Music Of The Twentieth Century Style And Structure

  music of the twentieth century style and structure: Music of the Twentieth Century Bryan R. Simms, 1986 MUSIC OF THE TWENTIETH CENTURY provides an effective introduction to modern music using clear, comprehensive language. The author weaves together history, theory, and analysis to bring to life both the stylistic evolution of music since 1900 and the new principles by which this music is organized.
  music of the twentieth century style and structure: Musical Composition in the Twentieth Century Arnold Whittall, 1999 Musical Composition in the Twentieth Century builds on the foundations of Music since the First World War (first published 1977, revised edition 1988). It updates and reshapes the original text and places it in the wider context of twentieth-century serious music before 1918 and after 1975. The focus is on matters of compositional technique, with sections of detailed analytical comment framed by more concise sketches of a range of twentieth-century composers from Faure to Wolfgang Rihm.Extensive music examples reinforce this technical focus. Though in no sense a history of music concerned primarily with the institutional and critical climate within which composers live and work, nor an encyclopedia dealing with every significant composer, Musical Composition in the Twentieth Century offers a critical engagement with that confrontation between tradition and innovation to which twentieth-century composers have responded with resourcefulness and vitality.
  music of the twentieth century style and structure: Music of the Twentieth Century Ton de Leeuw, 2005 Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
  music of the twentieth century style and structure: Understanding Music N. Alan Clark, Thomas Heflin, Jeffrey Kluball, 2015-12-21 Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
  music of the twentieth century style and structure: Analytic Approaches to Twentieth-century Music Joel Lester, 1989 Designed to introduce the reader to a variety of analytic techniques applicable to music of our century, this valuable new book is written in a straightforward, clear style and includes abundant music examples, practical exercises, and reinforcing overviews.
  music of the twentieth century style and structure: Materials and Techniques of Post-Tonal Music Stefan Kostka, Matthew Santa, 2018-03-13 Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
  music of the twentieth century style and structure: Encyclopedia of Music in the 20th Century Lol Henderson, Lee Stacey, 2014-01-27 The Encyclopedia of Music in the 20th Century is an alphabetically arranged encyclopedia of all aspects of music in various parts of the world during the 20th century. It covers the major musical styles--concert music, jazz, pop, rock, etc., and such key genres as opera, orchestral music, be-bop, blues, country, etc. Articles on individuals provide biographical information on their life and works, and explore the contribution each has made in the field. Illustrated and fully cross-referenced, the Encyclopedia of Music in the 20th Century also provides Suggested Listening and Further Reading information. A good first point of reference for students, librarians, and music scholars--as well as for the general reader.
  music of the twentieth century style and structure: A History of Twentieth-Century Music in a Theoretic-Analytical Context Elliott Antokoletz, 2014-03-14 A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
  music of the twentieth century style and structure: Music of the Twentieth Century Bryan R. Simms, 1986
  music of the twentieth century style and structure: Style and Music Leonard B. Meyer, 2024-12-23 Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He explores why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others. Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time. A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction.—Choice Probes the foundations of musical research precisely at the joints where theory and history fold into one another.—Kevin Korsyn, Journal of American Musicological Society A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command.—Robert P. Morgan, Music Perception Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept.—Donal Henahan, New York Times
  music of the twentieth century style and structure: The Stravinsky Legacy Jonathan Cross, 1998-12-10 This book explores the technical and aesthetic legacy of Igor Stravinsky.
  music of the twentieth century style and structure: Five orchestral pieces, op. 16 Arnold Schoenberg, 1999-01-01 Possessing a soloistic texture and variations in instrumental color defined by Grove's as chamber music for full orchestra, this 1909 work demonstrates the composer's daring explorations in music that renounces motivic connections and tonality. Includes bar-numbered movements and ample margins at the bottom of each page for notes and analysis.
  music of the twentieth century style and structure: Music in the 20th Century (3 Vol Set) Dave DiMartino, 2016-04-15 This is an examination of the crucial formative period of Chinese attitudes toward nuclear weapons, the immediate post-Hiroshima/Nagasaki period and the Korean War. It also provides an account of US actions and attitudes during this period and China's response.
  music of the twentieth century style and structure: Exploring Twentieth-Century Music Arnold Whittall, 2003-02-27 In this wide-ranging book, Arnold Whittall considers a group of important composers of the twentieth century, including Debussy, Webern, Schoenberg, Stravinsky, Bartók, Janácek, Britten, Carter, Birtwistle, Andriessen and Adams. He moves skilfully between the cultural and the technical, the general and the particular, to explore the various contexts and critical perspectives which illuminate certain works by these composers. Considering the extent to which place and nationality contribute to the definition of musical character, he investigates the relevance of such images as mirroring and symmetry, the function of genre and the way types of identity may be suggested by such labels as classical, modernist, secular, sacred radical, traditional. These categories are considered as flexible and interactive and they generate a wide-ranging series of narratives delineating some of the most fundamental forces which affected composers and their works within the complex and challenging world of the twentieth century.
  music of the twentieth century style and structure: The Atonal Music of Arnold Schoenberg, 1908-1923 Bryan R. Simms, 2000 Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
  music of the twentieth century style and structure: Gamelan Gong Kebyar Michael Tenzer, 2000-08 The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
  music of the twentieth century style and structure: The Literature of China in the Twentieth Century Bonnie S. McDougall, Kam Louie, 1997 A historical survey of 20th-century Chinese literature, this book chronicles the writers who - continuing in the Chinese tradition of using literature to exert moral, social, and political leadership - debated the nature, development and future of Chinese society.
  music of the twentieth century style and structure: The Music of Alexander Scriabin James M. Baker, 1986 Alexander Scriabin was one of a few major composers who revolutionized musical style in the first decade of the twentieth century by eliminating key as a structural principle and by establishing a new use of dissonant harmonies. This book by James M. Baker is a study of Scriabin's twentieth-century music, the first thorough analysis of the composer's evolution from conventional tonality to his later atonal structure. Baker demonstrates that in Scriabin's transitional music, tonal and atonal procedures-generally considered mutually exclusive-work together to create unified compositions. Baker places Scriabin's harmony in the perspective of voice leading, applying Schenkerian techniques of analysis to his music for the first time. He explains the great variety of sonorities and their complex relations within the framework of set-complex theory and introduces an original method of statistical analysis to survey Scriabin's harmonic practice from 1903 to 1914.Offering comprehensive analyses of a considerable number of complete compositions, including such important works as the Fifth Piano Sonata and the Poem of Ecstasy, Baker concludes with a penetrating examination of Prometheus, Scriabin's largest and most complex composition. The literature thus far on Scriabin has emphasized aspects of his often eccentric personality and has focused narrowly on his use of certain characteristic harmonies, especially the famous mystic chord. This thought-provoking theoretical treatise takes an important step toward a deeper understanding of the composer's accomplishments.
  music of the twentieth century style and structure: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
  music of the twentieth century style and structure: The Cambridge Companion to the Symphony Julian Horton, 2013-05-02 Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.
  music of the twentieth century style and structure: Alabama in the Twentieth Century Wayne Flynt, 2004-10-10 A native son and accomplished historian does not flinch from pointing out Alabama's failures from the past 100 years; neither is he restrained in calling attention to the state's triumphs in this authoritative, popular history of the past 100 years.
  music of the twentieth century style and structure: Jewish Identities Klara Moricz, 2008-02-05 Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about Jewish music, which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century Jewish music in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
  music of the twentieth century style and structure: Nineteenth-century Music Jon W. Finson, 2002 This up-to-date view of nineteenth-century classical music places a strong emphasis on the history of opera and on schematic representations of musical structure and form. The book presents a highly concise survey of nineteenth-century music tailored for the increasingly limited amount of time available to readers for the study of any one period, and focuses specifically on the central repertory heard today in the concert hall and at the opera house. The volume provides an overview and background information on nineteenth-century music including the Viennese ascendancy, musical drama in the first part of the nineteenth century, the styling of the avant-garde, operatic development from mid century, the life of the concert hall after mid century, the diversity of nationalism and the new language at century's end. For musicians and music lovers interested in an introduction to classical music.
  music of the twentieth century style and structure: Sourcebook for Research in Music, Third Edition Allen Scott, 2015-06-01 Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
  music of the twentieth century style and structure: Schoenberg and the New Music Carl Dahlhaus, 1987 This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in relation to the history of ideas. Above all, he is considered in the context of the 'New Music', the historical and cultural movement of the first two decades of this century which embrace musicians such as Webern, Schreker and Scriabin (all of whom are allotted individual essays), as well as Schoenberg himself. In addition to historical and analytical essays there are essays of a broader cultural-historical and even sociological import which should interest all those involved with twentieth-century music and ideas.
  music of the twentieth century style and structure: Music in the Twentieth Century ,
  music of the twentieth century style and structure: Historical Dictionary of Modern and Contemporary Classical Music Nicole V. Gagné, 2012 In the last decade of the 19th century, modernist sensibilities reached a critical mass and emerged more frequently in music as composers began employing dissonance, polyrhythm, atonality, and densities. Conversely, many 20th-century composers eschewed modernist devices and wrote accessible works in a tonal idiom, which drew chiefly on classical, romantic, and folk models. Then the postmodern sensibility followed, with its enthusiasm for the unprecedented availability of virtually every type of music, andit engendered numerous sub-groups, including multiculturalism, minimalism, multimedia, and free improvisation. Historical Dictionary of Modern and Contemporary Classical Music focuses on modernist and postmodern classical music worldwide from 1890to the present. This is done through a chronology, an introductory essay, an extensive bibliography, and over 400 cross-referenced dictionary entries, with more than 60 entries explaining the methods, styles, and acoustic and electronic media peculiar tonew music, and over 350 entries giving essential information on the lives and work of the people who have composed and performed that music. Those entries also include pop, jazz, and rock composer/musicians whose work either overlaps the realm of classical music or else is so radical within its own field that it merits discussion in this context. This book is a must for anyone, musician or non-musician, student or professional, who seeks to research and learn more about any significant aspect of modern and contemporary classical music worldwide.
  music of the twentieth century style and structure: The Cambridge History of Western Music Theory Thomas Christensen, 2006-04-20 The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
  music of the twentieth century style and structure: The Piano Quartet and Quintet Basil Smallman, 2023 This book examines two notable forms of chamber music involving piano and strings. Smallman surveys the development of these genres from their origins in the mid-eighteenth century to the present day.
  music of the twentieth century style and structure: The Music of John Cage James Pritchett, 1996-03-14 The first book to examine fully the work of John Cage, leading figure of the post-war musical avant-garde.
  music of the twentieth century style and structure: Reader's Guide to Music Murray Steib, 2013-12-02 The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
  music of the twentieth century style and structure: The Rock History Reader Theo Cateforis, 2007 The Rock History Readeris a collection of primary source material that brings to life the often contentious issues, arguments, conflicts and creative tensions that have defined rock's momentous rise and spread. The readings range from the vivid autobiographical accounts of such rock icons as Chuck Berry, Ronnie Spector, and David Lee Roth and the writings of noted rock critics like Lester Bangs and Simon Reynolds to a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures and the meaning of musical value, The Rock History Readertells the history of rock as it has been received and explained as a social and musical practice through its five-decade history.
  music of the twentieth century style and structure: Inside the Music of Brian Wilson Philip Lambert, 2007-03-19 Inside the Music of Brian Wilson is, as author Phillip Lambert writes in the prologue completely, and intensely, focused on the music of Brian Wilson, on the musical essence of his songs and the aesthetic value of his artistic achievements. It acknowledges the familiar biographical contexts of his songs, but it tells completely new stories about the birth and evolution of his musical ideas, identifying important musical trends in his work, heretofore undisclosed inter-song connections within his music, or between his music and that of others, and the nature and extent of his artistry. It aims not just to identify great songs, but to explain exactly what makes them so. Lambert, a renowned musicologist, brings to this work to life with both his professional expertise and an infectious personal appreciation of the power of pop music. His clear, engaging tone and accessible writing style allows even a musically inexperienced reader to follow him as he traces Wilson's musical evolution, with a particular focus on the years leading up to the writing and recording of Pet Sounds and SMiLE, albums which many consider to be the masterpieces of his oeuvre. Inside the Music of Brian Wilson is the definitive book on Wilson's music and is essential reading for fans of Brian Wilson, the Beach Boys, and great pop music. Includes THREE amazing Appendixes: Appendix 1: Brian Wilson Song Chronology* Appendix 2: Four Freshmen Albums, 1955-1961 Appendix 3: Favorite Songs and Influences Through 1961 *The most complete song chronology ever published.
  music of the twentieth century style and structure: Sourcebook for Research in Music Phillip Crabtree, Donald H. Foster, 1993 This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
  music of the twentieth century style and structure: Theories and Analyses of Twentieth-century Music James Kent Williams, 1997 This introduction to the theories and analytical approaches of contemporary Western art music focuses primarily on pitch, but also treats rhythm and meter, texture, and form. Analyses of three songs exemplifying distinct modes of pitch organization (functional tonality, atonality, and neotonality) engage students, helping them understand the implications of what they have learned. Williams covers the fundamentals of set theory, and then expands on these fundamentals in chapters on diatonicism, symmetrical sets, neotonality, free atonality, and serialism. The author also explores more recent compositional techniques, such as chance and indeterminacy, minimalism, and eclecticism.
  music of the twentieth century style and structure: The Cambridge Companion to Gershwin Anna Harwell Celenza, 2019-08-22 Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.
  music of the twentieth century style and structure: Musical Ekphrasis Siglind Bruhn, 2000 With increasing frequency, composers of instrumental music claim to be specifically inspired by a poem or painting, a drama or sculpture, transforming the essence of this art work's features and message into their own medium the musical language. In this study Siglind Bruhn makes a case for a musical genre hitherto hidden under the term program music. She defines her subject matter in relation to the term ekphrasis, which is used by literary scholars for poems responding to works of visual art.
  music of the twentieth century style and structure: The Time of Music Jonathan D. Kramer, 1988
  music of the twentieth century style and structure: Music in the 20th Century Hao Huang, 1999 Contains over 160 articles that provide information about some of the most significant musical developments and performers of the twentieth century, covering genres, forms, technical advances, national styles, and individuals; arranged alphabetically from Abba to Genesis.
  music of the twentieth century style and structure: Twentieth-century Jewelry Barbara Cartlidge, 1985 ... the art and history of jewelry from the turn-of-the-century Art Nouveau to the International Style of the Eighties. Cartlidge has selected premier examples of jewelry created by over 200 artists and artisans, from Lalique and Fouquet to de Patta and Fisch, to best reflect the customs, sociopolitical structure, and traditions of several generations. Included are detailed descriptions of each of the pieces, along with their aesthetic and historical significance. The volume concludes with a brief section of artists' biographies.--LJ.
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