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| nataka kannada nataka: Kannada Theatre History 1850-1950: A Sourcebook Akshara K V, B. R. Venkataramana Aithala, Deepa Ganesh, 2018-09-01 The present volume has compiled excerpts from a range of writings on theatre that give the reader a view of the varied modes of thinking. They are arranged into six sections, apart from a photo essay. It is not intended to be a history book; but a sourcebook that can lead to a more comprehensive account of Kannada theatre history, or complement the existing history books. Most of the writings in this volume are appearing in English for the first time. The book hopes to be of value to experts as well as theatre practitioners to understand the varied and nuanced narratives within what is normally put together as the history of modern Kannada Theatre. |
| nataka kannada nataka: Sangeet Natak , 2000 |
| nataka kannada nataka: Ramayana Stories in Modern South India Paula Richman, 2008-03-06 Fresh perspectives on the classic Indiana epic. |
| nataka kannada nataka: Translation Today , 2004 |
| nataka kannada nataka: The Dravidian Languages Sanford B. Steever, 2015-04-15 The Dravidian language family is the world's fourth largest with over 175 million speakers across South Asia from Pakistan to Nepal, from Bangladesh to Sri Lanka as well as having communities in Malaysia, North America and the UK. Four of the languages, Tamil, Kannada, Malayalam and Telugu are official national languages and the Dravidian family has had a rich literary and cultural influence. This authoritative reference source provides unique descriptions of 12 of these languages, covering their historical development alongside discussions of their specialised linguistic structures and features. Each chapter combines modern linguistic theory with traditional historical linguistics and a uniform structure allows for easy typological comparison between the individual languages. Two further chapters provide general information about the language family - the introduction, which covers the history, cultural implications and linguistic background, and a separate article on Dravidian writing systems. This volume includes languages from all 4 of the Dravidian family's subgroupings: South Dravidian e.g. Tamil, Kannada; South Central Dravidian e.g. Telugu, Konda; Central Dravidian e.g. Kolami; North Dravidian e.g. Brahui, Malto. Written by a team of expert contributors, many of whom are based in Asia, each language chapter offers a detailed analysis of phonology, morphology, syntax and followed by a list of the most relevant further reading to aid the independent scholar. The Dravidian Languages will be invaluable to students and researchers within linguistics and will also be of interest to readers in the fields of comparative literature, South Asian studies and Oriental studies. |
| nataka kannada nataka: Encyclopedia of Indian Cinema Ashish Rajadhyaksha, Paul Willemen, 2014-07-10 The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film. |
| nataka kannada nataka: The R-am-aya.na Revisited Mandakranta Bose, 2004-09-30 The Ramayana is one of India's foundational epics, and it demonstrates a continuing power to influence social, religious, cultural, and political life. Brought to textual life in Sanskrit by the legendary first poet, Valmiki, over the ensuing centuries the tale has been recycled with extraordinary adaptability and diversity through the varied cultural heritages of India and other parts of Asia. The basic tale of the Ramayana is continually adapted to new contexts, forms, and media. It is read, recited, sung, danced, and acted in one form or another, and renewed so constantly by changing times and values that it demands constant revaluation. The Ramayana Revisited presents the latest in Ramayana scholarship. Fourteen leading scholars examine the epic in its myriad contexts throughout South and Southeast Asia. They explore the role the narrative plays in societies as varied as India, Indonesia, Thailand, and Cambodia. The essays also expand the understanding of the text to include non-verbal renditions of the epic, with particular attention to the complex ways such retellings change the way the narrative deals with gender. This volume will be invaluable to students and scholars interested in mythology, Hinduism, Asian studies, and anthropology. |
| nataka kannada nataka: THE INDIAN LISTENER All India Radio (AIR),New Delhi , 1950-06-11 The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became Akashvani in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 11-06-1950 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XV. No. 24. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 8-62 ARTICLE: 1. The Indo-Pakistan Agreement 2. My Leisure 3. The Nagas: Their Customs And Traditions AUTHOR: 1. Hon'ble Sardar Vallabhbhai Patel 2. Leela Chitnis 3. A. C. Tunstall KEYWORDS: 1. Problems in Bengal and East Pakistan, Partition of Bengal and Sardar Patel 2. Realism and human appeal, Human passion and weaknesses 3. Naga villages and society, Nagas and the British Document ID: INL-1950 (A-J) Vol-II (11) |
| nataka kannada nataka: Language, Culture, and Communication Nancy Bonvillain, 2019-03-20 Using data from cultures and languages throughout the world to highlight both similarities and differences in human languages, this book explores the many interconnections among language, culture, and communicative meaning-- |
| nataka kannada nataka: India's Shakespeare Poonam Trivedi, Dennis Bartholomeusz, 2005 This is a collection on the diverse aspects of the interaction between Shakespeare and India, a process embedded in the contradictions of colonialism - of simultaneous submission and resistance. The essays, grouped around the key issues of translation, interpretation, and performance, deal with how the plays were taught, translated, and adapted, as well as the literary, social, and political implications of this absorption into the cultural fabric of India. They also look at the other side, what India meant to Shakespeare. Further, they document how the performance of Shakespeare both colonized and catalyzed Indian theater - being staged in English in schools, in translation in various parts of the country, through acculturation into indigenous theater forms and Hindi cinema. The book highlights, and thus rereads, not just one of the longest and most widespread interactions between a Western author and the East but also part of the colonial and postcolonial history of India. Poonam Trivedi is a Reader in English at Indraprastha College, University of Delhi. Now retired, Dennis Bartholomeusz was Reader in English literature at Monash University in Melbourne. |
| nataka kannada nataka: Fellows and Award-winners of Sangeet Natak Akademi 1952-2010 , 2011 |
| nataka kannada nataka: Who's who of Indian Writers, 1999: A-M Kartik Chandra Dutt, 1999 The End-Century Edition Of The Who'S Who Of Indian Writers, Is An Invaluable Work Of Reference For Writers, Publishers, Readers And Students Of Literary History. For Ease Of Use, The Entries Are Arranged Alphabetically By Surname Or Part Of The Name Preferred By The Writers Themselves. A Large Number Of Cross- References Are Provided To Facilitate The Location And Identification Of The Writers. |
| nataka kannada nataka: Performing Shakespeare in India Shormishtha Panja, Babli Moitra Saraf, 2016-07-18 · This collection is unusual in that the essays are not written from a single perspective and instead cover aspects as diverse as socio-political issues, translation, performance, language and identity, literary analysis. · The style of all the essays is jargon-free and accessible to the lay reader. · Given the fact that the 400th anniversary of Shakespeare’s death comes up in 2016, this collection would be in the nature of both a retrospective appraisal as well as an anticipatory homage. · Its approaches are multi-disciplinary - from socio-historical analysis, to political commentary, translation studies, literary criticism and performance studies. · It will interest researchers interested in translation studies and performance studies, and literary critics. |
| nataka kannada nataka: Shakespeare and Indian Theatre Vikram Singh Thakur, 2021-12-30 This book looks at adaptations, translations and performance of Shakespeare's productions in India from the mid-18th century, when British officers in India staged Shakespeare's plays along with other English playwrights for entertainment, through various Indian adaptations of his plays during the colonial period to post-Independence period. It studies Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions, such as Marathi, Kannada, Malayalam and Hindi, have been included. The book dwells on the fascinating story of the languages of India that have absorbed Shakespeare's work and have transformed the original educated Indian's Shakespeare into the popular Shakespeare practice of the 19th and 20th centuries, and the unique urban-folkish tradition in postcolonial India. |
| nataka kannada nataka: Dattatreya Ramachandra Bendre (Ambikatanayadatta) G. S. Amur, 1994 On the works of Dattatreya Ramachandra Bendre, b. 1896, Kannada poet. |
| nataka kannada nataka: AKASHVANI Publications Division (India),New Delhi, 1958-04-06 Akashvani (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became Akashvani (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 06-04-1958 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXIII, No. 14. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 12-46 ARTICLE: 1. Vividh Bharati: How it is Produced 2. Channamma Rani of Kittur 3. An Authoress Looks at India 4. The Poetry of Dylan Thomas 5. Cultural Expression For Our Youth 6. Towards Cleaner Cities & Roomier Homes AUTHOR: 1. K. S. Mullick 2. Shridhar Telkar 3. Naomi Mitchison 4. J. K. O'Brien 5. Rukmini Devi 6. P. J. Shroff KEYWORDS: AIR Transmitters Interviews Kittur Malsarja Channamma Attack Indian Immensity England University Science New York Dylan Thomas Friends Gandhiji Lokamanya Tilak Freedom Indian Life Calcutta Country Planning Commission Document ID: APE-1958-(Jan-Jun)-VOL-I-14 |
| nataka kannada nataka: The Karnatak Theatre H. K. Raṅganāth, 1982 |
| nataka kannada nataka: Tamil Cinema Selvaraj Velayutham, 2008-04-03 This book examines Tamil cinema, which has recently overtaken Bollywood in terms of annual output, outlining its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. |
| nataka kannada nataka: Theatres of India Ananda Lal, 2009 Theatres of India, edited by Professor Ananda Lal, is a comprehensive and accessible guide to theatre in India. The volume surveys both rural and urban modes of Indian theatre across its history of over 2000 years. The first section brings together entries that discuss theatres of India's linguistic regions. The second section includes entries on specific forms and genres, as well as on topics such as street theatre, music, and Tagore's dramatic oeuvre. The book avoids both the Western scholarship's obsession with traditional Asian forms of performance, as well as Indian city-based theatre workers' view that traditional forms do not even qualify as 'theatre'. 'Theatre' in this volume is defined as any form that contains theatre's fundamental element, acting. Importantly, the entries are accompanied by photographs of performances that allow us to view the 'visual-ness' of India's performance forms. In keeping with the highest standards of international reference publishing, Ananda Lal has compiled and edited material from several contributors so that each entry allows us to tap individual documentation and knowledge. Also included in this pioneering, authoritative, and collective resource are short bibliographies for every entry on the regional theatres. Theatres of India will be useful for general readers, theatre professionals, as well as students and researchers of theatre and performance studies. |
| nataka kannada nataka: Cyclopaedia of India and of eastern and southern Asia Edward Balfour, 2023-02-21 Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost. |
| nataka kannada nataka: Govind Pai Neerkaje Thirumaleshwara Bhat, 1993 On the works of Manjeshwar Govind Pai, 1883-1963, Kannada litterateur; includes brief biography. |
| nataka kannada nataka: Indian National Bibliography , 2008-07 |
| nataka kannada nataka: The Indian Review , 1976 |
| nataka kannada nataka: Telugu Drama and Social Awareness, 1860-2000 S. Gangappa, 2005 |
| nataka kannada nataka: Indian Literature , 1977 |
| nataka kannada nataka: Karnataka State Gazetteers: Kodagu District , 1993 |
| nataka kannada nataka: Decentering Translation Studies Judy Wakabayashi, Rita Kothari, 2009-11-12 This book foregrounds practices and discourses of ‘translation’ in several non-Western traditions. Translation Studies currently reflects the historiography and concerns of Anglo-American and European scholars, overlooking the full richness of translational activities and diverse discourses. The essays in this book, which generally have a historical slant, help push back the geographical and conceptual boundaries of the discipline. They illustrate how distinctive historical, social and philosophical contexts have shaped the ways in which translational acts are defined, performed, viewed, encouraged or suppressed in different linguistic communities. The volume has a particular focus on the multiple contexts of translation in India, but also encompasses translation in Korea, Japan and South Africa, as well as representations of Sufism in different contexts. |
| nataka kannada nataka: Karnataka State Gazetteer: Bangalore Rural District , 1989 |
| nataka kannada nataka: Library of Congress Catalogs Library of Congress, 1970 |
| nataka kannada nataka: Encyclopaedia of Indian Literature Amaresh Datta, 1987 A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt. |
| nataka kannada nataka: Encyclopaedia of Indian Cinema Ashish Rajadhyaksha, Paul Willemen, 1994 Drawing on the work of a large team of specialists, this book contains 500 entries on all the leading directors, stars, studios and genres in Indian cinema. In addition to comprehensive filmographies, it also features 1450 entries on key films from all periods and regions, with cast and credits as well as concise critical evaluations. A chronicle of film history, together with basic production statistics and an index, complete the volume. |
| nataka kannada nataka: Directory of Periodicals Published in India , 1994 |
| nataka kannada nataka: T.P. Kailasam L. S. Seshagiri Rao, 1984 |
| nataka kannada nataka: India's Shakespeare: Translation, Interpretation and Performance Poonam Trivedi, Dennis Bartholomeusz, 2005 India’s Shakespeare: Translation, Interpretation and Performance is ideal for English literature, performance, translation studies. This collection of essays examines the diverse aspects of Shakespeare's interaction with India, since two hundred years ago when the British first introduced him here. While the study of Shakespeare was an imperial imposition, the performance of Shakespeare was not. Shakespeare, translated and adapted on the commercial stage during the late nineteenth century was widely successful; and remains to this day, the most published and performed western author in India. The important role Shakespeare has played in allowing cultures to speak with each other forms the center of this volume with contributions examining presence of Shakespeare in both colonial and post-colonial India. The essays discuss the several contexts in which Shakespeare was read, taught, translated, performed, and absorbed into the cultural fabric of India. The introduction details the history of this induction, its shifts and developments and its corresponding critical discourse in India and the west. This collection of essays, emerging from first hand experience, is presented from a variety of critical positions, performative, textual, historicist, feminist and post-colonialist, as befits the range of the subject. |
| nataka kannada nataka: India Who's who , 2004 |
| nataka kannada nataka: Nagavarmana Kannada Chandassu Nāga Varmā (son of Vennamʹ-ayya.), Nāgavarma, 1875 |
| nataka kannada nataka: Karnataka State Gazetteer: Bangalore District Karnataka (India), 1993 |
| nataka kannada nataka: The Literary Half-yearly H. H. Anniah Gowda, 1998 |
| nataka kannada nataka: The Concept of Dance in Classical Sanskrit Literature G. S. Hegde, 1999 |
| nataka kannada nataka: The Walled-Up Wife: A Casebook Alan Dundes, 1996 |
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