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| mozart exsultate jubilate score: Exsultate, Jubilate (K.165) Piano Vocal Score Wolfgang Amadeus Mozart, 2020-09-16 This newly edited version of Mozart's 'Exsultate, jubilate' (K.165), including the famous 'Alleluja', matches up this piano vocal score with a new set of orchestra parts (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions / inconsistent dynamics, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the conductor score and orchestra parts. Mozart's 1773 work is a motet consisting of four sections: Exsultate, jubilate (Allegro, F Major), Fulget amica dies (Secco Recitative), Tu virginum corona (Andante, A Major) and Alleluja (Molto allegro, F Major). It has become one of the most popular works for sopranos and mezzo-sopranos, notably the finale (Alleluja) and is frequently a major study work at conservatoires and universities. This new version is for voice and piano, with the piano part adjusted to more closely resemble the orchestral parts. |
| mozart exsultate jubilate score: Exsultate, Jubilate (K.165) Conductor Score Wolfgang Amadeus Mozart, 2020-09-16 This newly edited version of Mozart's 'Exsultate, jubilate' (K.165), including the famous 'Alleluja', matches up this conductor score with a new set of orchestra parts and piano vocal score (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions / inconsistent dynamics, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the piano vocal score and orchestra parts. Mozart's 1773 work is a motet consisting of four sections: Exsultate, jubilate (Allegro, F Major), Fulget amica dies (Secco Recitative), Tu virginum corona (Andante, A Major) and Alleluja (Molto allegro, F Major). It has become one of the most popular works for sopranos and mezzo-sopranos, notably the finale (Alleluja) and is frequently a major study work at conservatoires and universities. |
| mozart exsultate jubilate score: Exsultate, Jubilate (K. 165) Wolfgang Amadeus Mozart, 1999-08-26 Expertly arranged Vocal Collection for Motet or Sorpano by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era. |
| mozart exsultate jubilate score: Alleluia Canon , 2020-03 Written for developing voices, this straight-forward concert setting of Philip Hayes's classic vocal canon is full of teachable moments in phrasing, vowel placement, breath support, and the use of solfège. The melody is presented in unison, breaking next into the canon, and closing with a short unison coda. Charming in its natural choral beauty, the piece is supported by a light Baroque-like accompaniment, adding musical interest. |
| mozart exsultate jubilate score: Mean Girls Nell Benjamin, 2019-09-01 (Vocal Selections). This 2018 Broadway adaptation of the hit 2004 movie about the cut-throat social status of a group of teenage girls features lyrics by Nell Benjamin with music by Jeff Richmond and was nominated for several Tony Awards . Our folio includes 16 selections arranged for voice with piano accompaniment: Apex Predator * A Cautionary Tale * Fearless * I See Stars * I'd Rather Be Me * It Roars * Meet the Plastics * More Is Better * Revenge Party * Sexy * Someone Gets Hurt * Stop * Stupid with Love * What's Wrong with Me? * Where Do You Belong? * World Burn. |
| mozart exsultate jubilate score: Arias for Soprano Hal Leonard Corp., 1991-05-01 (Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe). |
| mozart exsultate jubilate score: Ornamentation and Improvisation in Mozart Frederick Neumann, 2019-01-15 This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left white spots in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| mozart exsultate jubilate score: The Magic Flute (Die Zauberflöte), An Opera in Two Acts Wolfgang Amadeus Mozart, 1999-08-26 Expertly arranged vocal score from The Magic Flute (Die Zauberflöte), An Opera in Two Acts with German and English text. |
| mozart exsultate jubilate score: Women Composers Carol Kimball, 2004 (Vocal Collection). With 45 songs by 22 composers, this is the most comprehensive single volume of art songs composed by women ever published. It includes biographical information about the composers and historical information about each song, with songs in English, French, German and Italian. Contents: AMALIA: Auf dem Land und in der Stadt * BEACH: Three Browning Songs * LILI BOULANGER: Reflets * NADIA BOULANGER: Le Couteau * CACCINI: Per la piu vaga e bella * CHAMINADE: Ecrin * Mignonne * Mots d'amour * COLBRAN: Povero cor tu palpiti * La speranza al cor mi dice * FANNY MENDELSSOHN: Fruhling * Morgenstandchen * Nachtwanderer * Suleika * Warum sind denn du Rosen so blass * HOLMES: A Trianon * HOWE: Velvet Shoes * LANG: Den Abschied schnell genommen * Ob ich manchmal Dein gedenke * LEHMANN: There are fairies at the bottom of our garden * ALMA MAHLER: Bei dir ist es traut * Ich wandle unter Blumen * Laue Sommernacht * Die stille Stadt * MALIBRAN: Les Brigands * La Voix qui dit: Je t'aime * POLDOWSKI: Colombine * L'heure exquise * REICHARDT: Se non piange un infelice * Unruhiger Schlaf * SCHROTER: An den Abendstern * CLARA SCHUMANN: Er ist gekommen in Sturm und Regen * Ihr Bildnis * Liebst du um Schonheit * Lorelei * Mein Stern * STROZZI: Spesso per entro al petto * VIARDOT: Die Beschworung * Les Filles de Cadix * Fleur dessechee * VIEU: La Belle au Bois dormant * VON ARNIM: Aus Faust * Ein Stern der Lieb' am Himmelslauf |
| mozart exsultate jubilate score: Concerto for Flute and Harp, K. 299 (C Major) (Orch.) Wolfgang Amadeus Mozart, A Flute Solo, composed by Wolfgang Amadeus Mozart. |
| mozart exsultate jubilate score: Le nozze di Figaro Wolfgang Amadeus Mozart, 2018-01-01 John Wells introduces the opera with a high-spirited account of the action-packed career of the author, in many respects the prototype of Figaro himself. Basil Deane explores the score: he shows that Mozart's characters are illuminated here not so much in soliloquies but in their reactions to each other. Composer Stephen Oliver discusses how the comedy exists not just in the words but, essentially, in the music. The full Italian text is given, with a note on the order of scenes in Act Three and the alternative passages Mozart wrote for the 1789 revival. The classic translation of E.J. Dent is an excellent way to get to know the twists and turns of the plot and the stylish wit of da Ponte's innuendos.Contents: A Society Marriage, John Wells; A Musical Commentary, Basil Deane; Music and Comedy in 'The Marriage of Figaro, Stephen Oliver; Beaumarchais's Characters; Le nozze di Figaro: Libretto by Lorenzo da Ponte; The Marriage of Figaro: English version by Edward J. Dent |
| mozart exsultate jubilate score: The Magic Flute , 2005-10-13 Brought to life with glorious illustrations, this enchanting retelling of Mozart's famous opera is sure to delight lovers of fairy tales and music alike. |
| mozart exsultate jubilate score: Bastien und Bastienne, K. 50, A Comic Opera in One Act Wolfgang Amadeus Mozart, 1999-08-26 Expertly arranged Vocal Score by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era. |
| mozart exsultate jubilate score: Complete Laurindo Almeida Anthology of Guitar/Flute Duets Laurindo Almeida, Ron Purcell, 2012-03-05 A collection of 17 masterful guitar/flute duets composed and arranged by the legendary guitarist, Laurindo Almeida. the book contains the score and guitar part. A separate flute part is available as a free internet download. |
| mozart exsultate jubilate score: Hymn of Praise Felix Mendelssohn, 2001 (Music Sales America). Hymn of Praise was composed in 1840 to celebrate the four-hundredth anniversary of the invention of printing. Scored for two soprano and tenor soloists, SATB and orchestra. English text by J. Alfred Novello after the Lutheran Bible. Revised edition by Michael Pilkington. |
| mozart exsultate jubilate score: Coloratura Arias for Soprano Martha Gerhart, Robert L. Larson, 2002-08-01 (Vocal Collection). An excellent volume of coloratura arias has been added to the G. Schirmer Opera Anthology series. With 30 arias in English, Italian, German, French and Russian, this is the largest collection of coloratura operatic excerpts ever published. Because of the nature of the material, tradition-based performance suggestions are liberally found throughout the volume. For instance, you will find standard vocal variations for the Doll Song from The Tales of Hoffmann included in the edition, along with the original vocal line. Like the other volumes in the ground-breaking series, there are historical and plot notes about each aria, new engravings, and new translations for study. |
| mozart exsultate jubilate score: Catalogue of (printed) music. Music. Accessions, pt.[1]-94 British museum dept. of pr. books, 1884 |
| mozart exsultate jubilate score: Piano Concerto No. 24 in C Minor, K. 491 Wolfgang Amadeus Mozart, 1996-02-01 Expertly arranged Piano Duet by Wolfgang Amadeus Mozart from the Kalmus Edition series. This Advanced Piano Duet (2 Pianos, 4 Hands) is from the Classical era. 2 copies are required for performance. |
| mozart exsultate jubilate score: The National Union Catalog, Pre-1956 Imprints , 1975 |
| mozart exsultate jubilate score: Anatomy of the Orchestra Norman Del Mar, 1981 Before his death in 1994, Norman Del Mar was acknowledged as one of the world's foremost authorities on the orchestra. Anatomy of the Orchestra is written not only for fellow conductors, players, students, and professional musicians, but also for everyone interested in the performance of orchestral music. |
| mozart exsultate jubilate score: How Lovely Are the Messengers from St. Paul Felix Mendelssohn, 1986-11 |
| mozart exsultate jubilate score: The Cambridge Companion to Mozart Simon P. Keefe, 2003-05-22 The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music. |
| mozart exsultate jubilate score: Library of Congress Catalog Library of Congress, 1973 A cumulative list of works represented by Library of Congress printed cards. |
| mozart exsultate jubilate score: Arias, Ensembles, & Choruses John Yaffé, David Daniels, 2011-11-17 This is a one-stop sourcebook for orchestras, opera companies, conductors, and librarians programming vocal excerpts for concert performance. Includes detailed information on a vast repertoire of vocal pieces commonly extracted from operas, operettas, musicals, and oratorios —more than 1,500 excerpts from 400 parent works. |
| mozart exsultate jubilate score: Sing at First Sight, Level 1 Andy Beck, Karen Farnum Surmani, Brian Lewis, 2005-05-03 A sequential sight-singing curriculum for all choirs. Each of the six units (containing four lessons each) clearly introduces new music reading concepts, reinforces those concepts with several rhythm and pitch exercises, motivates students with helpful hints and challenge exercises, and concludes with fun-filled review games and Evaluating Your Performance questions. The helpful Getting Ready pages (which precede each unit) are filled with music fundamentals, and for choirs who have never read music before, an optional Before We Begin chapter opens the book. And it's all a neatly laid out publication and a perfect fit for your students. From whole notes to sixteenth-note patterns, seconds to sevenths, key signatures, dynamics, articulations, and tempo markings; it's all here, and it's all logically ordered to insure student success! Spend just a few minutes a day with this book and your choir, too, will learn to Sing at First Sight! |
| mozart exsultate jubilate score: Italian Arias of the Baroque and Classical Eras - High Voice John Glenn Paton, 2005-05-03 A sampling of the world's greatest Baroque and Classical arias. In addition to offering fascinating background information about the arias and their composers, the editor has corrected a multitude of errors which have accumulated over time, and has replaced Romantic-era misinterpretations with accompaniments that are faithful to historical styles. Includes word-by-word transcriptions into the International Phonetic Alphabet. |
| mozart exsultate jubilate score: National Union Catalog , 1953 |
| mozart exsultate jubilate score: The National Union Catalog , 1968 |
| mozart exsultate jubilate score: Arias for Soprano, Volume 2 Robert L. Larsen, 2004-07-01 (Vocal Collection). The G. Schirmer Opera Anthology series revolutionized opera aria study after its release in 1991. There are so many wonderful soprano arias that a second volume was warranted. The music is predominantly for lyric soprano. As in the original volumes, these are new, clean editions, with historical and plot information about each of the 32 arias included. |
| mozart exsultate jubilate score: English Pastoral Partsongs Paul Spicer, 1994 These settings, breathtaking in their simplicity and beauty, reflect and confirm the wide view of English music in the first half of this century: the selections, by Delius, Holst, Howells, Ireland, Vaughan Williams, and Warlock--and others--uniquely give the choral sound and the imagery of nature. English Pastoral Partsongs nicely compliments other Oxford secular choral anthologies: English Romantic Partsongs, The English Glee, and English Madrigals. |
| mozart exsultate jubilate score: Sing at First Sight, Level 2 Andy Beck, Karen Farnum Surmani, Brian Lewis, Sing at First Sight is a sequential sight-singing curriculum for all choirs! This Level 2 book opens with a comprehensive Rhythm Review and Pitch Practice reinforcing the concepts studied in Sing at First Sight, Level 1. Each of the four units that follow features a helpful Getting Ready page, progressive Rhythm Readiness exercises, and thorough music-reading Lessons with practice Exercises, useful Hints, and motivating Challenge Exercises. Unit summary and assessment is easily achieved with choral excerpts from Alfred’s Choral Designs series, fun-filled Review games, and Evaluating Your Performance questions. Plus, Alfred has included a full-length Performance Piece to measure and celebrate your choir’s sight-singing progress, and then perform in concert. Includes: * Singing in Minor * Chromatics * 2-Part, 3-Part, and 4-Part Harmony * Major and Minor Intervals * Changing Meter * Sixteenth-Note Patterns |
| mozart exsultate jubilate score: Tannhaeuser Richard Wagner, 1901 |
| mozart exsultate jubilate score: Mozart's Tempo-system Helmut Breidenstein, 2019 A reference book for the musician's practical work of interpretation. This volume offers a compendium of all of Mozart's autograph tempo markings, in 420 lists of pieces of similar character. Thus, a comparison of slower and quicker movements is made possible by 434 music examples. This is followed by a wide-ranging collection of relevant texts taken from historical sources. |
| mozart exsultate jubilate score: Catalog of Copyright Entries Library of Congress. Copyright Office, 1957 |
| mozart exsultate jubilate score: A Basic Music Library Music Library Association, 1997 Lists 7,000 recordings and 3,000 printed scores coded for different levels of collecting. |
| mozart exsultate jubilate score: Music Library Association Catalog of Cards for Printed Music, 1953-1972 Music Library Association, 1974 |
| mozart exsultate jubilate score: European Music Catalogue , 1991 |
| mozart exsultate jubilate score: All Music Guide to Classical Music Chris Woodstra, Gerald Brennan, Allen Schrott, 2005 Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original. |
| mozart exsultate jubilate score: The Magic Flute Wolfgang Amadeus Mozart, 1937 |
| mozart exsultate jubilate score: Inside the Recording Studio Peter Andry, Robin Stringer, Tony Locantro, 2008 As a record producer and administrator, Peter Andry has worked with many of the 20th century's greatest classical music artists and performers. Through his work with Decca, his years as president of EMI Classics, and his creation and direction of Warner Classics, he has collaborated with high-caliber artists such as Maria Callas, Yehudi Menuhin, and Herbert von Karajan. He associated with them in close quarters through times of work, play, stress, and relaxation. He has admired their talent, dedication, and charisma, as well as coped with their foibles, idiosyncrasies, and egos. In Inside the Recording Studio: Working with Callas, Rostropovich, Domingo, and the Classical Elite, Andry recounts his experiences with these exceptional talents, with whom he worked as a musician, a record producer, and a company executive. Andry presents intimate portraits of brilliant artists--such as Luciano Pavarotti, Joan Sutherland, Sir Thomas Beecham, Otto Klemperer, Sir Simon Rattle, Mstislav Rostropovich, Jacqueline du Pr , and Maxim Vengerov--juxtaposed with the dramatic changes occurring in the recording business during this time, a period that began with 78s and saw successively the advent of LPs, stereo sound, quadraphonic sound, audio cassettes, video, CDs, DVDs, and the growing importance of the internet. A foreword by Pl cido Domingo and more than 30 photos of the artists are included along with a discography of Andry's recordings with the three labels. These memoirs will be fascinating and exciting to anyone interested in the classical music and recording industries. |
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