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| milano fotografia: Viaggio nella Fotografia Giuliano Benedetti, 2012-11-05 Primo itinerario nella fotografia che sviluppa vari temi quali:foto,fiori,insetti,piante,panorami Salò, Gardone, Giudicarie,Sestri Lev. ecc.ritratti sculture,ecc. |
| milano fotografia: 2020 Günter Berghaus, 2020-11-23 Volume 10 examines how the innovative impulses that came from Italy were creatively merged with indigenous traditions and how many national variants of Futurism emerged from this fusion. Ten essays investigate various aspects of Italian Futurism and its links to Austria, Georgia, France, Hungary and Portugual and in fields such as Typography, Olfaction, Photography. Section 2 examines seven examples of caricatures and satires of Futurism in the contemporary press, followed by Section 3, reporting on the Archiv der Avantgarden (AdA) in Dresden. Section 4 communicates bibliographic details of 120 book publications on Futurism in the period 2017-2020, including exhibition catalogues, conference proceedings and editions. |
| milano fotografia: Photography and Italy Maria Antonella Pelizzari, 2010-11-15 In this beautifully illustrated book Maria Antonella Pelizzari traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini’s regime. While many Italians and foreigners— such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot—focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari’s exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s. Featuring unpublished works and a rare selection of over one hundred images, this book will appeal to art collectors and students of art history and Italian culture. |
| milano fotografia: Looters, Photographers, and Thieves Pasquale Verdicchio, 2011-04-01 What do we 'see' when we think of Italy? How is our sense of that country, its people and culture formed, what conditions it? Looters, Photographers, and Thieves suggests that our visualization and relationship to a place like Italy is the result of a long and complex series of constructed images that have their origins in the ideology of nation building. |
| milano fotografia: Photographers Peter E. Palmquist, 2000 |
| milano fotografia: Imaging History Bruno Vandermeulen, Danny Veys, 2011 In archaeology, photography is mainly used as a technique for gathering data and evidence. Within the framework of the research project '(in)site, site-specific photography revisited' the relationship between photography and archaeology, or broader, history is explored. How do photographers visualize history? What is the importance of place, particularly the place that remains after the event took place? How do photographers or artists use photography to depict the past, when time has become 'past time'? These articles and portfolios explore, both on practical and theoretical level, how history can be captured. The research project is an attempt to redefine the traditional relationship between archaeology and photography in order to produce new forms of image-making more adapted to contemporary visual culture. The project considers photography as a practice in which a picture is shaped and constructed by the photographer, not a practice in which a picture is mechanically taken. |
| milano fotografia: Italian Neorealist Photography Antonella Russo, 2021-12-30 This book offers an analysis of the socio-historical conditions of the rise of postwar Italian photography, considers its practices, and outlines its destiny. Antonella Russo provides an incisive examination of Neorealist photography, delineates its periodization, traces its instances and its progressive popularization and subsequent co-optation that occurred with the advent of the industrialization of photographic magazines. This volume examines the ethno(photo)graphic missions of Ernesto De Martino in the deep South of Italy, the key role played by the Neorealist writer and painter Carlo Levi as ambassador of international photography, and the journeys of David Seymour, Henry Cartier Bresson, and Paul Strand in Neorealist Italy. The text includes an account the formation and proliferation of Italian photographic associations and their role in institutionalizing and promoting Italian photography, their link to British and other European photographic societies, and the subsequent decline of Neorealism. It also considers the inception of non-objective photography that thrived soon after the war, in concurrence with the circulation of Neorealism, thus debunking the myth identifying all Italian postwar photography with the Neorealist image. This book will be particularly useful for scholars and students in the history and theory of photography, and Italian history. |
| milano fotografia: Handbook of International Futurism Günter Berghaus, 2018-12-17 The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact. |
| milano fotografia: Contemporary Photography in France Olga Smith, 2022-10-19 This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière – to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown. |
| milano fotografia: Jazz e Foto Guido Michelone, |
| milano fotografia: The Art of Strip Photography Maarten Vanvolsem, 2011 Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. |
| milano fotografia: Photography and Its Origins Tanya Sheehan, Andres Zervigon, 2014-11-20 Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology. |
| milano fotografia: History of Photography Laurent Roosens, Luc Salu, 1989-01-01 The fourth volume in a history of photography, this is a bibliography of books on the subject. |
| milano fotografia: Questo Antonella Contin, 2015 |
| milano fotografia: Futurism and the Technological Imagination , 2016-08-09 This volume, Futurism and the Technological Imagination, results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists’ relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature. |
| milano fotografia: Come entrare nel mondo della fotografia. Le attitudini richieste, le scuole da frequentare, le specializzazioni e i mercati della comunicazione fotografica Ovidio Guaita, 1995 |
| milano fotografia: European Photography Guide , 2003 |
| milano fotografia: Italian Humanist Photography from Fascism to the Cold War Martina Caruso, 2020-08-19 Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies. |
| milano fotografia: Putting Tradition into Practice: Heritage, Place and Design Giuseppe Amoruso, 2017-07-19 This book gathers more than 150 peer-reviewed papers presented at the 5th INTBAU International Annual Event, held in Milan, Italy, in July 2017. The book represents an invaluable and up-to-date international exchange of research, case studies and best practice to confront the challenges of designing places, building cultural landscapes and enabling the development of communities. The papers investigate methodologies of representation, communication and valorization of historic urban landscapes and cultural heritage, monitoring conservation management, cultural issues in heritage assessment, placemaking and local identity enhancement, as well as reconstruction of settlements affected by disasters. With contributions from leading experts, including university researchers, professionals and policy makers, the book addresses all who seek to understand and address the challenges faced in the protection and enhancement of the heritage that has been created. |
| milano fotografia: American Photography , 1913 |
| milano fotografia: Landscape by Signs Alessandro Bianchi, 2019-12-05T00:00:00+01:00 From architecture to landscape, the step was not short, like the jumping in scale in the perspective perception of spaces. For architecture, the view stopped against a wall, to then enter and capture the space through the category of the Alberti concinnitas. This book contains articles developed for conferences and magazine papers, written over the last fi ve years, and reconstructs a theoretical and design path of the author and his students at the Politecnico di Milano. Landscape representations of the students are presented, the result of a mixed path between personal perception and visualization techniques, including manual drawing, photography, video and photo retouching. The search for new paths can lead to the desperate exaltation of the expressive characters of each of us (perhaps meaningless) or to the laying of new cornerstones of the representation of the future: we need to go beyond the modern to be a frontier, we need to be avant-garde to recognize in a new sign a symbol of our contemporaneity. |
| milano fotografia: Revival Movements as Conflict Agendas of the Popular in the Nineteenth and Early Twentieth Centuries Veronika Albrecht-Birkner, Stefanie Siedek-Strunk, 2025-02-04 This open access book focuses on the potential for conflict between high and low culture during the transformations of the popular in the field of religion in the nineteenth and early twentieth centuries. Specifically, the contributors to this edited collection consider the so-called 'Revival Movements' that came up as a symptom of differentiation and pluralisation of Protestantism in reaction to the Enlightenment, rationalism, and criticism of religion, and explore the attempts at theological self-empowerment of Christian laymen and laywomen. |
| milano fotografia: Pittorialismo e cento anni di fotografia pittorica in Italia Italo Zannier, Monica Maffioli, Angelo Maggi, 2004 |
| milano fotografia: Luigi Moretti Roberto Podda, 2024-08-01 Luigi Moretti: Lessons of SPAZIO focuses on the theoretical work of the Italian architect Luigi Moretti (Rome, 1906–1973). It does so selectively, focusing on the editorials he published between 1950 and 1953 as editor-in-chief of the magazine SPAZIO, as well as a further essay on parametric architecture, published in 1971–1972, in the first issue of the magazine MOEBIUS, directed by his friend Giulio Roisecco. This book rediscovers Moretti's personal impact on international architectural theory through thoughtful comments that shed light on the architect's modernity and original approach. Although Moretti is an architect renowned for his projects and buildings, his theoretical essays are less well-known. The aim of this book is therefore to explore Moretti's theoretical work, which covers many topics, including pictorial art, sculpture, architecture, urban planning, music, cinema, poetry, mathematics, computer science, parametricity. In addition to the translation from Italian to English, the book contains reproductions of the original articles, accompanied by a series of essays of critical commentary and updated interpretations that show new ways of approaching, reading, and understanding the foundations of current architectural theory and its progress over the last 50 years. This book approaches Moretti's thought from a new perspective, with the aim of reconsidering the originality of this brilliant and visionary architect who was intellectually ostracised for many years due to political and ideological contingencies, even though he personified the ideal of the 'Renaissance man' in modern times. A re-reading of Moretti's work is more justified today than has ever been before, both to reconnect the threads with contemporaneity and to make his intensity and farsightedness of vision known to researchers, teachers, and students working in the areas of architecture and design theory, technology, and art today. |
| milano fotografia: Political Censorship of the Visual Arts in Nineteenth-Century Europe Robert Justin Goldstein, Andrew M. Nedd, 2015-09-01 In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema. |
| milano fotografia: Multidisciplinary Aspects of Design Francesca Zanella, Giampiero Bosoni, Elisabetta Di Stefano, Gioia Laura Iannilli, Giovanni Matteucci, Rita Messori, Raffaella Trocchianesi, 2023-12-30 This open access book gathers the contributions from the Design! OPEN International Conference, held in Parma, Italy in May 2022. The conference explored the multidisciplinary aspects of design starting from its dimensions: objects (design as focused on the object, on its functional and symbolic dimension, and at the same time on the object as a tool for representing cultures), processes (the designer’s self-reflective moment which is focused on the analysis and on the definition of processes in various contexts, spanning innovation, social engagement, reflection on emergencies or forecasting), experiences (design as a theoretical and practical strategy aimed at facilitating experiential interactions among people, people and objects or environments), and narratives (making history, representing through different media, archiving, narrating, and exhibiting design). The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaboration among different specialists. |
| milano fotografia: 2014 Günter Berghaus, 2014-05-21 The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry. |
| milano fotografia: Bollettino della proprieta intellettuale , 1905 |
| milano fotografia: Idea di metropoli Roberta Valtorta, 2002 |
| milano fotografia: Rivista scientifico artistica di fotografia bollettino del Circolo fotografico lombardo Circolo fotografico lombardo, 1895 |
| milano fotografia: Encyclopedia of Nineteenth-Century Photography John Hannavy, 2013-12-16 The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide. |
| milano fotografia: La fotografia artistica rivista internazionale illustrata , 1905 |
| milano fotografia: Candide. Journal for Architectural Knowledge Axel Sowa, Nicholas Boyarsky, Lard Buurman, Davide Deriu, Ela Kacel, 2021-02-25 Die zwölfte Ausgabe von Candide widmet sich dem Thema Visual Urbanism – ein vollkommen neues Forschungsfeld. Fotograf*innen und Wissenschaftler*innen experimentierten mit anthropologischen, kulturwissenschaftlichen, soziologischen und geografischen Methoden, für eine Reflexion über die meist unkritische Nutzung von Bildern des öffentlichen Raums. Candide 12 sucht Möglichkeiten, diese Ergebnisse in Architektur und Stadtplanung zu integriert. Dabei beantworten Autor*innen drängende Fragen, wie nach der Nutzbarmachung fotografischer Bilder für die Architektur und vice versa. |
| milano fotografia: Color Photography New York Public Library, 1924 |
| milano fotografia: ZoneModa Journal 03 Giovanni Matteucci, Lucio Spaziante, 2014-01-23 |
| milano fotografia: Bollettino della proprietà intellettuale Italy. Ministero di agricoltura, industria e commercio, 1902 |
| milano fotografia: Photography, Humanitarianism, Empire Jane Lydon, 2020-09-13 With their power to create a sense of proximity and empathy, photographs have long been a crucial means of exchanging ideas between people across the globe; this book explores the role of photography in shaping ideas about race and difference from the 1840s to the 1948 Declaration of Human Rights. Focusing on Australian experience in a global context, a rich selection of case studies – drawing on a range of visual genres, from portraiture to ethnographic to scientific photographs – show how photographic encounters between Aboriginals, missionaries, scientists, photographers and writers fuelled international debates about morality, law, politics and human rights.Drawing on new archival research, Photography, Humanitarianism, Empire is essential reading for students and scholars of race, visuality and the histories of empire and human rights. |
| milano fotografia: L'atto fotografico Marco Spaggiari, 2015-09-04 La nascita dell'immagine tecnica - la fotografia analogica - propone che vengano indagate artisticamente le problematicità del rapporto uomo-macchina, non ultime quelle legate alla libertà d'espressione e all'influsso su di essa esercitato dal caso. Proponendo come approdo in seno al fotografare l'immagine fattuale, il testo cerca di individuare alcune tra le specificità artistico-posturali atte a riattivare nelle opere quella che J. W. Goethe definiva nei propri scritti la modalità stile: una presentazione artistico-conoscitiva del sensibile che difenda lo scarto arte-natura facendo germogliare nuovi sensi. Rivisitazione della tesi d'Accademia sostenuta dall'autore Marco Spaggiari nel 2012 corroborata da una sostanziosa proposta icastica (polaroid) dell'autore stesso. |
| milano fotografia: Subject Index of the Modern Works Added to the Library of the British Museum in the Years ... British Museum, 1903 |
| milano fotografia: Subject Index of the Modern Works Added to the Library of the British Museum in the Years 1881-1900 British Museum. Department of Printed Books, 1903 |
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