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| moron movies: Stephen King Harold Bloom, 2009 Provides a biography of author Stephen King along with critical views of his work. |
| moron movies: American Audiences on Movies and Moviegoing Tom Stempel, 2021-12-14 A unique perspective on half a century of American cinema—from the audience's point of view. Tom Stempel goes beyond the comments of professional reviewers, concentrating on the opinions of ordinary people. He traces shifting trends in genre and taste, examining and questioning the power films have in American society. Stempel blends audience response with his own observations and analyzes box office results that identify the movies people actually went to see, not just those praised by the critics. Avoiding statistical summary, he presents the results of a survey on movies and moviegoing in the respondents' own words—words that surprise, amuse, and irritate. The moviegoers respond: Big bad plane, big bad motorcycle, and big bad Kelly McGillis.—On Top Gun All I can recall were the slave girls and the Golden Calf sequence and how it got me excited. My parents must have been very pleased with my enthusiasm for the Bible.—On why a seven-year-old boy stayed up to watch The Ten Commandments I learned the fine art of seduction by watching Faye Dunaway smolder.—A woman's reaction to seeing Bonnie and Clyde At age fifteen Jesus said he would be back, he just didn't say what he would look like.—On E.T. Quasimodo is every seventh grader.—On why The Hunchback of Notre Dame should play well with middle-schoolers A moronic, very 'Hollywoody' script, and a bunch of dancing teddy bears.—On Return of the Jedi I couldn't help but think how Mad magazine would lampoon this. —On The Exorcist |
| moron movies: Manslations Jeff Mac, 2009-01-01 THE ULTIMATE INTERPRETER OF GUY BEHAVIOR Why doesn't my man get me flowers? Easy - because flowers don't do anything cool. Will I scare him off if I call him first? No way. Well, not unless he's actually terrified of his phone, in which case you likely have bigger problems. Why can't he just talk to me about our relationship? Yeah . . . and how come a gazelle never waits around to see if that lion is friendly? Men sometimes seem impossible to understand. But it turns out they're about as easy to read as coloring books - if you know what you're looking for. Manslations answers all these questions and more in this hilarious - and honest - guide to what men say, who they are, and why they behave the way they do. When that guy told you - within thirty seconds of introducing himself at the bar - that he drives a hybrid because he cares about the environment, the manslation is that he was trying to work his way into your bikini areas. Manslations reveals the golden rule that helps you figure out what never to worry about (and what to lose sleep over), plus the two key questions that will help unlock the meaning behind even the most confusing male actions. Capped off by a man-to-woman phrasebook, this is the only relationship guide you'll ever need. |
| moron movies: In the Mouth of Madness Michael Blyth, 2018-05-15 Neglected upon its initial release in 1995, John Carpenter's In the Mouth of Madness has since developed a healthy cult reputation. It now appears as one of his most thematically complex and stylistically audacious pieces of work, prescient and more essential than ever. This book seeks to position this overlooked masterpiece as essential Carpenter. |
| moron movies: Movies for the Moron - 50 Movies to own, watch, and learn about so people don't think you're a movie moron Paul Lefebvre, 2006-07-12 A guide to 50 movies you should watch, learn about, and own so people don't think you're a movie moron. |
| moron movies: Scaring Us to Death Michael R. Collings, 1997-01-01 In this revised and expanded edition of The Stephen King Phenomenon, Dr. Michael R. Collings re-examines the impact of Stephen King on popular culture. |
| moron movies: Memory into Memoir Laura Kalpakian, 2021-10-01 The memoir is not the story of what you know, it’s the story of how you learned it. Memory into Memoir provides a lively guide for anyone looking to wrestle the unruly past onto the page. In thirteen chapters, Laura Kalpakian provides tools to develop narrative form, scenic depiction, character development, and dialogue. There are chapters devoted to excavating the Family Story and the slippery Truth, especially when telling stories not solely your own. Kalpakian explores the use of letters, diaries, and photographs, and she offers tips for research, publishing choices, and the uses of music. With a broad exploration of technique and development, and a range of reference, Memory into Memoir includes examples, extensive resources, and animating prompts. The seasoned writer, the aspiring writer, and the reluctant writer looking for a knowledgeable, encouraging companion will find Memory into Memoir the go-to guide for a successful, fulfilling writing experience. |
| moron movies: Horror Films of 2000-2009 John Kenneth Muir, 2022-10-26 Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines. |
| moron movies: Everybody Belongs Arthur Shapiro, 2003-09 The evil prosthesis of Captain Hook, the comical speech of Porky Pig, and the bumbling antics of Mr. Magoo are all examples of images in our culture which can become the basis of negative attitudes and subliminal prejudice towards persons with disabilities. These attitudes influence and underlie discriminatory acts, resulting in negative treatment and segregation. A teacher's ability to recognize and counter such images may well determine the success of inclusion and mainstreaming programs in our schools and society. Well-researched and well-written, this book offers practical guidance as grounded in solid research to schools that are wrestling with how to mainstream children with disabilities. |
| moron movies: Pains in Public Andrew Holmes, 2005-01-28 How many times have people caused you misery while you go about your daily routine? How often has a religious nut knocked on your door intent on converting you or a stressed out shopper upended pyramids of Honduran ugli fruit in front of your trolley? You?ve tried isolation tanks, you?ve tried staying tucked up in bed all day, you?ve looked into selling your worldly goods and joining a retreat. At last there?s an effective way to fight back. Pains in Public will help you spot, avoid and get your own back on the 50 worst types of people life throws up at you. This is a manifesto for the perennially grumpy. Down with pushiness, poor personal hygiene and fluorescent tabards. Together we can make the world a less painful place. Pains in Public is guaranteed to become as indispensable to the upstanding citizen as an efficient neighbourhood watch scheme and a pooper scoop. It?s the perfect antidote to nightmarish civilians everywhere! |
| moron movies: Escape Velocity Bradley Schauer, 2017-01-03 Today, movie theaters are packed with audiences of all ages marveling to exciting science fiction blockbusters, many of which are also critically acclaimed. However, when the science fiction film genre first emerged in the 1950s, it was represented largely by exploitation horror films—lurid, culturally disreputable, and appealing to a niche audience of children and sci-fi buffs. How did the genre evolve from B-movie to blockbuster? Escape Velocity charts the historical trajectory of American science fiction cinema, explaining how the genre transitioned from eerie low-budget horror like It Came from Outer Space to art films like Slaughterhouse-Five, and finally to the extraordinary popularity of hits like E.T. Bradley Schauer draws on primary sources such as internal studio documents, promotional materials, and film reviews to explain the process of cultural, aesthetic, and economic legitimation that occurred between the 1950s and 1980s, as pulp science fiction tropes were adapted to suit the tastes of mainstream audiences. Considering the inescapable dominance of today's effects-driven blockbusters, Escape Velocity not only charts the history of science fiction film, but also gives an account of the origins of contemporary Hollywood. |
| moron movies: The New York Times Guide to the Best 1,000 Movies Ever Made Peter M. Nichols, 2004-02-21 From the film critics of The New York Times come these uncut, original reviews of the most popular and influential movies ever made -- from the Talkies to blockbuster megahits like Chicago and The Wizard of Oz; from timeless classics like Casablanca and Notorious, to beloved foreign films by Truffaut and Kurosawa, Fellini and Almodovar. The reviews, eloquent, incisive, and intuitive, reflect Hollywood history at its best -- must-have reading for movie lovers or Students. In addition, this essential volume includes: * Full cast and production credits for every movie * The ''10 Best lists for every year from 1931 to the present * An index of films by genre, and an index of foreign films by country of origin. This edition is thoroughly updated to include all the important movies of the past several years, as well as a new introduction by A Times film critic, A. O. Scott. |
| moron movies: Gojiro Mark Jacobson, 1997-12-08 Once a normal monitor lizard, Gojiro was transformed into a giant lizard by an atomic test after WWII. Meanwhile, in an Okinawa hospital, Komodo--the world famous coma boy--reawakens for the first time since the Hiroshima blast nine years before. Together, the lizard and orphan venture forth to discover their identities in a world in which neither belongs. The story of their journey is geek love on a truly epic scale. |
| moron movies: Digest , 1929 |
| moron movies: The Blockbuster Entertainment Guide to Movies and Videos , 1998 From Blockbuster Video, America's number one video source, comes the ultimate film guide. Each entry provides a clear, unbiased plot summary, MPAA ratings, extensive indices, and quality rating on a one-to-five star system. This one-stop reference is the handiest and most complete video authority on new releases, classics, made-for-tv, children's, and foreign films. |
| moron movies: When the Movies Mattered Jonathan Kirshner, Jon Lewis, 2019-06-15 In When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remarkable collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life. Even as New Hollywood first took shape, film industry insiders and commentators alike realized its significance. At the time, Pauline Kael compared the New Hollywood to the tangled, bitter flowering of American letters in the 1850s and David Thomson dubbed the era the decade when movies mattered. Thomson's words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect upon and reconsider this golden age in American filmmaking. Contributors: Molly Haskell, Heather Hendershot, J. Hoberman, George Kouvaros, Phillip Lopate, Robert Pippin, David Sterritt, David Thomson |
| moron movies: My Good Man Eric Gansworth, 2022-11-01 A literary tour-de-force sure to turn the coming-of-age genre on its head from Printz honor author, Eric Gansworth Brian, a 20-something reporter on the Niagara Cascade’s City Desk, is navigating life as the only Indigenous writer in the newsroom, being lumped into reporting on stereotypical stories that homogenize his community, the nearby Tuscarora reservation. But when a mysterious roadside assault lands Tim, the brother of Brian’s mother’s late boyfriend in the hospital, Brian must pick up the threads of a life that he’s abandoned. The narrative takes us through Brian’s childhood and slice of life stories on the reservation, in Gansworth’s signature blend of crystal sharp, heartfelt literary realist prose. But perhaps more importantly, it takes us through Brian’s attempt to balance himself between Haudenosaunee and American life, between the version of his story that would prize the individual over all else and the version of himself that depends on the entire community’s survival. |
| moron movies: Video Movie Guide 1995 Mick Martin, Marsha Porter, 1994 |
| moron movies: Horror Films FAQ John Kenneth Muir, 2013-08-01 (FAQ). Horror Films FAQ explores a century of ghoulish and grand horror cinema, gazing at the different characters, situations, settings, and themes featured in the horror film, from final girls, monstrous bogeymen, giant monsters and vampires to the recent torture porn and found footage formats. The book remembers the J-Horror remake trend of the 2000s, and examines the oft-repeated slasher format popularized by John Carpenter's Halloween (1978) and Friday the 13th (1980). After an introduction positioning the horror film as an important and moral voice in the national dialogue, the book explores the history of horror decade by decade, remembering the women's liberation horrors of the 1970s, the rubber reality films of the late 1980s, the serial killers of the 1990s, and the xenophobic terrors of the 9/11 age. Horror Films FAQ also asks what it means when animals attack in such films as The Birds (1963) or Jaws (1975), and considers the moral underpinnings of rape-and-revenge movies, such as I Spit on Your Grave (1978) and Irreversible (2002). The book features numerous photographs from the author's extensive personal archive, and also catalogs the genre's most prominent directors. |
| moron movies: Secret Lives of Great Filmmakers Robert Schnakenberg, 2014-02-25 Strange-But-True Tales of Cross-Dressers, Drug Addicts, Foot Fetishists, and Other Legendary Filmmakers. With outrageous and uncensored profiles of everyone from D. W. Griffith to Quentin Tarantino, Secret Lives of Great Filmmakers reveals the little-known secrets of all your favorite directors. Why did Charlie Chaplin refuse to bathe for weeks at a time? Was Alfred Hitchcock really missing a belly button? Is Walt Disney’s corpse preserved in a state of suspended animation? And why on earth did Francis Ford Coppola direct a 3-D pornographic movie? The legends of the silver screen will never be the same! |
| moron movies: Laughing Screaming William Paul, 1994 An engrossing examination of a popular box office genre--the gross-out movie--Laughing Screaming is the first study to take this lowbrow product seriously. |
| moron movies: Stephen King Films FAQ Scott von Doviak, 2014 JFK: THE BOOK OF THE FILM |
| moron movies: The Secret Life of Movies Jason Horsley, 2009-10-21 Film blurs the line between myth and reality better than any other artistic medium, one could argue. Using movies to explore the unconscious realms of society in order to reach a better understanding of what drives it, this book examines filmmakers and films that center on schizophrenic themes of alienation, paranoia, breakdown, fantasy, dreams, dementia and violence, and that address--as entertainment--the schizophrenic experience. The loss of individual identity as reflected in the films is investigated, as well as the shamanic potential inherent in the broader theme. |
| moron movies: The Complete History of American Film Criticism Jerry Roberts, 2010-02-19 The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form. |
| moron movies: Disaster Movies Jann Blackstone-Ford, Sharyl Jupe, 2007-04 |
| moron movies: The Rules of Screenwriting and Why You Should Break Them Bill Mesce, Jr., 2017-05-21 A couple of generations ago, the movie industry ran on gut instinct--film schools, audience research departments and seminars on screenwriting were not yet de rigueur. Today the standard is the analytical approach, intended to demystify filmmaking and guarantee success (or at least minimize failure). The trouble with this method is that nobody knows how to do it--they just think they do--and films are made based on models of predictability rather than the merits of the script. This insider's look at the craft and business of screenwriting explodes some of the popular myths, demonstrating how little relevance the rules have to actual filmmaking. With long experience in film and television, the author provides insightful how-not-to analyses, with commentary by such veterans as Josh Sapan (CEO of AMC Networks), bestselling author Adriana Trigiani and Oscar-nominated screenwriter Nicholas Pileggi (Goodfellas). |
| moron movies: ChristiTutionalist (TM) Politics Joseph M. Lenard, 2023-08-01 ChristiTutionalist (TM) Politics ... ChristiTutionalist Politics (Christian based U. S. Constitutionalism) Voting Biblically through a Christian based U. S. Constitutionalism lens - ChristiTutionalist Politics! The Jefferson letter about Separation of Church and State was/is just about that the United States Federal Government shall never officially adopt a particular Church over others. PERIOD! It does not mean Freedom From Religion as some want a Separation From Church To State and indeed that as John Adams said Our constitution was made only for a moral and religious people. It is wholly inadequate to the government of any other.” and therefore U. S. Christian need be involved in Government and Politics in general or as Reagan said Freedom is but one generation from extinction and we must remain The Shining City on a Hill. Voting Biblically through a Christian based U. S. Constitutionalism lens - ChristiTutionalist Politics! Join the ChristiTutionalist movement (listen to the ChristiTutionalist Politics podcast weekly on Saturdays on buzzsprout or days later (it takes some time for them to pickup the new drops) on virtually every other podcast platforms (carried by 14 so far)). |
| moron movies: Serket's Movies Cory Hamblin, 2009-11 |
| moron movies: Women in Horror Films, 1940s Gregory William Mank, 2015-09-15 They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full mummy makeup for the resurrection scene in The Mummy's Curse--and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills. |
| moron movies: German Culture through Film Robert C. Reimer, Reinhard Zachau, 2017-09-01 German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed. |
| moron movies: Beyond the Stars: Locales in American popular film Paul Loukides, Linda K. Fuller, 1990 One of five volumes devoted to exploring some of the peripheral aspects of American films. Essays describe the depiction of such geographical and conceptual places as Arizona and the Arabic world, such public and ritual spaces as churches and western saloons, and such private arenas and commonplace spaces as the men's room and poolsides. Not illustrated. No index. Paper edition (unseen), $18.95. Annotation copyright by Book News, Inc., Portland, OR |
| moron movies: Babes in Tomorrowland Nicholas Sammond, 2005-07-20 Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of “the normal American child.” He locates the origins of this hypothetical child in the interplay between developmental science and popular media. In the process, he shows that the relationship between the media and the child has long been much more symbiotic than arguments that the child is irrevocably shaped by the media it consumes would lead one to believe. Focusing on the products of the Walt Disney company, Sammond demonstrates that without a vision of a normal American child and the belief that movies and television either helped or hindered its development, Disney might never have found its market niche as the paragon of family entertainment. At the same time, without media producers such as Disney, representations of the ideal child would not have circulated as freely in American popular culture. In vivid detail, Sammond describes how the latest thinking about human development was translated into the practice of child-rearing and how magazines and parenting manuals characterized the child as the crucible of an ideal American culture. He chronicles how Walt Disney Productions’ greatest creation—the image of Walt Disney himself—was made to embody evolving ideas of what was best for the child and for society. Bringing popular child-rearing manuals, periodicals, advertisements, and mainstream sociological texts together with the films, tv programs, ancillary products, and public relations materials of Walt Disney Productions, Babes in Tomorrowland reveals a child that was as much the necessary precursor of popular media as the victim of its excesses. |
| moron movies: Children and the Movies Garth Jowett, Ian C. Jarvie, Kathryn Fuller-Seeley, 1996-01-26 Children and the Movies: Media Influence and the Payne Fund Controversy analyzes the first and most comprehensive study of the influence of movies on American youth, the Payne Fund Studies. First published in 1933, these studies are intrinsically important for their insights and conclusions regarding the effects of movies on behaviour. They are, moreover, also an important landmark of modern social science research, demonstrating the rapid evolution of this discipline in American academic institutions over the first three decades of the century. |
| moron movies: What's Wrong with the Movies? Tamar Lane, 1923 |
| moron movies: The Other Glass Teat Harlan Ellison, 2014-04-01 The late, multi-award-winning author of The Glass Teat continues his critical assault on television in this second collection of classic criticism. In the late 1960s and early 1970s, there were only three major television networks broadcasting original programs and news. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep.” For nearly four years, he channel surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers. The Other Glass Teat: Further Essays of Opinion on the Subject of Television collects Ellison’s final fifty columns, presenting his thoughts on everything from dramas and sitcoms to game shows and roundtable discussions, unleashing his fury against sponsors, the nightly news, and the broadcasts of President Nixon—warning readers about the commander-in-chief’s war against the media long before the Watergate scandal broke. As television has evolved into wireless streaming services and digital interactions on portable devices, Ellison’s timeless rage against the machine has become prophecy. His plea to unplug is an even more necessary call to action in the face of the twenty-first century’s media onslaught. Also available: The Glass Teat: Essays of Opinion on the Subject of Television |
| moron movies: Censored Screams Tom Johnson, 1997-01-01 As Dracula (1931) and Frankenstein (1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywoods horror movies. The issue most often used to limit the showing of horror films was their unsuitability to children. With that in mind, the BBFC developed specific film codes--the A (for adults) and the H (for horrific), both of which restricted viewing to those 16 or older--and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywoods golden age of horror. |
| moron movies: Michigan Christian Advocate , 1926 |
| moron movies: Parody as Film Genre Wes D. Gehring, 1999-09-30 Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996). This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography. |
| moron movies: All-Stars and Movie Stars Ron Briley, Michael K. Schoenecke, Deborah A. Carmichael, 2021-05-11 Sports films are popular forms of entertainment around the world, but beyond simply amusing audiences, they also reveal much about class, race, gender, sexuality, and national identity. In All-Stars and Movie Stars, Ron Briley, Michael K. Schoenecke, and Deborah A. Carmichael explore the interplay between sports films and critical aspects of our culture, examining them as both historical artifacts and building blocks of ideologies, values, and stereotypes. The book covers not only Hollywood hits such as Field of Dreams and Miracle but also documentaries such as The Journey of the African American Athlete and international cinema, such as the German film The Miracle of Bern. The book also explores television coverage of sports, commenting on the relationship of media to golf and offering a new perspective on the culture and politics behind the depictions of the world's most popular pastimes. The first part of the book addresses how sports films represent the cultural events, patterns, and movements of the times in which they were set, as well as the effect of the media and athletic industry on the athletes themselves. Latham Hunter examines how the baseball classic The Natural reflects traditional ideas about gender, heroism, and nation, and Harper Cossar addresses how the production methods used in televised golf affect viewers. The second section deals with issues such as the growth of women's involvement in athletics, sexual preference in the sports world, and the ever-present question of race by looking at sports classics such as Rocky, Hoosiers, and A League of Their Own. Finally, the authors address the historical and present-day role sports play in the international and political arena by examining such films as Visions of Eight and The Loneliness of the Long Distance Runner. This important and unique collection illuminates the prominent role that sports play in society and how that role is reflected in film. Analysis of the depiction of sports in film and television provides a deeper understanding of the appeal that sports hold for people worldwide and of the forces behind the historic and cultural traditions linked to sports. |
| moron movies: Carnival Culture James B. Twitchell, 1992 Examines the changes in publishing, movie making, and television programming since the 1960s that have affected Americans' tastes. |
Moron (psychology) - Wikipedia
Moron is a term once used in psychology and psychiatry to denote mild intellectual disability. [1] The term was closely tied with the American eugenics movement. [2] Once the term became …
MORON Definition & Meaning - Merriam-Webster
The meaning of MORON is a foolish or stupid person. How to use moron in a sentence. Usage of Moron: Usage Guide.
What is the Difference Between a Moron, Imbecile and Idiot?
May 23, 2024 · Those with an IQ of 0 to 25 (an IQ of 100 is average) were called idiots, 26 to 50 were called imbeciles and 51 to 70 were called morons. Morons could communicate and learn …
MORON | English meaning - Cambridge Dictionary
Some moron smashed into the back of my car yesterday. [ as form of address ] You moron! What is the pronunciation of moron? 蠢人，傻子，笨蛋… imbécil, idiota [masculine-feminine, singular]…
MORON definition and meaning | Collins English Dictionary
2 meanings: 1. slang a foolish person 2. offensive (formerly) a person having an intelligence quotient of between 50 and 70,.... Click for more definitions.
The Psychology Behind the Term Moron - glossary.psywellpath.com
Dive into the psychology of the term 'moron.' Discover its history, implications, and how it relates to intelligence and behavior in everyday life.
Moron - Definition, Meaning & Synonyms - Vocabulary.com
A moron is an unkind way to describe someone who is foolish and unintelligent. The word moron was an official term in the early 1900s, used to describe a person of low intelligence — …
MORON Definition & Meaning | Dictionary.com
Moron definition: a person who is notably stupid or lacking in good judgment.. See examples of MORON used in a sentence.
What Does Moron Mean? - The Word Counter
Aug 19, 2024 · According to the Collins American English Dictionary, the noun moron (pronounced mawr-on) is an informal term for someone who lacks judgment or is noticeably stupid. Though it …
moron noun - Definition, pictures, pronunciation and usage ...
Definition of moron noun from the Oxford Advanced Learner's Dictionary. (informal) a rude way to refer to somebody that you think is very stupid. They're a bunch of morons. The people …
