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| mozart sonata k 457: Don Giovanni Wolfgang Amadeus Mozart, Lorenzo Da Ponte, 1951 |
| mozart sonata k 457: Mozart's Piano Sonatas John Irving, 1997-04-17 An examination of Mozart's piano sonatas, showing them to be a microcosm of the composer's changing style. |
| mozart sonata k 457: Sonata in C Minor K 457 Wolfgang Mozart, 2017-11-30 This edition of Mozart's Sonata in c minor, K 457 reproduces the original music text based on autographs and the earliest editions. It also contains editor's fingerings, some articulation signs, added only by a comparison with authentic Mozart's indications in similar passages or phrases, and suggested dynamic marks, which are provided in small print. For advanced students and professional pianists. |
| mozart sonata k 457: The Creative Process in Music from Mozart to Kurtag William Kinderman, 2012-10-18 In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavour in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtag's Kafka Fragments and Hommage a R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartok's Dance Suite. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtag illustrates the wealth of insight that can be gained through studying the creative process. -- Blackwells. |
| mozart sonata k 457: Complete sonatas and fantasies for solo piano Wolfgang Amadeus Mozart, 1996-01-01 Authoritative volume contains all 19 sonatas and 4 fantasies reprinted from the reliable Breitkopf & Härtel's Complete Works. Indispensable for serious pianists at all levels. |
| mozart sonata k 457: Engaging Haydn Mary Kathleen Hunter, Richard Will, 2012-07-12 Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it. |
| mozart sonata k 457: Mozart 19 Sonatas - Complete Richard Epstein, 1986-11 |
| mozart sonata k 457: Mozart - 15 Easy Piano Pieces (Songbook) Elena Abend, 2007-02-01 (Schirmer Performance Editions). This collection of remarkable jewels by Mozart will be invaluable to teachers and students. The book features some of Mozart's earliest works, a few of which were composed when the young Wolfgang was only six years old. Already present are signs of remarkable taste and talent: beautiful melody, impeccable formal construction, and unsurpassed elegance. These pieces are wonderful tools for teaching articulation, independence of the hands, and the classical style. Recordings of this literature are difficult to locate so this edition includes a beautifully refined recording by the editor. Contents: Air in A-flat major (KV Anh. 109b Nr. 8 15ff ) * Allegro in B-flat major (KV 3) * Allegro in F major (KV 1c) * Andante in C major (KV 1a) * Andante in E-flat major (KV 15mm) * Contradance in G major (KV 15e) * Larghetto in F major * Minuet in B-flat major (KV 15pp) * Minuet in C major (from KV 6) * Minuet in D major (KV 7) * Minuet in D major (KV 94 73h ) * Minuet in E-flat major (KV 15qq) * Minuet in F major (KV 2) * Minuet in G major (KV 1e/1f) * Minuet in G major (KV 15c) * Minuet in G major (KV 15y) |
| mozart sonata k 457: Fantasia in C Minor: K Wolfgang Amadeus Mozart, 1990-01-02 Part of the 'Signature' series, this edition of standard keyboard works includes informative introductions and performance notes. |
| mozart sonata k 457: Selected Intermediate to Early Advanced Piano Sonata Movements Wolfgang Amadeus Mozart, Maurice Hinson, 2005-05-03 Musicians have long treasured the Mozart sonatas for their symmetry and perfection. This volume presents single movements as well as complete sonatas (K. 282, 283, 545 and 570) for study by the advancing pianist. The sonatas provide ample opportunity for developing control, technical facility, a singing style, and balance and voicing. The preface gives Dr. Hinson's helpful suggestions on pedaling, ornamentation, articulation and dynamics, as well as a suggested order of study. Careful editing allows the teacher and student to make informed choices in interpreting these masterpieces. |
| mozart sonata k 457: Music and Probability David Temperley, 2007 Exploring the application of Bayesian probabilistic modeling techniques to musical issues, including the perception of key and meter. |
| mozart sonata k 457: Piano Concerto No. 24 in C Minor, K. 491 Wolfgang Amadeus Mozart, 1996-02-01 Expertly arranged Piano Duet by Wolfgang Amadeus Mozart from the Kalmus Edition series. This Advanced Piano Duet (2 Pianos, 4 Hands) is from the Classical era. 2 copies are required for performance. |
| mozart sonata k 457: Twenty Sonatas Wolfgang Amadeus Mozart, Béla Bartók, 1996-02-01 This collection includes a preface by Alexander Lipsky. Contents: * Sonata No. 1 in C Major * Sonata No. 2 in G Major * Sonata No. 3 in C Major * Sonata No. 4 in F Major * Sonata No. 5 in C Major * Sonata No. 6 in F Major * Sonata No. 7 in F Major * Sonata No. 8 in B-Flat Major * Sonata No. 9 in A Major * Sonata No. 10 in B-Flat Major * Sonata No. 11 in C Major * Sonata No. 12 in B-Flat Major * Sonata No. 13 in D Major * Sonata No. 14 in D Major * Sonata No. 15 in D Major * Sonata No. 16 in A Minor * Sonata No. 17 in F Major * Fantasia and Sonata No. 18 in C Minor * Sonata No. 19 in E-Flat Major * Sonata No. 20 in B-Flat Major |
| mozart sonata k 457: Sonata Album, Volume 1 Ludwig van Beethoven, Franz Joseph Haydn, Wolfgang Amadeus Mozart, Maurice Hinson, This carefully graded, pedagogical performance edition contains 12 outstanding classical sonatas by Haydn, Mozart and Beethoven. Each sonata appears in its original form and comes complete with performance notes and clearly presented editorial markings. |
| mozart sonata k 457: Sonatas for the piano Ludwig van Beethoven, 1923 |
| mozart sonata k 457: Understanding Music N. Alan Clark, Thomas Heflin, Jeffrey Kluball, 2015-12-21 Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond! |
| mozart sonata k 457: Interpreting Mozart Eva Badura-Skoda, Paul Badura-Skoda, 2018-12-07 Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments. |
| mozart sonata k 457: Words about Mozart Stanley Sadie, Dorothea Link, Judith Nagley, 2005 Published as a tribute to the late Stanley Sadie, these eleven essays look at compositional and performance matters, consider new archival research and provide an overview of work since the bicentenary in 1991. |
| mozart sonata k 457: Beethoven as I Knew Him Anton Schindler, Donald W. MacArdle, 1996-01-01 Intimate biography by Beethoven's pupil and secretary recalls composer's personality, contemporaries, deafness, irascible behavior, etc. Extensively annotated by Beethoven scholar Donald MacArdle. Revised 3rd edition. Editor's Notes. Introduction. Includes 7 illustrations. |
| mozart sonata k 457: An Introduction to His Keyboard Works Wolfgang Amadeus Mozart, Willard A. Palmer, 1974 The pieces in this book are arranged roughly in chronological order. They include the best of Mozart's childhood compositions through late works such as the famous Sonata in C Major, K. 545. Unique features of this volume include an excellent discussion of pianos in Mozart's day, as well as directives on how to improvise ornaments in Classic keyboard music. |
| mozart sonata k 457: POCKET PADEREWSKI MICHAEL. MORAN, 2016 |
| mozart sonata k 457: A History of Keyboard Literature Stewart Gordon, 1996 Intended for the Music Literature course for music majors. |
| mozart sonata k 457: Understanding Mozart's Piano Sonatas John Irving, 2016-02-24 Mozart's piano sonatas are among the most familiar of his works and stand alongside those of Haydn and Beethoven as staples of the pianist's repertoire. In this study, John Irving looks at a wide selection of contextual situations for Mozart's sonatas, focusing on the variety of ways in which they assume identities and achieve meanings. In particular, the book seeks to establish the provisionality of the sonatas' notated texts, suggesting that the texts are not so much identifiers as possibilities and that their identity resides in the usage. Close attention is paid to reception matters, analytical approaches, organology, the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows onto Mozart's sonatas. Treating the sonatas collectively as a repertoire, rather than as individual works, the book surveys broad thematic issues such as the role of historical writing about music in defining a generic space for Mozart's sonatas, their construction within pedagogical traditions, the significance of sound as opposed to sight in these works (and in particular their sound on fortepianos of the later eighteenth-century) , and the creative role of the performer in their representation beyond the frame of the text. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire. |
| mozart sonata k 457: The Analysis and Cognition of Melodic Complexity Eugene Narmour, 1992-11 In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive operations by which listeners assimilate and ultimately encode these complex melodic structures. More than 250 musical examples from different historical periods and non-Western cultures demonstrate the panstylistic scope of Narmour's model. Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists. |
| mozart sonata k 457: Music for Piano F. E. Kirby, 2023-09-21 MUSIC FOR PIANO |
| mozart sonata k 457: The Creative Process in Music from Mozart to Kurtag William Kinderman, 2012-09-16 Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar. In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtág's Kafka Fragments and Hommage à R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartók's Dance Suite. Kinderman's analysis takes the form of genetic criticism, tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtág illustrates the wealth of insight that can be gained through studying the creative process. |
| mozart sonata k 457: Mozart in Vienna Simon P. Keefe, 2017-09-21 Comprehensive and engaging exploration of Mozart's greatest works, focussing on his dual roles as performer and composer in Vienna. |
| mozart sonata k 457: Music and Psychology Hans Keller, Christopher Wintle, 2003 Keller was among the earliest Freudians in Britain. For his case studies he drew on composers, performers and listeners, and for his general studies he turned to various aspects of music. |
| mozart sonata k 457: Ludwig van Beethoven Jan Marisse Huizing, 2021-11-30 A comprehensive and immersive survey of thirty-five Beethoven piano sonatas Beethoven’s piano sonatas are among the iconic cornerstones of the classical music repertoire. Jan Marisse Huizing offers an in-depth study of the sonatas using available autographs, first editions, recordings, and nearly three hundred musical examples. Digging into the historical background and historical performance practice, the book provides illuminating detail on Beethoven’s pianism as well as his characteristics of notation, form and content, “types of touch,” articulation, beaming, pedal indications, character, rubato, meter, metric constructions, tempo, and metronome marks. Packed with anecdotes, quotations, and considerable new information, the book will inspire all involved with these masterworks, playing a fortepiano or modern Grand, giving the sense of the composer sitting beside them as he translates his inspiration and ideas into his notation. |
| mozart sonata k 457: Sovereign Feminine Matthew Head, 2013-05-09 In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity—a newly emerging and primarily bourgeois ideal—linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music. |
| mozart sonata k 457: Classical Form William E. Caplin, 2000-12-28 Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. |
| mozart sonata k 457: Perspectives on Mozart Performance R. Larry Todd, Peter Williams, 2006-02-13 This book includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. |
| mozart sonata k 457: Performance Practices in Classic Piano Music Sandra P. Rosenblum, 1988-11-22 Examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources. |
| mozart sonata k 457: Lili Kraus Steven Henry Roberson, 2000 Her long and distinguished performing career included appearances with the world's major orchestras and over a hundred recordings.. |
| mozart sonata k 457: Mozart, His Character, His Work Alfred Einstein, 1962 Written by one of the world's outstanding music historians and critics, the late Alfred Einstein, this classic study of Mozart's character and works brings to light many new facts about his relationship with his family, his susceptibility to ambitious women, and his associations with musical contemporaries, as well as offering a penetrating analysis of his operas, piano music, chamber music, and symphonies. |
| mozart sonata k 457: Music as Social and Cultural Practice Melania Bucciarelli, Berta Joncus, 2007 The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for 'work' and 'context' to challenge reigning theories of the meaning of these terms.--Publisher's website. |
| mozart sonata k 457: Mendelssohn and His World R. Larry Todd, 2005 In the first major Mendelssohn biography to appear in decades, R. Larry Todd offers a remarkably fresh account of this musical giant, based upon painstaking research in autograph manuscripts, correspondence, diaries, and paintings. Todd reexamines the composer's entire oeuvre, including many unpublished and little known works, and explores how the composer's personal life affected his work. Mendelssohn: A Life offers a masterful blend of biography and musical analysis. Readers will discover many new facets of the familiar but misunderstood composer and gain new perspectives on one of the most formidable musical geniuses of all time. |
| mozart sonata k 457: A Basic Classical and Operatic Recordings Collection on Compact Discs for Libraries Kenyon C. Rosenberg, 1990 Lists classical and operatic recordings that are specifically available in the new (and desirable) compact disc format. Individual titles are graded for their appropriateness to specific types and sizes of libraries. The main portion covers some 160 composers whose works are important in constituting a nuclear library collection of serious music. There are over 1,200 titles included and individually numbered (and fully cross-referenced) and graded. For numerous works, two or more performances are cited in order to provide the librarian with greater choices; monophonic works are specifically indicated. Many of the works are annotated. Annotation copyrighted by Book News, Inc., Portland, OR |
| mozart sonata k 457: Mozart's Piano Music William Kinderman, 2006-11-30 Mozart's emergence as a mature artist coincides with the rise to prominence of the piano, an instrument that came alive under his fingers and served as medium for many of his finest compositions. In Mozart's Piano Music, William Kinderman reconsiders common assumptions about Mozart's life and art while offering comprehensive and incisive commentary on the solo music and concertos. After placing Mozart's pianistic legacy in its larger biographical and cultural context, Kinderman addresses the lively gestural and structural aspects of Mozart's musical language and explores the nature of his creative process. Incorporating the most recent research throughout this encompassing study, Kinderman expertly surveys each of the major genres of the keyboard music, including the four-hand and two-piano works. Beyond examining issues such as Mozart's earliest childhood compositions, his musical rhetoric and expression, the social context of his Viennese concertos, and affinities between his piano works and operas, Kinderman's main emphasis falls on detailed discussion of selected individual compositions. |
| mozart sonata k 457: Mozart's Piano Sonata Analysis Pasquale De Marco, 2025-04-17 Wolfgang Amadeus Mozart was a child prodigy who displayed an extraordinary talent for music from an early age. By the age of five, he was composing his own pieces, and by the age of six, he was touring Europe with his father, performing for royalty and nobility. Mozart's piano sonatas are considered to be some of the greatest works of music ever written. They are characterized by their melodic beauty, harmonic richness, and formal perfection. Mozart wrote a total of 17 piano sonatas, which can be divided into three periods: the early period (1762-1774), the middle period (1775-1786), and the late period (1787-1791). This book provides a comprehensive overview of Mozart's piano sonatas. It discusses the historical context in which they were written, the musical influences on Mozart, and the formal and stylistic features of the sonatas. The book also includes detailed analyses of each of the 17 sonatas, providing insights into their structure, harmony, melody, and performance practices. Whether you are a professional musician, a music student, or simply a lover of classical music, this book will provide you with a deeper understanding and appreciation of Mozart's piano sonatas. In addition to the detailed analyses of each sonata, this book also includes a discussion of Mozart's life and career, as well as his relationship to other composers of his time. The book also includes a glossary of musical terms and a bibliography for further reading. This book is the perfect resource for anyone who wants to learn more about Mozart's piano sonatas. It is written in a clear and concise style, and it is packed with information and insights. Whether you are a professional musician, a music student, or simply a lover of classical music, you will find this book to be an invaluable resource. If you like this book, write a review on google books! |
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