Advertisement
| mesto vstrechi: Encyclopaedia of Contemporary Russian Tatiana Smorodinskaya, Karen Evans-Romaine, Helena Goscilo, 2013-10-28 The Encyclopedia is an invaluable resource on recent and contemporary Russian culture and history for students, teachers, and researchers across the disciplines. |
| mesto vstrechi: The Zero Hour Andrew Horton, Michael Brashinsky, 1992-07-15 This study of the rapid changes in Soviet cinema that have been taking place since 1985 examines the response of filmmakers faced with the zero hour created by a new freedom of expression and the dramatic break-up of the Soviet Union. |
| mesto vstrechi: Lotman's Cultural Semiotics and the Political Andrey Makarychev, Alexandra Yatsyk, 2017-04-18 This book aims to inscribe the prominent Soviet semiologist Yurii Lotman into the analysis of political forms and components of power as seen from the context of various Russian-European encounters. |
| mesto vstrechi: Russian Literary Culture in the Camera Age Stephen Hutchings, 2004-06-02 This book explores how one of the world's most literary-oriented societies entered the modern visual era, beginning with the advent of photography in the nineteenth century, focusing then on literature's role in helping to shape cinema as a tool of official totalitarian culture during the Soviet period, and concluding with an examination of post-Soviet Russia's encounter with global television. As well as pioneering the exploration of this important new area in Slavic Studies, the book illuminates aspects of cultural theory by investigating how the Russian case affects general notions of literature's fate within post-literate culture, the ramifications of communism's fall for media globalization, and the applicability of text/image models to problems of intercultural change. |
| mesto vstrechi: Lonely Planet St Petersburg Lonely Planet, Simon Richmond, Regis St Louis, 2018-03-01 Lonely Planet: The world’s leading travel guide publisher Lonely Planet St Petersburg is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Experience imperial Russia and the world of the tsars, immerse yourself in art and culture at the Hermitage and the Russian Museum, or party through the sunlight northern lights; all with your trusted travel companion. Get to the heart of St Petersburg and begin your journey now! Inside Lonely Planet’s St Petersburg Travel Guide: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, art, literature, music, architecture, performing arts, St Petersburg today Covers the Historic Heart, Sennaya, Kolomna, Smolny, Vosstaniya, Vasilyevsky Island, Petrograd Side, Vyborg Side, and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet St Petersburg, our most comprehensive guide to St Petersburg, is perfect for both exploring top sights and taking roads less travelled. Looking for just the highlights of St Petersburg? Check out Pocket Moscow & St Petersburg, a handy-sized guide focused on the can’t-miss sights for a quick trip. Travelling further afield? Check out Lonely Planet’s Russia guide for a comprehensive look at all the country has to offer; Moscow for a guide to the city’s most popular attractions, and Trans-Siberian Railway, focused on the can’t-miss sights for a trip of a lifetime. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition. |
| mesto vstrechi: Overkill Eliot Borenstein, 2011-05-02 Perestroika and the end of the Soviet Union transformed every aspect of life in Russia, and as hope began to give way to pessimism, popular culture came to reflect the anxiety and despair felt by more and more Russians. Free from censorship for the first time in Russia's history, the popular culture industry (publishing, film, and television) began to disseminate works that featured increasingly explicit images and descriptions of sex and violence. In Overkill, Eliot Borenstein explores this lurid and often-disturbing cultural landscape in close, imaginative readings of such works as You're Just a Slut, My Dear! (Ty prosto shliukha, dorogaia!), a novel about sexual slavery and illegal organ harvesting; the Nympho trilogy of books featuring a Chechen-fighting sex addict; and the Mad Dog and Antikiller series of books and films recounting, respectively, the exploits of the Russian Rambo and an assassin killing in the cause of justice. Borenstein argues that the popular cultural products consumed in the post-perestroika era were more than just diversions; they allowed Russians to indulge their despair over economic woes and everyday threats. At the same time, they built a notion of nationalism or heroism that could be maintained even under the most miserable of social conditions, when consumers felt most powerless. For Borenstein, the myriad depictions of deviance in pornographic and also detectiv fiction, with their patently excessive and appalling details of social and moral decay, represented the popular culture industry's response to the otherwise unimaginable scale of Russia's national collapse. The full sense of collapse, he writes, required a panoptic view that only the media and culture industry were eager to provide, amalgamating national collapse into one master narrative that would then be readily available to most individuals as a framework for understanding their own suffering and their own fears. |
| mesto vstrechi: Russian Television Today David MacFadyen, 2007-08-07 Examining the role of dramatized narratives in Russian television, this book stresses the ways in which the Russian government under Putin use primetime television to express a new understanding of what it means to be Russian, answering key questions of national identity for modern Russians in dealing with their recent history: ‘What really happened to us?’ and, accordingly, ‘Why?’ The book covers important issues in Russian television today, including: the reworking of new ‘national’ on-screen heroes its relationship with classic literature the revisionist portrayal of a romantic portrait of life in the Soviet era the role of thematic elements such as love, fidelity, humour and irony the particularly pressing problem of crime and its representation on screen as Mafia or police adventure, and its political usage by the Putin administration. This book provides a detailed account of the critical issues in contemporary Russian television, relating them to broader social and political developments in Russian society. |
| mesto vstrechi: Youth and Memory in Europe Félix Krawatzek, Nina Friess, 2022-06-06 This volume contends that young individuals across Europe relate to their country’s history in complex and often ambivalent ways. It pays attention to how both formal education and broader culture communicate ideas about the past, and how young people respond to these ideas. The studies collected in this volume show that such ideas about the past are central to the formation of the group identities of nations, social movements, or religious groups. Young people express received historical narratives in new, potentially subversive, ways. As young people tend to be more mobile and ready to interrogate their own roots than later generations, they selectively privilege certain aspects of their identities and their identification with their family or nation while neglecting others. This collection aims to correct the popular misperception that young people are indifferent towards history and prove instead that historical narratives are constitutive to their individual identities and their sense of belonging to something broader than themselves. |
| mesto vstrechi: A Companion to the Gangster Film George S. Larke-Walsh, 2018-11-20 A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre. |
| mesto vstrechi: Estrada?! David MacFadyen, 2002-09-10 In Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as estrada or the small stage - in Red Stars, MacFadyen shifts his attention to a newer musical tradition that has emerged from the simultaneous disappearance of Soviet ideology and the loud influx of western music. The author shows how performance, popularity, and politics have all changed rapidly in Russia following the fall of communism. He highlights the troubled state of Soviet music journalism in the eighties, the deteriorating standards of staging, and the problems of developing a proper post-Soviet repertoire given the weakened relevance of songs as propaganda and the tenuous value of an old-style sentimental education that performers hoped to offer audiences. MacFadyen shows that for Russia's most famous performers today singing is still a responsibility of both private and public relevance. Even in post-Soviet Europe, song remains the most profoundly consequential of art forms. |
| mesto vstrechi: Outlaw Music in Russia Anastasia Gordienko, 2023-01-24 The Russian shanson can be heard across the country today, on radio and television shows, at mass events like political rallies, and even at the Kremlin. Yet despite its ubiquity, it has attracted almost no scholarly attention. Anastasia Gordienko provides the first full history of the shanson, from its tenuous ties to early modern criminals’ and robbers’ folk songs, through its immediate generic predecessors in the Soviet Union, to its current incarnation as the soundtrack for daily life in Russia. It is difficult to firmly define the shanson or its family of song genres, but they all have some connection, whether explicit or implicit, to the criminal underworld or to groups or activities otherwise considered subversive. Traditionally produced by and popular among criminals and other marginalized groups, and often marked by characters and themes valorizing illegal activities, the songs have undergone censorship since the early nineteenth century. Technically legal only since the collapse of the Soviet Union, the shanson is today not only broadly popular but also legitimized by Vladimir Putin’s open endorsement of the genre. With careful research and incisive analysis, Gordienko deftly details the shanson’s history, development, and social meanings. Attempts by imperial rulers, and later by Soviet leaders, to repress the songs and the lifestyles they romanticized not only did little to discourage their popularity but occasionally helped the genre flourish. Criminals and liberal intelligentsia mingled in the Gulag system, for instance, and this contact introduced censored songs to an educated, disaffected populace that inscribed its own interpretations and became a major point of wider dissemination after the Gulag camps were closed. Gordienko also investigates the shanson as it exists in popular culture today: not divorced from its criminal undertones (or overtones) but celebrated for them. She argues that the shanson expresses fundamental themes of Russian culture, allowing for the articulation of anxieties, hopes, and dissatisfactions that are discouraged or explicitly forbidden otherwise. |
| mesto vstrechi: Resignification of Borders: Eurasianism and the Russian World Nina Friess, Konstantin Kaminskij, 2019-08-23 Eurasianism has proved to be an unexpectedly diverse and highly self-reflexive concept. By transforming the way we describe the Eurasian landmass, it also resignifies our field of studies and its disciplinary boundaries. In this process, Eurasianism itself is subject to a constant resignification. The present volume builds on this notion while pursuing an innovative approach to Eurasianism. The authors advance the well-established positions that view Eurasianism as a historical intellectual movement or as an ideology of Russian neo-Imperialism, and proceed to unpack an innovative vision of Eurasianism as a process of renegotiating cultural values and identity narratives—in and beyond Russia. This procedural approach provides deeper insight into the operationality of the identity narratives and shifting semantics of Eurasianism in its relation to the Russian World. |
| mesto vstrechi: Post-Soviet Nostalgia Otto Boele, Boris Noordenbos, Ksenia Robbe, 2019-07-24 Bringing together scholars from Russia, the United States and Europe, this collection of essays is the first to explore the slippery phenomenon of post-Soviet nostalgia by studying it as a discursive practice serving a wide variety of ideological agendas. The authors demonstrate how feelings of loss and displacement in post-Soviet Russia are turned into effective tools of state building and national mobilization, as well as into weapons for local resistance and the assertion of individual autonomy. Drawing on novels, memoirs, documentaries, photographs and Soviet commodities, Post-Soviet Nostalgia is an invaluable resource for historians, literary scholars and anthropologists interested in how Russia comes to terms with its Soviet past. |
| mesto vstrechi: Geopolitical Imagination Mikhail Suslov, 2020-11-02 In his timely book, Mikhail Suslov discusses contemporary Russian geopolitical culture and argues that a better knowledge of geopolitical concepts and fantasies is instrumental for understanding Russia’s policies. Specifically, he analyzes such concepts as “Eurasianism,” “Holy Russia,” “Russian civilization,” “Russia as a continent,” “Novorossia,” and others. He demonstrates that these concepts reached unprecedented ascendance in the Russian public debates, tending to overshadow other political and domestic discussions. Suslov argues that the geopolitical imagination, structured by these concepts, defines the identity of post-Soviet Russia, while this complex of geopolitical representations engages, at the same time, with the broader, international criticism of the Western liberal world order and aligns itself with the conservative defense of cultural authenticity across the globe. Geopolitical ideologies and utopias discussed in the book give the post-Soviet political mainstream the intellectual instruments to think about Russia’s exclusion—imaginary or otherwise—from the processes of a global world which is re-shaping itself after the end of the Cold War; they provide tools to construct the self-perception of Russia as a sovereign great-power, a self-sufficient civilization, and as one of the poles in a multipolar world; and they help to establish the Messianic vision of Russia as the beacon of order, tradition, and morality in a sea of chaos and corruption. |
| mesto vstrechi: Pushkin's Monument and Allusion Sidney Eric Dement, 2019-09-02 Pushkin's Monument and Allusion is the first aesthetic analysis of Russia's most famous monument to its greatest poet, Alexander Pushkin. |
| mesto vstrechi: Art and Protest in Putin's Russia Lena Jonson, 2015-02-20 The Pussy Riot protest, and the subsequent heavy handed treatment of the protestors, grabbed the headlines, but this was not an isolated instance of art being noticeably critical of the regime. As this book, based on extensive original research, shows, there has been gradually emerging over recent decades a significant counter-culture in the art world which satirises and ridicules the regime and the values it represents, at the same time putting forward, through art, alternative values. The book traces the development of art and protest in recent decades, discusses how art of this kind engages in political and social protest, and provides many illustrations as examples of art as protest. The book concludes by discussing how important art has been in facilitating new social values and in prompting political protests. |
| mesto vstrechi: The Mitki and the Art of Postmodern Protest in Russia Alexandar Mihailovic, 2018-02-27 Explores the work of a playful, emphatically countercultural collective whose satirical poetry and prose, pop music, cinema, and conceptual performance in post-Soviet Russia has influenced other protest artists, such as Pussy Riot. |
| mesto vstrechi: On the Edge Franck Billé, Caroline Humphrey, 2021-11-30 A pioneering examination of history, current affairs, and daily life along the Russia–China border, one of the world’s least understood and most politically charged frontiers. The border between Russia and China winds for 2,600 miles through rivers, swamps, and vast taiga forests. It’s a thin line of direct engagement, extraordinary contrasts, frequent tension, and occasional war between two of the world’s political giants. Franck Billé and Caroline Humphrey have spent years traveling through and studying this important yet forgotten region. Drawing on pioneering fieldwork, they introduce readers to the lifeways, politics, and history of one of the world’s most consequential and enigmatic borderlands. It is telling that, along a border consisting mainly of rivers, there is not a single operating passenger bridge. Two different worlds have emerged. On the Russian side, in territory seized from China in the nineteenth century, defense is prioritized over the economy, leaving dilapidated villages slumbering amid the forests. For its part, the Chinese side is heavily settled and increasingly prosperous and dynamic. Moscow worries about the imbalance, and both governments discourage citizens from interacting. But as Billé and Humphrey show, cross-border connection is a fact of life, whatever distant authorities say. There are marriages, friendships, and sexual encounters. There are joint businesses and underground deals, including no shortage of smuggling. Meanwhile some indigenous peoples, persecuted on both sides, seek to “revive” their own alternative social groupings that span the border. And Chinese towns make much of their proximity to “Europe,” building giant Russian dolls and replicas of St. Basil’s Cathedral to woo tourists. Surprising and rigorously researched, On the Edge testifies to the rich diversity of an extraordinary world haunted by history and divided by remote political decisions but connected by the ordinary imperatives of daily life. |
| mesto vstrechi: Language Ideologies in Transition Mika Lähteenmäki, Marjatta Vanhala-Aniszewski, 2010 The articles collected in this volume address linguistic diversity in Russia and Finland from different perspectives and aim to provide both theoretical and empirical knowledge concerning recently emerged multilingual and multicultural developments. The topics include representations and conceptualisations of multilingualism, the language education of immigrants, the linguistic rights of ethnic minorities, language policy, and ideologies underlying multilingual activities. Linguistic and cultural diversity is approached from different theoretical and methodological perspectives (e.g. discourse analysis, ethnography). The focus is on both micro and macro level phenomena. The articles show how the ideologies that underlie language policies and also various grass-root multilingual practices are conditioned by broader political, historical and socio-cultural contexts. |
| mesto vstrechi: Historical Dictionary of Russian and Soviet Cinema Peter Rollberg, George Washington University, 2016-07-20 This second edition of Historical Dictionary of Russian and Soviet Cinema contains a chronology, an introduction, and a bibliography. The dictionary section has over 600 cross-referenced entries on directors, performers, cinematographers, composers, designers, producers, and studios. |
| mesto vstrechi: Crime Fiction as World Literature Louise Nilsson, David Damrosch, Theo D'haen, 2017-02-23 The first book to treat crime fiction in its full global, intercultural, and plurilingual dimensions, taking the genre seriously as a participant in the international sphere of world literature. |
| mesto vstrechi: Companion to Victor Pelevin Sofya Khagi, 2022-01-18 Companion to Victor Pelevin, a collaborative undertaking by a group of emerging Russianist scholars, focuses on the work of one of the most important and hotly debated post-Soviet writers. It provides a valuable resource to scholars, teachers, and students, including how best to teach Pelevin to university-level students, and which critical debates invite further investigation. The contributors offer new readings of Pelevin texts that cover a broad time span and pay due attention to the philosophical and aesthetic complexities of Pelevin’s oeuvre in its development from the early post-Soviet years to the second decade of the present millennium. Examining all of Pelevin’s major works and all Peleviniana currently available in English, the Companion aims to prompt further inquiry into this author’s intellectually stimulating and socially prescient work. |
| mesto vstrechi: From Media Systems to Media Cultures Sabina Mihelj, Simon Huxtable, 2018-08-23 In From Media Systems to Media Cultures: Understanding Socialist Television, Sabina Mihelj and Simon Huxtable delve into the fascinating world of television under communism, using it to test a new framework for comparative media analysis. To understand the societal consequences of mass communication, the authors argue that we need to move beyond the analysis of media systems, and instead focus on the role of the media in shaping cultural ideals and narratives, everyday practices and routines. Drawing on a wealth of original data derived from archival sources, programme and schedule analysis, and oral history interviews, the authors show how communist authorities managed to harness the power of television to shape new habits and rituals, yet failed to inspire a deeper belief in communist ideals. This book and their analysis contains important implications for the understanding of mass communication in non-democratic settings, and provides tools for the analysis of media cultures globally. |
| mesto vstrechi: Pop Culture Russia! Birgit Beumers, 2005-06-21 A revealing look at contemporary Russian popular culture, exploring the historical and social influences that make it unique. Pop music is only one aspect of contemporary Russian culture that has taken some unexpected turns in the chaotic aftermath of the Soviet Union's collapse. Television and advertising, theater and cinema, athletics and religion, even fashion and food now reflect more exposure to the West, yet remain in essence distinctively Russian. Pop Culture Russia! introduces readers to the fascinating, often surprising, post-Soviet cultural landscape. With chapters on media, the arts, recreation, religion, and consumerism, the book offers an insightful survey of Russian mass culture from the death of Stalin in 1953 to the present, exploring the historical significance of important events and trends, as well as the social and political contexts from which they emerged. |
| mesto vstrechi: Science and Ideology Mark Walker, 2013-10-11 Does science work best in a democracy? Were 'Soviet' or 'Nazi' science fundamentally different from science in the USA? These questions have been passionately debated in the recent past. Particular developments in science took place under particular political regimes, but they may or may not have been directly determined by them. Science and Ideology brings together a number of comparative case studies to examine the relationship between science and the dominant ideology of a state. Cybernetics in the USA is compared to France and the Soviet Union. Postwar Allied science policy in occupied Germany is juxtaposed to that in Japan. The essays are narrowly focussed, yet cover a wide range of countries and ideologies. The collection provides a unique comparative history of scientific policies and practices in the 20th century. |
| mesto vstrechi: Soviet Hieroglyphics Nancy Condee, 1995 [The Russian and American contributors] share a very high level of expertise and an impressive command of their material, which ranges from film to billboards to currency. Everything in this book, including the introduction, is worth reading... consistently fascinating... -- Choice... a lightning rush of images and ideas that constitute inviting material for future speculation. -- Times Literary SupplementThis collection of essays is a fine, even an exhilarating piece of work. Her brilliant analysis surveys a kaleidoscope of breaks and continuities: betweeen literature and non-print media, high culture and popular culture, homo sovieticus and homo russicus. -- Slavic and East European JournalOf interest for scholars in several disciplines, Soviet Hieroglyphics provides many insights into recent Russian visual culture. -- Canadian Slavonic PaperThese incisive essays describe contemporary Russian culture under conditions of social collapse. Focusing on visual culture, the book highlights the recurrent tension between two opposing tendencies in Russia today: the impulse to eradicate the cultural hieroglyphics of the Soviet past and the compulsion to reinscribe those sacred images onto contemporary texts. |
| mesto vstrechi: Film and Television Genres of the Late Soviet Era Alexander Prokhorov, Elena Prokhorova, 2016-12-01 Most histories of Soviet cinema portray the 1970s as a period of stagnation with the gradual decline of the film industry. This book, however, examines Soviet film and television of the era as mature industries articulating diverse cultural values via new genre models. During the 1970s, Soviet cinema and television developed a parallel system of genres where television texts celebrated conservative consensus while films manifested symptoms of ideological and social crises. The book examines the genres of state-sponsored epic films, police procedural, comedy and melodrama, and outlines how television gradually emerged as the major form of Russo-Soviet popular culture. Through close analysis of well-known film classics of the period as well as less familiar films and television series, this groundbreaking work helps to deconstruct the myth of this era as a time of cultural and economic stagnation and also helps us to understand the persistence of this myth in the collective memory of Putin-era Russia. This monograph is the first book-length English-language study of film and television genres of the late Soviet era. |
| mesto vstrechi: The Israeli Mafia Dina Siegel, 2024-11-09 This book delves into a previously unexplored realm within criminological scholarship: Israeli organized crime. Breaking the silence that has shrouded this topic, this book undertakes a comprehensive examination of the intricate socio-economic and cultural landscapes that have shaped the criminal operations of a diverse array of Jewish and non-Jewish criminal entities, spanning from the inception of the Israeli state to the present day in 2024. Drawing upon meticulous ethnographic fieldwork conducted in Israel between 2020 and 2024, alongside rigorous media analysis, interviews conducted both domestically and internationally, and a wealth of visual material captured by the author during fieldwork, this study offers unparalleled insights into the dynamics of Israel's underworld. It examines the multifaceted activities of various criminal organizations, including but not limited to drug and human trafficking, protection rackets, gambling enterprises, and contract killings. Moreover, this book critically examines the responses of authorities and law enforcement agencies to the escalating influence of organized crime amidst the backdrop of major socio-political upheavals in Israel, ranging from wars and waves of immigration to terrorist attacks. By contextualizing these criminal phenomena within broader historical and contemporary narratives, this work not only fills a significant gap in scholarly discourse but also provides a nuanced understanding of the intersections between crime, society, and governance in the Israeli context. |
| mesto vstrechi: Media and the Cold War in the 1980s Henrik G. Bastiansen, Martin Klimke, Rolf Werenskjold, 2018-11-08 The Cold War was a media phenomenon. It was a daily cultural political struggle for the hearts and minds of ordinary people—and for government leaders, a struggle to undermine their enemies’ ability to control the domestic public sphere. This collection examines how this struggle played out on screen, radio, and in print from the late 1970s through the early 1990s, a time when breaking news stories such as Ronald Reagan’s “Star Wars” program and Mikhail Gorbachev’s policy of glasnost captured the world’s attention. Ranging from the United States to the Soviet Union and China, these essays cover photojournalism on both sides of the Iron Curtain, Polish punk, Norwegian film, Soviet magazines, and more, concluding with a contribution from Stuart Franklin, one of the creators of the iconic “Tank Man” image during the Tiananmen Square protests. By investigating an array of media actors and networks, as well as narrative and visual frames on a local and transnational level, this volume lays the groundwork for writing media into the history of the late Cold War. |
| mesto vstrechi: Historical Dictionary of Methodism Jennifer Woodruff Tait, Christopher J. Anderson, 2024-11-05 Methodism, originally founded in the eighteenth century, has grown into a large and influential Protestant denomination. As of 2016, it claimed around 50 million adherents in 80 churches in more than 150 countries. Its history illuminates our understanding of modern culture, ethics, literature, politics, Christian mission, women’s studies, and many related topics. Historical Dictionary of Methodism, Fourth Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on important institutions, events, doctrines, and people who have contributed to the movement and to broader society in the three centuries since it was founded. This book is an excellent resource for students, researchers, and anyone wanting to know more about Methodism as a global movement. |
| mesto vstrechi: Television and Culture in Putin's Russia Stephen Hutchings, Natalia Rulyova, 2009-06-02 This book examines television culture in Russia under the government of Vladimir Putin. In recent years, the growing influx into Russian television of globally mediated genres and formats has coincided with a decline in media freedom and a ratcheting up of government control over the content style of television programmes. All three national channels (First, Russia, NTV) have fallen victim to Putin’s power-obsessed regime. Journalists critical of his Chechnya policy have been subject to harassment and arrest; programmes courting political controversy, such as Savik Shuster’s Freedom of Speech (Svoboda slova) have been taken off the air; coverage of national holidays like Victory Day has witnessed a return of Soviet-style bombast; and reporting on crises, such as the Beslan tragedy, is severely curtailed. The book demonstrates how broadcasters have been enlisted in support of a transparent effort to install a latter-day version of imperial pride in Russian military achievements at the centre of a national identity project over which, from the depths of the Kremlin, Putin’s government exerts a form of remote control. However, central to the book's argument is the notion that because of the changes wrought upon Russian society after 1985, a blanket return to the totalitarianism of the Soviet media has, notwithstanding the tenor of much western reporting on the issue, not occurred. Despite the fact that television is nominally under state control, that control remains remote and less than wholly effective, as amply demonstrated in the audience research conducted for the book, and in analysis of contradictions at the textual level. Overall, this book provides a fascinating account of the role of television under President Putin, and will be of interest to all those wishing to understand contemporary Russian society. |
| mesto vstrechi: Encyclopedia of the Documentary Film 3-Volume Set Ian Aitken, 2013-10-18 The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation. |
| mesto vstrechi: The Upper Room Disciplines 2013: A Book of Daily Devotions , |
| mesto vstrechi: Fëdor Khitruk Laura Pontieri, 2023-08-08 This book is a first and long-awaited study of the directorial work of the animation master Fëdor Khitruk (1917–2012), an artist who formed in the tradition of classical cel animation only to break the conventions once he turned into a director; a liaison between artists and authorities; a personality who promoted daring films to be created in the Soviet Union dominated by socialist realism; and a teacher and supporter of young artists that continued to carry on his legacy long after the Soviet empire collapsed. Fëdor Khitruk: A Look at Soviet Animation through the Work of One Master reveals Khitruk’s mastery in the art of the moving image and his critical role as a director of films that changed the look of Soviet animation and its relation to the animation world within and beyond the Eastern Bloc. Based on archival research, personal interviews, published memoirs, and perceptive analyses of Khitruk’s production of films for children and adults, this study is a must-read for scholars in Soviet art and culture as well as readers fascinated by traditional animation art. |
| mesto vstrechi: Zaryanichka Vanda Petrova, |
| mesto vstrechi: The BFI Companion to Eastern European and Russian Cinema Richard Taylor, Nancy Wood, Julian Graffy, Dina Iordanova, 2019-07-25 This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism. |
| mesto vstrechi: Directory of World Cinema: Russia 2 Birgit Beumers, 2015-02-20 Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in the region, including Cold War spy movies and science-fiction films; blockbusters and horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and directors’ biographies provide the background for the key players. Building on the work of its predecessor, which explored cinema from the time of the tsars to the Putin era, this book will be warmly received by the serious film scholar as well as all those who love Russian cinema. Directory of World Cinema: Russia 2 is an essential companion to the filmic legacy of one of the world’s most storied countries. |
| mesto vstrechi: The Concise Routledge Encyclopedia of the Documentary Film Ian Aitken, 2013-01-04 The Concise Routledge Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). Previously published in three volumes, entries have been edited and updated for the new, concise edition and three new entries have been added on: India, China and Africa. The Concise Routledge Encyclopedia of the Documentary Film: Discusses individual films and filmmakers including little-known filmmakers from countries such as India, Bosnia, China and others Examines the documentary filmmaking traditions within nations and regions, or within historical periods in places such as Iran, Brazil, Portugal, and Japan Explores themes, issues, and representations in documentary film including human rights, modernism, homosexuality, and World War I, as well as types of documentary film such as newsreels and educational films Elaborates on production companies, organizations, festivals, and institutions such as the American Film Institute, Ceylon Tea Propaganda Board, Hot Docs (Toronto), and the World Union of Documentary Describes styles, techniques, and technical issues such as animation, computer imaging, editing techniques, IMAX, music, and spoken commentary Bringing together all aspects of documentary film, this accessible concise edition provides an invaluable resource for both scholars and students. With film stills from key films, this resource provides the decisive entry point into the history of an art form. |
| mesto vstrechi: Cultural Heritage in Migration Lina Gergova, Tanya Matanova, Yana Gergova, 2018-04-01 |
| mesto vstrechi: KGB Lexicon Vasili Mitrokhin, 2013-01-11 In this volume Mitrokhin presents two dictionaries produced by the KGB itself to define their activities in both offensive and defensive intelligence work. The translated documents tell the story of the KGB's methods and targets and should interest the general public as well as the specialist. |
Место встречи - Все выпуски смотреть онлайн
Jun 6, 2025 · Смотреть «Место встречи» последний выпуск 2025. Сегодня смотрите онлайн лучшее политическое ток-шоу Место встречи 2025. Все выпуски телепрограммы Место …
Место встречи 25.02.2025 - Я политик - Yapolitic.ru
Feb 25, 2025 · Политическая передача (эфир) за 25 Февраля 2025 «Место встречи». Смотрите последний выпуск в ...
Место встречи 20.01.2025 - Я политик - Yapolitic.ru
Jan 20, 2025 · Новые видео. Rogandar NEWs. Кровавый расчет: Зеленский использует мирных как щит! Киев блокирует эвакуацию из опасных зон 13.06.2025 Александр …
Место встречи 04.06.2025 - Я политик - Yapolitic.ru
May 28, 2025 · Новые видео. Sputnik. Стас разберется. Ценности РФ, интернет vs демография и создание "сверхразума" 11.06.2025 Между тем. Фальшивая история: кому …
Место встречи - Все выпуски смотреть онлайн
Jun 6, 2025 · Смотреть «Место встречи» последний выпуск 2025. Сегодня смотрите онлайн лучшее политическое ток-шоу Место встречи 2025. Все выпуски телепрограммы Место …
Место встречи 25.02.2025 - Я политик - Yapolitic.ru
Feb 25, 2025 · Политическая передача (эфир) за 25 Февраля 2025 «Место встречи». Смотрите последний выпуск в ...
Место встречи 20.01.2025 - Я политик - Yapolitic.ru
Jan 20, 2025 · Новые видео. Rogandar NEWs. Кровавый расчет: Зеленский использует мирных как щит! Киев блокирует эвакуацию из опасных зон 13.06.2025 Александр …
Место встречи 04.06.2025 - Я политик - Yapolitic.ru
May 28, 2025 · Новые видео. Sputnik. Стас разберется. Ценности РФ, интернет vs демография и создание "сверхразума" 11.06.2025 Между тем. Фальшивая история: кому …
