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| mattia pecis: Cook the Mountain Norbert Niederkofler, 2020-12-15 Explore the hyperlocal approach of acclaimed chef Norbert Niederkofler, from his home in South Tyrol in the Italian Alps to the world and back. Norbert Niederkofler has dedicated his life and work to South Tyrol's culture and cuisine. He translates the beauty and vivid character of the mountains into his dishes at St. Hubertus, the only Michelin 3-starred restaurant with completely regional cuisine. Niederkofler's philosophy, summarized as Cook the Mountain, is to choose local and seasonal ingredients only after talking to the producers and growers in person and to honor the ingredients by keeping food waste to a minimum. In the first volume of this 2-book set, brilliant photographs reveal both unspoiled landscapes and the agricultural and architectural changes humans have made in the past millennia. Striking portraits of locals capture the people and producers Niederkofler works with. Breathtaking food photography conveys the stunning ingredients and creations that Niederkofler develops. The second volume includes 80 of Niederkofler's recipes, divided into the four seasons to reflect his ethos of sustainability. Taken together, Cook the Mountain showcases the unique terroir and cuisine of South Tyrol through the eyes of Niederkofler, who has embraced his home and given it a new culinary identity. |
| mattia pecis: Milano Touring club italiano, 1998 |
| mattia pecis: Cook it Raw Editors of Phaidon, 2013-04-09 Exploring social and environmental issues through gastronomy. |
| mattia pecis: Breve biblioteca dell'architettura militare compilata da un padre a un suo figliuolo Paolo Emilio Guarnieri, 1803 |
| mattia pecis: L'Austriade Poema Giuseppe Pecis, 1764 |
| mattia pecis: Mémoires de l'Académie impériale des sciences, littérature et beaux-arts de Turin , 1803 |
| mattia pecis: memoire de lacademie des sciences. , 1803 |
| mattia pecis: Opera na ljubljanskih odrih od klasicizma do 20. stoletja. Izbrana poglavja Jože Sivec, 2010-01-01 Knjiga vsebuje petnajst izbranih poglavij najveèjega slovenskega strokovnjaka za zgodovino operne ustvarjalnosti in poustvarjalnosti na Slovenskem, Jožeta Sivca. Razprave nas kronološko vodijo po naši glasbeni preteklosti in v razumljivem in prijetnem jeziku razložijo, kaj so na primer naši predniki poslušali, nad èim so se navduševali, kaj kritizirali … Nekaj poglavij je namenjenih recepciji opernih del nekaterih najbolj znanih skladateljev, kot so bili Mozart, Rossini, Bellini, Donizetti, Verdi in Wagner. Novejši slovenski operni ustvarjalnosti pa sta namenjeni zakljuèni poglavji monografije. Glavnemu besedilu je dodano bogato slikovno gradivo, ki ga vizualno in vsebinsko dopolnjuje. Opera je kot družbeni fenomen in veèplastna glasbeno-gledališka zvrst v novejši slovenski strokovni in znanstveni literaturi dovolj pogosto obravnavana in raznim profilom raziskovalcev mikavna tema. Kljub temu pa temeljne glasbenozgodovinske razprave in analize, ki jih je opravil zaslužni univerzitetni profesor muzikologije dr. Jože Sivec, doslej še niso niti presežene niti preživete. Profesor Sivec, dolgoletni predavatelj na Oddelku za muzikologijo Filozofske fakultete v Ljubljani, je s poglobljeno raziskavo primarnih virov postavil temelje za vsa nadaljnja raziskovanja na podroèju zgodovine opere na Slovenskem. Ker so nekatera avtorjeva dela zaradi razpršenosti po razliènih zbornikih in periodiènih publikacijah širši javnosti težje dostopna, sta urednika dr. Metoda Kokole in Klemen Grabnar, sodelavca Muzikološkega inštituta Znanstvenoraziskovalnega centra Slovenske akademije znanosti in umetnosti, ob avtorjevi osemdesetletnici v knjigi zbrala nekaj njegovih morebiti manj znanih razprav. Monografija obsega petnajst izbranih poglavij, ki so urejena bolj ali manj kronološko od pojava italijanske opere v drugi polovici 18. stoletja do slovenske operne ustvarjalnosti v 20. stoletju. Avtor v njih obravnava delovanje glasbenega gledališèa v Ljubljani v doloèenih obdobjih (Italijanska opera v Ljubljani v obdobju klasicizma, Opera na sporedih nemških gledaliških družb v Ljubljani v obdobju klasicizma, Sezona 1826/27 v Stanovskem gledališèu v Ljubljani, Vzpon in propad nemške opere v ljubljanskem Stanovskem gledališèu v obdobju tridesetih in štiridesetih let devetnajstega stoletja, Nemška opera v Ljubljani od leta 1861 do 1875), recepcijo opernih del doloèenega repertoarja (Velika opera na glasbeni sceni v Ljubljani) in del nekaterih najbolj znanih skladateljev (Uprizoritve Mozartovih oper v Ljubljani do leta 1861, Rossinijeve opere na odru Stanovskega gledališèa v Ljubljani, Zaèetki uprizarjanja Bellinijevih oper v Ljubljani, Donizettijeve opere v Stanovskem gledališèu v Ljubljani, Zaèetki uprizarjanja Verdijevih oper v Ljubljani, Wagner na slovenski glasbeni sceni). V zadnjih poglavjih pa se posebej dotakne še slovenske operne ustvarjalnosti (Slovenska romantièna opera v luèi nacionalnega in evropskega razvoja, Gerbièevi operi, Slovenska moderna in najnovejša operna ustvarjalnost). Besedila Jožeta Sivca so podana v karseda neokrnjeni obliki. Ker pa so nastala v razliènem èasu in bila objavljena v razliènih publikacijah, so bili potrebni tudi nekateri redakcijski posegi v besedila. Poenoteno je bilo pisanje naslovov glasbeno-gledaliških del, tujejeziènih izrazov, krajev, priimkov ipd. Nekoliko veè posegov je bilo potrebnih v opombah. Dodanih je bilo tudi nekaj uredniških opomb, zlasti pa je bilo preverjeno in posodobljeno navajanje virov (postavitev gradiva v arhivih se je medtem namreè spremenila). Poenoteno je bilo tudi navajanje literature. Èeprav uporabljena literatura morebiti ne predstavlja najnovejših dognanj, je urednika zavoljo integritete besedil nista dopolnjevala. Da bi bila osrednja besedila èim manj obremenjena, so vse opombe k posameznim izbranim poglavjem zbrane v zadnjem delu knjige. Opombam sledijo še seznam virov in literature, kazalo imen in glasbeno-gledaliških del, seznama izvirnih objav in slikovnega gradiva ter èisto na koncu še avtorjeva bibliografija. Monografija prinaša tehtna besedila s podroèja raziskovanja operne kulture na Slovenskem izpod peresa muzikologa, ki je omenjeni tematiki namenil posebno pozornost. Ob njegovih izvirnih in temeljnih monografskih delih predstavljajo poglavja, zbrana v knjigi Opera na ljubljanskih odrih od klasicizma do 20. stoletja, z dodanim bogatim slikovnim gradivom nedvomno pomembno dopolnilo, ki bo dobrodošlo tako ljubiteljskim obiskovalcem opernih hiš kot tudi raziskovalcem te kompleksne glasbeno-dramatske zvrsti. |
| mattia pecis: Da Vittorio Enrico Cerea, Roberto Cerea, 2018-05-01 From one of Italy’s most legendary restaurants, a must-have cookbook for lovers of fine Italian cuisine. Founded in 1966 by Vittorio Cerea, Da Vittorio is today one of the most beloved restaurants in Italy. The first-ever cookbook from the Michelin three-star institution, this volume presents fifty never-before-published recipes adapted for discerning home chefs. Nestled in the foothills between Milan and Bergamo, Da Vittorio’s renown lies in its artful seafood dishes and locally sourced ingredients. A blend of Italian tradition and culinary creativity, their cuisine is at once sophisticated and authentic, innovative and classic. From paccheri pasta with three different types of tomatoes and a fritto misto of fish and vegetables, to a chocolate-hazelnut cake, the recipes featured in this volume are accompanied by mouthwatering photographs and insightful anecdotes from the Cerea family. |
| mattia pecis: Mémoires de l'Académie des Sciences, Littérature et Beaux Arts pour les années X. [1802]-1812. Littérature et beaux arts. (Mémoires présentés à la Classe de littérature et beaux arts.). Accademia delle Scienze (TURIN), 1803 |
| mattia pecis: «La nostra musica di chiesa è assai differente...» Rosa Cafiero, Raffaele Mellace, Claudio Toscani, 2018-12-31 La dozzina di saggi raccolti nel presente volume osserva da più angolature un triplice oggetto: il mondo vasto e complesso della musica da chiesa italiana del secondo Settecento, all’indomani dell’enciclica Annus qui hunc («le eccellenti esecuzioni musicali che la gente del popolo può ascoltare ogni giorno nelle chiese», stando a Charles Burney); quella di Wolfgang Amadé Mozart, che in Italia scrisse poca musica da chiesa ma ne ascoltò moltissima e ne conservò a lungo la memoria e la lezione; infine, i loro rapporti reciproci, rapporti dinamici e complessi che vivono di tangenze e distanze, come dichiara la citazione mozartiana adottata come titolo. Viene così messa a tema una serie di questioni disparate, tutte essenziali alla composizione d’un quadro tanto complesso: questioni di contesto (produttivo, estetico ed esecutivo), stilistiche, morfologiche, di fortuna coeva, postuma e contemporanea, trattate con varietà di approccio, dall’indagine che attraversa ampie aree geografiche all’affondo che investe un singolo lavoro. Comune a ciascun contributo, così come all’affresco composito che ne risulta è un’impressione ineludibile: la ricchezza di quel processo di Kulturtransfer che da alcuni secoli aveva reso porosa la barriera geografica delle Alpi e che si rinnovò con meravigliosa efficacia nel dialogo tra Mozart, la musica da chiesa e l’oratorio italiani del suo tempo. **** The dozen of essays collected here deal with three topics, seen from several viewpoints: (1) the huge, complex world of late 18th-century Italian church music soon after the encyclical, Annus qui hunc («the excellent musical performances people can daily hear in churches», in Charles Burney’s words); (2) Wolfgang Amadé Mozart, who did not write much liturgical music in Italy but heard a lot of it and long cherished its memory and lessons; and (3) their intricate getting now close, now far, as per Mozart’s own words picked up as a title. Authors tackle multiple problems of productive, aesthetic, and executive context, as well as problems of style, form, and fortune—period, later, and modern, all of them of vital importance to compose such a complex picture. Diverse approaches are adopted, running the whole gamut from encompassing huge geographical areas to geeting deeper on a single work. And yet the reader cannot escape a common impression linking all essays as well as the composite panorama they depict—namely, the richness of the Kulturtransfer process that had been making the Alps such a porous barrier for centuries. Mozart’s dialogue with Italian church music and oratorio of his times was yet another effective example. |
| mattia pecis: Tragedie. Edizione stereotipa. Vol 1-5 Vittorio Alfieri, 1823 |
| mattia pecis: Breve Biblioteca dell'Architetturo Miletara ... Seconda edizione ... aumentata Paolo Emilio GUARNIERI, 1803 |
| mattia pecis: Memoires de l'Academie des sciences litterature et beaux-arts de Turin. Litterature et beaux-arts , 1803 |
| mattia pecis: Memorie e documenti per la storia dell'Università di Pavia e degli uomini più illustri che vínsegnarono Università di Pavia, 1878 |
| mattia pecis: I libretti italiani a stampa dalle origini al 1800. Catalogo analitico con 16 indici Claudio Sartori, 2024-11-12 Con il catalogo I libretti italiani a stampa dalle origini al 1800, pubblicata dal 1990 al 1994 da Bertola & Locatelli a Cuneo, Claudio Sartori ha donato alla ricerca sulla storia dell'opera e dell'oratorio una base completamente nuova. Rispondendo alle richieste degli studiosi di rendere nuovamente disponibile questo opus magnum, Don Juan Archiv Wien e Hollitzer Verlag pubblicano una ristampa e un'edizione e-book, con un ritratto dell'autore e della sua opera realizzato da Federica Riva. With his catalogue I libretti italiani a stampa dalle origini al 1800, published by Bertola & Locatelli in Cuneo between 1990 and 1994, Claudio Sartori laid a completely new foundation for the research of the history of operas and oratorios. Responding to the requests of scholars to make this opus magnum available again Don Juan Archiv Wien and Hollitzer Verlag publish a reprint and an e-book edition, including a portrait of the author and his work by Federica Riva. |
| mattia pecis: Real Life Magazine Miriam Katzeff, Thomas Lawson, Susan Morgan, 2006 Introduction by Thomas Lawson, Susan Morgan. |
| mattia pecis: Storie di vita e di malavita. Criminali, poveri e altri miserabili nelle carceri di Milano alla fine del medioevo Gazzini, Marina, 2017-12-29 Il volume affronta un tema non comune nella medievistica: la prigione e i suoi abitanti. Nel carcere medievale i prigionieri – incarcerati prima della sentenza, oppure rimasti “dentro” perché indebitati, socialmente pericolosi, riconosciuti colpevoli di un delitto – non erano abbandonati a loro stessi; delle loro esigenze si facevano carico le famiglie, la Chiesa, i laici devoti, gli stessi pubblici poteri. Nel caso di Milano il sistema carcerario e il rapporto tra carcerati, giustizia e misericordia assume sfumature peculiari. Le prigioni (anche private) sono numerose e disperse nella città: la più grande è un carcere-ospedale, che rinchiude certo, ma lascia intendere che è utile (per motivi economici) aiutare la sopravvivenza del reo e il suo ritorno in società. I milanesi del Quattrocento sono poi consci dei rischi di abbandonare i detenuti (uomini e donne) a una giustizia che, per i suoi costi, tutela solo i più forti. Ecco dunque i Protettori dei carcerati: utili non solo ai deboli rinchiusi in carcere, ma anche al dominus, che li sostiene. Interessato a porre rimedio agli eccessi del sistema, il duca è infatti anche (e forse soprattutto) desideroso di mostrarsi misericordioso, e in quanto tale superiore alla legge. Indagare la condizione dei carcerati si rivela dunque un modo per cogliere non solo le dinamiche di esclusione e di inclusione sociale pertinenti al controllo della devianza, ma anche i meccanismi di relazione tra governanti e governati nel tardo medioevo. |
| mattia pecis: Evropski glasbeni klasicizem in njegov odmev na Slovenskem Dragotin Cvetko, Danilo Pokorn, 1988-01-01 Zbornik je nastal ob 50-letnici Slovenske akademije znanosti in umetnosti. V njem so zbrana besedila mednarodnega muzikološkega simpozija, ki se je odvijal od 26. do 28. oktobra 1988. Glavna pozornost razprav je usmerjena v obdobje glasbenega klasicizma na Slovenskem in njegovih posebnosti. Predstavljeni so pomembni skladatelji, predstavniki slovenskega glasbenega klasicizma, zvrsti, ki jih je na naših tleh razvil klasicizem, ter slovenske glasbene institucije, ki so delovale v tem času. članke so prispevali: Dragotin Cvetko, Rudolf Flotzinger, Kurt von Fischer, Jože Sivec, Primož Kuret, Jiči Sehnal, Danilo Pokorn, Jaroslav Bužga, Wolfgang Boetticher, Jitka Snížková, Marija Bergamo, Andrej Rijavec, Arnold Feil, Edo Škulj, Katarina Bedina, Manica Špendal, Ivan Klemenčič, Koraljka Kos, Alina Zórawska–Witkowska, Ivano Cavallini in Dubravka Frankovič. |
| mattia pecis: Tragedie di Vittorio Alfieri da Asti , 1823 |
| mattia pecis: Mémoires de l'Académie des sciences, littérature et beaux-arts de Turin , 1803 |
| mattia pecis: La Parola del popolo , 1954 |
| mattia pecis: L'austriade. Poema. Nella elezione di S. A. R. il serenissimo arciduca Giuseppe in re de' Romani Giuseppe Pecis, 1764 |
| mattia pecis: Nuptialia Olga Pinto, 1970 |
| mattia pecis: Tragedie Di Vittorio Alfieri Vittorio Alfieri, 1823 |
| mattia pecis: Annuario generale d'Italia guida generale del Regno , 1935 |
| mattia pecis: Annuario generale d'Italia, dell'Impero e dell'Albania , |
| mattia pecis: Radovi Sveučilište u Zagrebu. Institut za hrvatsku povijest, 1975 |
| mattia pecis: Miscellanea Philosophico-Mathematica Societatis Privatae Taurinensis , 1803 |
| mattia pecis: I progressi della ragione Carlo Capra, 2002 |
| mattia pecis: Itinerario per il visitatore della Biblioteca ambrosiana Biblioteca ambrosiana, Giovanni Galbiati, 1951 |
| mattia pecis: Per le faustissime nozze Leila Di Domenico, Biblioteca nazionale braidense, 2003 Bibliographic catalogue of 3511 booklets published 1494-1850 on the occasion of elite marriages, as gifts to the bride and groom and their relations. |
| mattia pecis: L'Ambrosiana e Leonardo Pietro C. Marani, Marco Rossi, Alessandro Rovetta, 1998 |
| mattia pecis: Productivity Perspectives Philip McCann, Tim Vorley, 2020-03-28 Productivity Perspectives offers a timely and stimulating social science view on the productivity debate, drawing on the work of the ESRC funded Productivity Insights Network. The book examines the drivers and inhibitors of UK productivity growth in the light of international evidence, and the resulting dramatic slowdown and flatlining of productivity growth in the UK. The reasons for this so-called productivity puzzle are not well understood, and this book advances explanations and insights on these issues from different disciplinary and methodological perspectives. It will be of value to all those interested in, and engaging with, the challenge of slowing productivity growth. |
| mattia pecis: Gazzetta dei Teatri. Editore G ..... B ..... Lampugnani Giovanni Battista II Lampugani, 1856 |
| mattia pecis: Annuario ufficiale delle forze armate del regno d'Italia Italy. Esercito, 1873 |
| mattia pecis: Journal of Military and Political Events in Spain During the Last Twelve Months Giuseppe Pecchio, 1824 |
| mattia pecis: Kronika slovenskih mest , 1935 |
| mattia pecis: Maccheroni Books Henri Maccheroni, Béatrice Bonhomme, 2007 |
| mattia pecis: Giornale della libreria , 1992 |
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