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| money and violence cast members: Violence Slavoj Zizek, 2008-07-22 Philosopher, cultural critic, and agent provocateur Zizek constructs a fascinating new framework to look at the forces of violence in the world. |
| money and violence cast members: Literary Influence and African-American Writers Tracy Mishkin, 2015-12-22 First published in 1996. This volume includes a collection of essays that where collected after the inspiration of finding positive interactions between African-American and Irish Writers during the Harlem Renaissance, a time when these two groups were hardly on good terms. The essays look at theories and realities of literary influence that especially affect African-American writers. |
| money and violence cast members: Historians on Housewives Kacey Calahane, Jessica Millward, Max Speare, 2025-03-18 According to popular stereotype, Bravo reality television portrays vapid, one-dimensional characters tearing each other down for viewers’ enjoyment. Whether The Real Housewives taps into our voyeuristic urges, our fascination with wealth and class, or the allure of the sheer spectacle of grown women yelling at one another, the show is truly a cultural phenomenon—and a global one, with more than twenty international spin-offs. Historians on Housewives looks past the show’s reputation as lowbrow, unscripted reality television and unveils deeper historical meanings behind some of Bravo’s best-known programs and franchises. This collection of ten essays is both a celebration of the bizarre behavior of the Real Housewives and a critical theorizing of the importance of the shows and the Housewives themselves. Historians on Housewives explores relationships between historical topics and themes and some of Bravo’s most iconic moments to demonstrate the usefulness of Bravo television as a tool for making history accessible. With contributions from scholars representing an impressive historical breadth, from the Roman Empire to the civil rights movement and beyond, the volume carves out a space for serious treatment of the franchise, fusing scholarship with pop culture to suggest interdisciplinary approaches for “doing history” that appeal to popular and academic audiences alike. Contributors are Nicole L. Anslover, Martina Baldwin, Emilie M.Brinkman, Marcia Chatelain, Jennifer C. Edwards, Jennifer M. Fogel, Tanisha C. Ford, Noah D. Guynn, Rosemarie Jones, Haley Schroer, Kristalyn M. Shefvelend, and Serenity Sutherland. |
| money and violence cast members: Masquerade and Money in Urban Nigeria Jordan Fenton, 2022 Introduction, Masquerade as an Artistic Pulse of the City -- Face No Fear Face: Unmasking Youths -- If they Burn it Down, We will Build it Even Larger: Confrontations of Space -- People Hear at Night: Sounds and Secrecy of Nocturnal Performance -- Idagha Chieftaincy was Nothing like what it is today: The Spectacle of Public Performance -- We Call it Change: An Artistic Profile of Artist Ekpenyong Bassey Nsa -- Look at it, Touch it, Smell it-this is Nnabo: Trajectories and Transformations of Warrior Societies -- For this Small Money, I No Go Enter Competition: Masquerade Competition on a Global Stage -- I know Myself: Masquerade as an Artistic Transformation -- Coda: I Think About my Kids and Feeding Them. |
| money and violence cast members: Popular Crime Bill James, 2012-05-08 Originally published: 2011. With new addendum. |
| money and violence cast members: Real Sister Jervette R. Ward, 2015-11-02 From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors—black female scholars from a variety of disciplines—provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce. Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community. |
| money and violence cast members: The Motion Picture Guide , 1993 |
| money and violence cast members: Is U.S. Money Aiding Another Communist State United States. Congress. Senate. Judiciary, 1963 |
| money and violence cast members: Non-State Actors as Standard Setters Anne Peters, Lucy Koechlin, Till Förster, Gretta Fenner Zinkernagel, 2009-09-24 This analysis of 'globalised' standard-setting processes draws together insights from law, political sciences, sociology and social anthropology to assess the authority and accountability of non-state actors and the legitimacy and effectiveness of the processes. The essays offer new understandings of current governance problems, including environmental and financial standards, rules for military contractors and complex public-private partnerships, such as those intended to protect critical information infrastructure. The contributions also evaluate multi-stakeholder initiatives (such as the Extractive Industries Transparency Initiative), and discuss the constitution of public norms in stateless areas. A synopsis of the latest results of the World Governance Indicator, arguably one of the most important surveys in the area today, is included. |
| money and violence cast members: There And Back Again: An Actor's Tale Joe Layden, Sean Astin, 2011-08-31 When Sean Astin, veteran Hollywood actor of over 30 movies including The Goonies, and Rudy, landed the part of Samwise Gamgee in The Lord of the Rings, he knew it was going to be different to anything he'd ever worked on before. Here he shares his heartfelt opinions on his early movies, how he got the part of Sam at that point in his career, and what it was like to be on set for nearly two years of his life. How did he and the other cast members get along? What were the excitements and the dangers they faced during filming? What happened the evening that Elijah Wood lost the keys to his room? How did Sir Ian McKellen cope when he didn't like the music the hobbits listened to during make-up and what happened when the crew considered striking? Revealing and immensely readable, There and Back Again is the behind-the-scenes look at what it was like to be involved in the making of one of the biggest movie franchises of all time. |
| money and violence cast members: The Pleasure and Pain of Cult Horror Films Bartłomiej Paszylk, 2009-06-08 The horror genre harbors a number of films too bold or bizarre to succeed with mainstream audiences, but offering unique, startling and often groundbreaking qualities that have won them an enduring following. Beginning with Victor Sjostrom's The Phantom Carriage in 1921, this book tracks the evolution and influence of underground cult horror over the ensuing decades, closing with William Winckler's Frankenstein vs. the Creature from Blood Cove in 2005. It discusses the features that define a cult film, trends and recurring symbols, and changing iconography within the genre through insightful analysis of 88 movies. Included are works by popular directors who got their start with cult horror films, including Oliver Stone, David Cronenberg and Peter Jackson. |
| money and violence cast members: Money , 1900 |
| money and violence cast members: Money at the Margins Bill Maurer, Smoki Musaraj, Ivan V. Small, 2018-03-28 Mobile money, e-commerce, cash cards, retail credit cards, and more—as new monetary technologies become increasingly available, the global South has cautiously embraced these mediums as a potential solution to the issue of financial inclusion. How, if at all, do new forms of dematerialized money impact people’s everyday financial lives? In what way do technologies interact with financial repertoires and other socio-cultural institutions? How do these technologies of financial inclusion shape the global politics and geographies of difference and inequality? These questions are at the heart of Money at the Margins, a groundbreaking exploration of the uses and socio-cultural impact of new forms of money and financial services. |
| money and violence cast members: Is U.S. Money Aiding Another Communist State? United States. Congress. Senate. Committee on the Judiciary. Subcommittee to Investigate the Administration of the Internal Security Act and Other Internal Security Laws, 1962 Examines the emergence of Ghana as a Soviet satellite in Africa and reviews the U.S. aid programs for developing countries. |
| money and violence cast members: Juvenile Delinquency William E. Thompson, Jack E. Bynum, Mica L. Thompson, 2020-08-03 Rigorous yet accessible -- balances theory and application with a strong pedagogical approach |
| money and violence cast members: Congressional Record United States. Congress, 1999 The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873) |
| money and violence cast members: The Color of Money Mehrsa Baradaran, 2017-09-14 In 1863 black communities owned less than 1 percent of total U.S. wealth. Today that number has barely budged. Mehrsa Baradaran pursues this wealth gap by focusing on black banks. She challenges the myth that black banking is the solution to the racial wealth gap and argues that black communities can never accumulate wealth in a segregated economy. |
| money and violence cast members: Modern American Drama: Playwriting 2000-2009 Julia Listengarten, Cindy Rosenthal, 2019-11-14 The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Theresa Rebeck: Omnium Gatherum (2003), Mauritius (2007), and The Understudy (2008); * Sarah Ruhl: Eurydice (2003), Clean House (2004), and In the Next Room (or the Vibrator Play) (2009); * Lynn Nottage: Intimate Apparel (2003), Fabulation or Re-Education of Undine (2004), and Ruined (2008); * Charles Mee: Big Love (2000), Wintertime (2005), and Hotel Cassiopeia (2006). |
| money and violence cast members: Recording Broadway Thomas Z. Shepard, Gayden Wren, 2024-11-19 “Grammy Award–winning producer Shepard throws open the door to the recording booth in his exuberant and fine-grained debut memoir.... Broadway aficionados will find plenty to enjoy.” - Publishers Weekly RECORDING BROADWAY: A LIFE IN CAST ALBUMS of the making of fifty-plus years’ worth of show albums, featuring up-close-and-personal stories of his work with pretty much everyone who was anyone on Broadway, including Julie Andrews, Leonard Bernstein (“truly awesome but very complicated”), Sheldon Harnick (“as warm and decent as he was talented”), Barbara Cook (“one of my favorites”), Placido Domingo, Gregory Hines, John Kander, Fred Ebb, Danny Kaye, Angela Lansbury (“so gifted and so easy to be with and to work with”), Mandy Patinkin, Bernadette Peters, Chita Rivera, Stephen Sondheim (“a genius, and very easily bruised”), Barbra Streisand (“as professional at 24 as any veteran I’ve ever worked with”), Andrew Lloyd Webber, and many more. Alongside this unforgettable saga is the tale of Shepard’s childhood as a small-in-stature piano prodigy from East Orange, New Jersey, and his emergence into the world as a recording producer of, first, classical music and then Broadway cast recordings. Told with verve in Shepard’s inimitable voice— a striking combination of Broadway glitz and classical-music elegance—his journey makes for a uniquely compelling story, whether or not you’re among the millions of musical lovers around the world for whom his recordings are a vital link to Broadway at its best. |
| money and violence cast members: Stay Tuned Christopher Sterling, John Michael Kittross, 2001-11-01 Since its initial publication in 1978, Stay Tuned has been recognized as the most comprehensive and useful single-volume history of American broadcasting and electronic media available. This third edition has been thoroughly revised and updated to bring the story of American broadcasting forward to the 21st century, affording readers not only the history of the most important and pervasive institution affecting our society, but also providing a contextual transition to the Internet and other modern media. The enthusiasm of authors Christopher H. Sterling and John Michael Kittross is apparent as they lead readers through the development of American electronic mass media, from the first electrical communication (telegraph and telephone); through radio and television; to the present convergence of media, business entities, programming, and delivery systems, including the Internet. Their presentation is engaging, as well as informative, promoting an interest in history and making the connections between the developments of yesterday and the industry of today. Features of this third edition include: *chronological and topical tables of contents; *new material reflecting modern research in the field; *a new chapter describing historical developments from 1988 through to the current day; *an expanded bibliography, including Web site and museum listings; *an updated and expanded glossary and chronology; and *extensive statistical data of the development of television and radio stations, networks, advertising, programming, audiences, and other aspects of broadcasting. Designed for use in undergraduate and graduate courses on the history of American mass media, broadcasting, and electronic media, Stay Tuned also fits well into mass communication survey courses as an introduction to electronic media topics. As a chronicle of American broadcasting, this volume is also engaging reading for anyone interested in old radio, early television, and the origins and development of American broadcasting. |
| money and violence cast members: The Making of the West, Combined Volume Lynn Hunt, 2012-01-04 Students of Western civilization need more than facts. They need to understand the cross-cultural, global exchanges that shaped Western history; to be able to draw connections between the social, cultural, political, economic, and intellectual happenings in a given era; and to see the West not as a fixed region, but a living, evolving construct. These needs have long been central to The Making of the West. The book’s chronological narrative emphasizes the wide variety of peoples and cultures that created Western civilization and places them together in a common context, enabling students to witness the unfolding of Western history, understand change over time, and recognize fundamental relationships. Read the preface. |
| money and violence cast members: The Administration's National Money Laundering Strategy for 2001 United States. Congress. Senate. Committee on Banking, Housing, and Urban Affairs, 2002 |
| money and violence cast members: International Journal of Language Studies (IJLS) – volume 7(2) Mohammad Ali Salmani Nodoushan, 2013-04-10 Papers in this issue by: Louise CUMMINGS (1-30); Theresa CATALANO & Linda R. WAUGH (31-60); Zhi LI (61-82);Wen Hsien YANG (83-108); D. Catalina MÉNDEZ VALLEJO (109-142); Fereshteh AHANGARI & Nafiseh MORADI (143-153); Şakire ERBAY (154-156) |
| money and violence cast members: New Mexico Filmmaking Jeff Berg, 2015-11-16 The moderate climate and majestic western landscapes of New Mexico make it an enchanting locale for the motion picture industry. Thomas A. Edison's crew shot the very first film in the state at the Isleta Indian Pueblo in 1897. Silent-era icons like directors Romaine Fielding and Tom Mix shortly followed to take over the small town of Las Vegas, setting the stage for an explosion of western movies. Today, New Mexico's generous incentive programs and quality facilities make it one of the top filming destinations in the country, attracting big projects like the Academy Award-winning No Country for Old Men and AMC's critically acclaimed television series Breaking Bad. In this comprehensive volume, local author and film historian Jeff Berg explores the history and legacy of New Mexico on the big screen. |
| money and violence cast members: Into the Mainstream Jorge Febles, 2009-03-26 Into the Mainstream: Essays on Spanish American and Latino Literature and Culture is a direct outgrowth of Jorge Febles’s involvement with the annual conference of the American Culture Association and the Popular Culture Association. In that sense, the compilation expands on a project initiated in 1993 by Helen Ryan-Ransom with her book Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity (Bowling Green, Ohio: Bowling Green State University Popular Press, 1993). David William Foster, who penned a lengthy preface to that collection, justified its intent by underscoring: “The very fact that our approach to culture is dominated by categories based on high, academic, institutionalized phenomena poses from the very outset the question of how to deal with all those other cultural manifestations that do not comfortably assimilate to the accepted canon” (Ryan-Ransom 3). The past fourteen years, however, have witnessed a radical transformation of that so-called canon due to the widespread acceptance of ideas espoused by cultural theorists like García Canclini, Homi Bhabba, Said, Stuart Hall, Benhabib, Bourdieu and countless others. Therefore, the ambivalence regarding what constitutes culture identified by Foster is inoperative nowadays to a substantial degree. In fact, a fundamental component of the postmodern outlook resides in the ability to blend comfortably the high and the low, the elitist and the popular realms of production in a multiplicity of textual artifacts, creative as well as critical in nature. Hence, the essays that conform Into the Mainstream do not question barriers anymore, nor do they expound on the need to assign a discursive intellectual space to matters pertaining to popular culture. Thus, this collection espouses an inclusive approach in which a variety of analytical approaches coalesce to reflect on an equally kaleidoscopic textuality. Pursuant to its comprehensive nature, Into the Mainstream airs established as well as developing critical voices so as to reflect both ideological continuity and evolving viewpoints. Scholars who have compiled strong academic records like Hortensia Morell, Raquel Rivas Rojas, Elsa Gilmore, David Petreman and Benjamín Torres Caballero share a venue with younger critics like Corey Shouse Tourino, Roberto Vela Córdova, Stacy Hoult, Eduardo del Río, Bruce Campbell, Laura Redruello, Dinora Cardoso and April Marshall, as well as with two graduate students about to complete their academic preparation: Nuria Ibáñez Quintana and María Teresa Vera Rojas. The result is an eclectic compilation meant to elicit discussion on the basis of its variety. Into the Mainstream’s primordial objective is to place these provocative essays—which are expanded versions of papers presented during the annual gathering of the American Culture Association and the Popular Culture Association in the period 2002-2005—along with the numerous subjects they treat in the academic mainstream where they rightfully belong. |
| money and violence cast members: International Law Reports E. Lauterpacht, 1989 International Law Reports is the only publication in the world wholly devoted to the regular and systematic reporting in English of courts and arbitrators, as well as judgements of national courts. |
| money and violence cast members: MTV and Teen Pregnancy Letizia Guglielmo, 2013-05-30 In MTV and Teen Pregnancy: Critical Essays on 16 and Pregnant and Teen Mom, contributors from a variety of backgrounds and expertise offer potent essays about the MTV programs 16 and Pregnant, Teen Mom, and Teen Mom 2. Divided into four parts, each section tackles the controversial representation of teen pregnancy from a different discipline. Part One explores gendered social norms and the shows’ representations of teenage motherhood. Part Two prompts readers to consider the intersections of race, class, gender, and the social and cultural power structures often glossed over in these programs. Part Three turns its attention to teenage fathers, and Part Four draws from TVs representations of reality to discuss the impact these shows may have on the viewing audience. As the debates about these shows continue, this collection provides a valuable critical discourse to be used both inside and outside the classroom. |
| money and violence cast members: Tinderbox James Andrew Miller, 2021-11-23 Tinderbox tells the exclusive, explosive, uninhibited true story of HBO and how it burst onto the American scene and screen to detonate a revolution and transform our relationship with television forever. The Sopranos, Game of Thrones, Sex and the City, The Wire, Succession...HBO has long been the home of epic shows, as well as the source for brilliant new movies, news-making documentaries, and controversial sports journalism. By thinking big, trashing tired formulas, and killing off cliches long past their primes, HBO shook off the shackles of convention and led the way to a bolder world of content, opening the door to all that was new, original, and worthy of our attention. In Tinderbox, award-winning journalist James Andrew Miller uncovers a bottomless trove of secrets and surprises, revealing new conflicts, insights, and analysis. As he did to great acclaim with SNL in Live from New York; with ESPN in Those Guys Have All the Fun; and with talent agency CAA in Powerhouse, Miller continues his record of extraordinary access to the most important voices, this time speaking with talents ranging from Abrams (J. J.) to Zendaya, as well as every single living president of HBO—and hundreds of other major players. Over the course of more than 750 interviews with key sources, Miller reveals how fraught HBO’s journey has been, capturing the drama and the comedy off-camera and inside boardrooms as HBO created and mobilized a daring new content universe, and, in doing so, reshaped storytelling and upended our entertainment lives forever. |
| money and violence cast members: Masculinity at the Movies Thomas Keith, 2025-06-05 Masculinity at the Movies takes a deep dive into masculinity in film and how Hollywood movies continue to produce and promote masculine stereotypes that place boys and men in constraining identities and dysfunctional patterns of behaviour. From classic film stars to those of the present day, this textbook unpacks the development of the main male stereotypes in film – villains, heroes, and oafs – and how movies can develop healthy new male representations. Alongside Hollywood studio productions, it delves into Black, Native American, Latino, and Asian representation as well as LGBTQ masculinity. Going beyond the present, it proposes what healthy masculinity at the movies looks like and where Hollywood should set its sights to create more progressive models of masculinity for the 21st century. Masculinity at the Movies will provide students of gender studies, media studies, and cultural studies with new insights into stereotypes of men in contemporary film. |
| money and violence cast members: The Power of Money Henry L. Bretton, 1980-01-01 Money is both a vibrant, dynamic material substance and a social force that permeates industrial societies in their entirety. Yet significant aspects of how money works in society are concealed by myths, dogmas, and misperceptions. In The Power of Money Henry Bretton focuses on how money works in a democracy. He contends that the well-being of political democracy depends on a fuller understanding of the centrality of money in politics, and he presents his ideas on monetary policy, corruption and reform, banking and politics, private power within a democracy, money in international relations, and the system-destroying effects of money. Bretton considers the subject of money and democracy in the context of how monetarization of societies proceeded form antiquity to the Industrial Revolution, and he analyzes the formative years of the United States in terms of being based on political ideas that did not take account of monetarization. He reviews what social theorists and economists from Aristotle to Friedman have thought about the role of money in society and how it affects individual behavior and social norms. The link between economics and politics has been only partially explored, he contends, and he sees the major task for social scientists as developing a fuller integration of the two mainstreams of social theory, the political and the economic. |
| money and violence cast members: Hang 'Em High Bob Herzberg, 2013-08-29 For more than a century the Western film has proven to be an enduring genre. At the dawn of the 20th century, in the same years that The Great Train Robbery begat a film genre, Owen Wister wrote The Virginian, which began a new literary genre. From the beginning, both literature and film would usually perpetuate the myth of the Old West as a place where justice always triumphed and all concerned (except the villains) pursued the Law. The facts, however, reflect abuses of due process: lynch mobs and hired gunslingers rather than lawmen regularly pursued lawbreakers; vengeance rather than justice was often employed; and even in courts of law justice didn't always prevail. Some films and novels bucked this trend, however. This book discusses the many Western films as well as the novels they are based on, that illustrate distortions of the law in the Old West and the many ways, most of them marked by vengeance, in which its characters pursued justice. |
| money and violence cast members: Sex Money Murder: A Story of Crack, Blood, and Betrayal Jonathan Green, 2018-05-15 Nominated for an Edgar Award “Exceptionally authentic.”—Jill Leovy, The New York Times Book Review In the late 1980s and early 1990s, the Bronx had one of the country’s highest per capita homicide rates. As crack cocaine use surged, dealers claimed territory through intimidation and murder, while families were fractured by crime and incarceration. Chronicling the rise and fall of Sex Money Murder, one of the era’s most notorious gangs, reporter Jonathan Green creates a visceral and devastating portrait of a New York City borough and the dedicated detectives and prosecutors struggling to stem the tide of violence. Drawing on years of research and extraordinary access to gang leaders, law enforcement, and federal prosecutors, Green delivers an engrossing work of gritty urban reportage. Magisterial in its scope, Sex Money Murder offers a unique perspective on the violence raging in modern-day America and the battle to end it. |
| money and violence cast members: The Films of Budd Boetticher Robert Nott, 2018-10-02 Budd Boetticher (1916-2001) was a bullfighter, a pleasant madman and a talented journeyman filmmaker who could--with the right material and drive--create a minor Western film classic as easily as he could kill a bull. Yet pain and passion naturally mixed in both endeavors. Drawing on studio archives and featuring insightful interviews with Boetticher and those who worked with him, this retrospective looks at each of his 33 films in detail, covering his cinematic career from his days as an assistant's assistant on the set of Hal Roach comedies to his last documentary some 45 years later. |
| money and violence cast members: The Impulse Factor Nick Tasler, 2009-12 Packed with riveting examples and controversial research, The Impulse Factor provides a clear understanding of why people make the choices they do--and the tools necessary to turn those decisions into something great. |
| money and violence cast members: Chicano-Chicana Americana Anthony Macías, 2023-02-07 This exciting new cultural history documents how Mexican Americans in twentieth-century film, television, and theater surpassed stereotypes, fought for equal opportunity, and subtly transformed the mainstream American imaginary. Through biographical sketches of underappreciated Mexican American actors, this work sheds new light on our national character and reveals the untold story of a multicentered, polycultural America. |
| money and violence cast members: American Dramatists in the 21st Century Christopher Bigsby, 2023-02-23 In American Dramatists in the 21st Century: Opening Doors, Christopher Bigsby examines the careers of seven award-winning playwrights: David Adjmi, Julia Cho, Jackie Sibblies Drury, Will Eno, Martyna Majok, Dominique Morisseau and Anna Ziegler. In addition to covering all their plays, including several as yet unpublished, he notes their critical reception while drawing on their own commentary on their approach to writing and the business of developing a career. The writers studied come from a diverse range of racial, religious and immigrant backgrounds. Five of the seven are women. Together, they open doors on a changing theatre and a changing America, as ever concerned with identity, both personal and national. This is the third in a series of books which, together, have explored the work of twenty-four American playwrights who have emerged in the current century. |
| money and violence cast members: Fooling with the Amish Dirk Eitzen, 2022-09-13 Using Amish Mafia as a window into the interplay between the real and the imagined, this book dissects the peculiar appeals and potential dangers of deception in reality TV and popular entertainment. When Amish Mafia was released in 2012, viewers were fascinated by the stories of this secret group of Amish and Mennonite enforcers who used threats, extortion, and violence to keep members of the Amish community in line—and to line their own pockets. While some of the stories were based loosely on actual events, the group itself was a complete fabrication. Its members were played by ex-Amish and ex-Mennonite young adults acting out scenarios concocted by the show's producers. What is most extraordinary about Amish Mafia is that, even though it was fictional, it was cleverly constructed to appear real. Discovery Channel, which aired it, assiduously maintained that it was real; whole episodes were devoted to proving that it was real; and many viewers (including smart reality TV fans) were fooled into believing it was real. In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip. This helps to explain the workings not just of this and other reality TV shows but also of other forms of media fakery, including fake news. The book winds through numerous fascinating case studies of media fakery, from P. T. Barnum's famous humbugs of the nineteenth century to recent TV news scandals. It examines the social and emotional appeals of other forms of entertaining fakery, including professional wrestling and supermarket tabloids. It explains how and why conventions of contrivance evolved in reality TV as well as the ethics of media fakery. And, for readers interested in the Amish, it tells how the ex-Amish stars of Amish Mafia got involved in the show and the impact that involvement had on their lives. |
| money and violence cast members: Sound of the Crowd: a Discography of the '80s (Fourth Edition) Steve Binnie, 2018-11-05 SOUND OF THE CROWD: A DISCOGRAPHY OF THE '80s is the ultimate record collector's guide to the 1980s. In the era of multi-formatting, picture discs, coloured vinyl, multiple remixes, funny shaped records and tiny CDs you could lose down the back of the sofa, this book lists every format of every single, EP and album released in the UK in the 1980s by over 140 of the decade's biggest acts, from ABBA to Paul Young. This fourth edition has been fully revised and expanded to include even more acts than ever before, with additional sections to cover Band Aid-style charity congregations and compilation albums from the early '80s K-Tel efforts through to the Now That's What I Call Music series and its competitors. Compiled by Steve Binnie, editor of the '80s music website Sound of the Crowd and writer, producer and co-host of the unconventional '80s chart show Off The Chart, broadcast weekly on Mad Wasp Radio. |
| money and violence cast members: The Thinking Man's Guide to Women J. Steven Carr, 2009-09-26 Guys, have you ever asked yourself, Why is she so irrational? Or, Why does she always have to be right? Ladies, have you ever asked yourself, What do I really want? Or, He's right, why can't I tell him? This book contains the answer and more. |
| money and violence cast members: ReelViews James Berardinelli, 2003 The popular film critic offers full-length reviews of his choices for the best one thousand movies from the 1990s to today. |
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Money is any item or verifiable record that is generally accepted as payment for goods and services and repayment of debts, such as taxes, in a particular country or socio-economic …
What Is Money? Definition, History, Types, and Creation - Investopedia
Oct 14, 2024 · Money is any item or medium of exchange that symbolizes perceived value. As a result, it is accepted by people for the payment of goods and services, as well as for the …
Understanding Money: Its Properties, Types, and Uses
Jun 30, 2024 · Money is a system of value that facilitates the exchange of goods. The use of money eliminates the problem of bartering where both parties must have something the other …
Money | Definition, Economics, History, Types, & Facts | Britannica Money
May 18, 2025 · Money, a commodity accepted by general consent as a medium of economic exchange. It is the medium in which prices and values are expressed; as currency, it circulates …
Stock Market Data - US Markets, World Markets, and Stock …
Stock market data coverage from CNN. View US markets, world markets, after hours trading, quotes, and other important stock market activity.
MarketWatch: Stock Market News - Financial News
Your new money guide: 7 ways to save, invest and plan in today’s unpredictable economy
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