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| matty b hip hop: That's a Rap MattyB, Mattyb, Travis Thrasher, 2017-01-03 In his first memoir, That s a Rap, MattyB opens up about his journey so far, including what it s like to go from the boy next door to a global sensation, grow up with a sister with Down syndrome (and how he uses his songs to spread awareness about it), the heart and soul that goes into making his music, and the importance of the Christian values that have kept him and his family grounded through every up and down along the way.--Provided by publisher. |
| matty b hip hop: Hip Hop around the World Melissa Ursula Dawn Goldsmith, Anthony J. Fonseca, 2018-12-01 This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more. |
| matty b hip hop: I Am Hip-Hop Andrew J. Rausch, 2011-04-01 Author Andrew J. Rausch interviewed 24 individuals whose creative expressions are intimately associated with the world of hip-hop music and culture. Those interviewed include emcees, DJs, producers, graffiti artists, poets, and journalists. Topics of these conversations cover the careers of each of these people and their contributions/affiliations with hip-hop, as well as their views on different trends within the music. |
| matty b hip hop: The Tanning of America Steve Stoute, 2011-09-08 The business marketing genius at the forefront of today's entertainment marketing revolution helps corporate America get hip to today's new consumer-the tan generation - by learning from hip-hop and youth culture. He is the conduit between corporate America and rap and the streets-he speaks both languages. -Jay-Z It's amazing to see the direct impact that black music, videos and the internet have had on culture. I've seen so many people race to the top of pop stardom using the everyday mannerisms of the hood in a pop setting. It's time to embrace this phenomenon because it ain't going nowhere! -Kanye West When Fortune 500 companies need to reenergize or reinvent a lagging brand, they call Steve Stoute. In addition to marrying cultural icons with blue-chip marketers (Beyoncé for Tommy Hilfiger's True Star fragrance, and Justin Timberlake for lovin' it at McDonald's), Stoute has helped identify and activate a new generation of consumers. He traces how the tanning phenomenon raised a generation of black, Hispanic, white, and Asian consumers who have the same mental complexion based on shared experiences and values. This consumer is a mindset-not a race or age-that responds to shared values and experiences, rather than the increasingly irrelevant demographic boxes that have been used to a fault by corporate America. And Stoute believes there is a language gap that must be bridged in order to engage the most powerful market force in the history of commerce. The Tanning of America provides that very translation guide. Drawing from his company's case studies, as well as from extensive interviews with leading figures of multiple fields, Stoute presents an insider's view of how the transcendent power of popular culture is helping reinvigorate and revitalize the American dream. He shows how he bridges the worlds of pop culture, brand consulting, and marketing in his turnkey campaigns offers keen insight into other successful campaigns-including the election of Barack Obama-to illustrate the power of the tan generation, and how to connect with it while staying true to your core brand. |
| matty b hip hop: Hip Hop America Nelson George, 2005-04-26 From Nelson George, supervising producer and writer of the hit Netflix series, The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media. |
| matty b hip hop: Somebody Scream! Marcus Reeves, 2009-03-17 A strong and timely book for the new day in hip-hop. Don't miss it!—Cornel West For many African Americans of a certain demographic the sixties and seventies were the golden age of political movements. The Civil Rights movement segued into the Black Power movement which begat the Black Arts movement. Fast forward to 1979 and the release of Sugarhill Gang's Rapper's Delight. With the onset of the Reagan years, we begin to see the unraveling of many of the advances fought for in the previous decades. Much of this occurred in the absence of credible, long-term leadership in the black community. Young blacks disillusioned with politics and feeling society no longer cared or looked out for their concerns started rapping with each other about their plight, becoming their own leaders on the battlefield of culture and birthing Hip-Hop in the process. In Somebody Scream, Marcus Reeves explores hip-hop music and its politics. Looking at ten artists that have impacted rap—from Run-DMC (Black Pop in a B-Boy Stance) to Eminem (Vanilla Nice)—and puts their music and celebrity in a larger socio-political context. In doing so, he tells the story of hip hop's rise from New York-based musical form to commercial music revolution to unifying expression for a post-black power generation. |
| matty b hip hop: The Virgin Encyclopedia of Dance Music Colin Larkin, 1998 The bands, producers, labels and remixers of the diverse dance music culture are listed here in this reference book. Dates, career facts, discographies and star ratings are given, along with considered opinion on the prime movers and shakers in the business. |
| matty b hip hop: The Encyclopedia of Popular Music Colin Larkin, 2011-05-27 This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day. |
| matty b hip hop: Blue Notes Robert P. Vande Kappelle, 2011-04-07 Music, like romance, is the language of the soul. Music allows us to express ourselves, and in so doing makes us feel alive. Jazz music, the only art form created by Americans, reminds us that the genius of America is improvisation; a good beat, a contagious rhythm, an emotional ballad, creative improvisation, jazz has it all. Jazz is the story of extraordinary human beings, black and white, male and female, children of privilege and children of despair, who were able to do what most of us only dream of doing: create art on the spot. Their stories are told in Blue Notes. Blue Notes contains profiles of 365 jazz personalities, one for each day of the year. Each vignette tells a story, some heartwarming, others tragic, but all memorable. The daily entries also provide valuable information on jazz styles, jazz history, instruments and instrumentalists, and such related topics as jazz and religion, women in jazz, drug and alcohol abuse, and racism. These topics can be referenced through an extensive set of indexes. The book's appendix includes helpful background information, a concise overview of jazz music, and even a quiz on jazz biography. While Blue Notes is written for jazz fans in general, experts will value its comprehensive nature. So whether you are curious about jazz or simply love and appreciate music, Blue Notes will provide daily moments of discovery and help you recognize what the rest of the world already has, a music so compelling that it can be said to define the human being in the twentieth century. |
| matty b hip hop: The Guinness Who's who of Rap, Dance & Techno Colin Larkin, 1994 |
| matty b hip hop: Sean "Diddy" Combs Jen Jones Donatelli, 2014-01-01 His voice blaring in the recording, Sean Diddy Combs says, We won't stop. He repeats the motto in many of his famous songs, three words that Diddy lives by. When it comes to his rise to superstardom in hip-hop and his pursuit of dominance in the entertainment industry, Sean Combs has never stopped. The Harlem-born music mogul has achieved success as a producer, rapper, and entrepreneur, including the massive success of his Sean John clothing line. Author Jen Jones explores the meteoric rise of this entertainment icon. |
| matty b hip hop: Hip-hop Connection , 2007 |
| matty b hip hop: Bodies of Water in African American Literature, Music, and Film Sharon A. Lewis, Ama S. Wattley, 2023-05-04 This is an edited volume of original essays which explore the meaning of bodies of water in creative narratives by African Americans. The contributors explore the representations of still and moving waterbodies across several genres of literature, film, and music. They also deploy socio-historical and environmental theories, in addition to close-reading interpretive strategies, all acknowledging and developing traditional ways of thinking about water in relation to African American experience and culture. The writers gathered here showcase insightful and vigorous research in various art forms, and, together, embody provocative, innovative and refreshing ways to contemplate water in Black American artistic expressivity. |
| matty b hip hop: Hip Hop in American Cinema Melvin Burke Donalson, 2007 Hip Hop in American Cinema examines the manner in which American feature films have served as the primary medium for mainstreaming hip hop culture into American society. With their glamorizing portrayals of graffiti writing, break dancing, rap music, clothing, and language, Hollywood movies have established hip hop as a desirable youth movement. This book demonstrates how Hollywood studios and producers have exploited the profitable connection among rappers, soundtracks, and mass audiences. Hip Hop in American Cinema offers valuable information for courses in film studies, popular culture, and American studies. |
| matty b hip hop: Can't Stop Won't Stop Jeff Chang, 2007-04-01 Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium. |
| matty b hip hop: The Bulletin , 2003-03 |
| matty b hip hop: The 'Hood Comes First Murray Forman, 2024-08-06 The 'Hood Comes First looks at the increasingly specific emphasis on real neighborhoods and streets in rap music and hip hop culture as an urgent response to the cultural and geographical ghettoization of black urban communities. Examining rap music, along with ancillary hip hop media including radio, music videos, rap press and the cinematic 'hood genre, Murray Forman analyzes hip hop culture's varying articulations of the terms ghetto, inner-city, and the 'hood, and how these spaces, both real and imaginary, are used to define individual and collective identity. Negotiating academic, corporate, and street discourses, Forman assesses the dynamics between race, social space and youth. Race, class and national identification are recast and revised within rap's spatial discourse, concluding with the construction of the 'hood, a social and geographic symbol that has become central to concepts of hip hop authenticity. Additionally, the book analyzes the processes within the music and culture industries through which hip hop has been amplified and disseminated from the 'hood to international audiences. |
| matty b hip hop: Hip Hop around the World Melissa Ursula Dawn Goldsmith, Anthony J. Fonseca, 2018-12-01 This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more. |
| matty b hip hop: Hiphop Music in Aotearoa Gareth Shute, 2004 Gareth Shute talks to the big names in New Zealand hip hop in this history of what has become one of the biggest and most popular cultural movements in modern New Zealand. The first book to examine New Zealand's hip hop scene, Hip hop music in Aotearoa looks at the music's evolution, from its early roots with Upper Hutt Posse, through to MC OJ & Rhythm Slave and 3 The Hard Way in the early 1990s and Che Fu, King Kapisi, Scribe and Nesian Mystik in the present day. The book features interviews with these and other prominent musicians and discusses the journey New Zealand hip hop has taken to become the mainstream, popular art. |
| matty b hip hop: Until I Saw Your Smile J. J. Murray, 2014 After his Honduran girlfriend abruptly runs off to the Dominican Republic with an exchange teacher, Brooklyn lawyer Matthew McConnell goes on the prowl and finds even more dysfunction in the Island' women he dates in New York. After each of his dates from hell, Matthew always finds his way to Smith's Sweet Treats and Coffee, run by half-Dominican, half-American Angela Smith. But she has her own painful secret to contend with - can Matthew break down her defences and allow them both to finally be happy again... together?' |
| matty b hip hop: Bobbito's Book of B-Ball Bong Bong!: A Memoir of Sports, Style, and Soul Bobbito García, 2025-07-01 A Radio Hall of Famer and sneaker culture icon, Bobbito García is also a basketball sage who chronicles his unlikely experiences in and around the game as a Latino raised on hip-hop. BASKETBALL ON NEW YORK CITY’S 700+ OUTDOOR COURTS was bubbling during the seventies and eighties and coincided with the birth of hip-hop and sneaker culture. Bobbito García came of age during this era and caught an uncontrollable fever to be a ballplayer, witnessing firsthand the gumbo of sports, music, and fashion in the local parks. The game influenced his style, language, movement, creative thought, and, in a personal manner, his well-being. He couldn’t go anywhere without a ball in his hand, practice shorts under his pants, and kicks on his feet, ready for action at any point, any day (including his first job interview). In the 1990s, Bobbito became a world-famous hip-hop radio host as well as the progenitor of sneaker journalism, but his world never stopped revolving around living and breathing at every local court he could find. Simultaneously, the outdoor basketball aesthetic emerged as a force in the sports/entertainment/footwear industry, a catalyst to market authenticity when a brand wanted to garner street credibility. Bobbito stood firmly at this cross section of subcultures, not only as a historian, photographer, writer, filmmaker, and active participant, but as a curator of the shift itself. Advertising legend John Jay, former global creative director at Wieden+Kennedy, called García his “cultural DJ” after they collaborated on Nike’s groundbreaking “NYC City Attack” ad campaign. The lifestyle of the park pickup player, now exposed, went on to impact the world, and the ripple effect could even be seen on the hardwood floors of the NBA. In 2013, the New York Times referred to Bobbito as “an ardent ambassador for New York City street basketball.” This book is an intimate view into his life as a ballplayer, announcer, and performer. It doubles as a profound document for the unspoken folklore and history of the outdoor game, while speaking volumes to the roots of García’s favorite pastime—putting up jumpers and getting busy with the rock in his hands. In his words: Basketball is a religion. The park is my church . . . |
| matty b hip hop: The Come Up Jonathan Abrams, 2023-10-03 The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture—from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire “The Come Up is Abrams at his sharpest, at his most observant, at his most insightful.”—Shea Serrano, #1 New York Times bestselling author of Hip-Hop (And Other Things) ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, The Guardian, Spin The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language. And yet, the stories of many hip-hop pioneers and their individual contributions in the pre-Internet days of mixtapes and word of mouth are rarely heard—and some are at risk of being lost forever. Now, in The Come Up, the New York Times bestselling author Jonathan Abrams offers the most comprehensive account so far of hip-hop’s rise, a multi-decade chronicle told in the voices of the people who made it happen. In more than three hundred interviews conducted over three years, Abrams has captured the stories of the DJs, executives, producers, and artists who both witnessed and themselves forged the history of hip-hop. Masterfully combining these voices into a seamless symphonic narrative, Abrams traces how the genre grew out of the resourcefulness of a neglected population in the South Bronx, and from there how it flowed into New York City’s other boroughs, and beyond—from electrifying live gatherings, then on to radio and vinyl, below to the Mason-Dixon Line, west to Los Angeles through gangster rap and G-funk, and then across generations. Abrams has on record Grandmaster Caz detailing hip-hop’s infancy, Edward “Duke Bootee” Fletcher describing the origins of “The Message,” DMC narrating his role in introducing hip-hop to the mainstream, Ice Cube recounting N.W.A’s breakthrough and breakup, Kool Moe Dee recalling his Grammys boycott, and countless more key players. Throughout, Abrams conveys with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music. The Come Up is an exhilarating behind-the-scenes account of how hip-hop came to rule the world—and an essential contribution to music history. |
| matty b hip hop: The New Musician Menzie Pittman, 2024-04-11 In today’s quickly changing music landscape, entrepreneurship is just as vital as creativity. Award-winning industry veteran, Menzie Pittman, provides insights from some of the top minds in the industry—from notable artists to business leaders and educators. Their success stories and cautionary tales will help illuminate a road map to success. |
| matty b hip hop: The Cult of Smart Fredrik deBoer, 2020-08-04 Named one of Vulture’s Top 10 Best Books of 2020! Leftist firebrand Fredrik deBoer exposes the lie at the heart of our educational system and demands top-to-bottom reform. Everyone agrees that education is the key to creating a more just and equal world, and that our schools are broken and failing. Proposed reforms variously target incompetent teachers, corrupt union practices, or outdated curricula, but no one acknowledges a scientifically-proven fact that we all understand intuitively: Academic potential varies between individuals, and cannot be dramatically improved. In The Cult of Smart, educator and outspoken leftist Fredrik deBoer exposes this omission as the central flaw of our entire society, which has created and perpetuated an unjust class structure based on intellectual ability. Since cognitive talent varies from person to person, our education system can never create equal opportunity for all. Instead, it teaches our children that hierarchy and competition are natural, and that human value should be based on intelligence. These ideas are counter to everything that the left believes, but until they acknowledge the existence of individual cognitive differences, progressives remain complicit in keeping the status quo in place. This passionate, voice-driven manifesto demands that we embrace a new goal for education: equality of outcomes. We must create a world that has a place for everyone, not just the academically talented. But we’ll never achieve this dream until the Cult of Smart is destroyed. |
| matty b hip hop: New Orleans Michael Patrick Welch, 2014 Red beans and rice, trad jazz, and second lines are the Big Easy's calling cards, but beyond where the carriage rides take you is a city brimming with genre-defying music, transnational cuisine, and pockets of wild, artistic locals that challenge preconceived notions of what it means to be New Orleans. With a respectful nod to the traditional and a full embrace of the obscure, New Orleans: The Underground Guide is a resource for discovering the city as it really is -- as much brass bands and boas as it is bounce and bicycle tours. From a speakeasy in the Bywater neighborhood to the d. |
| matty b hip hop: Peppermint Twist John Johnson, Joel Selvin, Dick Cami, 2012-11-13 Traces the story of The Peppermint Lounge, the influential 1960s Manhattan nightspot and mobster hangout, detailing how the club's introduction of rock-and-roll music attracted rebel youths and celebrity patrons. |
| matty b hip hop: Kanye West Owes Me $300 Jensen Karp, 2017-05-02 In this “triumphantly funny” (AV Club) memoir, comedian Jensen Karp tells the story of how, as a Jewish kid from the L.A. suburbs, he became a rap battle legend—and then almost became a star. “The funniest person I follow on Twitter finally got smart and wrote about his unlikely—and hilarious—odyssey as teenage rapper Hot Karl.”—Kevin Smith, New York Times bestselling author of Tough Sh*t When twelve-year old Jensen Karp got his first taste of rapping for crowds at his friend’s bar mitzvah in 1991, little did he know that he was taking his first step on a journey that would end with a failed million-dollar recording and publishing deal with Interscope Records when he was only nineteen. Now, in Kanye West Owes Me $300, Karp finally tells the true story of his wild ride as “Hot Karl,” the most famous white rapper you’ve never heard of. On his way to (almost) celebrity, Jensen shares his childhood run-ins with rock-listening, Southern California classmates, who tell him that “rap is for black people,” and then recounts his record-breaking rap battling streak on popular radio contest “The Roll Call”—a run that caught the eye of a music industry hungry for new rap voices in the early ’00s. He also introduces his rap partner, Rickye, who constitutes the second half of their group XTra Large; his supportive mom, who performs with him onstage; and the soon-to-be-household-name artists he records with, including Redman, Fabolous, Mya, and will.i.am. Finally, he reveals why his album never saw the light of day (two words: Slim Shady), the downward spiral he suffered after, and what he found instead of rap glory. Full of rollicking stories from his close brush with fame, Karp’s hilarious memoir is the ultimate fish-out-of-water story about a guy who follows an unlikely passion—trying to crack the rap game—despite what everyone else says. It’s 30 Rock for the rap set; 8 Mile for the suburbs; and quite the journey for a white kid from the valley. |
| matty b hip hop: The Complexity and Progression of Black Representation in Film and Television David L. Moody, 2016-06-02 The Complexity and Progression of Black Representation in Film and Television examines the intricacies of race, representation, Black masculinity, sexuality, class, and color in American cinema and television. Black images on the silver screen date back to the silent film era, yet these films and television programs presented disturbing images of African American culture, and regrettably, many early films and small screen programs portrayed Black characters in demeaning and stereotypical roles. In order to fully analyze the roles of Black actors and actresses in film and television, Moody addresses the following issues: the historical significance of the term “race films”; female Black identities and constructs; queerness and Black masculinity; Black male identities; and Black buffoonery in film and television. |
| matty b hip hop: Race for Citizenship Helen Heran Jun, 2011-02-23 Helen Heran Jun explores how the history of U.S. citizenshiphas positioned Asian Americans and African Americans in interlocking socio-political relationships since the mid nineteenth century. Rejecting the conventional emphasis on ‘inter-racial prejudice,’ Jun demonstrates how a politics of inclusion has constituted a racial Other within Asian American and African American discourses of national identity. Race for Citizenship examines three salient moments when African American and Asian American citizenship become acutely visible as related crises: the ‘Negro Problem’ and the ‘Yellow Question’ in the mid- to late 19th century; World War II-era questions around race, loyalty, and national identity in the context of internment and Jim Crow segregation; and post-Civil Rights discourses of disenfranchisement and national belonging under globalization. Taking up a range of cultural texts—the 19th century black press, the writings of black feminist Anna Julia Cooper, Asian American novels, African American and Asian American commercial film and documentary—Jun does not seek to document signs of cross-racial identification, but instead demonstrates how the logic of citizenship compels racialized subjects to produce developmental narratives of inclusion in the effort to achieve political, economic, and social incorporation. Race for Citizenship provides a new model of comparative race studies by situating contemporary questions of differential racial formations within a long genealogy of anti-racist discourse constrained by liberal notions of inclusion. |
| matty b hip hop: Black Directors in Hollywood Melvin Donalson, 2010-01-01 An in-depth look at the pioneering work and lasting influence of black Hollywood directors from Gordon Parks to Spike Lee and beyond. Hollywood film directors are some of the world’s most powerful storytellers, shaping the fantasies and aspirations of people around the globe. Since the 1960s, African Americans have increasingly joined their ranks, bringing fresh insights to the characters we watch, and profoundly changing the way stories are told. Today, black directors are making films in all popular genres, while inventing new ones to speak directly from and to the black experience. This book offers a comprehensive look at the work of black directors in Hollywood, from pioneers such as Gordon Parks, Melvin Van Peebles, and Ossie Davis to current talents including Spike Lee, John Singleton, Kasi Lemmons, and Carl Franklin. Discussing sixty-seven individuals and over 135 films, Melvin Donalson thoroughly explores how black directors’ storytelling skills and film techniques have widened both the thematic focus and visual style of American cinema. Assessing the meanings and messages in their films, Donalson convincingly demonstrates that black directors are balancing Hollywood's demand for box office success with artistic achievement and responsibility to ethnic, cultural, and gender issues. |
| matty b hip hop: Check the Technique Brian Coleman, 2009-03-12 A Tribe Called Quest • Beastie Boys • De La Soul • Eric B. & Rakim • The Fugees • KRS-One • Pete Rock & CL Smooth • Public Enemy • The Roots • Run-DMC • Wu-Tang Clan • and twenty-five more hip-hop immortals It’s a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That’s a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE’s It Takes a Nation of Millions. . ., De La’s 3 Feet High and Rising, and Wu-Tang’s Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys–including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef–step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food–all played their part in creating these essential albums of the hip-hop canon. Insightful, raucous, and addictive, Check the Technique transports you back to hip-hop’s golden age with the greatest artists of the ’80s and ’90s. This is the book that belongs on the stacks next to your wax. “Brian Coleman’s writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.” –Jeff Chang, author of Can’t Stop Won’t Stop “All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.” –DJ Evil Dee of Black Moon and Da Beatminerz “A rarity in mainstream publishing: a truly essential rap history.” –Ronin Ro, author of Have Gun Will Travel |
| matty b hip hop: The Guinness Encyclopedia of Popular Music: Clarke, Kenny-Gleason, Jackie Colin Larkin, 1995 |
| matty b hip hop: Buppies, B-boys, Baps, And Bohos Nelson George, 2001-07-12 In this title contemporary black American culture is chronicled through essays on music, film, sports, publishing, politics and city life. This edition includes essays on the Hughes brothers, the business of hip-hop and Latrell Sprewell. |
| matty b hip hop: Billboard , 1999-12-04 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| matty b hip hop: SPIN , 2011-10 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| matty b hip hop: Newsday , |
| matty b hip hop: New York Magazine , 1996-12-23 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| matty b hip hop: Who's who of Australian Rock , 2002 A classic edition of the great rock and roll history of this country. This edition is updated and expanded to provide us with the definitive encyclopedia of the most successful names of Australian rock and roll. |
| matty b hip hop: My Son Marshall, My Son Eminem Debbie Nelson, 2008 Debbie Nelson is not a household name, but her son, Eminem, is one of the world's most famous rappers. Unfortunately, her son's defamatory references to her at one time labeled Debbie the most hated mother in America. In My Son Marshall, My Son Eminem, Nelson sets the record straight. Filled with details of the rapper's early life and rare photos of both him and his mother, this memoir reveals a story that provides insights into who Marshall was and what motivated him to become the superstar that he is. |
| matty b hip hop: Billboard , 2001-02-24 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
Matty Healy - Wikipedia
Matthew Timothy Healy (born 8 April 1989) is an English singer-songwriter and record producer who is the lead vocalist and principal songwriter of …
MATTY Definition & Meaning | Dictionary.com
Matty definition: a male or female given name.. See examples of MATTY used in a sentence.
matty m.® | Elevated Everyday Womenswear – mattym
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MATTY definition and meaning | Collins English Dictionary
MATTY definition: a male or female given name | Meaning, pronunciation, translations and examples
What does matty mean? - Definitions.net
Did you actually mean matey or matte? or Martha. Spelling variant: Mattie. A diminutive of the male given name Matthew. Tilly's name is Matilda.
Matty Healy - Wikipedia
Matthew Timothy Healy (born 8 April 1989) is an English singer-songwriter and record producer who is the lead vocalist and principal songwriter of the pop rock band the 1975. He is …
MATTY Definition & Meaning | Dictionary.com
Matty definition: a male or female given name.. See examples of MATTY used in a sentence.
matty m.® | Elevated Everyday Womenswear – mattym
Shop effortless, everyday essentials from elevated everyday tops, elegant dresses, cozy cardigans, and versatile bottoms.
MATTY definition and meaning | Collins English Dictionary
MATTY definition: a male or female given name | Meaning, pronunciation, translations and examples
What does matty mean? - Definitions.net
Did you actually mean matey or matte? or Martha. Spelling variant: Mattie. A diminutive of the male given name Matthew. Tilly's name is Matilda.
Matty: Name Meaning, Popularity and Info on BabyNames.com
Jun 7, 2025 · The name Matty is primarily a gender-neutral name of English origin that means Diminutive Form Of Matilda Or Matthew. Click through to find out more information about the …
Matty - Name Meaning, What does Matty mean? - Think Baby Names
What does Matty mean? M atty as a name for boys (also used as girls' name Matty) is of Hebrew origin, and the name Matty means "gift of God". Matty is a version of Matthew (Hebrew). …
Explore Matty: Meaning, Origin & Popularity - MomJunction
Jul 11, 2024 · Matty is a masculine name that carries simplicity and charm, often used as a diminutive for the more formal name Matthew. Matthew has Hebrew roots and is derived from …
About – Matty Matheson
Internationally recognized personality Matty Matheson has been breaking barriers since his cooking debut. His expansive career has brought many opportunities to the chef, restaurateur, …
matty, adj. meanings, etymology and more | Oxford English …
The earliest known use of the adjective matty is in the early 1700s. OED's earliest evidence for matty is from 1714, in the writing of ‘Nestor Ironside’, poet and Church of England clergyman …
