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| natasha trethewey books: Thrall Natasha D. Trethewey, 2012 Thrall examines the deeply ingrained and often unexamined notions of racial difference across time and space. Through a consideration of historical documents and paintings, Natasha Trethewey--Pulitzer-prize winning author of Native Guard--highlight the contours and complexities of her relationship with her white father and the ongoing history of race in America. |
| natasha trethewey books: Monument Natasha D. Trethewey, 2018 Longlisted for the 2018 National Book Award for Poetry Trethewey's poems] dig beneath the surface of history--personal or communal, from childhood or from a century ago--to explore the human struggles that we all face. --James H. Billington, 13th Librarian of Congress Layering joy and urgent defiance--against physical and cultural erasure, against white supremacy whether intangible or graven in stone--Trethewey's work gives pedestal and witness to unsung icons. Monument, Trethewey's first retrospective, draws together verse that delineates the stories of working class African American women, a mixed-race prostitute, one of the first black Civil War regiments, mestizo and mulatto figures in Casta paintings, Gulf coast victims of Katrina. Through the collection, inlaid and inextricable, winds the poet's own family history of trauma and loss, resilience and love. In this setting, each section, each poem drawn from an opus of classics both elegant and necessary,* weaves and interlocks with those that come before and those that follow. As a whole, Monument casts new light on the trauma of our national wounds, our shared history. This is a poet's remarkable labor to source evidence, persistence, and strength from the past in order to change the very foundation of the vocabulary we use to speak about race, gender, and our collective future. *Academy of American Poets' chancellor Marilyn Nelson |
| natasha trethewey books: Native Guard (enhanced Audio Edition) Natasha Trethewey, 2012-08-28 Included in this audio-enhanced edition are recordings of the U.S. Poet Laureate Natasha Trethewey reading Native Guard in its entirety, as well as an interview with the poet from the HMH podcast The Poetic Voice, in which she recounts what it was like to grow up in the South as the daughter of a white father and a black mother and describes other influences that inspired the work. Experience this Pulitzer Prize–winning collection in an engaging new way. Winner of the 2007 Pulitzer Prize for Poetry Former U.S. Poet Laureate, Natasha Trethewey’s Native Guard is a deeply personal volume that brings together two legacies of the Deep South. Through elegaic verse that honors her mother and tells of her own fraught childhood, Natasha Trethewey confronts the racial legacy of her native Deep South—--where one of the first black regiments, The Louisiana Native Guards, was called into service during the Civil War. The title of the collection refers to the black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause. The racial legacy of the South touched Trethewey’s life on a much more immediate level, too. Many of the poems in Native Guard pay loving tribute to her mother, whose marriage to a white man was illegal in her native Mississippi in the 1960s. Years after her mother’s tragic death, Trethewey reclaims her memory, just as she reclaims the voices of the black soldiers whose service has been all but forgotten. Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history. |
| natasha trethewey books: Domestic Work Natasha Trethewey, 2000-08 In this debut collection, Natasha Trethewey draws moving domestic portraits of families, past and present, caught in the act of earning a living and managing their households. Small moments taken from a labour-filled day reveal the equally hard emotional work of memory and forgetting, and the extraordinary difficulty of trying to live with or without someone. |
| natasha trethewey books: Memorial Drive Natasha Trethewey, 2021 'A meditation on race, and class, and grief ... Uplifting, but just wrenching' BARACK OBAMA ONE OF BARACK OBAMA'S BEST BOOKS OF 2020 AN INSTANT NEW YORK TIMES BESTSELLER A NEW YORK TIMES BOOK OF THE YEAR WINNER OF THE ANISFIELD-WOLF BOOK AWARD SHORTLISTED FOR THE 2021 CARNEGIE MEDAL IN NON-FICTION 'This will be read for many, many years to come as a classic not just of the memoir genre but of contemporary writing' Simon Schama 'Astonishing' Thandiwe Newton 'As gripping as any thriller' Mail on Sunday 'A masterpiece' Elizabeth Gilbert 'Powerful' The Times At age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and killed her mother. Heartbreakingly clear-eyed and tender, Memorial Drive is a daughter's act of love - and an unflinching excavation of the wounds that never heal. For as Trethewey tells her story, and reclaims her mother's, she lays bare the indelible scars of slavery and racism on the soul of a troubled nation. 'Sheer artistry ... Trethewey's masterpiece suggests that the greatest act of defiance a black person can do is to remember' Financial Times |
| natasha trethewey books: Conversations with Natasha Trethewey Joan Wylie Hall, 2013-08-28 United States Poet Laureate Natasha Trethewey (b. 1966) describes her mode as elegiac. Although the loss of her murdered mother informs each book, Trethewey's range of forms and subjects is wide. In compact sonnets, elegant villanelles, ballad stanzas, and free verse, she creates monuments to mixed-race children of colonial Mexico, African American soldiers from the Civil War, a beautiful prostitute in 1910 New Orleans, and domestic workers from the twentieth-century North and South. Because her white father and her black mother could not marry legally in Mississippi, Trethewey says she was given her subject matter as the daughter of miscegenation. A sense of psychological exile is evident from her first collection, Domestic Work (2000), to the recent Thrall (2012). Biracial people of the Americas are a major focus of her poetry and her prose book Beyond Katrina, a meditation on family, community, and the natural environment of the Mississippi Gulf Coast. The interviews featured within Conversations with Natasha Trethewey provide intriguing artistic and biographical insights into her work. The Pulitzer Prize-winning poet cites diverse influences, from Anne Frank to Seamus Heaney. She emotionally acknowledges Rita Dove's large impact, and she boldly positions herself in the southern literary tradition of Faulkner and Robert Penn Warren. Commenting on Pastoral, South, and other poems, Trethewey guides readers to deeper perception and empathy. |
| natasha trethewey books: The Essential Muriel Rukeyser Muriel Rukeyser, 2021-06-08 The definitive edition of selected work from a poet whose influence continues to be widely felt today, introduced by Natasha Trethewey Engaging closely with the violence, oppression, and injustice that she witnessed in her lifetime, Muriel Rukeyser was one of the seminal poets of the mid-twentieth century. Closely informed by issues relating to equality, social justice, feminism, and Judaism, her impassioned poetry was often seen as a mode of social protest, but it was also heralded for its deep emotional impact; its personal perspective; forthright discussion of the female experience, particularly sex and single parenthood at a time when these topics were largely taboo; and its wide-ranging exploration of genre and form. As Adrienne Rich wrote: “Muriel Rukeyser’s poetry is unequalled in the twentieth-century United States…She pushes us…to enlarge our sense of what poetry is about in the world, and of the place of feelings and memory in politics.” The Essential Muriel Rukeyser represents the curation of Rukeyser’s most enduring and urgent work, gathered in one volume that spans the many decades of her life and career, and with an introduction from Natasha Trethewey, one of our most important contemporary poets. |
| natasha trethewey books: Best American Poetry 2017 David Lehman, Natasha Trethewey, 2017-09-05 Edited by Pulitzer Prize-winner and nineteenth US Poet Laureate Natasha Trethewey, The Best American Poetry 2017 brings together the most notable poems of the year in the series that offers “a vivid snapshot of what a distinguished poet finds exciting, fresh, and memorable” (Robert Pinsky). Librarian of Congress James Billington says Natasha Trethewey “consistently and dramatically expanded the power” of the role of US Poet Laureate, holding office hours with the public, traveling the country, and reaching millions through her innovative PBS NewsHour segment “Where Poetry Lives.” Marilyn Nelson says “the wide scope of Trethewey’s interests and her adept handling of form have created an opus of classics both elegant and necessary.” With her selections and introductory essay for The Best American Poetry 2017, Trethewey will be highlighting even more “elegant and necessary” poems and poets, adding to the national conversation of verse and its role in our culture. The Best American Poetry is not just another anthology; it serves as a guide to who’s who and what’s happening in American poetry and is an eagerly awaited publishing event each year. With Trethewey’s insightful touch and genius for plumbing the depths of history and personal experience to shape striking verse, The Best American Poetry 2017 is another brilliant addition to the series. |
| natasha trethewey books: Survival Math Mitchell Jackson, 2020-02-04 “A vibrant memoir of race, violence, family, and manhood…a virtuosic wail of a book” (The Boston Globe), Survival Math calculates how award-winning author Mitchell S. Jackson survived the Portland, Oregon, of his youth. This “spellbinding” (NPR) book explores gangs and guns, near-death experiences, sex work, masculinity, composite fathers, the concept of “hustle,” and the destructive power of addiction—all framed within the story of Mitchell Jackson, his family, and his community. Lauded for its breathtaking pace, its tender portrayals, its stark candor, and its luminous style, Survival Math reveals on every page the searching intellect and originality of its author. The primary narrative, focused on understanding the antecedents of Jackson’s family’s experience, is complemented by survivor files, which feature photographs and riveting short narratives of several of Jackson’s male relatives. “A vulnerable, sobering look at Jackson’s life and beyond, in all its tragedies, burdens, and faults” (San Francisco Chronicle), the sum of Survival Math’s parts is a highly original whole, one that reflects on the exigencies—over generations—that have shaped the lives of so many disenfranchised Americans. “Both poetic and brutally honest” (Salon), Mitchell S. Jackson’s nonfiction debut is as essential as it is beautiful, as real as it is artful, a singular achievement, not to be missed. |
| natasha trethewey books: The House of Being Natasha Trethewey, 2025-04-22 An exquisite meditation on the geographies we inherit and the metaphors we inhabit, from Pulitzer Prize winner and nineteenth U.S. poet laureate Natasha Trethewey Searching and intimate, this impresses.--Publishers Weekly In a shotgun house in Gulfport, Mississippi, at the crossroads of Highway 49, the legendary highway of the Blues, and Jefferson Street, Natasha Trethewey learned to read and write. Before the land was a crossroads, however, it was a pasture: a farming settlement where, after the Civil War, a group of formerly enslaved women, men, and children made a new home. In this intimate and searching meditation, Trethewey revisits the geography of her childhood to trace the origins of her writing life, born of the need to create new metaphors to inhabit so that my story would not be determined for me. She recalls the markers of history and culture that dotted the horizons of her youth: the Confederate flags proudly flown throughout Mississippi; her gradual understanding of her own identity as the child of a Black mother and a white father; and her grandmother's collages lining the hallway, offering glimpses of the world as it could be. With the clarity of a prophet and the grace of a poet, Trethewey offers up a vision of writing as reclamation: of our own lives and the stories of the vanished, forgotten, and erased. |
| natasha trethewey books: Making Poems Todd F. Davis, Erin Murphy, 2010-02-02 This diverse collection of poems and companion essays by forty nationally and internationally known poets allows readers to experience the creative process through the eyes and voice of each poet. No matter how often we are told that revision is an essential component of poetic composition, it can be difficult to resist the temptation to think of the poem as having sprung spontaneously, Athena-like, from the writer's head. By exposing readers to the finished product as well as the poet's own account of the poem's creation, Making Poems offers a behind-the-scenes perspective on the poetic process that will fascinate both beginning and established writers. The book also affords poetry instructors an opportunity to demonstrate to their students the ways in which poems can originate from seemingly mundane and unlikely sources. |
| natasha trethewey books: Shot in the Heart Mikal Gilmore, 1995-08-01 NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A murder tale from inside the house where murder is born. Haunting, harrowing, and profoundly affecting, Shot in the Heart exposes and explores a dark vein of American life that most of us would rather ignore. It is a book that will leave no reader unchanged. Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder. Mikal, burdened with the guilt of being his father's favorite and the shame of being Gary's brother, gracefully and painfully relates his story from inside the house where murder is born... a house that, in some ways, [he has] never been able to leave. Shot in the Heart is the history of an American family inextricably tied up with violence, and the story of how the children of this family committed murder and murdered themselves in payment for a long lineage of ruin. |
| natasha trethewey books: Some Say the Lark Jennifer Chang, 2017-10-10 Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange. —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From The Winter's Wife: I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family. |
| natasha trethewey books: A Place Like Mississippi W. Ralph Eubanks, 2021-03-16 “This is the book all of us Mississippi writers, dead and alive, need to read. It is indeed a strange but glorious sensation to see your literary and geographic lineage so beautifully and rigorously explored and valued as it's still being created.” —Kiese Laymon, author of Heavy: An American Memoir The South has produced some of America’s most celebrated authors, and no state more so than Mississippi. Names as diverse as Faulkner, Welty, and Ward have created a literary legacy spanning decades and stretching across lines of class, gender, and race. One thing binds together these wide- ranging perspectives—the land itself. In A Place Like Mississippi, W. Ralph Eubanks explores those ties and the ways in which the Magnolia State has fostered such a bounty of expression. The stories haven’t always been easy to tell; even beautiful landscapes can’t obscure a complicated history. The state’s African American writers have long recounted the fight for equality, forming a lineage of powerful Black voices that continue to speak with urgency in our tumultuous times. Yet underlying those truths is also a deep affection for Mississippi’s places. With the love of a native son, Eubanks pays tribute to the inspiration that can come from the lay of the land, proving that a journey through one state’s literary terrain can help us better understand America as a whole |
| natasha trethewey books: Southscapes Thadious M. Davis, 2011 In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.< |
| natasha trethewey books: The Carrying Ada Limón, 2021-04-13 Exquisite . . . A powerful example of how to carry the things that define us without being broken by them. --WASHINGTON POST |
| natasha trethewey books: Thomas and Beulah Rita Dove, 1986 Poems, meant to be read in sequence, tell the semi-fictionalized story of the author's maternal grandparents during the Great Migration. The poems in the first half focus on her grandfather, and in the second half on her grandmother. |
| natasha trethewey books: Hieroglyphics Jill McCorkle, 2021-05-04 “Hieroglyphics is a novel that tugs at the deepest places of the human soul—a beautiful, heart-piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound.” —Jessica Shattuck, author of The Women in the Castle After many years in Boston, Lil and Frank have retired to North Carolina. The two of them married young, having bonded over how they both—suddenly, tragically—lost a parent when they were children. Now, Lil has become determined to leave a history for their own kids. She sifts through letters and notes and diary entries, uncovering old stories—and perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is now raising her son. For Shelley, Frank’s repeated visits begin to trigger memories of her own family, memories that she’d hoped to keep buried. Because, after all, not all parents are ones you wish to remember. Empathetic and profound, this novel from master storyteller Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and to be a child trying to know your parents—a child learning to make sense of the hieroglyphics of history and memory. |
| natasha trethewey books: This Boy We Made Taylor Harris, 2023-01-17 A Black mother bumps up against the limits of everything she thought she believed—about science and medicine, about motherhood, and about her faith—in search of the truth about her son. The memoir dedicates important space to the numbing bureaucracy that often accompanies medical visits, particularly as seen through the eyes of a Black woman in the South. Having moved often within White neighborhoods and educational institutions around her home in Charlottesville, Harris is unflinching about her periodic unease in those quarters. . . Harris also brings humor to bear in moments of great adversity.—Karen Iris Tucker, Washington Post One morning, Tophs, Taylor Harris’s round-cheeked, lively twenty-two-month-old, wakes up listless, only lifting his head to gulp down water. She rushes Tophs to the doctor, ignoring the part of herself, trained by years of therapy for generalized anxiety disorder, that tries to whisper that she’s overreacting. But at the hospital, her maternal instincts are confirmed: something is wrong with her boy, and Taylor’s life will never be the same. With every question the doctors answer about Tophs’s increasingly troubling symptoms, more arise, and Taylor dives into the search for a diagnosis. She spends countless hours trying to navigate health and education systems that can be hostile to Black mothers and children; at night she googles, prays, and interrogates her every action. Some days, her sweet, charismatic boy seems just fine; others, he struggles to answer simple questions. A long-awaited appointment with a geneticist ultimately reveals nothing about what’s causing Tophs’s drops in blood sugar, his processing delays—but it does reveal something unexpected about Taylor’s own health. What if her son’s challenges have saved her life? This Boy We Made is a stirring and radiantly written examination of the bond between mother and child, full of hard-won insights about fighting for and finding meaning when nothing goes as expected. |
| natasha trethewey books: The Situation and the Story Vivian Gornick, 2001 Publisher description |
| natasha trethewey books: Black Nature Camille T. Dungy, 2009 Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication. |
| natasha trethewey books: Registers of Illuminated Villages Tarfia Faizullah, 2018-03-06 Extends and transforms [the author's] accounts of violence, war, and loss into poems of many forms and voices-- elegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory-- |
| natasha trethewey books: She Has a Name Kamilah Aisha Moon, 2013 She Has a Name tells the story of a woman with autism and her family as they share difficulties, doubt, anger, and love |
| natasha trethewey books: Field Study Chet'la Sebree, 2021-06-01 Chet’la Sebree’s Field Study is a genre-bending exploration of black womanhood and desire, written as a lyrical, surprisingly humorous, and startlingly vulnerable prose poem I am society’s eraser shards—bits used to fix other people’s sh*t, then discarded. Somehow still a wet nurse, from actual babes to Alabama special elections. Seeking to understand the fallout of her relationship with a white man, the poet Chet’la Sebree attempts a field study of herself. Scientifically, field studies are objective collections of raw data, devoid of emotion. But during the course of a stunning lyric poem, Sebree’s control over her own field study unravels as she attempts to understand the depth of her feelings in response to the data of her life. The result is a singular and provocative piece of writing, one that is formally inventive, playfully candid, and soul-piercingly sharp. Interspersing her reflections with Tweets, quips from TV characters, and excerpts from the Black thinkers—Audre Lorde, Maya Angelou, Tressie McMillan Cottom—that inspire her, Sebree analyzes herself through the lens of a society that seems uneasy, at best, with her very presence. She grapples with her attraction to, and rejection of, whiteness and white men; probes the malicious manifestation of colorism and misogynoir throughout American history and media; and struggles with, judges, and forgives herself when she has more questions than answers. “Even as I accrue these notes,” Sebree writes, “I’m still not sure I’ve found the pulse.” A poem of love, heartbreak, womanhood, art, sex, Blackness, and America—sometimes all at once—Field Study throbs with feeling, searing and tender. With uncommon sensitivity and precise storytelling, Sebree makes meaning out of messiness and malaise, breathing life into a scientific study like no other. |
| natasha trethewey books: A Crooked Tree Una Mannion, 2021-01-26 My mother made a snap decision. How could we know it would change us forever? THE INTERNATIONAL BESTSELLER 'Brimming with curiosity and wonder.' Irish Times 'Lushly atmospheric.' Daily Mail 'Thoroughly gripping.' Lucy Caldwell 'Brilliant.' Sara Baume Rage. That's the feeling engulfing the car as Ellen's mother swerves over to the hard-shoulder and orders her daughter out onto the roadside. Ignoring the protests of her other children, she accelerates away, leaving Ellen standing on the gravel verge in her school pinafore and knee socks as the light fades. What would you do as you watch your little sister getting smaller in the rear view window? How far would you be willing to go to help her? The Gallagher children are going to find out. This moment is the beginning of a summer that will change everything. **Una Mannion's latest novel, TELL ME WHAT I AM, is available to pre-order now** |
| natasha trethewey books: Zong! M. NourbeSe Philip, 2008-09-23 A haunting lifeline between archive and memory, law and poetry |
| natasha trethewey books: Vanguard Martha S. Jones, 2020-09-08 The epic history of African American women's pursuit of political power -- and how it transformed America. In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of black women -- Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more -- who were the vanguard of women's rights, calling on America to realize its best ideals. |
| natasha trethewey books: Poetry Speaks Elise Paschen, Rebekah Presson Mosby, 2001 [Ask for CD at desk]. |
| natasha trethewey books: Poetry as Survival Gregory Orr, 2010-12-01 Intended for general readers and for students and scholars of poetry, Poetry as Survival is a complex and lucid analysis of the powerful role poetry can play in confronting, surviving, and transcending pain and suffering. Gregory Orr draws from a generous array of sources. He weaves discussions of work by Keats, Dickinson, and Whitman with quotes from three-thousand-year-old Egyptian poems, Inuit songs, and Japanese love poems to show that writing personal lyric has helped poets throughout history to process emotional and experiential turmoil, from individual stress to collective grief. More specifically, he considers how the acts of writing, reading, and listening to lyric bring ordering powers to the chaos that surrounds us. Moving into more contemporary work, Orr looks at the poetry of Sylvia Plath, Stanley Kunitz, and Theodore Roethke, poets who relied on their own work to get through painful psychological experiences. As a poet who has experienced considerable trauma--especially as a child--Orr refers to the damaging experiences of his past and to the role poetry played in his ability to recover and survive. His personal narrative makes all the more poignant and vivid Orr's claims for lyric poetry's power as a tool for healing. Poetry as Survival is a memorable and inspiring introduction to lyric poetry's capacity to help us find safety and comfort in a threatening world. |
| natasha trethewey books: American Journal Tracy K. Smith, 2018-09-04 A landmark anthology envisioned by Tracy K. Smith, 22nd Poet Laureate of the United States American Journal presents fifty contemporary poems that explore and celebrate our country and our lives. 22nd Poet Laureate of the United States and Pulitzer Prize winner Tracy K. Smith has gathered a remarkable chorus of voices that ring up and down the registers of American poetry. In the elegant arrangement of this anthology, we hear stories from rural communities and urban centers, laments of loss in war and in grief, experiences of immigrants, outcries at injustices, and poems that honor elders, evoke history, and praise our efforts to see and understand one another. Taking its title from a poem by Robert Hayden, the first African American appointed as Consultant in Poetry to the Library of Congress, American Journal investigates our time with curiosity, wonder, and compassion. Among the fifty poets included are: Jericho Brown, Natalie Diaz, Matthew Dickman, Mark Doty, Ross Gay, Aracelis Girmay, Joy Harjo, Terrance Hayes, Cathy Park Hong, Marie Howe, Major Jackson, Ilya Kaminsky, Robin Coste Lewis, Ada Límon, Layli Long Soldier, Erika L. Sánchez, Solmaz Sharif, Danez Smith, Susan Stewart, Mary Szybist, Natasha Trethewey, Brian Turner, Charles Wright, and Kevin Young. |
| natasha trethewey books: The Butterfly Lampshade Aimee Bender, 2020-07-28 The first novel in ten years from the author of the beloved New York Times bestseller The Particular Sadness Of Lemon Cake, a luminous, poignant tale of a mother, a daughter, mental illness, and the fluctuating barrier between the mind and the world On the night her single mother is taken to a mental hospital after a psychotic episode, eight year-old Francie is staying with her babysitter, waiting to take the train to Los Angeles to go live with her aunt and uncle. There is a lovely lamp next to the couch on which she's sleeping, the shade adorned with butterflies. When she wakes, Francie spies a dead butterfly, exactly matching the ones on the lamp, floating in a glass of water. She drinks it before the babysitter can see. Twenty years later, Francie is compelled to make sense of that moment, and two other incidents -- her discovery of a desiccated beetle from a school paper, and a bouquet of dried roses from some curtains. Her recall is exact -- she is sure these things happened. But despite her certainty, she wrestles with the hold these memories maintain over her, and what they say about her own place in the world. As Francie conjures her past and reduces her engagement with the world to a bare minimum, she begins to question her relationship to reality. The scenes set in Francie's past glow with the intensity of childhood perception, how physical objects can take on an otherworldly power. The question for Francie is, What do these events signify? And does this power survive childhood? Told in the lush, lilting prose that led the San Francisco Chronicle to say Aimee Bender is a writer who makes you grateful for the very existence of language, The Butterfly Lampshade is a heartfelt and heartbreaking examination of the sometimes overwhelming power of the material world, and a broken love between mother and child. |
| natasha trethewey books: Fractures Carlos Andrés Gómez, 2020 |
| natasha trethewey books: Vinegar and Char Sandra Beasley, 2018-10-01 Yes, there is barbecue, but that’s just one course of the meal. With Vinegar and Char the Southern Foodways Alliance celebrates twenty years of symposia by offering a collection of poems that are by turns as sophisticated and complex, as vivid and funny, and as buoyant and poignant as any SFA gathering. The roster of contributors includes Natasha Trethewey, Robert Morgan, Atsuro Riley, Adrienne Su, Richard Blanco, Ed Madden, Nikky Finney, Frank X Walker, Sheryl St. Germain, Molly McCully Brown, and forty-five more. These poets represent past, current, and future conversations about what it means to be southern. Throughout the anthology, region is layered with race, class, sexuality, and other shaping identities. With an introduction by Sandra Beasley, a thought-provoking foreword by W. Ralph Eubanks, and luminous original artwork by Julie Sola, this collection is an ideal gift. Meant to be savored slowly or devoured at once, these pages are a perfect way to spend the hour before supper, with a glass of iced tea—or the hour after, with a pour of bourbon—and a fitting celebration of the SFA’s focus and community. |
| natasha trethewey books: More Truly and More Strange Lisa Russ Spaar, 2020-10-27 Acclaimed anthologist Lisa Russ Spaar compiles poems for the Instagram age, assembling 100 of America’s greatest poets exquisitely depicted in their own eyes and words. Our rampant selfie-taking moment (via Snapchat, Tinder, and YouTube, e.g.) showcases what American poetry has expressed for centuries: a national impulse for self-portraiture. This stylish anthology collects astonishing self-portrait poems—brilliantly divided into smart, revealing sections—from the mid-twentieth century through today. By experiencing the various ways that our greatest poets re-render and distort themselves, we see America’s glorious struggle with defining itself. John Ashbery, Stephanie Burt, Lucie Brock-Broido, Natalie Diaz, Rita Dove, Jorie Graham, Terrance Hayes, Donika Kelly, Gregory Pardlo, Sylvia Plath, Carl Phillips, Mark Strand, Tracy K. Smith, Natasha Tretheway, Charles Wright, and many others. |
| natasha trethewey books: These Truly are the Brave A. Yemisi Jimoh, Françoise N. Hamlin, 2015 This anthology gathers a large set of writings to document the variety and richness of African American perspectives on war and citizenship from the colonial period to the present day. |
| natasha trethewey books: Kyrie Ellen Bryant Voigt, 1996-09 In a fifth collection of poetry, sonnets explore the lives of people coping with a plague as they reflect on the influenza pandemic of 1918-1919, which killed some twenty-five million people around the globe. Reprint. |
| natasha trethewey books: A Long High Whistle David Biespiel, 2015 Literary Nonfiction. Poetry. Winner of the Oregon Book Award for General Nonfiction, 2016. Over the course of ten years, poet and critic David Biespiel published a brief, dazzling essay on poetry every month in what became the longest-running newspaper column on poetry in the United States. Collected here for the first time, these enormously popular essays, many of which have been revised and expanded, offer a fresh and refreshing approach to the reading and writing of poetry. With passion, wit, and common sense, they articulate a profound and entertaining statement about the mysteries of poetry and about poetry's essential role in our civic and cultural lives. A LONG HIGH WHISTLE discusses the work of nearly a hundred poets from ancient times to the present, in English and in translation--among them Catullus, Ovid, John Keats, Walt Whitman, Emily Dickinson, W. B. Yeats, Osip Mandelstam, Robert Hayden, Muriel Rukeyser, Pablo Neruda, Elizabeth Bishop, Seamus Heaney, Tomas Tranströmer, Inger Christensen, Natasha Trethewey, and many others. This collection will provide anyone, from the beginning poet to the mature writer to the lover of literature, with insights into what inspires poets, how poems are written and read, and how poetry situates itself in American life. |
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Natasha Bianca Lyonne Braunstein (/ liˈoʊn / lee-OHN; [2] born April 4, 1979) is an American producer, director, comedian, writer, actress, and artificial intelligence film …
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Natasha Lyonne is an Emmy- and Golden Globe-nominated producer, actor, writer, and director. Lyonne co-created Netflix series Russian Doll (2019), which received three Emmy awards, a total of 13 Emmy …
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Feb 7, 2025 · Derived from the Russian name Natalia, it holds deep roots in Slavic traditions while also having connections to Latin origins. Natasha has captured the attention and admiration of people …
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6 days ago · The name Natasha is a girl's name of Russian origin meaning "birthday of the Lord". Natasha, an appealing, still unusual name, entered the American mainstream post-Cold War but seems to …
Natasha's Kitchen – A Food Blog with Tried and True Recipes
I’m Natasha Kravchuk, a New York Times bestselling cookbook author, recipe developer, food photographer, and writer. Here you’ll find delicious, reliable recipes made with simple …
Natasha Lyonne - Wikipedia
Natasha Bianca Lyonne Braunstein (/ liˈoʊn / lee-OHN; [2] born April 4, 1979) is an American producer, director, comedian, writer, actress, and artificial intelligence film studio head.
Natasha Lyonne - IMDb
Natasha Lyonne is an Emmy- and Golden Globe-nominated producer, actor, writer, and director. Lyonne co-created Netflix series Russian Doll (2019), which received three Emmy awards, a …
Natasha Name Meaning, Origin, History, And Popularity
Feb 7, 2025 · Derived from the Russian name Natalia, it holds deep roots in Slavic traditions while also having connections to Latin origins. Natasha has captured the attention and admiration of …
Natasha - Baby Name Meaning, Origin, and Popularity
6 days ago · The name Natasha is a girl's name of Russian origin meaning "birthday of the Lord". Natasha, an appealing, still unusual name, entered the American mainstream post-Cold War …
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Natasha is a familiar form of the Russian and Slavic Natalya in the English and Russian languages and a variant form of the English, French, and German Natalie. Variants of Natasha …
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Meaning, origin and history of the name Natasha
Dec 7, 2022 · Russian diminutive of Natalya. This is the name of a character in Leo Tolstoy's novel War and Peace (1865). It has been used in the English-speaking world only since the …
