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| musical intuition: Musical Knowledge Prof Keith Swanwick, Keith Swanwick, 2002-11 Examines the tension between intuitive and analytical ways of making sense of the world by exploring musical knowledge and experience. |
| musical intuition: Musical Transformation and Musical Intuition Raphael Eric Atlas, Michael Cherlin, 1994 |
| musical intuition: Developing Musical Intuitions Jeanne Shapiro Bamberger, Armando Hernández, 2000 This book is for anyone interested in discovering their own musical intuitions. Ideal for use in courses in introductory music, music fundamentals, and elements-based appreciation courses, Developing Musical Intuitions can also be used in departmental music labs as a supplement to courses in music theory and music education.--BOOK JACKET. |
| musical intuition: Musical Understandings Stephen Davies, 2011-08-25 Musical Understandings presents an engaging collection of essays by Stephen Davies on the philosophy of music. He explores a range of topics, including how music expresses emotion, modes of perception, and musical profundity. The volume includes original material, newly revised articles, and work published in English for the first time. |
| musical intuition: Discovering the Musical Mind Jeanne Bamberger, 2013-04 Following her distinguished earlier career as a concert pianist and later as a music theorist, Jeanne Bamberger conducted countless case studies analysing musical development and creativity within the classroom environment. 'Discovering the musical mind' draws together these classic studies, and offers the chance to revisit and reconsider some of the conclusions she drew at the time. |
| musical intuition: Musical Knowledge Keith Swanwick, 1994 Examines the tension between intuitive and analytical ways of making sense of the world by exploring musical knowledge and experience. |
| musical intuition: Generation Intuitive Julie Hamilton, 2008 The world is changing. Children, more than ever before, are highly sensitive to subtle energies through which they are intuitively and naturally connected to an infinite source of inner wisdom and creativity. Our children are the pioneers of a new way of living. They have a vastly different perception and experience of the world around them. They see a world full of possibility and endless potential. GENERATION INTUITIVE is upon us and it demands a whole new paradigm of parenting. Now, in this straightforward and down-to-earth guide to nurturing and developing your child's natural intuitive gifts. Julie Hamilton explores the significance of intuition in the modern age, highlighting it as one of the most powerful tools for our children to live empowered and successful lives. GENERATION INTUITIVE looks at all the different intuitive 'super-senses' available to our kids, exploring each one individually and providing parents with insights into how they work, and how to nurture and manage them best. Offering practical tools and advice, GENERATION INTUITIVE also features a range of entertaining visualisations, games and exercises to help children tap into their intuition and explore all its wondrous possibilities. GENERATION INTUITIVE equips parents with everything they need to know about caring for an emerging new generation of intuitive kids. As you learn to recognise, understand and nurture your children's unique intuitive gifts, you’ll be helping them build their self-esteem, confidence and creativity, guiding them to make fantastic choices in life and ensuring they reach their full potential and shine! |
| musical intuition: The Process of Becoming Other in the Classical and Contemporary World Andreas Gonçalves Lind, Ana Paula Pinto, Dominique Lambert, 2024-10-15 This book considers communication across difference in a variety of humanistic contexts, from classical Greek literature, to continental philosophy, environmental studies, media studies, science and technology studies, animal studies, and beyond. With contributors from all around the globe (including Portugual, South Africa, Turkiye, China, Italy, and other countries), this volume provides a truly diverse range of perspectives on the philosophical and practical dimensions of communicating across otherness and difference. |
| musical intuition: Music and Familiarity Elaine King, Helen M. Prior, 2016-04-29 Familiarity underpins our engagement with music. This book highlights theoretical and empirical considerations about familiarity from three perspectives: listening, musicology and performance. Part I, ’Listening’, addresses familiarity as it relates to listeners’ behaviour and responses to music, specifically in regulating our choice and exposure to music on a daily basis; how we get to know music through regular listening; how comfortable we feel in a Western concert environment; and music’s efficacy as a pain-reliever. Part II, ’Musicology’ exposes the notion of familiarity from varied stances, including appreciation of music in our own and other cultures through ethnomusicology; exploration of the perception of sounds via music analysis; philosophical reflection on the efficiency of communication in musicology; evaluation of the impact of researchers’ musical experiences on their work; and the influence of familiarity in music education. Part III, ’Performance’, focuses on the effects of familiarity in relation to different aspects of Western art and popular performance, including learning and memorizing music; examination of ’groove’ in popular performance; exploration of the role of familiarity in shaping socio-emotional behaviour between members of an ensemble; and consideration about the effects of the unique type of familiarity gained by musicians through the act of performance itself. |
| musical intuition: Artistic Experimentation in Music Darla Crispin, Bob Gilmore, 2014-10-07 Essential reading for anyone interested in artistic research applied to music This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium. The book critically examines experimentation in music of different historical eras. It is essential reading for performers, composers, teachers, and others wanting to inform themselves of the issues and the current debates in the new field of artistic research as applied to music. The publication is accompanied by a CD of music discussed in the text, and by an online resource of video illustrations of specific issues. Contributors Paulo de Assis (ORCiM), Richard Barrett (Institute of Sonology, The Hague), Tom Beghin (McGill University), William Brooks (University of York, ORCiM), Nicholas G. Brown (University of East Anglia), Marcel Cobussen (University of Leiden), Kathleen Coessens (Vrije Universiteit Brussel, ORCiM); Paul Craenen (Director Musica, Impulse Centre for Music), Darla Crispin (Norwegian Academy of Music), Stephen Emmerson (Queensland Conservatorium, Griffith University, Brisbane), Henrik Frisk (Malmö Academy of Music), Bob Gilmore (ORCiM), Valentin Gloor (ORCiM), Yolande Harris (Center for Digital Arts and Experimental Media – DXARTS), University of Washington, Seattle), Mieko Kanno (Royal Conservatoire of Scotland), Andrew Lawrence-King (Guildhall School of Music and Drama, London, Royal Danish Academy of Music, Copenhagen, University of Western Australia), Catherine Laws (University of York, ORCiM), Stefan Östersjö (ORCiM), Juan Parra (ORCiM), Larry Polansky (University of California, Santa Cruz), Stephen Preston, Godfried-Willem Raes (Logos Foundation, Ghent), Hans Roels (ORCiM), Michael Schwab (ORCiM, Royal College of Art, London, Zurich University of the Arts), Anna Scott (ORCiM), Steve Tromans (Middlesex University), Luk Vaes (ORCiM), Bart Vanhecke (KU Leuven, ORCiM) |
| musical intuition: The Musical Times and Singing-class Circular , 1917 |
| musical intuition: The Musical Times & Singing-class Circular , 1915 |
| musical intuition: Music , 1893 |
| musical intuition: Music William Smythe Babcock Mathews, 1901 |
| musical intuition: A Generative Theory of Tonal Music, reissue, with a new preface Fred Lerdahl, Ray S. Jackendoff, 1996-06-03 A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory. |
| musical intuition: The Oxford Handbook of Critical Concepts in Music Theory Alexander Rehding, Steven Rings, 2019-11-19 Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory. In some cases authors explore concepts that have not yet been widely added to the theorist's toolkit but deserve to be included; in other cases concepts are expanded beyond their core repertory of application. This collection does not shy away from controversy. Taken in their entirety, the essays underline that music theory is on the move, exploring new questions, new repertories, and new approaches. This collection is an invitation to take stock of music theory in the early twenty-first century, to look back and to encourage discussion about its future directions. Its chapters open up a panoramic view of the contemporary music-theoretical landscape with its expanding repertories and changing guiding questions, and offers suggestions as to where music theory is headed in years to come. |
| musical intuition: Greek Reflections on the Nature of Music Flora R. Levin, 2009-04-27 In this book, Flora Levin explores how and why music was so important to the ancient Greeks. She examines the distinctions that they drew between the theory of music as an art ruled by number and the theory wherein number is held to be ruled by the art of music. These perspectives generated more expansive theories, particularly the idea that the cosmos is a mirror-image of music's structural elements and, conversely, that music by virtue of its cosmic elements - time, motion, and the continuum - is itself a mirror-image of the cosmos. These opposing perspectives gave rise to two opposing schools of thought, the Pythagorean and the Aristoxenian. Levin argues that the clash between these two schools could never be reconciled because the inherent conflict arises from two different worlds of mathematics. Her book shows how the Greeks' appreciation of the profundity of music's interconnections with philosophy, mathematics, and logic led to groundbreaking intellectual achievements that no civilization has ever matched. |
| musical intuition: Conducting and Rehearsing the Instrumental Music Ensemble John F. Colson, 2012-08-09 Conducting and Rehearsing the Instrumental Music Ensemble is the most comprehensive guide on the rehearsal process for conducting instrumental music ensembles. Ideal for the advanced instrumental music conductor seeking to look beyond basic conducting technique, this work breaks the multidimensional activity of working with an ensemble, orchestra or band into its constituent components. |
| musical intuition: While the Music Lasts David A. Powell, 2001 At the same time, Sand's musical referencing techniques afford a culturally based method for looking at French society and the need for a humanist reform, all the while exploring feminist statements, narrative strategies, love plots, and questions of communication, language, and nationhood.--BOOK JACKET. |
| musical intuition: Music, Mind, and Brain Manfred Clynes, 2013-06-29 There is much music in our lives -yet we know little about its function. Music is one of man's most remarkable inventions - though possibly it may not be his invention at all: like his capacity for language his capacity for music may be a naturally evolved biologic .function. All cultures and societies have music. Music differs from the sounds of speech and from other sounds, but only now do we find ourselves at the threshold of being able to find out how our brain processes musical sounds differently from other sounds. We are going through an exciting time when these questions and the question of how music moves us are being seriously investigated for the first time from the perspective of the co-ordinated functioning of the organism: the perspective of brain function, motor function as well as perception and experience. There is so much we do not yet know. But the roads to that knowledge are being opened, and the coming years are likely to see much progress towards providing answers and raising new questions. These questions are different from those music theorists have asked themselves: they deal not with the structure of a musical score (although that knowledge is important and necessary) but with music in the flesh: music not outside of man to be looked at from written symbols, but music-man as a living entity or system. |
| musical intuition: A Hundred Years of Music in America William Smythe Babcock Mathews, 1889 |
| musical intuition: The Word and the Spiritual Realities (the I and the Thou) Ferdinand Ebner, 2021 This volume will constitute the first published English translation of Ferdinand Ebner’s seminal 1921 work, Das Wort und die geistigen realitäten – long available in major languages but never in English. It is frequently compared with Martin Buber’s, I and Thou, published in 1923, which actually draws its central I-Thou insight from Ebner. In recent centuries, Philosophy reflects a turn toward the autonomous subject vs. a biblical sense of person. The limits/failures of science manifest in the horrors of World War I led to the emergence of a “Dialogical Personalist Philosophy” in reaction to the universal doubt of Cartesian thought and to German Idealism, which engages the idea or representation but not the reality of “things-in-themselves.” The core of Ebner: human speech is constitutive of human existence: humans are given the word. Having the word is a miraculous gift from God. It is only in the word, in language, that an I meets a Thou, that relationship and self-identity can occur, and this word is given in Jesus Christ, the Word made flesh: “In the beginning was the Word”; Jesus, the Logos of St. John's Gospel, mediates between God and man and “stands” between I and Thou. It is through Jesus that it is possible to address God in the human thou. The key to life’s meaning, to the centrality of relationship, and to God's continuous action in His creation, is found in the I-Thou question: why the I can never be found in itself, and so must look in the thou, while the false I will try to possess the thou as an object of power. This is Ebner's critique of idealist thought: reality, truth, and personal identity are neither ideas, nor found in ideas, therefore, Descartes' cogito must be rejected, for the existence of the I can't be founded or proved by solitary thinking, but only in relation with a thou. |
| musical intuition: Popular Music: Music and identity Simon Frith, 2004 |
| musical intuition: Musical Forecast , 1924 |
| musical intuition: MENC Handbook of Research on Music Learning Richard Colwell, Peter R. Webster, 2011-11-23 Summarizes the latest research on music learning, focusing on the profession's empirical & conceptual knowledge of how students gain competence in music at various ages & in different contexts. |
| musical intuition: The Aesthetics of Music Roger Scruton, 1999 Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples. The book starts from the metaphysics of sound, distinguishes sound from tone, analyses rhythm, melody, and harmony, and develops a novel account of music, as the intentional object of an imaginative perception. The argument explores the various dimensions of musical organization and musical meaning, and shows exactly how and why music is an expressive medium. The Aesthetics of Music explains and criticizes many fashionable theories in the philosophy and theory of music, and mounts a case for the moral significance of music, its place in our culture, and the need for taste and discrimination in both performer and listener. The various schools of musical analysis are subjected to a critical examination, and recent criticism of tonality, as the foundation of musical order, are rehearsed and rejected. Scruton defends the objectivity of aesthetic values, lays down principles of criticism, and ends with an energetic critique of modern popular music. |
| musical intuition: Musicology and Sister Disciplines International Musicological Society. Congress, 2000 Drawing on the work of leading experts from around the globe, Musicology and Sister Disciplines provides the definitive, authoritative statement on the scope of musicology today and its relationship to other fields of academic endeavour, including philosophy and aesthetics, literary studies, art history, mathematics, computer science, historiography, and sociology. Presenting the Proceedings of the 16th Congress of the Musicological Society, held in London in 1997, Musicology and Its Sister Disciplines demonstrates how in recent years the scope of musicology has expanded to embrace such areas as semiotics, gender studies, and computer applications. All these key related disciplines are discussed - together with the implications of the so-called new musicology - alongside the traditional concerns of the discipline. Music is represented in all its forms, including jazz, popular music, film music, and the music of different ethnic groups and the broad-ranging theme of the collection is established at the outset by two keynote papers, by philosopher Bernard Williams and mathematician Roger Penrose. The volume contains the full texts of the Keynote Papers and Round Table sessions, reports on the Study sessions, and abstracts of the Free Papers and Poster Sessions. |
| musical intuition: Musical America , 1916 |
| musical intuition: Jazz: A Beginner's Odyssey Freddie Caldwell, Embark on an enriching journey through the vibrant world of jazz with 'Jazz: A Beginner's Odyssey.' This comprehensive guide offers a captivating exploration of jazz's origins, evolution, and cultural significance. Delve into the essential elements of jazz, from rhythm and harmony to improvisation and composition, as you uncover the secrets of this captivating genre. Meet jazz legends past and present, learn performance techniques, and discover the diverse styles and subgenres that have shaped jazz into what it is today. Whether you're a newcomer to jazz or a seasoned enthusiast, this book provides invaluable insights, practical exercises, and fascinating anecdotes to deepen your understanding and appreciation of this timeless art form. From swing to fusion, from Louis Armstrong to Herbie Hancock, 'Jazz: A Beginner's Odyssey' is your passport to a world of musical discovery and inspiration. |
| musical intuition: The Musical Quarterly Oscar George Sonneck, 1915 |
| musical intuition: Machine Models of Music Stephan M. Schwanauer, David A. Levitt, 1993 Machine Models of Music brings together representative models and current research to illustrate the rich impact that artificial intelligence has had on the understanding and composition of traditional music and to demonstrate the ways in which music can push the boundaries of traditional Al research. Machine Models of Music brings together representative models ranging from Mozart's Musical Dice Game to a classic article by Marvin Minsky and current research to illustrate the rich impact that artificial intelligence has had on the understanding and composition of traditional music and to demonstrate the ways in which music can push the boundaries of traditional Al research.Major sections of the book take up pioneering research in generate-and-test composition (Lejaren Hiller, Barry Brooks, Jr., Stanley Gill); composition parsing (Allen Forte, Herbert Simon, Terry Winograd); heuristic composition (John Rothgeb, James Moorer, Steven Smoliar); generative grammars (Otto Laske, Gary Rader, Johan Sundberg, Fred Lerdahl); alternative theories (Marvin Minsky, James Meehan); composition tools (Charles Ames, Kemal Ebcioglu, David Cope, C. Fry); and new directions (David Levitt, Christopher Longuet-Higgins, Jamshed Bharucha, Stephan Schwanauer).Stephan Schwanauer is President of Mediasoft Corporation. David Levitt is the founder of HIP Software and head of audio products at VPL Research. |
| musical intuition: The Crisis of Classical Music in America Robert Freeman, 2014-08-14 The Crisis of Classical Music in America by Robert Freeman focuses on solutions for the oversupply of classically trained musicians in America—a growing problem in a diminishing niche job market. Freeman calls for music colleges to focus on vital job skills in order to better equip their graduates for the real world. |
| musical intuition: Musical Observer , 1928 |
| musical intuition: Memories of a Musical Career Clara Kathleen Rogers, 1919 |
| musical intuition: Music and Some Highly Musical People James M. Trotter, 1878 |
| musical intuition: Esthetics of Music Carl Dahlhaus, 1982-02-25 An account of developments in the aesthetics of music from the mid-eighteenth century onwards. |
| musical intuition: Musical West, Music and the Dance , 1929 |
| musical intuition: Proceedings of the Royal Musical Association Royal Musical Association, 1878 |
| musical intuition: Musical Representations, Subjects, and Objects Jairo Moreno, 2004-12-21 Jairo Moreno adapts the methodologies and nomenclature of Foucault's archaeology of knowledge and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions -- musical, philosophical, and historical -- that make a certain form of thought about music necessary and possible at the time it emerges. Musical Meaning and Interpretation -- Robert S. Hatten, editor |
| musical intuition: Proceedings of the Musical Association Musical Association (Great Britain), 1877 |
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Music - YouTube
Visit the YouTube Music Channel to find today’s top talent, featured artists, and playlists. Subscribe to see the latest in the music world.This channel was ...
YouTube Music
With the YouTube Music app, enjoy over 100 million songs at your fingertips, plus albums, playlists, remixes, music videos, live performances, covers, and hard-to-find music you can’t …
Musicals - The Hits Of Broadway & West End Theatres (Miss
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Hamilton - Full Musical - YouTube
Hamilton - Full MusicalHamilton Fan : https://www.youtube.com/@hamiltonfan3033thank you so much!🎶 Love Hamilton? Join Us! 🎭Hey Hamilton fans! If you can’t ...
Hamilton: The Musical [Full Soundtrack] - YouTube
The full soundtrack to Hamilton (ORIGINAL BROADWAY CAST RECORDING). Listen to the soundtrack now: https://wmcanada.lnk.to/hamiltontorontoLY“Hamilton” is the...
Epic: The Musical (Full Playlist) - YouTube
Full Playlist of EPIC: The Musical The Troy Saga - 5 songs The Cyclops Saga - 4 songs The Ocean Saga - 4 songs The Circe Saga - 4 songs The Underworld Saga -...
Musical Milagro Official - YouTube
Somos un grupo familiar radicado en la ciudad de Chihuahua, que alegra con sus bailes, la plaza de armas de la ciudad.
Full Broadway Shows - YouTube
Share your videos with friends, family, and the world
Les Misérables (Musical) - YouTube
Videos of the amazing musical "Les Misérables" by Claude-Michel Schönberg and Alain Boublil. This playlists will include any videos I find about Les Miserabl...
YouTube - YouTube
YouTube's Official Channel helps you discover what's new & trending globally. Watch must-see videos, from music to culture to Internet phenomena
Music - YouTube
Visit the YouTube Music Channel to find today’s top talent, featured artists, and playlists. Subscribe to see the latest in the music world.This channel was ...
YouTube Music
With the YouTube Music app, enjoy over 100 million songs at your fingertips, plus albums, playlists, remixes, music videos, live performances, covers, and hard-to-find music you can’t …
Musicals - The Hits Of Broadway & West End Theatres (Miss
Return to the world of Musicals from the 1957 hit West Side Story to the 2015 smash hit Hamilton! Enjoy and sing a long to these unforgettable songs of Broad...
Hamilton - Full Musical - YouTube
Hamilton - Full MusicalHamilton Fan : https://www.youtube.com/@hamiltonfan3033thank you so much!🎶 Love Hamilton? Join Us! 🎭Hey Hamilton fans! If you can’t ...
Hamilton: The Musical [Full Soundtrack] - YouTube
The full soundtrack to Hamilton (ORIGINAL BROADWAY CAST RECORDING). Listen to the soundtrack now: https://wmcanada.lnk.to/hamiltontorontoLY“Hamilton” is the...
Epic: The Musical (Full Playlist) - YouTube
Full Playlist of EPIC: The Musical The Troy Saga - 5 songs The Cyclops Saga - 4 songs The Ocean Saga - 4 songs The Circe Saga - 4 songs The Underworld Saga -...
Musical Milagro Official - YouTube
Somos un grupo familiar radicado en la ciudad de Chihuahua, que alegra con sus bailes, la plaza de armas de la ciudad.
Full Broadway Shows - YouTube
Share your videos with friends, family, and the world
Les Misérables (Musical) - YouTube
Videos of the amazing musical "Les Misérables" by Claude-Michel Schönberg and Alain Boublil. This playlists will include any videos I find about Les Miserabl...
