatto" Cengage Learning Gale, 2017-07-25 A Study Guide for Langston Hughes's Mulatto, excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs. |
| mulatto langston hughes: The Panther and the Lash Langston Hughes, 2011-10-26 Hughes's last collection of poems commemorates the experience of Black Americans in a voice that no reader could fail to hear—the last testament of a great American writer who grappled fearlessly and artfully with the most compelling issues of his time. “Langston Hughes is a titanic figure in 20th-century American literature ... a powerful interpreter of the American experience.” —The Philadelphia Inquirer From the publication of his first book in 1926, Langston Hughes was America's acknowledged poet of color. Here, Hughes's voice—sometimes ironic, sometimes bitter, always powerful—is more pointed than ever before, as he explicitly addresses the racial politics of the sixties in such pieces as Prime, Motto, Dream Deferred, Frederick Douglas: 1817-1895, Still Here, Birmingham Sunday. History, Slave, Warning, and Daybreak in Alabama. |
| mulatto langston hughes: Selected Letters of Langston Hughes Langston Hughes, 2015-02-10 This is the first comprehensive selection from the correspondence of the iconic and beloved Langston Hughes. It offers a life in letters that showcases his many struggles as well as his memorable achievements. Arranged by decade and linked by expert commentary, the volume guides us through Hughes’s journey in all its aspects: personal, political, practical, and—above all—literary. His letters range from those written to family members, notably his father (who opposed Langston’s literary ambitions), and to friends, fellow artists, critics, and readers who sought him out by mail. These figures include personalities such as Carl Van Vechten, Blanche Knopf, Zora Neale Hurston, Arna Bontemps, Vachel Lindsay, Ezra Pound, Richard Wright, Kurt Weill, Carl Sandburg, Gwendolyn Brooks, James Baldwin, Martin Luther King, Jr., Alice Walker, Amiri Baraka, and Muhammad Ali. The letters tell the story of a determined poet precociously finding his mature voice; struggling to realize his literary goals in an environment generally hostile to blacks; reaching out bravely to the young and challenging them to aspire beyond the bonds of segregation; using his artistic prestige to serve the disenfranchised and the cause of social justice; irrepressibly laughing at the world despite its quirks and humiliations. Venturing bravely on what he called the “big sea” of life, Hughes made his way forward always aware that his only hope of self-fulfillment and a sense of personal integrity lay in diligently pursuing his literary vocation. Hughes’s voice in these pages, enhanced by photographs and quotations from his poetry, allows us to know him intimately and gives us an unusually rich picture of this generous, visionary, gratifyingly good man who was also a genius of modern American letters. |
| mulatto langston hughes: Ebony and Topaz Charles Spurgeon Johnson, 1927 |
| mulatto langston hughes: Oreo Fran Ross, 2015-07-07 A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other. |
| mulatto langston hughes: Thank You, M'am Langston Hughes, 2014-08 When a young boy named Roger tries to steal the purse of a woman named Luella, he is just looking for money to buy stylish new shoes. After she grabs him by the collar and drags him back to her home, he's sure that he is in deep trouble. Instead, Roger is soon left speechless by her kindness and generosity. |
| mulatto langston hughes: Letters from Langston Langston Hughes, 2016-02-01 Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes’s poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world—one without hunger, war, racism, and class oppression. |
| mulatto langston hughes: Laughing to Keep from Crying Langston Hughes, 1976 Reprinted 1976 by special arrangement--T.p. verso. |
| mulatto langston hughes: Encyclopedia of the Harlem Renaissance Cary D. Wintz, Paul Finkelman, 2012-12-06 From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website. |
| mulatto langston hughes: African American History Langston Hughes, Milton Meltzer, 1990 |
| mulatto langston hughes: Quicksand Nella Larsen, 2025-02-28 Quicksand by Nella Larsen is a profound novel that delves into the complexities of race and identity in the 1920s. The story revolves around Helga Crane, a mixed-race woman who is searching for a sense of belonging and fulfillment amidst the restrictive social constructs of her time. Helga's journey takes her from her upbringing in the black middle class in the North, to the vibrant artistic community of Harlem, to the rural Southern town of her ancestry, and finally to the exotic land of Denmark. Throughout her travels, she grapples with the dichotomy of her racial identity and the expectations placed upon her by the people around her, leading to a tumultuous journey of self-discovery. The novel opens with Helga Crane, an educator at a Southern school for black children, feeling stifled by the constraints of her job and the societal norms of the black community. Driven by a desire to find her true place in the world, she moves to Harlem, seeking the cultural richness of the Harlem Renaissance. However, she quickly becomes disillusioned with the materialism and shallow relationships she encounters there. Her search for authenticity leads her to Copenhagen, where she hopes to find a connection with her white Danish heritage. Initially, she is embraced by the avant-garde artistic community, but she soon realizes that her racial identity is as much of an issue in Europe as it is in America. Despite her attempts to assimilate, she remains an outsider, and her romantic involvement with a married artist further complicates her search for belonging. Returning to the Southern town where her mother was born, Helga experiences a sense of kinship with the black community but is also faced with the stark realities of Jim Crow laws and the deep-seated racism that pervades American society. Her time in the South is marked by a passionate love affair with a minister named Dr. Anderson, who represents a potential escape from her past. However, their relationship is fraught with the same issues of identity and conformity that she has been wrestling with throughout her life. Feeling trapped by her choices and her identity, Helga ultimately marries a man named James Vayle, a fellow teacher from the North who offers her stability and a respite from her tumultuous past. Yet, their marriage is plagued by her inability to fully embrace the domestic role expected of her, as well as James's infidelity and his inability to understand her inner turmoil. As the story unfolds, Helga's journey becomes a metaphor for the struggles of individuals caught between two worlds, unable to find a stable footing in either. The novel delivers a poignant commentary on the fluidity of identity and the quest for authenticity in a society that seeks to categorize and contain. Larsen's vivid portrayal of Helga's internal conflict is mirrored in the external landscapes she traverses, each offering a unique perspective on race and identity. Quicksand is a powerful exploration of the intersections of race, class, and gender during the era of the New Negro. The characters are complex and multifaceted, reflecting the multitude of experiences faced by those navigating the complexities of the time. The prose is rich and evocative, painting a vivid picture of the various settings and the tumultuous emotions of the protagonist. The novel is significant for its nuanced treatment of racial passing and the psychological toll it takes on individuals who are forced to navigate the boundaries of identity. Helga's experiences highlight the pain and isolation that result from a lifelong quest to find a place where she truly fits in. Through her story, Larsen critiques the limitations imposed by a society that refuses to acknowledge the fluidity of identity and the human need for acceptance. Quicksand is a timeless piece of literature that resonates with readers who grapple with the complexities of their own identity. It is a compelling narrative that challenges readers to consider the societal pressures that shape our perceptions of ourselves and others. The book's themes remain relevant today, as discussions of race, belonging, and the search for identity continue to evolve. Larsen's work is a poignant reminder of the enduring human desire for connection and authenticity amidst the ever-shifting sands of social constructs. |
| mulatto langston hughes: Black Nativity Langston Hughes, 1992 |
| mulatto langston hughes: The Development of Black Theater in America Leslie Catherine Sanders, 1989-08-01 In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own. |
| mulatto langston hughes: Anthology of Modern American Poetry Cary Nelson, 2000 Bringing together over 100 years of creative and vital American poetry in one volume, Anthology of Modern American Poetry includes over 750 poems by 161 American poets ranging from Walt Whitman to Sherman Alexie. It represents not only the traditionally familiar poetic works of the last hundred years but also includes numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. It is also the first anthology to give full treatment to American long poems and poetic sequences. |
| mulatto langston hughes: Arise Africa, Roar China Yunxiang Gao, 2021-12-17 This book explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War—journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China’s modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book’s multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. |
| mulatto langston hughes: The Cambridge Companion to American Poets Mark Richardson, 2015-10-15 This Companion brings together essays on some fifty-four American poets, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, confessional poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry. |
| mulatto langston hughes: Among the Wild Mulattos and Other Tales Thomas S. Williams, 2015 Set in the suburbs and cities of the Midwest, Mid-South, and Texas, these stories explore the lives of characters biracial, black, white, and all sorts of in-between. The intersections and collisions of contemporary life are in full effect here, where the distinctions between fast food and fine art, noble and naked ambitions, reality and reality shows have become impossible to distinguish. Read these stories and understand why Steve Yarbrough said Williams writes like Paul Auster if he were funnier or like Stanley Elkin might have if he'd ever been able to stop laughing. Tom Williams has done the near impossible in penning a book that is both undeniably entertaining and deeply thoughtful, Millhauser meets Bukowski meets Ellison. --Alan Heathcock, author of Volt Sure, we need the nudge of category to help us all think straight, but we also need the rangy trickster, Tom Williams, to do the bang-up boundary work of imaginary anthropology in these deadpan dead-on gems. These infiltrating texts take us sideways, through and through, turn us inside-out. . --Michael Martone, author of Michael Martone and Four for a Quarter |
| mulatto langston hughes: Fine Clothes to the Jew Langston Hughes, 1927 |
Mulatto - Wikipedia
Mulatto (UK: / m j uː ˈ l æ t oʊ, m ə ˈ-/ mew-LAT-oh, mə-, US: / m ə ˈ l ɑː t oʊ, m j uː ˈ-/ mə-LAH-toh, mew-) is a racial classification that refers to people of mixed African and European …
Mulatto | Definition, Social Construct, & History | Britan…
May 15, 2025 · Mulatto, a person of mixed white and Black ancestry. The term mulatto is a legacy of attempts to establish taxonomies of race, a concept that science has shown to be socially …
MULATTO Definition & Meaning - Merriam-Webster
The meaning of MULATTO is the first-generation offspring of a Black person and a white person.
The Tragic Mulatto Myth - Anti-black Imagery - Jim Crow Mus…
The mulatto woman was depicted as a seductress whose beauty drove white men to rape her. This is an obvious and flawed attempt to reconcile the prohibitions against miscegenation …
The Mulatto Community, Globally, a story - African Ame…
In anthropology, Mulatto is a historical racial classification of people born of one white parent and one Black parent (Anglo and Negro). Academia Española traces its origin to the word mulo in …
Mulatto - Wikipedia
Mulatto (UK: / m j uː ˈ l æ t oʊ, m ə ˈ-/ mew-LAT-oh, mə-, US: / m ə ˈ l ɑː t oʊ, m j uː ˈ-/ mə-LAH-toh, mew-) is a racial classification that refers to people of mixed African and European …
Mulatto | Definition, Social Construct, & History | Britan…
May 15, 2025 · Mulatto, a person of mixed white and Black ancestry. The term mulatto is a legacy of attempts to establish taxonomies of race, a concept that science has shown to be socially …
MULATTO Definition & Meaning - Merriam-Webster
The meaning of MULATTO is the first-generation offspring of a Black person and a white person.
The Tragic Mulatto Myth - Anti-black Imagery - Jim Crow Mus…
The mulatto woman was depicted as a seductress whose beauty drove white men to rape her. This is an obvious and flawed attempt to reconcile the prohibitions against miscegenation …
The Mulatto Community, Globally, a story - African Ame…
In anthropology, Mulatto is a historical racial classification of people born of one white parent and one Black parent (Anglo and Negro). Academia Española traces its origin to the word mulo in …
