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| melvin b tolson poems: "Harlem Gallery" and Other Poems of Melvin B. Tolson Melvin Beaunorus Tolson, 1999 The poet Melvin B. Tolson (1898-1966) was once recognized as one of black America's most important modernist voices. Playful, fluent, and intellectually sophisticated, his poems stirred up significant praise, and some lively criticism, during his lifetime but have been out of print for decades and essentially left out of the literary canon. With the publication of this first complete collection of his work, Tolson can finally be given his proper place in American poetry. This volume brings together Tolson's three books of poetry--Rendezvous with America (1944), Libretto for the Republic of Liberia (1953) and Harlem Gallery (1965)--as well as fugitive poems after 1944. His work has at times been controversial because of his historical, intellectual subject matter, and his commitment to the priorities of art rather than the imperatives of politics. However a fresh reading of his challenging masterpiece, Harlem Gallery, a poem in 24 cantos, reveals an urgent meditation on the plight of the black artist in a white society and a concern with social justice that locates Tolson in the mainstream of African American writing. Such powerful themes, as well as his range of tone and mesmerizing imagery, have won Tolson a growing number of enthusiastic admirers, who place him alongside such legendary black poets as Langston Hughes, Gwendolyn Brooks, and Robert Hayden. While his peers Hughes and Countee Cullen were part of the Harlem Renaissance, Melvin B. Tolson was not identified with any particular movement, and his legacy in American literature has been elusive. This book, enhanced by a moving introduction by Rita Dove and useful notes by editor Raymond Nelson, provides the text for a renewed appreciation of one of the great talents in AfricanAmerican poetry. |
| melvin b tolson poems: "Harlem Gallery", and Other Poems of Melvin B. Tolson Melvin Beaunorus Tolson, 1999 The poet Melvin B. Tolson (1898-1966) was once recognized as one of black America's most important modernist voices. Playful, fluent, and intellectually sophisticated, his poems stirred up significant praise, and some lively criticism, during his lifetime but have been out of print for decades and essentially left out of the literary canon. With the publication of this first complete collection of his work, Tolson can finally be given his proper place in American poetry. This volume brings together Tolson's three books of poetry--Rendezvous with America (1944), Libretto for the Republic of Liberia (1953) and Harlem Gallery (1965)--as well as fugitive poems after 1944. His work has at times been controversial because of his historical, intellectual subject matter, and his commitment to the priorities of art rather than the imperatives of politics. However a fresh reading of his challenging masterpiece, Harlem Gallery, a poem in 24 cantos, reveals an urgent meditation on the plight of the black artist in a white society and a concern with social justice that locates Tolson in the mainstream of African American writing. Such powerful themes, as well as his range of tone and mesmerizing imagery, have won Tolson a growing number of enthusiastic admirers, who place him alongside such legendary black poets as Langston Hughes, Gwendolyn Brooks, and Robert Hayden. While his peers Hughes and Countee Cullen were part of the Harlem Renaissance, Melvin B. Tolson was not identified with any particular movement, and his legacy in American literature has been elusive. This book, enhanced by a moving introduction by Rita Dove and useful notes by editor Raymond Nelson, provides the text for a renewed appreciation of one of the great talents in AfricanAmerican poetry. |
| melvin b tolson poems: Black Nature Camille T. Dungy, 2009 Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication. |
| melvin b tolson poems: Melvin B. Tolson, 1898-1966 Robert M. Farnsworth, 1984 In this biography of Tolson, Robert M. Farnsworth has gathered much new information on the poet from family papers; from reminiscences of friends, acquaintances, and relatives; and from scholarly analyses of his work to create a clarifying and insightful account of the poet's life. The events and preoccupations of Tolson's life in turn provide a useful context for examining Tolson's major poems. Moreover, Farnsworth has determined the chronology of most of Tolson's writings, many of which were before either unknown or known only through obscure references. --University of Missouri Press. |
| melvin b tolson poems: A Gallery of Harlem Portraits Melvin B. Tolson, 1979 A Gallery of Harlem Portraits was written some forty years ago when Tolson was immersed in the writings of the Harlem Renaissance, the subject of his master's thesis at Columbia University._ Modeled on Edgar Lee Master's Spoon River Anthology and showing the influence of Browning and Whitman, it is rooted in the Harlem Renaissance in its fascination with Harlem's cultural and ethnic diversity and its use of musical forms._ Robert Farnsworth's afterword elucidates these and other literary influences. |
| melvin b tolson poems: Nations of Nothing But Poetry Matthew Hart, 2010-04-22 Vernacular discourse from major to minor -- The impossibility of synthetic Scots; or, Hugh MacDiarmid's nationalist internationalism -- A dialect written in the spelling of the capital: Basil Bunting goes home -- Tradition and the postcolonial talent: T.S. Eliot versus E.K. Brathwaite -- Transnational anthems and the ship of state: Harryette Mullen, Melvin B. Tolson and the politics of afro-modernism -- Epilogue denationalizing Mina Loy. |
| melvin b tolson poems: Rendezvous with America Melvin B. Tolson, |
| melvin b tolson poems: Collected Poems, 1919-1976 Allen Tate, 2014-11-11 One of the early-twentieth century Southern intellectuals and artists of the early twentieth century known as the Agrarians, Allen Tate wrote poetry that was rooted strongly in that region's past—in the land, the people, and the traditions of the American South as well as in the forms and concerns of the classic poets. In Ode to the Confederate Dead— generally recognized as his greatest poem—he delineates both the horror of the sight of rows of tombstones at a Confederate cemetery and the honor that such sacrifice embodies, resulting in a masterpiece that could not be transcended (William Pratt). |
| melvin b tolson poems: Caviar and Cabbage Melvin B. Tolson, 1982 Melvin B. Tolson is best known as the poet who wrote The Harlem Gallery and Libretto for the Republic of Liberia. He received national acclaim only toward the end of his life, but early in his career he achieved considerable recognition as a challenging speaker and activist within the black American community. Tolson wrote a weekly column for the Washington Tribune from October 9, 1937, to June 24, 1944, entitled Caviar and Cabbage. As the title suggests, the subjects he treated were various. He perceived the problems of the black world of the late thirties and early forties with the insight of an intellectual and the verbal richness and rhythms of a poet heavily influenced by a strong pulpit tradition. This combination makes the columns valuable both as literature and as cultural history. Robert Farnsworth has selected and edited these columns. His introduction describes their cultural and biographical context. He has arranged the columns according to subject: Christ and Radicalism, Race and Class, World War II, Random Shots, Writers and Readings, and Reminiscences. The background material and the arrangement of the works underline their significance. |
| melvin b tolson poems: The Stamp of Class Gary Lenhart, 2006 The Stamp of Class is about reading poetry with an awareness of class and its themes. While numerous works have taken up the question of race and gender as they relate to literary creation, no single book has probed the interplay between class and American poetry. The nine essays in Gary Lenhart's book deal with the question of class as reflected in the works of Tracie Morris, Tillie Olsen, Melvin Tolson, William Carlos Williams, Walt Whitman, and others. The work is rooted in the author's own experiences as a working-class poet and teacher, and is the result of more than a decade of exploration. |
| melvin b tolson poems: Talking Dirty to the Gods Yusef Komunyakaa, 2000 A collection of poems in which the Pulitzer Prize-winning author examines and evaluates each of the seven deadly sins. |
| melvin b tolson poems: Poetry Speaks Elise Paschen, Rebekah Presson Mosby, 2001 [Ask for CD at desk]. |
| melvin b tolson poems: American Poetry: The Twentieth Century Vol. 2 (LOA #116) Edward Estlin Cummings, 2000-03-20 Anthology of poems by 20th century American poets. |
| melvin b tolson poems: The Cloud Corporation Timothy Donnelly, 2010-09-21 The long-awaited second collection by a central literary figure, Columbia University professor, and poetry editor of the Boston Review. |
| melvin b tolson poems: African American Poetry: 250 Years of Struggle & Song (LOA #333) Kevin Young, 2020-10-20 A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people like Phillis Wheatley and George Moses Horton and activist Frances Ellen Watkins Harper voice their passionate resistance to slavery. Young’s fresh, revelatory presentation of the Harlem Renaissance reexamines the achievements of Langston Hughes and Countee Cullen alongside works by lesser-known poets such as Gwendolyn B. Bennett and Mae V. Cowdery. The later flowering of the still influential Black Arts Movement is represented here with breadth and originality, including many long out-of-print or hard-to-find poems. Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Room Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. This Library of America volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events. |
| melvin b tolson poems: Hart Crane's Poetry John T. Irwin, 2011-11-17 In one of his letters Hart Crane wrote, Appollinaire lived in Paris, I live in Cleveland, Ohio, comparing—misspelling and all—the great French poet’s cosmopolitan roots to his own more modest ones in the midwestern United States. Rebelling against the notion that his work should relate to some European school of thought, Crane defiantly asserted his freedom to be himself, a true American writer. John T. Irwin, long a passionate and brilliant critic of Crane, gives readers the first major interpretation of the poet’s work in decades. Irwin aims to show that Hart Crane’s epic The Bridge is the best twentieth-century long poem in English. Irwin convincingly argues that, compared to other long poems of the century, The Bridge is the richest and most wide-ranging in its mythic and historical resonances, the most inventive in its combination of literary and visual structures, the most subtle and compelling in its psychological underpinnings. Irwin brings a wealth of new and varied scholarship to bear on his critical reading of the work—from art history to biography to classical literature to philosophy—revealing The Bridge to be the near-perfect synthesis of American myth and history that Crane intended. Irwin contends that the most successful entryway to Crane’s notoriously difficult shorter poems is through a close reading of The Bridge. Having admirably accomplished this, Irwin analyzes Crane’s poems in White Buildings and his last poem, The Broken Tower, through the larger context of his epic, showing how Crane, in the best of these, worked out the structures and images that were fully developed in The Bridge. Thoughtful, deliberate, and extraordinarily learned, this is the most complete and careful reading of Crane’s poetry available. Hart Crane may have lived in Cleveland, Ohio, but, as Irwin masterfully shows, his poems stand among the greatest written in the English language. |
| melvin b tolson poems: Blues Poems Kevin Young, 2003 The blues--a musical tradition uniquely American--has had a powerful influence on American poets, and this scintillating anthology offers a richness of poetry as varied and vital as the music that inspired it. |
| melvin b tolson poems: Melvin B. Tolson Joy Flasch, 1972 |
| melvin b tolson poems: The Nuyorican Experience Eugene Mohr, 1982-10-27 |
| melvin b tolson poems: The Vintage Book of African American Poetry Michael S. Harper, Anthony Walton, 2012-02-01 In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry. |
| melvin b tolson poems: We Have Our Voice Reesom Haile, 2000 Udvalgte digte. |
| melvin b tolson poems: Every Goodbye Ain't Gone Joseph Nazel, 2008-02 They said he was crazy, but he was merely mad, angry at the racist insanity he saw around him in the South of the '60s. They arrested him for fire-bombing a segregated toilet and put him away in a mental hospital, aptly named 'Limbo.' Released ten years later, he goes home to the housing projects of South Central Los Angeles, where he witnesses an entirely different kind of insanity--a black-on-black cruelty even more destructive than what he had gone south to protest.--Publisher's note on back cover |
| melvin b tolson poems: Understanding the New Black Poetry Stephen Evangelist Henderson, 1973 Stephen Henderson has edited an anthology of the best of black poetry with an emphasis on the poetry of the 60's. But this anthology differs from others in significant ways. First, the introduction is extensive, giving tentative answers to such questions as: What makes a poem black? Who decides? What criteria does one use? The author's thesis is that the new black poetry's main referents are black speech and black music. Second, the author explores the many forms that black poets use, commenting on what is black technically in the poetry. Third, the poems anthologized include examples from the oral (folk sermon, spirituals, blues, ballad, rap) as well as the literary tradition. -- From publisher's description. |
| melvin b tolson poems: Black Chant Aldon Lynn Nielsen, 1997-01-13 A study of postmodernism and African-American poets. |
| melvin b tolson poems: The Harlem Group of Negro Writers, By Melvin B. Tolson Melvin B. Tolson, 2001-03-30 Melvin B. Tolson (1898-1966) was both a participant in and historian of the Harlem Renaissance, probably the most significant movement in African American literature and culture. Known mostly for his poetry, and an unduly neglected figure in American literary history, Tolson was one of the first African American critics of the Harlem Renaissance. This book is an edition of his 1940 MA thesis, the first academic study of the Harlem Renaissance written by an African American scholar. Tolson's thesis, previously unpublished in its entirety, provides a unique look at this important era and draws heavily on his familiarity with some of the most important writers of the movement. Included are discussions of such major figures as Langston Hughes, Claude McKay, and W.E.B. Du Bois, along with chapters on lesser-known authors such as George Schuyler, Eric Walrond, and Jessie Fauset, who are now being rediscovered. An introductory essay surveys the history of Harlem Renaissance criticism and Tolson's place in it and evaluates his methodology and use of sources. The introduction additionally presents a brief biography and details the creation of his thesis. The text of Tolson's thesis appears in its entirety, along with his notes and those of the volume editor. The book closes with a bibliography of works on Tolson and a large but selective bibliography on the Harlem Renaissance in general. |
| melvin b tolson poems: The Poetry of Black America Arnold Adoff, 1973-05-08 Works by modern Afro-American poets express their anger, despair, and hopes, and sense of pride for their race. |
| melvin b tolson poems: The Writing on the Wall Walter Lowenfels, 1969 |
| melvin b tolson poems: The Penguin Anthology of Twentieth-Century American Poetry Rita Dove, 2013-09-24 Penguin’s landmark poetry anthology, perfect for learning poems by heart in the age of ephemeral media Recipient of the Academy of American Poets' Wallace Stevens Award (Dove) Rita Dove, Pulitzer Prize winner and former Poet Laureate of the United States, introduces readers to the most significant and compelling poems of the past hundred years in The Penguin Anthology of Twentieth-Century American Poetry. Now available in paperback, this indispensable volume represents the full spectrum of aesthetic sensibilities—with varying styles, voices, themes, and cultures—while balancing important poems with vital periods of each poet. Featuring works by Mary Oliver, Derek Walcott, John Ashbery, Gwendolyn Brooks, Kevin Young, Terrance Hayes, Li-Young Lee, Joanna Klink and A.E. Stallings, Dove’s selections paint a dynamic and cohesive portrait of modern American poetry. |
| melvin b tolson poems: Modern Black Poets Donald B. Gibson, 1973 Twelve critical essays sketch the tradition of black poets in the U. S. from the Harlem Renaissance of the 1920's to the black rage of the 1970's. Separate critiques are devoted to the work of Langston Hughes, Countee Cullen, Melvin B. Tolson, Robert Hayden, and Imamu Amiri Baraka. |
| melvin b tolson poems: Black Voices Various, 2001-04-01 “If you don’t know my name, you don’t know your own.”—James Baldwin Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner As well as: Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson |
| melvin b tolson poems: American Religious Poems: An Anthology by Harold Bloom Harold Bloom, 2006-10-05 The author of Jesus and Yahweh and The Western Canon captures America's spiritual life in the words of 225 of its greatest poets. |
| melvin b tolson poems: Harlem Gallery... Melvin Beaunorus Tolson, Karl Jay Shapiro, 1965 |
| melvin b tolson poems: From the Fishouse Camille T. Dungy, Matt O'Donnell, Jeffrey Thomson, 2009 A leading on-line audio archive of contemporary poetry focuses on emerging poets who pay particular attention to the sounds and rhythms of their work. This winning anthology of poems is a festival of verse at its acoustic best. |
| melvin b tolson poems: The Obligation Toward the Difficult Whole Brian McHale, 2004 A smart, eclectic analysis of nine long poems written by postmodernist poets Addressing subjects as wide-ranging as angelology, the court masque, pop art, caricature, the cult of the ruin, hip-hop, Spense''s Irish policy, and the aesthetics of silence, Brian McHale pulls varied threads together to identify a repertoire of postmodernist elements characteristic of the long poems he examines. As critic Jed Rasula explains, McHale is wonderfully resourceful in changing the subject from chapter to chapter to fit the poems discussed, and while his approach adheres to the conventions of textual exegesis, the chapters really shine as orchestrations of issues. For instance, James Merrill's The Changing Light at Sandover works unexpectedly well in raising the subject of found poetry and procedural composition; Melvin Tolso''s Harlem Gallery and Edward Dorn's Gunslinger are effectively paired to demonstrate the period flavor of pastiche; Geoffrey Hill's Mercian Hymns and Armand Schwerner's The Tablets explode the modernist fixation with depth; John Ashbery's work is given a nuanced reading as proto-theory; Letter to an Imaginary Friend by Thomas McGrath provides a lucid backdrop to raise the question of political efficacy in approaching language poet Bruce Andrews; and Susan Howe's The Europe of Trusts is explored for its intertextual tapestry. McHale shows how elements from these long poems overlap, interfere, pull in different directions, jar against, and even contradict each other; and he demonstrates how they also echo, amplify, and reinforce each other. They do not slot smoothly together like pieces in a jigsaw puzzle, but they do form (what else?) a difficult whole. |
| melvin b tolson poems: Poems for the Millennium Jerome Rothenberg, Pierre Joris, 1895 |
| melvin b tolson poems: On the Bus with Rosa Parks Rita Dove, 2000 A collection of poems expresses both the disappointments and awakenings of everyday life, and the acts of subtle heroism that can have resounding effects. |
| melvin b tolson poems: A Time for Monsters Gareth Worthington, 2021-05-11 ONLY A MONSTER CAN DO THE WRONG THINGS FOR THE RIGHT REASONS Do you remember the first tape or CD you ever bought? Perhaps you waited for the local station to play the top forty songs on a Sunday so you could record your favorite band. Maybe you downloaded a certain track that reminded you of your wedding day or a graduation. Reyna Blackburn remembers. Every single song for every horrific event in her life. She remembers what song was playing on the radio the first time he hurt her. And she remembers what was playing through her headphones the first time she killed. |
| melvin b tolson poems: Afro American Writing An Anthology of Prose and Poetry Richard A. Long, 1985 |
| melvin b tolson poems: Melvin B. Tolson's Harlem Gallery Mariann Russell, 1980 The author examines Harlem Gallery's relationship to the Harlem community, with its double image of cultural capital and ghetto.--Jacket. |
Melvin PZ9 - YouTube
I’m Melvin PZ9! I used to be a hacker but was recruited to the Spy Ninjas team by my friends Chad Wild Clay and Vy Qwaint. I love gaming, martial arts and trolling hackers.
Melvin - Wikipedia
Melvin is a masculine given name and surname, likely a variant of Melville and a descendant of the French surname de Maleuin and the later Melwin. [1] It may alternatively be spelled as …
Melvin - Name Meaning, What does Melvin mean? - Think Baby Names
Complete 2021 information on the meaning of Melvin, its origin, history, pronunciation, popularity, variants and more as a baby boy name.
Melvin - Meaning of Melvin, What does Melvin mean? - BabyNamesPedia
Meaning of Melvin - What does Melvin mean? Read the name meaning, origin, pronunciation, and popularity of the baby name Melvin for boys.
Melvin Name Meaning, Origin, History, And Popularity
May 7, 2024 · Melvin is a traditional male-given name with multiple origins. Find out more about its history, origins, and popularity in this post.
Melvin - Baby Name Meaning, Origin, and Popularity
Jun 5, 2025 · Melvin is a boy's name of English origin meaning "council protector". Melvin is the 872 ranked male name by popularity.
Meaning, origin and history of the name Melvin
Jan 21, 2022 · This name has been used in America since the 19th century. It became popular in the early 20th century and reached a peak in the late 1920s, but has steadily declined since …
Melvin - Name Meaning and Origin
The name Melvin is of English origin and is derived from the Old Welsh name Meilyr, meaning "ruler" or "prince." It is a masculine name that has been used since medieval times and carries …
Melvin: meaning, origin, and significance explained - What the …
Melvin is a charming and classic name for a boy that carries a lot of history and meaning. It is of English origin and is often associated with strength and leadership. The name Melvin means …
Melvin: Name Meaning, Popularity and Info on BabyNames.com
Jun 8, 2025 · What is the meaning of the name Melvin? The name Melvin is primarily a male name of English origin that means Gentle Lord. Melvin Belli, attorney. Melvin Douglas, actor. …
Melvin PZ9 - YouTube
I’m Melvin PZ9! I used to be a hacker but was recruited to the Spy Ninjas team by my friends Chad Wild Clay and Vy Qwaint. I love gaming, martial arts and trolling hackers.
Melvin - Wikipedia
Melvin is a masculine given name and surname, likely a variant of Melville and a descendant of the French surname de Maleuin and the later Melwin. [1] It may alternatively be spelled as …
Melvin - Name Meaning, What does Melvin mean? - Think Baby Names
Complete 2021 information on the meaning of Melvin, its origin, history, pronunciation, popularity, variants and more as a baby boy name.
Melvin - Meaning of Melvin, What does Melvin mean? - BabyNamesPedia
Meaning of Melvin - What does Melvin mean? Read the name meaning, origin, pronunciation, and popularity of the baby name Melvin for boys.
Melvin Name Meaning, Origin, History, And Popularity
May 7, 2024 · Melvin is a traditional male-given name with multiple origins. Find out more about its history, origins, and popularity in this post.
Melvin - Baby Name Meaning, Origin, and Popularity
Jun 5, 2025 · Melvin is a boy's name of English origin meaning "council protector". Melvin is the 872 ranked male name by popularity.
Meaning, origin and history of the name Melvin
Jan 21, 2022 · This name has been used in America since the 19th century. It became popular in the early 20th century and reached a peak in the late 1920s, but has steadily declined since …
Melvin - Name Meaning and Origin
The name Melvin is of English origin and is derived from the Old Welsh name Meilyr, meaning "ruler" or "prince." It is a masculine name that has been used since medieval times and carries …
Melvin: meaning, origin, and significance explained - What the …
Melvin is a charming and classic name for a boy that carries a lot of history and meaning. It is of English origin and is often associated with strength and leadership. The name Melvin means …
Melvin: Name Meaning, Popularity and Info on BabyNames.com
Jun 8, 2025 · What is the meaning of the name Melvin? The name Melvin is primarily a male name of English origin that means Gentle Lord. Melvin Belli, attorney. Melvin Douglas, actor. …
