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maud bodkin archetypal patterns in poetry: Archetypal Patterns in Poetry Maud Bodkin, 1934 |
maud bodkin archetypal patterns in poetry: Archetypal Patterns in Poetry Maud Bodkin, 1934 |
maud bodkin archetypal patterns in poetry: A Companion to Literary Theory David H. Richter, 2018-03-19 Introduces readers to the modes of literary and cultural study of the previous half century A Companion to Literary Theory is a collection of 36 original essays, all by noted scholars in their field, designed to introduce the modes and ideas of contemporary literary and cultural theory. Arranged by topic rather than chronology, in order to highlight the relationships between earlier and most recent theoretical developments, the book groups its chapters into seven convenient sections: I. Literary Form: Narrative and Poetry; II. The Task of Reading; III. Literary Locations and Cultural Studies; IV. The Politics of Literature; V. Identities; VI. Bodies and Their Minds; and VII. Scientific Inflections. Allotting proper space to all areas of theory most relevant today, this comprehensive volume features three dozen masterfully written chapters covering such subjects as: Anglo-American New Criticism; Chicago Formalism; Russian Formalism; Derrida and Deconstruction; Empathy/Affect Studies; Foucault and Poststructuralism; Marx and Marxist Literary Theory; Postcolonial Studies; Ethnic Studies; Gender Theory; Freudian Psychoanalytic Criticism; Cognitive Literary Theory; Evolutionary Literary Theory; Cybernetics and Posthumanism; and much more. Features 36 essays by noted scholars in the field Fills a growing need for companion books that can guide readers through the thicket of ideas, systems, and terminologies Presents important contemporary literary theory while examining those of the past The Wiley-Blackwell Companion to Literary Theory will be welcomed by college and university students seeking an accessible and authoritative guide to the complex and often intimidating modes of literary and cultural study of the previous half century. |
maud bodkin archetypal patterns in poetry: Blake and Goethe Martin Bidney, 1988 |
maud bodkin archetypal patterns in poetry: The Symphonic Poems of Franz Liszt Keith T. Johns, 1997 Each symphonic poem is discussed in terms of its melodic and harmonic organization, origins in surviving sketches and manuscript drafts, and reception by critics in major German cities, as well as in Paris, London, and New York. The volume is illustrated with ... facsimiles and full-page musical examples--Publisher. |
maud bodkin archetypal patterns in poetry: Myth Robert Alan Segal, 2015 This Very Short Introduction explores different approaches to myth from several disciplines, including science, religion, philosophy, literature, and psychology. In this new edition, Robert Segal considers both the future study of myth as well as the impact of areas such as cognitive science and the latest approaches to narrative theory. |
maud bodkin archetypal patterns in poetry: Thresholds of Initiation Joseph L. Henderson, 2004 Basing his study on Jung's archetypal theory-especially that of initiation-Thresholds of Initiation represents thirty years of testing the theory in analytical practice. Joseph Henderson considers archetypes to be predictable patterns of inner conditioning that lead to certain essential changes and shows the parallels between individual psychological self-development and the rites that marked initiation in the past. Dr. Henderson's topics include the uninitiated; return of the mother; remaking a man; trial by strength; the rite of vision; thresholds of initiation; initiation and the principle of ego-development in adolescence; and initiation in the process of individuation. This is essential reading for an understanding of the universal nature of initiation, especially as it relates traditional initiatory practices to Jung's theory of archetypes. |
maud bodkin archetypal patterns in poetry: The Encyclopedia of Literary and Cultural Theory Michael Ryan, 2011 A comprehensive encyclopedia of literary and cultural theory. Covers Literary Theory from 1900 to 1966, Literary Theory from 1966 to the present, and Cultural Theory. This encyclopedia provides accessible entries on the important concepts, theorists and trends in post-1900 literary and cultural theory. With explanations of complex terms and important theoretical concepts, and summaries of the work and ideas of key figures, it is a highly informative reference work for a multi-disciplinary readership-- Nota de l'editor. |
maud bodkin archetypal patterns in poetry: Encyclopedia of Contemporary Literary Theory Irene Rima Makaryk, 1993-01-01 The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture. |
maud bodkin archetypal patterns in poetry: The Book of Nightmares Galway Kinnell, 1971 A book-length poem evokes the horror, anguish, and brutality of 20th century history. |
maud bodkin archetypal patterns in poetry: Critical Theory Today Lois Tyson, 2006 This new edition of the classic guide offers a thorough and accessible introduction to contemporary critical theory. It provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African-American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading. This book can be used as the only text in a course or as a precursor to the study of primary theoretical works. It motivates readers by showing them what critical theory can offer in terms of their practical understanding of literary texts and in terms of their personal understanding of themselves and the world in which they live. Both engaging and rigorous, it is a how-to book for undergraduate and graduate students new to critical theory and for college professors who want to broaden their repertoire of critical approaches to literature. |
maud bodkin archetypal patterns in poetry: Love is Enough William Morris, 1873 |
maud bodkin archetypal patterns in poetry: Modern Criticism Walter E. Sutton, 1963 |
maud bodkin archetypal patterns in poetry: The Correspondent Breeze M. H. Abrams, 1986-08-01 “[Abrams] can sum up whole epochs and genres with a telling phrase. . . .Admirably cogent and erudite throughout.” —Kirkus Reviews |
maud bodkin archetypal patterns in poetry: The Art and Imagination of Langston Hughes R. Baxter Miller, 1989-01-01 Langston Hughes was one of the most important American writers of his generation, and one of the most versatile, producing poetry, fiction, drama, and autobiography. In this innovative study, R. Baxter Miller explores Hughes's life and art to enlarge our appreciation of his contribution to American letters.Arguing that readers often miss the complexity of Hughes's work because of its seeming accessibility, Miller begins with a discussion of the writer's auto-biography, an important yet hitherto neglected key to his imagination. Moving on to consider the subtle resonances of his life in the var. |
maud bodkin archetypal patterns in poetry: A Preface to Paradise Lost Clive Staples Lewis, 1942 |
maud bodkin archetypal patterns in poetry: Recritiquing S.T. Coleridge Amar Nath Prasad, 2007 Study on the works of Samuel Taylor Coleridge, 1772-1834, English poet. |
maud bodkin archetypal patterns in poetry: Thomas Jefferson Wilson Jeremiah Moses, 2019-03-28 Provides a critical and controversial re-assessment of Thomas Jefferson and the Jeffersonian influence by a leading intellectual historian. |
maud bodkin archetypal patterns in poetry: Psychoanalytic Criticism Elizabeth Wright, 2013-08-21 First published in 2002. Modes and categories inherited from the past no longer seem to fit the reality experienced by a new generation. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. The purpose of this book is to give a critical overview of what has become a very wide field: the relationship of psychoanalytic theory to the theories of literature and the arts, and the way that developments in both domains have brought about changes in critical practice. |
maud bodkin archetypal patterns in poetry: Mystic Tales from the Zohar Aryeh Wineman, 1998-04-19 Contains translations of eight narratives from Zohar, the central text of Kabbalah, on themes of sin and repentance, death, exile, redemption, and resurrection, and includes notes and commentary. |
maud bodkin archetypal patterns in poetry: The Advancement of Literary and Cultural Theory Sureya Sultana, 2023-01-31 |
maud bodkin archetypal patterns in poetry: The Rhapsodes David Bordwell, 2016-04-04 An engaging look at four pioneering film critics—“besides being a pleasure to read, [it] makes a sophisticated contribution to the study of film criticism” (Cineaste). In the 1960s, Pauline Kael, Andrew Sarris, and Roger Ebert were three of America’s most popular and influential film critics. But their remarkable contributions to the cinema landscape were deeply influenced by the work of four earlier critics who are too often overlooked: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Throughout the ’30s and ’40s, these pioneering critics scrutinized movies with an intensity not previously seen in popular reviewing. With The Rhapsodes, renowned film scholar and critic David Bordwell restores their work to a wider audience. Bordwell calls these four critics the “Rhapsodes”, in honor of their passionate and deliberately offbeat prose. Each broke with prevailing currents in criticism, finding new ways to discuss popular films that their contemporaries regarded as trivial. With his customary clarity and brio, Bordwell considers each critics’ writing style, their conceptions of films, and their many quarrels. He then concludes by examining their profound impact on later generations of film writers. |
maud bodkin archetypal patterns in poetry: Lucifer and Prometheus R J Z WERBLOWSKY, 2013-07-04 Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the International Library of Psychology series is available upon request. |
maud bodkin archetypal patterns in poetry: Northrop Frye's Writings on Shakespeare and the Renaissance Northrop Frye, 2018-08-08 This collection of Northrop Frye's writings on Shakespeare and the Renaissance spans forty years of his career as a university teacher, public critic, and major theorist of literature and its cultural functions. Extensive annotations and an in-depth critical introduction demonstrate Frye's wide-ranging knowledge of Renaissance culture, the pivotal place of the Renaissance in his oeuvre, his impact on Renaissance criticism and on the Stratford Festival, and his continuing importance as a literary theorist. This volume brings together Frye's extensive writings on Shakespeare and other Renaissance writers (excluding Milton, who is featured in other volumes), and includes major articles, introductions, public lectures, and four previously published books on Shakespeare. Frye's insightful analyses offer not just a formidable knowledge of Renaissance culture but also a transformative experience, moving the reader imaginatively towards an experience of created reality. |
maud bodkin archetypal patterns in poetry: Emotion James Hillman, 2013-07-04 This is Volume XIV of thirty-eight in a series on the General Psychology. Originally published in 1960, this study offers A Comprehensive Phenomenology of Theories and their Meanings for Therapy. |
maud bodkin archetypal patterns in poetry: The Humanities: Methodology And Perspectives, 2/E Kundu Abhijit, 2010-09 |
maud bodkin archetypal patterns in poetry: A Coleridge Companion John Spencer Hill, 1984-06-07 |
maud bodkin archetypal patterns in poetry: Grand Expectations James T. Patterson, 1996 A portrait of America from 1945 through Watergate that weaves the major political, cultural, and economic events of the period. |
maud bodkin archetypal patterns in poetry: ONE HUNDRED YEARS OF THE WASTE LAND Dr. Muralikrishnan T.R., Dr. Jyothimol.P, Dr. Rajesh.M, Mr.Vishnu N , 2023-08-24 One of the remarkable qualities of The Waste Land is its ability to resonate across time and space, transcending cultural and historical boundaries. As we mark its centenary, it is fitting that we take stock of the poem's continued relevance in our contemporary world. The contributors to this anthology guide us through the labyrinthine paths of The Waste Land, highlighting its capacity to speak to our own spiritual dilemmas, anxieties, and yearnings. |
maud bodkin archetypal patterns in poetry: The Miltonic Setting Past and Present E. M. W. Tillyard, 2014-12-04 Originally published in 1938, this book considers the status of John Milton among later poets and how Milton's poetry was received by later generations in very different political and religious settings. Tillyard considers a number of aspects of Milton's style and legacy, including his influence on Keats. This book will be of value to anyone with an interest in Milton's work. |
maud bodkin archetypal patterns in poetry: The miltonic setting E. Tillyard, 1949 |
maud bodkin archetypal patterns in poetry: The Generic Demands of Greek Literature Frederic Will, 2023-08-21 |
maud bodkin archetypal patterns in poetry: The Vampire as Numinous Experience Beth E. McDonald, 2015-01-24 The critical work examines the vampire as a spiritual figure--whether literal or metaphorical--analyzing how the use of the vampire in literature has served to convey both a human sense of alienation from the divine and a desire to overcome that alienation. While expressing isolation, the vampire also represents the transcendent agent through which individuals and societies must confront questions about innate good or evil, and belief in the divine and the afterlife. Textual experiences of the numinous in the form of the vampire propel the subject on a spiritual journey involving both psychological and religious qualities. Through this journey, the reader and the main character may begin to understand the value of their existence and the divine. A variety of works, poetry and fiction by British and American authors, is discussed, with particular concentration on Coleridge's The Rime of the Ancient Mariner, Bram Stoker's Dracula, and Anne Rice's Vampire Chronicles, as representative of the Romantic, Victorian, and late twentieth century periods of literature. A conclusion looks at the future of the literary vampire. |
maud bodkin archetypal patterns in poetry: Literature East and West Rabindra Kumar Dasgupta, 1995 |
maud bodkin archetypal patterns in poetry: Literary Theory Martin Procházka , 2015-04-01 Učebnice zachycující základní momenty myšlení o literatuře a umění v anglicky mluvících zemích v období renesance, klasicismu, romantismu, ve viktoriánské době a v první polovině 20. stol (tzv. nová kritika) s přesahy k antice (Platón, Aristotelés, Horatius, Pseudolonginos) a k moderním i současným přístupům v Čechách a ve Francii (strukturalismus, dekonstrukce, feministická kritika a gender studies). Historický přehled doplňují stručná pojednání o základních literárněteoretických pojmech. Učebnice je určena studentům humanitních oborů na VŠ. |
maud bodkin archetypal patterns in poetry: Where Agnon and Jung Meet Sarit Ezekiel, 2019-09-12 S. Y. Agnon is Israel’s most celebrated author and the only Israeli writer to have received the Noble Prize for Literature, which he received in 1966. His novels and short stories deal with the traditional Jewish way of life and its interaction with twentieth century European and Western living. This book uses Carl Gustav Jung’s theory of archetypes as a method of analysis of the Jewish archetypes found in Agnon’s novel, The Bridal Canopy. It serves as a practical guide to the application of psychological theory to a modern novel. As such, it heightens the literary sensitivity of the reader, and serves as a tool for a psychological perspective on the depths of the universal human soul. |
maud bodkin archetypal patterns in poetry: C. Day-Lewis: The Golden Bridle Albert Gelpi, Bernard O'Donoghue, 2018-01-26 C. Day-Lewis was a major figure in British poetry and culture from the 1930s until his death in 1972. The Golden Bridle: Selected Prose takes its title from the myth of Bellerophon and the golden bridle of Pegasus, which Day-Lewis invoked on several occasions as a metaphor for the creative process. Day-Lewis as poet is, then, the organizing idea of this anthology, and the selections indicate the scope and range of his vital engagement with English life and letters. Organised into four parts, the volume illustrates Day-Lewis's reflections on the role and function of poetry in society and culture; the creative process and the workings of the imagination as well as the nature of poetic truth and its relation to science; poets who were of particular importance to Day-Lewis; and the poetic process in relation to the composition of several of his own poems. The notes indicate the particular source, circumstances, and central issues of each piece, to provide a brief intellectual biography and critical account of this eminent poet's development and standing. |
maud bodkin archetypal patterns in poetry: The Reader, the Text, the Poem Louise M. Rosenblatt, 1994-09-21 Louise M. Rosenblatt’s award-winning work continues increasingly to be read in a wide range of academic fields—literary criticism, reading theory, aesthetics, composition, rhetoric, speech communication, and education. Her view of the reading transaction as a unique event involving reader and text at a particular time under particular circumstances rules out the dualistic emphasis of other theories on either the reader or the text as separate and static entities. The transactional concept accounts for the importance of factors such as gender, ethnicity, culture, and socioeconomic context. Essential reading for the specialist, this book is also well suited for courses in criticism, critical theory, rhetoric, and aesthetics. Starting from the same nonfoundationalist premises, Rosenblatt avoids the extreme relativism of postmodern theories derived mainly from Continental sources. A deep understanding of the pragmatism of Dewey, James, and Peirce and of key issues in the social sciences is the basis for a view of language and the reading process that recognizes the potentialities for alternative interpretations and at the same time provides a rationale for the responsible reading of texts. The book has been praised for its lucid explanation of the multidimensional character of the reading process—evoking, interpreting, and evaluating the work. The nonliterary (efferent) and the literary (aesthetic) are shown not to be opposites but to represent a continuum of reading behaviors. The author amply illustrates her theoretical points with interpretations of varied texts. The epilogue carries further her critique of rival contemporary theories. |
maud bodkin archetypal patterns in poetry: , |
maud bodkin archetypal patterns in poetry: The Poetics of Myth Eleazar M. Meletinsky, 2014-01-21 First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. |
MAUD - Materials Analysis Using Diffraction (and more)
MAUD is a free software to analyse diffraction data using a combined Rietveld method. Its capabilities extend beyond diffraction and include fluorescence and reflectivity. It can analyse …
Maud (given name) - Wikipedia
Maud or Maude (approximately pronounced /mɔːd/ in English), is an Old German name meaning "powerful battler". It is a variant of the given name Matilda but is uncommon as a surname . The …
Meaning, origin and history of the name Maud - Behind the Name
Oct 6, 2024 · Though it became rare after the 14th century, it was revived and once more grew popular in the 19th century, perhaps due to Alfred Tennyson's 1855 poem Maud.
Maud - Baby Name Meaning, Origin, and Popularity
Jun 5, 2025 · The name Maud is a girl's name meaning "battle-mighty". Maud, lacy and mauve-tinted, was wildly popular a hundred years ago but has been rarely heard in the past fifty. Some …
Explore Maud: Meaning, Origin & Popularity - MomJunction
Jul 10, 2024 · Maud is a superb choice for parents seeking a concise name with a powerful meaning. Rooted in Germanic origins and imbued with poetic significance, Maud celebrates a …
Maud - Name Meaning and Origin
The name Maud is of Germanic origin and is derived from the Old High German name "Mathilda," which means "mighty in battle." It is a strong and powerful name that conveys bravery and …
Maud - Name Meaning, Origin, Popularity, and Related Names
Maud Of Wales (1869–1938), Queen Of Norway", And Member Of The British Royal Family
New York City Celebrity Hotspot Café Maud To Open Upper East
5 days ago · This spot, founded by Irish restaurateurs (Jackdaw, Odd Sister, Dear Maud), Paul McDaid, Ronan Carter, Jack Watson, Aaron Ashe, along with Curt Huegel, is known for its …
Maud : Meaning and Origin of First Name - Ancestry
The name Maud, originating from English, has a rich history dating back centuries. Its etymology can be traced to the Germanic elements maht, meaning might, and hild, meaning battle. Thus, …
Maud - Meaning of Maud, What does Maud mean? - BabyNamesPedia
Maud is an English name of Germanic origin. Maud is a variant spelling of the name Maude (English) as well as a variant transcription of the name Matilda (English, Italian, Portuguese, and …
MAUD - Materials Analysis Using Diffraction (and more)
MAUD is a free software to analyse diffraction data using a combined Rietveld method. Its capabilities extend beyond diffraction and include fluorescence and reflectivity. It can analyse …
Maud (given name) - Wikipedia
Maud or Maude (approximately pronounced /mɔːd/ in English), is an Old German name meaning "powerful battler". It is a variant of the given name Matilda but is uncommon as a surname . …
Meaning, origin and history of the name Maud - Behind the Name
Oct 6, 2024 · Though it became rare after the 14th century, it was revived and once more grew popular in the 19th century, perhaps due to Alfred Tennyson's 1855 poem Maud.
Maud - Baby Name Meaning, Origin, and Popularity
Jun 5, 2025 · The name Maud is a girl's name meaning "battle-mighty". Maud, lacy and mauve-tinted, was wildly popular a hundred years ago but has been rarely heard in the past fifty. …
Explore Maud: Meaning, Origin & Popularity - MomJunction
Jul 10, 2024 · Maud is a superb choice for parents seeking a concise name with a powerful meaning. Rooted in Germanic origins and imbued with poetic significance, Maud celebrates a …
Maud - Name Meaning and Origin
The name Maud is of Germanic origin and is derived from the Old High German name "Mathilda," which means "mighty in battle." It is a strong and powerful name that conveys bravery and …
Maud - Name Meaning, Origin, Popularity, and Related Names
Maud Of Wales (1869–1938), Queen Of Norway", And Member Of The British Royal Family
New York City Celebrity Hotspot Café Maud To Open Upper East …
5 days ago · This spot, founded by Irish restaurateurs (Jackdaw, Odd Sister, Dear Maud), Paul McDaid, Ronan Carter, Jack Watson, Aaron Ashe, along with Curt Huegel, is known for its …
Maud : Meaning and Origin of First Name - Ancestry
The name Maud, originating from English, has a rich history dating back centuries. Its etymology can be traced to the Germanic elements maht, meaning might, and hild, meaning battle. Thus, …
Maud - Meaning of Maud, What does Maud mean? - BabyNamesPedia
Maud is an English name of Germanic origin. Maud is a variant spelling of the name Maude (English) as well as a variant transcription of the name Matilda (English, Italian, Portuguese, …