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| misreadings play: The Best American Short Plays 1996-1997 Glenn Young, 1998-01-01 A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit. |
| misreadings play: Jane Austen's Emma Eva M. Dadlez, 2018 What has Emma Woodhouse, handsome, clever, and rich, with a comfortable home and very little to distress or vex her to say to a discipline like philosophy? How is a novel like Emma, inaccurately but not infrequently caricatured as a high-toned version of a pedestrian romance, to supply material for philosophical insight or speculation? Jane Austen's Emma is many things to many readers but it is as inaccurate as it is reductive to consider it just a romance. The minutia of daily living on which it concentrates permit not a rehearsal of platitudes, but a closer look at human emotions and motives, as well as the opportunity to hone our interpretive and empathetic skills. Emma flies in the face of conventional notions of femininity by presenting a heroine with hubris. It shows how friendships can affect one's ways of dealing with the world, how shame can reconfigure self-understanding, how gossip functions in sustaining a community. Emma rehabilitates conceptions of romance by rejecting melodrama in favor of naturalism. It explores the waywardness of the imagination and the myriad ways in which different people with different biases and agendas may evaluate the same evidence. It dwells on the limits of autonomy in that it explores the ease with which one may submit to the will of another. Emma is not itself a work of philosophy. Rather, it leads us to think philosophically. In this volume, a myriad group of scholars and philosophers explore the philosophical resonances of Emma. |
| misreadings play: Through Shakespeare's Eyes Joseph Pearce, 2010 Pearce analyzes three of Shakespeare's immortal plays in order to uncover evidence of the Bard's Catholic beliefs. |
| misreadings play: Tragically Speaking Kalliopi Nikolopoulou, 2013-01-01 From German idealism onward, Western thinkers have sought to revalue tragedy, invariably converging at one cardinal point: tragic art risks aestheticizing real violence. Tragically Speaking critically examines this revaluation, offering a new understanding of the changing meaning of tragedy in literary and moral discourse. It questions common assumptions about the Greeks’ philosophical relation to the tragic tradition and about the ethical and political ramifications of contemporary theories of tragedy. Starting with the poet Friedrich Hölderlin and continuing to the present, Kalliopi Nikolopoulou traces how tragedy was translated into an idea (“the tragic”) that was then revised further into the “beyond the tragic” of postmetaphysical contemporary thought. While recognizing some of the merits of this revaluation, Tragically Speaking concentrates on the losses implicit in such a turn. It argues that by translating tragedy into an idea, these rereadings effected a problematic subordination of politics to ethics: the drama of human conflict gave way to philosophical reflection, bracketing the world in favor of the idea of the world. Where contemporary thought valorizes absence, passivity, the Other, rhetoric, writing, and textuality, the author argues that their “deconstructed opposites” (presence, will, the self, truth, speech, and action, all of which are central to tragedy) are equally necessary for any meaningful discussion of ethics and politics. |
| misreadings play: Performance of Absence in Theatre, Performance and Visual Art Sylwia Dobkowska, 2021-12-30 This research project investigates the concepts of absence across the disciplines of theatre, visual art, and performance. Absence in the centre of an ideology frees the reader from the dominant meaning. The book encourages active engagement with theatre theory and performances. Reconsideration of theories and experiences changes the way we engage with performances, as well as social relations and traditions outside of theatre. Sylwia Dobkowska examines and theorises absence and presence through theatre, performance, and visual arts practices. This book will be of great interest to students and scholars of theatre, visual art, and philosophy. |
| misreadings play: Misreading England Raphaël Ingelbien, 2002 In this book, Raphael Ingelbien examines how issues of nationhood have affected the works and the reception of several English and Irish poets - Philip Larkin, Ted Hughes, Geoffrey Hill and Seamus Heaney. This studyexplores the interactions between post-war English poets and the ways in which they transformed or misread earlier poetic visions of England - Romantic, Georgian, Modernist. |
| misreadings play: Othello Philip Kolin, 2013-01-11 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello:Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
| misreadings play: Literature on Trial Sylwia Dominika Chrostowska, 2012-01-01 Literature on Trial traces the rise of modern literary criticism in Central and Eastern Europe during the eighteenth century. S.D. Chrostowska juxtaposes the discourse's written forms in three linguistic-cultural regions Germany, Poland, and Russia to show how fluid the relationship once was between the genres of criticism and those of literature. An alternative history of literary criticism, Literature on Trial marks a shift from earlier studies' focus on aesthetic principles to an emphasis on the development of literary-critical forms. Chrostowska relates cultural and institutional changes in these areas to the formation of literary-critical knowledge. She accounts for the ways in which critical discourse organized itself formally and deemed some genres 'proper' while eliminating others. Analysing works by Lessing, Goethe, and Karamzin, among others, Literature on Trial brings a fresh theoretical perspective to the links between genre as a discursive strategy and socio-political life. |
| misreadings play: The Sonnets William Shakespeare, 2006-06-22 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Sonnets, Stephen Orgel has written a new introduction to Shakespeare's best-loved and most widely read poems. In a series of focused readings he probes the sonnets' sexual and temperamental ambiguity as well as their complex textual history, and explores the difficulties editors face when modernising the spelling, punctuation and layout of the 1609 quarto. Orgel reminds us that the order in which the sonnets were composed bears no relation to the order in which they appear in the quarto and he warns against reading them biographically. This edition retains the text prepared by G. Blakemore Evans, together with his notes and commentary. |
| misreadings play: New Perspectives , 1995 |
| misreadings play: Explaining Deconstruction NA NA, 2015-12-22 |
| misreadings play: The Cunning Secret of the Wise Frederick Burniston, 2021-08-26 C.G. Jung described “the uncertain path that leads to the depths of the unconscious” as “unpopular, ambiguous, and dangerous, a voyage of discovery to the other pole of the world.” In order to navigate this boundless ocean Jung needed set of coordinates or a theoria. In alchemy the theoria or doctrine is as important as the practica, the work in the laboratory. Jung’s method of psycho-spiritual development, the individuation process is the practica and his model of the psyche is the theoria. In Cunning Secret of the Wise the author looks at theoria that complement Jung’s doctrine (Nietzsche, Henry Corbin) and theoria that contradict it (Rene Guenon, Frithjof Schuon). He also writes about the origins of his own theoria and in the last three chapters he explores the vast theoria of Ibn ‘Arabi, the Greatest Shaykh (Shaykh al Akbar). |
| misreadings play: Shakespeare and Audience in Practice Stephen Purcell, 2013-11-26 What do audiences do as they watch a Shakespearean play? What makes them respond in the ways that they do? This book examines a wide range of theatrical productions to explore the practice of being a modern Shakespearean audience. It surveys some of the most influential ideas about spectatorship in contemporary performance studies, and analyses the strategies employed both in the texts themselves and by modern theatre practitioners to position audiences in particular ways. |
| misreadings play: Resisting Invisibility Diana Aramburu, 2019-05-09 Engaging with pre-feminist and male-authored crime literature, Resisting Invisibility offers a comparative reading of women’s bodies as represented in Spanish crime literature from the mid-nineteenth century to the present. Utilizing the twin concepts of visibility and invisibility, the book establishes a genealogy of differing viewpoints regarding women’s positions in these narratives, before and after the birth of the modern Spanish female detective. This examination of the politics of female visibility expands our understanding of the aesthetic regimes that have governed the female body from the early phases of the genre’s evolution. While most scholars understand the feminization of the crime genre as a response to second-wave feminism, Resisting Invisibility demonstrates that even in the earliest representations of delinquent women, the politics surrounding the female body are problematized and are more complex than previously conceptualized. Drawing on gender and queer studies, Resisting Invisibility investigates the gendering of crime fiction, forcing us to reconsider the literary history of female visibility and prompting us to establish an alternative genealogy for Spanish crime literature. |
| misreadings play: Criticism and Objectivity Raman Selden, 2023-07-14 First published in 1984 Criticism and Objectivity argues that literary critics should not abandon the concept of knowledge. English literary criticism has long considered ‘theory’ to be alien to the felt experience of readers and writers; the Romantic attitude towards reason and feeling has continued to inhibit the conceptual development of criticism. The similarities between the role of theory in science and in literary criticism imply the need for ‘objectivity’ to be redefined rather than abandoned. While accepting that tests are relatively open structures defying final interpretations, Dr Selden argues that their plurality is as much the effect of historical conditions as of the nature of language or subjectivity. He calls for an historical criticism capable of ‘conducting’ the voices of the text without resorting to formalism or reducing the text to its ‘background’. This book will be of interest to students of literary theory. |
| misreadings play: The Texts of Othello and Shakespearean Revision E. A. J. Honigmann, 2013-03-07 In a groundbreaking piece of scholarly detective work, Professor Honigmann - editor of the forthcoming Arden 3 edition of Othello - uncovers in more detail than any previous study the hidden history of the two early texts of Othello, the Quarto and the Folio. He traces the crucial role played by two men in transforming Shakespeare's almost illegible manuscript to print: Thomas Walkley, the publisher of the Quarto, and Ralph Crane, the scribe who prepared the printer's copy for the Folio. Through careful analysis of particular passages Honigmann exposes the extent to which versions of Othello adopted by editors and widely regarded as fundamentally 'Shakespearean' were profoundly influenced by others than Shakespeare himself. Questioning time-honoured editorial procedures the findings of Texts of Othello have implications for many other of the plays of the Shakespeare canon, and more widely for questions of authorship and the doctrine of the 'better text'. |
| misreadings play: Writing in the Field Ivo Strecker, Shauna LaTosky, 2013 This festschrift is situated within the contexts of the 'Writing Culture' debate, the 'Rhetoric Culture' project, and the legacy of anthropologist Stephen Tyler's work on language and representation. While Writing Culture (1986) alerted readers to the power of ethnographers over their field, Writing in the Field alerts readers to the power of the field over its ethnographers. Rather than reprise familiar debates about writing and representation, the book's individual chapters elucidate how anthropological fieldwork is a highly fraught, provisional, and incomplete practice enmeshed in the gaps between self and the other. The book's emphasis on the concepts of pathos, epiphany, and dissociation is developed through essays that are personal, yet not merely subjective, for they draw on and contribute to deep traditions of thinking about culture and rhetoric. (Series: Ethnologie: Forschung und Wissenschaft - Vol. 24) *** This fine collection of essays is a fitting tribute to the positive influence of Stephen Tyler, an original and influential anthropologist of protean gifts. - E. Douglas Lewis, School of Social and Political Sciences, U. of MelbourneÃ?Â? |
| misreadings play: The Review of English Studies , 1925 Includes a section: Summary of periodical literature. |
| misreadings play: Deconstructive Criticism Vincent B. Leitch, 1983 The ideal prelude to the study of deconstructive theory for the as-yet-uninitiated reader. Leitch uses in-depth analyses, surveys of historical background, and helpful overviews to address the questions posed by the major figures -- Saussure, Lacan, Levi-Strauss, Heidegger, Derrida, Barthes Foucault -- then penetrates and displays the subtle intricacies of their answers. |
| misreadings play: Shakespeare Ronald L. Dotterer, 1989 Seventeen critics are represented in this collection of essays designed to illustrate the vitality and range of traditional and new approaches to Shakespeare studies. |
| misreadings play: Ethnomethodology at Play Peter Tolmie, 2016-04-29 This book outlines the specific character of the ethnomethodological approach to 'play'; that is, to everyday sport and leisure activities that people generally engage in for enjoyment, at home or as a 'hobby'. With chapters on cooking, running, playing music, dancing, rock climbing, sailing, fly fishing and going out for the day as a family, Ethnomethodology at Play provides an introduction to the key conceptual resources drawn upon by ethnomethodology in its studies of these activities, whilst exploring the manner in which people 'work' at their everyday leisure. Demonstrating the breadth of ethnomethodological analysis and showing how no topic is beyond ethnomethodology's fundamental respecification, Ethnomethodology at Play sets out for the serious reader and researcher the precise contribution of ethnomethodology to sociological studies of sport and leisure and ordinary domestic pastimes. As such this groundbreaking volume constitutes a significant contribution to both ethnomethodology and sociology in general, as well as to the sociology of sport and leisure, the sociology of domestic and daily life and cultural studies. |
| misreadings play: Invisibility in African American and Asian American Literature Klara Szmańko, 2008-09-22 The book is a comparative study of the invisibility trope in African American and Asian American literature. It distinguishes between various kinds of invisibility and offers a genealogy of the term while providing a theoretical dissection of the invisibility trope itself. Investigating the various ways of striving for visibility, the author places special emphasis on the need for cooperation among various racial groups. While the book explores invisibility in a variety of African American and Asian American literary texts, the main focus is on four novels: Ralph Ellison's Invisible Man, Sam Greenlee's The Spook Who Sat by the Door, Maxine Hong Kingston's Tripmaster Monkey and Chang-rae Lee's Native Speaker. The book not only sheds light on the oppressed but also exposes the structures of oppression and the apparatus of power, which often renders itself invisible. Throughout the study the author emphasizes that power is multi-directional, never flowing only in one direction. The book brings to light mechanisms of oppression within the dominant society as well as within and between marginalized racial groups. |
| misreadings play: World Literature in Theory David Damrosch, 2014-01-28 World Literature in Theory provides a definitive exploration of the pressing questions facing those studying world literature today. Coverage is split into four parts which examine the origins and seminal formulations of world literature, world literature in the age of globalization, contemporary debates on world literature, and localized versions of world literature Contains more than 30 important theoretical essays by the most influential scholars, including Johann Wolfgang von Goethe, Hugo Meltzl, Edward Said, Franco Moretti, Jorge Luis Borges, and Gayatri Spivak Includes substantive introductions to each essay, as well as an annotated bibliography for further reading Allows students to understand, articulate, and debate the most important issues in this rapidly changing field of study |
| misreadings play: Playing with the Guys Marc A. Ouellette, 2021-06-11 A lot of work has been done talking about what masculinity is and what it does within video games, but less has been given to considering how and why this happens, and the processes involved. This book considers the array of daily relationships involved in producing masculinity and how those actions and relationships translate to video games. Moreover, it examines the ways the actual play of the games maps onto the stories to create contradictory moments that show that, while toxic masculinity certainly exists, it is far from inevitable. Topics covered include the nature of masculine apprenticeship and nurturing, labor, fatherhood, the scapegoating of women, and reckoning with mortality, among many others. |
| misreadings play: Theories of Criticism Meyer Howard Abrams, 1984 |
| misreadings play: Strategies of Deconstruction Joseph Claude Evans, 1991 Strategies of Deconstruction was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In the past two decades, the movement of deconstruction has bad tremendous impact on a number of academic, disciplines in the United States. However, its force has been rather limited in the field of philosophy, despite the fact that in Europe the practice of deconstruction emerged in the work of philosophers. Although the reasons for this can be debated, two of the more obvious explanations are the mainstream Anglo-American philosophers rarely studied the German and French philosophical traditions in great detail, and deconstruction's focus on discourse and interpretation has made it more attractive to the literary and humanistic disciplines. With this context, Strategies of Deconstruction focuses on the early work of Jacques Derrida, the French philosopher who introduced deconstruction in Speech and Phenomena,his study of Edmund Husserl, and Of Grammatology, and whose philosophical reputation stems in no small part from his work on Husserl. In examining the philosophical import of Derrida's theories of reading, text, and language, specifically as they related to Speech and Phenomena,J. Claude Evans makes careful reference to Husserl's own texts. His analysis indicates that there are many systematic irregularities in Derrida's study and that without those irregularities Derrida's conclusions cannot be substantiated. |
| misreadings play: Contributions Toward a History of Arabico-Gothic Culture Leo Wiener, 1921 |
| misreadings play: Late Stevens B. J. Leggett, 2005-07-01 “If one no longer believes in God (as truth),” Wallace Stevens once wrote, “it is not possible merely to disbelieve; it becomes necessary to believe in something else. . . . I say that one's final belief must be in a fiction.” Stevens addressed the concept of a supreme fiction throughout much of his career, but many critics feel that his poems never realized that concept beyond a theoretical possibility. B. J. Leggett argues that Stevens did indeed achieve the supreme fiction in his often overlooked late poems. To share in the poet's vision, though, Leggett finds that readers must understand the ingenious intertext that runs through this culminating body of work. After three volumes of difficult and abstract poetry, Stevens in the last five years of his life reverted to a style that is refreshingly personal and accessible. Leggett gives close examination to The Rock, which is the closing section of Stevens's Collected Poems, and to the uncollected poems published as Opus Posthumous, supplying readers with the motifs, conventions, texts, and fictions—or intertext—on which these works' significance depends. He ultimately shows that there is a kind of master narrative in Stevens's late poems, one that is not always explicitly present but that is based on the supreme fiction. It is here that Stevens gives form to his belief. Leggett traces the development of this fiction and demonstrates how knowledge of its presence dramatically changes the reading of key poems. His discussion of Schopenhauer's influence on Stevens, together with rich analyses of major poems, challenges to conventional interpretations, and speculation on the direction Stevens's poetry might have taken had he lived longer, all make for provocative reading. Late Stevens is a book for anyone who thought they knew this poet. |
| misreadings play: Translating Foreign Otherness Yifeng Sun, 2017-09-01 This book explores the deep-rooted anxiety about foreign otherness manifest through translation in modern China in its endeavours to engage in cross-cultural exchanges. It offers to theorize and contextualize a related range of issues concerning translation practice in response to foreign otherness. The book also introduces new vistas to some of the under-explored aspects of translation practice concerning ideology and cultural politics from the late Qing dynasty to the present day. Largely as a result of translation, ethnocentric beliefs and feelings have given way to a more open and liberal way to approach and appropriate foreign otherness. However, the fear of Westernization, seen as a threat to Chinese cultural integrity and social stability, is still shown sporadically through the state’s ideological control over translation. The book interprets, questions and reformulates a number of the key theoretical issues in Translation Studies and also demonstrates their ramifications in a bid to shed light on Chinese translation practice. |
| misreadings play: Othello Philip C. Kolin, 2013-10-28 First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company. |
| misreadings play: King Henry V William Shakespeare, 1992-08-20 This new edition of Shakespeare's most celebrated war play points to the many inconsistencies in the presentation of Henry V. Andrew Gurr's substantial introduction explains the play as a reaction to the decade of war which preceded its writing, and analyses the play's double vision of Henry as both military hero and self-seeking individual. Professor Gurr shows how the patriotic declarations of the Chorus are contradicted by the play's action. He places the play's more controversial sequences in the context of Elizabethan thought, in particular the studies of the laws and morality of war written in the years before Henry V. He also studies the variety of language and dialect in the play. The appendices summarise Shakespeare's debt to his dramatic and historical sources, while the stage history shows how subsequent centuries have received and adapted the play on the stage and in film. |
| misreadings play: Strindberg's Dramaturgy Göran Stockenström, 1988 |
| misreadings play: Living in Language David Bosworth, 2024-09-12 In Living in Language, David Bosworth makes a compelling case for the power and relevance of the literary imagination throughout history. In a series of essays both lyrical and analytical, he examines how certain works have engaged the most pressing problems of their authors’ ages even as they illuminate challenges that still haunt the world. The topics addressed are rich and various: the evolutionary significance of metaphorical reasoning; how Hitler’s infatuation with an opera’s plot predicted the arc of his horrific reign, even as his victims employed the power of narrative to endure his crimes; the ways in which Melville’s late fiction foresaw the sources driving America’s current cultural crisis; and how, in probing his era’s political turmoil, Shakespeare’s plays supply clues to resolving the current era’s. From the spiritual quest of a musical prose to the cinematic craft of amending America’s foundational story; from the myth of the Fall to novels that probe the Internet’s impact on our lives today, Bosworth reveals how the literary imagination honors the “living” prescribed by the human predicament, evoking its beauty while never stinting on its uncertainties, cruelties, and pain. |
| misreadings play: William Shakespeare Stanley Wells, Gary Taylor, John Jowett, William Montgomery, 1997 An indespensable companion to The Norton Shakespeare, Based on the Oxford Edition, this is the most comprehensive reference work on Shakespearean textual problems ever compiled in a single volume. William Shakespeare: A Textual Companion provides a wealth of information about the problems presented by texts and the processes by which editorial decisions are reached. The General Introduction discusses the critical and theoretical issues raised by different kinds of editions, the nature of early manuscripts, printed texts, and the evidence for the canon and chronology of Shakespeare's works. It also offers a concise history of the editing of Shakespeare and sets forth the editorial principles of the Oxford Edition. Included for each work, are an introduction, textual notes, press variants, discussions of emendations and problems of modernization, plausible alternative readings, and a letter-by-letter reprint of the stage directions in the control text, among other materials. -- |
| misreadings play: The One King Lear Brian Vickers, 2016-04-04 In the 1980s influential scholars argued that Shakespeare revised King Lear in light of theatrical performance, resulting in two texts by the bard’s own hand. The two-text theory hardened into orthodoxy. Here Sir Brian Vickers makes the case that Shakespeare did not cut his original text. At stake is the way his greatest play is read and performed. |
| misreadings play: Canadian Review of Comparative Literature , 1992 |
| misreadings play: My Daughter Helen Allan Noble Monkhouse, 1922 |
| misreadings play: The Selected Works of Edward Said, 1966 - 2006 Edward W. Said, 2007-12-18 The renowned literary and cultural critic Edward Said was one of our era’s most provocative and important thinkers. This comprehensive collection of his work draws from across his entire four-decade career, including his posthumously published books, making it a definitive one-volume source. Said is a brilliant and unique amalgam of scholar, aesthete, and political activist...[He] challenges and stimulates our thinking in every area. --Washington Post Book World The Selected Works includes key sections from all of Said’s books, including his groundbreaking Orientalism; his memoir, Out of Place; and his last book, On Late Style. Whether writing of Zionism or Palestinian self-determination, Jane Austen or Yeats, or of music or the media, Said’s uncompromising intelligence casts urgent light on every subject he undertakes. The Selected Works is a joy for the general reader and an indispensable resource for scholars in the many fields that his work has influenced and transformed. |
| misreadings play: The Edward Said Reader Edward W. Said, 2000 Presents key selections from the works of Edward Said. |
| misreadings play: Architecture's Pretexts Aarati Kanekar, 2014-11-13 The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual and formal situation/context as pretexts and design paradigms. Connections between diverse bodies of information will be cultivated along with the ability to posit consequential relationships for the production of architecture. Architecture’s Pretexts seeks to cultivate a vision for architecture that sponsors operative links between the discipline of architecture and those outside of architecture. Exploring the works of various architects including Guiseppe Terragni, Peter Eisenman, Peter Zumthor, Perry Kulper and Smout Allen, and Rem Koolhaas, this book provides the framework to understanding architecture through the lens of art. Key concepts discussed are: allegories, diagrams, form, material, montage, movement, musical ratios, narrative sequence and representation. A valuable tool, with over 75 black and white illustrations, for students and professionals interested in interdisciplinary methods of design thinking. |
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