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| medea seneca: Seneca: Medea Lucius Annaeus Seneca, 2014 A full-scale critical edition of Seneca's Medea which offers a substantial introduction, a new Latin text, an English verse translation, and a detailed commentary. Boyle locates the play firmly in its contemporary, historical, and theatrical context and in the ensuing literary and dramatic tradition. |
| medea seneca: Medea Lucius Annaeus Seneca, 1986 Medea is a fabula crepidata (Roman tragedy with Greek subject) of about 1027 lines of verse written by Seneca. It is generally considered to be the strongest of his earlier plays. It was written around 50 CE. The play is about the vengeance of Medea against her betraying husband Jason and King Creon. The leading role, Medea, delivers over half of the play's lines. Medea addresses many themes, one being that the title character represents payment for humans' transgression of natural laws. She was sent by the gods to punish Jason for his sins. Another theme is her powerful voice that cannot be silenced, not even by King Creon. |
| medea seneca: Two Tragedies of Seneca Lucius Annaeus Seneca, 1899 |
| medea seneca: Six Tragedies Lucius Annaeus Seneca, 2010-01-14 This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes Phaedra, Oedipus, Medea, Trojan Women, Hercules Furens, and Thyestes, together with an invaluable introduction and notes. |
| medea seneca: Seneca: Medea Helen Slaney, 2019-02-21 Composed in early imperial Rome by Lucius Annaeus Seneca, Stoic philosopher and tutor to the emperor Nero, the tragedy Medea is dominated by the superhuman energy of its protagonist: diva, killer, enchantress, force of nature. Seneca's treatment of the myth covers an episode identical to that of Euripides' Greek version, enabling instructive comparisons to be drawn. Seneca's Medea has challenged and fascinated theatre-makers across cultures and centuries and should be regarded as integral to the classical heritage of European theatre. This companion volume sketches the essentials of Seneca's play and at the same time situates it within an interpretive tradition. It also uses Medea to illustrate key features of Senecan dramaturgy, the way in which language functions as a mode of theatrical representation and the way in which individuals are embedded in their surrounding conditions, resonating dissonantly with the principles of Roman Stoicism. By interweaving some of the play's subsequent receptions, theatrical and textual, into critical analysis of Medea as dramatic poetry, this companion volume will encourage the student to come to grips immediately with the ancient text's inherent multiplicity. In this way, reception theory informs not only the content of the volume but also, fundamentally, the way in which it is presented. |
| medea seneca: The Tragedies of Seneca Lucius Annaeus Seneca, Ella Isabel Harris, 2023-07-18 This collection brings together the powerful tragedies of the ancient Roman philosopher and statesman Seneca. Known for their raw emotion and vivid language, these plays explore timeless themes such as revenge, power, and the complexities of the human condition. A must-read for fans of classical literature and drama. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| medea seneca: The Medea of Seneca Lucius Annaeus Seneca, 1900 |
| medea seneca: Seneca: Phaedra Lucius Annaeus Seneca, 1990-02-23 Seneca's Phaedra occupies an important and influential position in the tradition of European drama. This new edition concentrates on the dramatic qualities of Phaedra and examines the Greek and Roman background to the play, particularly Seneca's use of Euripides and Ovid, and its philosophical elements grounded in Seneca's Stoicism. The introduction also discusses dramatic and rhetorical presentation, aspects of style including imagery and the transmission of the text. An unusual feature is the treatment of the influence of the Phaedra story in later European literature and music. The commentary examines Seneca's language in detail and looks at his use of earlier poetic models (Virgil and Ovid) as well as plot, characterisation and his use of myth. Although principally for students of Latin literature, this new edition will also be of interest to historians of drama and comparative literature. |
| medea seneca: The Book of Prophecies Christopher Columbus, Roberto Rusconi, 2004-04-09 Christopher Columbus returned to Europe in the final days of 1500, ending his third voyage to the Indies not in triumph but in chains. Seeking to justify his actions and protect his rights, he began to compile biblical texts and excerpts from patristic writings and medieval theology in a manuscript known as the Book of Prophecies. This unprecedented collection was designed to support his vision of the discovery of the Indies as an important event in the process of human salvation - a first step toward the liberation of Jerusalem and the Holy Land from Muslim domination. This work is part of a twelve-volume series produced by U.C.L.A.'s Center for Medieval and Renaissance Studies which involved the collaboration of some forty scholars over the course of fourteen years. In this volume of the series, Roberto Rusconi has written a complete historical introduction to the Book of Prophecies, describing the manuscript's history and analyzing its principal themes. His edition of the documents, the only modern one, includes a complete critical apparatus and detailed commentary, while the facing-page English translations allow Columbus's work to be appreciated by the general public and scholars alike. |
| medea seneca: Medea James J. Clauss, Sarah Iles Johnston, 2020-06-30 From the dawn of European literature, the figure of Medea--best known as the helpmate of Jason and murderer of her own children--has inspired artists in all fields throughout all centuries. Euripides, Seneca, Corneille, Delacroix, Anouilh, Pasolini, Maria Callas, Martha Graham, Samuel Barber, and Diana Rigg are among the many who have given Medea life on stage, film, and canvas, through music and dance, from ancient Greek drama to Broadway. In seeking to understand the powerful hold Medea has had on our imaginations for nearly three millennia, a group of renowned scholars here examines the major representations of Medea in myth, art, and ancient and contemporary literature, as well as the philosophical, psychological, and cultural questions these portrayals raise. The result is a comprehensive and nuanced look at one of the most captivating mythic figures of all time. Unlike most mythic figures, whose attributes remain constant throughout mythology, Medea is continually changing in the wide variety of stories that circulated during antiquity. She appears as enchantress, helper-maiden, infanticide, fratricide, kidnapper, founder of cities, and foreigner. Not only does Medea's checkered career illuminate the opposing concepts of self and other, it also suggests the disturbing possibility of otherness within self. In addition to the editors, the contributors include Fritz Graf, Nita Krevans, Jan Bremmer, Dolores M. O'Higgins, Deborah Boedeker, Carole E. Newlands, John M. Dillon, Martha C. Nussbaum, Christiane Sourvinou-Inwood, and Marianne McDonald. |
| medea seneca: The Medea of Seneca Lucius Annaeus Seneca, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| medea seneca: Portraits of Medea in Portugal during the 20th and 21st Centuries Andrés Pociña Pérez, Aurora López, Carlos Ferreira Morais, Maria de Fátima Silva, Patrick Finglass, 2018-11-01 The theme of Medea in Portuguese literature has mainly given rise to the writing of new plays on the subject. The central episode in the Portuguese rewritings in the last two centuries is the one that takes place in Corinth, i.e., the break between Medea and Jason, on the one hand, and Medea’s killing of their children in retaliation, on the other. Besides the complex play of feelings that provides this episode with very real human emotions, gender was a key issue in determining the interest that this story elicited in a society in search of social renovation, after profound political transformations – during the transition between dictatorship and democracy which happened in 1974 – that generated instability and established a requirement to find alternative rules of social intercourse in the path towards a new Portugal. |
| medea seneca: Seneca's Drama Norman T. Pratt, 2017-11-01 With insight and clarity, Norman Pratt makes available to the general reader an understanding of the major elements that shaped Seneca's plays. These he defines as Neo-Stoicism, declamatory rhetoric, and the chaotic, violent conditions of Senecan society. Seneca's drama shows the nature of this society and uses freely the declamatory rhetorical techniques familiar to any well-educated Roman. But the most important element, Pratt argues, is Neo-Stoicism, including technical aspects of this philosophy that previously have escaped notice. With these ingredients Seneca transformed the themes and characters inherited from Greek drama, casting them in a form that so radically departs from the earlier drama that Seneca's plays require a different mode of criticism. The greatest need in the criticism of this drama is to understand its legitimacy as drama of a new kind in the anicent tradition, Pratt writes. It cannot be explained as an inferior imitation of Greek tragedy because, though inferior, it is not imitative in the strict sense of the word and has its own nature and motivation. Pratt shows the functional interrelationship among philosophy, rhetoric, and society in Seneca's nine plays and assesses the plays' dramatic qualities. He finds that however melodramatic the plays may seem to the modern reader, Seneca's own career as Nero's mentor, statesman, and spokesman was scarcely less tumultuous than the lives of his characters. When the Neo-Stoicism and rhetoric of the plays are charged with Seneca's own tortured, passionate life, Pratt concludes, The result is inevitably melodrama, melodrama of such energy and force that it changed the course of Western drama. Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
| medea seneca: Tragic Seneca A. J. Boyle, 2013-05-13 Tragic Seneca undertakes a radical re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition. Following an introduction on the history of the Roman theatre, the book provides a dramatic and cultural critique of the whole of Seneca's corpus, analysing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture. The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind. Tragic Seneca attempts to restore Seneca to a central position in the European literary tradition. It will provide readers and directors of Seneca's plays with the essential critical guide to their intellectual, cultural and dramatic complexity. |
| medea seneca: Dialogues and Essays Seneca, 2007-10-11 'No man is crushed by misfortune unless he has first been deceived by prosperity.' In these dialogues and essays the Stoic philosopher Seneca outlines his thoughts on how to live in a troubled world. Tutor to the young emperor Nero, Seneca wrote exercises in practical philosophy that draw upon contemporary Roman life and illuminate the intellectual concerns of the day. They also have much to say to the modern reader, as Seneca ranges widely across subjects such as the shortness of life, tranquillity of mind, anger, mercy, happiness, and grief at the loss of a loved one. Seneca's accessible, aphoristic style makes his writing especially attractive as an introduction to Stoic philosophy, and belies its reputation for austerity and dogmatism. This edition combines a clear and modern translation with an introduction to Seneca's life and philosophical interests, and helpful notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| medea seneca: Seneca's Characters Erica M. Bexley, 2022-07-07 The first full-length study of fictional character in Senecan tragedy, focusing on issues of coherence, imitation, appearance and autonomy. |
| medea seneca: Looking at Medea David Stuttard, 2014-05-22 Euripides' Medea is one of the most often read, studied and performed of all Greek tragedies. A searingly cruel story of a woman's brutal revenge on a husband who has rejected her for a younger and richer bride, it is unusual among Greek dramas for its acute portrayal of female psychology. Medea can appear at once timeless and strikingly modern. Yet, the play is very much a product of the political and social world of fifth century Athens and an understanding of its original context, as well as a consideration of the responses of later ages, is crucial to appreciating this work and its legacy. This collection of essays by leading academics addresses these issues, exploring key themes such as revenge, character, mythology, the end of the play, the chorus and Medea's role as a witch. Other essays look at the play's context, religious connotations, stagecraft and reception. The essays are accompanied by David Stuttard's English translation of the play, which is performer-friendly, accessible yet accurate and closely faithful to the original. |
| medea seneca: Medea Christa Wolf, 1998-03-17 Medea is among the most notorious women in the canon of Greek tragedy: a woman scorned who sacrifices her own children to her jealous rage. In her gripping new novel, Christa Wolf expands this myth, revealing a fiercely independent woman ensnared in a brutal political battle. Medea, driven by her conscience to leave her corrupt homeland, arrives in Corinth with her husband, the hero Jason. He is welcomed, but she is branded the outsider—and then she discovers the appalling secret behind the king's claim to power. Unwilling to ignore the horrifying truth about the state, she becomes a threat to the king and his ruthless advisors. Then abandoned by Jason and made a public scapegoat, she is reviled as a witch and a murderess. Long a sharp-eyed political observer, Christa Wolf transforms this ancient tale into a startlingly relevant commentary on our times. Possessed of the enduring truths so treasured in the classics, and yet with a thoroughly contemporary spin, her Medea is a stunningly perceptive and probingly honest work of fiction. |
| medea seneca: The Passions in Play Alessandro Schiesaro, 2003-09-25 This monograph is devoted to the most important of Seneca's tragedies, Thyestes, which has had a notable influence on Western drama from Shakespeare to Antonin Artaud. Thyestes emerges as the mastertext of 'Silver' Latin poetry, and as an original reflection on the nature of theatre comparable to Euripides' Bacchae. The book analyses the complex structure of the play, its main themes, the relationship between Seneca's vibrant style and his obsession with dark issues of revenge and regression. Substantial discussion of other plays - especially Trojan Women, Oedipus and Medea - permits a comprehensive re-evaluation of Seneca's poetics and its pivotal role in post-Virgilian literature. Topics explored include the relationship between Seneca's plays and his theory of the emotions, the connection between poetic inspiration and the Underworld, and Seneca's treatment of time, which, in a perspective informed by psychoanalysis, is seen as a central preoccupation of Senecan tragedy. |
| medea seneca: The Cambridge Companion to Seneca Shadi Bartsch, Alessandro Schiesaro, 2015-02-16 The Roman statesman, philosopher and playwright Lucius Annaeus Seneca dramatically influenced the progression of Western thought. His works have had an unparalleled impact on the development of ethical theory, shaping a code of behavior for dealing with tyranny in his own age that endures today. This Companion thoroughly examines the complete Senecan corpus, with special emphasis on the aspects of his writings that have challenged interpretation. The authors place Seneca in the context of the ancient world and trace his impressive legacy in literature, art, religion, and politics from Neronian Rome to the early modern period. Through critical discussion of the recent proliferation of Senecan studies, this volume compellingly illustrates how the perception of Seneca and his particular type of Stoicism has evolved over time. It provides a comprehensive overview that will benefit students and scholars in classics, comparative literature, history, philosophy and political theory, as well as general readers. |
| medea seneca: The Story of Greece and Rome Tony Spawforth, 2018-11-06 “This excellent survey . . . spans the rise and fall of the Greco-Roman world. This conversational yet erudite history is a treat.” (Publishers Weekly, starred review) The magnificent civilization created by the ancient Greeks and Romans is the greatest legacy of the classical world. However, narratives about the “civilized” Greek and Roman empires resisting the barbarians at the gate are far from accurate. Tony Spawforth, an esteemed scholar, author, and BBC presenter, follows the thread of civilization through more than six millennia of history. His story reveals that Greek and Roman civilization, to varying degrees, was surprisingly receptive to external influences, particularly from the East. From the rise of the Mycenaean world of the sixteenth century B.C., Spawforth traces a path through the ancient Aegean to the zenith of the Hellenic state and the rise of the Roman Empire, the coming of Christianity, and the consequences of the first caliphate. Deeply informed, provocative, and entirely fresh, this is the first and only accessible work that tells the extraordinary story of the classical world in its entirety. “A welcome survey of the two greatest powers in the ancient Mediterranean world and their bound destinies.” —Kirkus Reviews “A sweeping, beautifully written story. . . . With Spawforth as our guide, we grasp a world less of myths and superheroes than of people who really lived.” —John Timpane, The Philadelphia Inquirer “With great agility, Spawforth mixes literary, inscriptional, and archaeological material and offers a nuanced understanding of how civilisations evolve.” —Professor Michael Scott, author of Ancient Worlds “Informed, informative and thoroughly enjoyable. . . . A book that brings the past back to life.” —Peter Frankopan, author of The Silk Roads |
| medea seneca: Agamemnon Lucius Annaeus Seneca, 2019 The tragic myth of Agamemnon, Mycenae's 'king of kings', who sacrificed his own daughter in order to sack the great city of Troy and returned home only to be assassinated by his wife and her lover, has been a constant source of fascination for writers and artists from classical Greece right up to the present day. The ancient Romans were drawn to the myth, but Seneca's tragedy is the only dramatic treatment from this tradition to have survived intact: often undervalued, it is in fact intellectually and poetically one of his richest plays - dramatically innovative, spectacular, and pervasively self-reflective. Its strong lyric and theatrical qualities - from polymetric choral odes to powerful meditative soliloquies-perfectly complement Seneca's complex presentation of the slaying of husband, father, and king and his exploration of such attendant issues as family, despotism, knowledge, gender, political order, freedom, vengeance, and death. Also containing extant Latin literature's most complex representation of two iconic women of classical myth (and occasional feminist paradigms), Clytemnestra and Cassandra, the tragedy ably transcends the narrow context of late Julio-Claudian Rome and contains much that speaks pointedly to our times. This new full-scale edition of Seneca's Agamemnon offers a comprehensive introduction, newly edited Latin text, English verse translation designed for both performance and high-level academic study, and detailed exegetic, analytic, and interpretative commentary. The aim throughout has been to elucidate the text dramatically as well as philologically, and to locate the play firmly in its contemporary historical and theatrical context and in the ensuing literary and dramatic tradition. As such, its substantial influence on European drama, opera, and ballet from the sixteenth to the nineteenth centuries is given especial emphasis throughout; this and the accessible notes on the text make the edition of particular use not only to scholars and students of classics, but also of comparative literature and drama, and to anyone interested in the cultural dynamics of literary reception and in the interplay between theatre and history. |
| medea seneca: Seneca: Medea Helen Slaney, 2020-08-20 Composed in early imperial Rome by Lucius Annaeus Seneca, Stoic philosopher and tutor to the emperor Nero, the tragedy Medea is dominated by the superhuman energy of its protagonist: diva, killer, enchantress, force of nature. Seneca's treatment of the myth covers an episode identical to that of Euripides' Greek version, enabling instructive comparisons to be drawn. Seneca's Medea has challenged and fascinated theatre-makers across cultures and centuries and should be regarded as integral to the classical heritage of European theatre. This companion volume sketches the essentials of Seneca's play and at the same time situates it within an interpretive tradition. It also uses Medea to illustrate key features of Senecan dramaturgy, the way in which language functions as a mode of theatrical representation and the way in which individuals are embedded in their surrounding conditions, resonating dissonantly with the principles of Roman Stoicism. By interweaving some of the play's subsequent receptions, theatrical and textual, into critical analysis of Medea as dramatic poetry, this companion volume will encourage the student to come to grips immediately with the ancient text's inherent multiplicity. In this way, reception theory informs not only the content of the volume but also, fundamentally, the way in which it is presented. |
| medea seneca: Homo Viator Michael Whitby, Philip R. Hardie, Mary Whitby, 1987-01-01 |
| medea seneca: Seneca on Society Miriam T. Griffin, 2013-03-14 A volume which explores in detail Seneca's De Beneficiis. Divided into three sections, it looks at the historical and philosophical context of the work, its relation to Seneca's other texts, and concludes with a detailed synopsis of each book, accompanied by notes in commentary form. |
| medea seneca: Seneca: Selected Letters Seneca, 2019-06-06 The letters of Seneca are uniquely engaging among the works that have survived from antiquity. They offer an urgent guide to Stoic self-improvement but also cast light on Roman attitudes towards slavery, gladiatorial combat and suicide. This selection of letters conveys their range and variety, with a particular focus on letters from the earlier part of the collection. As well as a general introduction, it features a brief introductory essay on each letter, which draws out its themes and sets it in context. The commentary explains the more challenging aspects of Seneca's Latin. It also casts light on his engagement with Stoic (and Epicurean) ideas, on the historical context within which the letters were written and on their literary sophistication. This edition will be invaluable for undergraduate and graduate students and scholars of Seneca's moral and intellectual development. |
| medea seneca: Three Tragedies of Seneca Lucius Annaeus Seneca, 1908 |
| medea seneca: Unbinding Medea Heike Bartel, 2017-07-05 Medea - simply to mention her name conjures up echoes and cross-connections from Antiquity to the present. The vengeful wife, the murderess of her own children, the frail, suicidal heroine, the archetypal Bad Mother, the smitten maiden, the barbarian, the sorceress, the abused victim, the case study for a pathology. For more than two thousand years, she has arrested the eye in paintings, reverberated in opera, called to us from the stage. She demands the most interdisciplinary of study, from ancient art to contemporary law and medicine; she is no more to be bound by any single field of study than by any single take on her character. The contributors to this wide-ranging volume are Brian Arkins, Angela J. Burns, Anthony Bushell, Richard Buxton, Peter A. Campbell, Margherita Carucci, Daniela Cavallaro, Robert Cowan, Hilary Emmett, Edith Hall, Laurence D. Hurst, Ekaterini Kepetzis, Ivar Kvistad, Catherine Leglu, Yixu Lue, Edward Phillips, Elizabeth Prettejohn, Paula Straile-Costa, John Thorburn, Isabelle Torrance, Terence Stephenson, and Amy Wygant. |
| medea seneca: The Anatomy of Myth Michael W. Herren, 2017 The Anatomy of Myth is a comprehensive study of the methods of interpreting authoritative myths from the Presocratic philosophers to the Neoplatonists and their adoption by the Church Fathers. |
| medea seneca: Seneca on the Stage Dana Ferrin Sutton, 1986 In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism, '' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind |
| medea seneca: Beyond the Nile Sara E. Cole, 2018-04-17 From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another’s work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt’s history, however, that Beyond the Nile uncovers. Renowned scholars have come together to provide compelling analyses of the constantly evolving dynamics of cultural exchange, first between Egyptians and Greeks—during the Bronze Age, then the Archaic and Classical periods of Greece, and finally Ptolemaic Egypt—and later, when Egypt passed to Roman rule with the defeat of Cleopatra. Beyond the Nile, a milestone publication issued on the occasion of a major international exhibition, will become an indispensable contribution to the field. With gorgeous photographs of more than two hundred rare objects, including frescoes, statues, obelisks, jewelry, papyri, pottery, and coins, this volume offers an essential and inter-disciplinary approach to the rich world of artistic cross-pollination during antiquity. |
| medea seneca: Tragic Agency in Classical Drama from Aeschylus to Voltaire Paul Hammond, 2021-10-18 Are we free agents? This perennial question is addressed by tragedy when it dramatizes the struggle of individuals with supernatural forces, or maps the inner conflict of a mind divided against itself. The first part of this book follows the adaptations of four myths as they migrate from classical Greek tragedy to Seneca and on to seventeenth-century France: the stories of Agamemnon, Oedipus, Medea, and Phaedra. Detailed linguistic analysis charts the playwrights’ contrasting assumptions about agency and autonomy. In the second part, six plays by Corneille and Racine are discussed to show how the problem of agency and free will is explored in scenarios which show protagonists who are in thrall to their past, to their rulers, or to their own ideals. |
| medea seneca: Seneca's Tragedies and the Aesthetics of Pantomime Alessandra Zanobi, 2014-01-16 Pantomime was arguably the most popular dramatic genre during the Roman Empire, but has been relatively neglected by literary critics. Seneca's Tragedies and the Aesthetics of Pantomime adds to our understanding of Seneca's tragic art by demonstrating that elements which have long puzzled scholars can be attributed to the influence of pantomime. The work argues that certain formal features which depart from the conventions of fifth-century Attic drama can be explained by the influence of, and interaction with, this more popular genre. The work includes a detailed and systematic analysis of the specific pantomime-inspired features of Seneca's tragedies: the loose dramatic structure, the presence of “running commentaries” (minute descriptions of characters undergoing emotional strains or performing specific actions), of monologues of self-analysis, and of narrative set-pieces. Relevant to the culture of Roman imperial culture more generally, Seneca's Tragedies and the Aesthetics of Pantomime includes an outline of the general features of pantomime as a genre. The work shows that the influence of sub-literary-genres such as pantomime and mime, the sister art of pantomime, can be traced in several Roman writers whose literary production was antecedent or contemporary with Seneca's. Furthermore, the work sheds light on the interaction between sub-literary genres of a performative nature such as mime and pantomime and more literary ones, an aspect of Latin culture which previous scholarship has tended to overlook. Seneca's Tragedies and the Aesthetics of Pantomime provides an original contribution to the understanding of the impact of pantomime on Roman literary culture and of controversial and little-understood features of Senecan tragedies. |
| medea seneca: Shakespeare and Classical Antiquity Colin Burrow, 2013-09-05 This book explains for students and scholars the nature and extent of Shakespeare's classical learning. It shows why Ben Jonson was wrong to claim that he had 'small Latin and less Greek', and demonstrates that Shakespeare acquired the central foundations of his art from his classical reading. It explores in detail his relationship to Virgil, Ovid, Plautus, Terence, Seneca, and Plutarch, as well as showing how his beliefs about and attitudes towards classicalliterature changed in the course of his career. |
| medea seneca: Agamemnon Aeschylus, 1831 |
| medea seneca: Arcana Mundi Georg Luck, 2006-05-06 Magic, miracles, daemonology, divination, astrology, and alchemy were the arcana mundi, the secrets of the universe, of the ancient Greeks and Romans. In this path-breaking collection of Greek and Roman writings on magic and the occult, Georg Luck provides a comprehensive sourcebook and introduction to magic as it was practiced by witches and sorcerers, magi and astrologers, in the Greek and Roman worlds. In this new edition, Luck has gathered and translated 130 ancient texts dating from the eighth century BCE through the fourth century CE. Thoroughly revised, this volume offers several new elements: a comprehensive general introduction, an epilogue discussing the persistence of ancient magic into the early Christian and Byzantine eras, and an appendix on the use of mind-altering substances in occult practices. Also added is an extensive glossary of Greek and Latin magical terms. In Arcana Mundi Georg Luck presents a fascinating—and at times startling—alternative vision of the ancient world. For a long time it was fashionable to ignore the darker and, to us, perhaps, uncomfortable aspects of everyday life in Greece and Rome, Luck has written. But we can no longer idealize the Greeks with their 'artistic genius' and the Romans with their 'sober realism.' Magic and witchcraft, the fear of daemons and ghosts, the wish to manipulate invisible powers—all of this was very much a part of their lives. |
| medea seneca: Roman Drama and its Contexts Stavros Frangoulidis, Stephen J. Harrison, Gesine Manuwald, 2016-03-21 Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ‘context’, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to address this issue: it includes 33 contributions by an international team of scholars, discussing single plays or Roman dramatic genres (including comedy, tragedy and praetexta, from both the Republican and imperial periods) in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation, the intellectual background or the later reception. Overall, they offer a rich panorama of the role of Roman drama or individual plays in Roman society and literary history. The insights gained thereby will be of relevance to everyone interested in Roman drama or literature more generally, comparative literature or drama and theatre studies. This contextual approach has the potential of changing the way in which Roman drama is viewed. |
| medea seneca: Understanding Latin Literature Susanna Morton Braund, 2017-04-27 Understanding Latin Literature is a highly accessible, user-friendly work that provides a fresh and illuminating introduction to the most important aspects of Latin prose and poetry. This second edition is heavily revised to reflect recent developments in scholarship, especially in the area of the later reception and reverberations of Latin literature. Chapters are dedicated to Latin writers such as Virgil and Livy and explore how literature related to Roman identity and society. Readers are stimulated and inspired to do their own further reading through engagement with a wide selection of translated extracts and through understanding the different ways in which they can be approached. Central throughout is the theme of the fundamental connections between Latin literature and issues of elite Roman culture. The versatile and accessible structure of Understanding Latin Literature makes it suitable for both individual and class use. |
| medea seneca: Fallibility and Fallibilism in Ancient Philosophy and Literature Therese Fuhrer, Janja Soldo, 2023-12-18 Mankind’s constant struggle with physical as well as mental weaknesses is omnipresent in ancient literature: misconduct, wrongdoing, failure and experiences of contingency are anthropological phenomena. Ancient ethics, epistemology, and natural philosophy have developed different theoretical approaches and guidelines on how to act and how to overcome all kinds of problems. Christian theology, on the other hand, has explained moral failure as a symptom of original sin, comparing decline and destruction to a burden from which mankind is relieved only at the end. The contributions explore how ancient philosophical texts, both pagan and Christian, explain, conceptualize and integrate the myriad manifestations of human fallibility into the different philosophical schools. The focus is on anthropological, ontological and theological concepts that analyse and reflect human fallibility, as well as on the textual and linguistic representation of the phenomenon in ancient literature. Several contributions in the volume explore literary texts that discuss or illustrate the philosophical dimension of fallibility, such as satire’s or tragedy’s (often exaggerated) depiction of human weakness. |
| medea seneca: Tragedy in Ovid Dan Curley, 2013-07-18 Ovid is today best known for his grand epic, Metamorphoses, and elegiac works like the Ars Amatoria and Heroides. Yet he also wrote a Medea, now unfortunately lost. This play kindled in him a lifelong interest in the genre of tragedy, which informed his later poetry and enabled him to continue his career as a tragedian – if only on the page instead of the stage. This book surveys tragic characters, motifs and modalities in the Heroides and the Metamorphoses. In writing love letters, Ovid's heroines and heroes display their suffering in an epistolary theater. In telling transformation stories, Ovid offers an exploded view of the traditional theater, although his characters never stray too far from their dramatic origins. Both works constitute an intratextual network of tragic stories that anticipate the theatrical excesses of Seneca and reflect the all-encompassing spirit of Roman imperium. |
Medea Analysis - eNotes.com
Euripides’ Medea is a study of intense love metamorphosing into vengeful hatred. Diverging from the traditional Aristotelian tragedy, the play immerses the audience in unmitigated human …
Medea Summary - eNotes.com
Medea Summary. M edea is a play by Euripides in which Medea enacts revenge against her husband, Jason, after he deserts her and marries another woman.. When Medea's husband, …
Medea Themes: Revenge - eNotes.com
Medea is a classic example of a revenge tragedy, centered around Medea's extreme response to Jason's infidelity. Her actions, particularly against her own children, highlight the destructive ...
What is the structure of Medea? - eNotes.com
Aug 22, 2024 · Quick answer: The structure of Medea follows the traditional Greek tragedy format: prologue, parodos, alternating episodes and stasima, and exodus. The prologue introduces …
Medea Characters - eNotes.com
Medea Characters. T he main characters in Medea are Medea, Jason, Glauce, Creon, Aegeus, and Medea and Jason's sons. Medea is the princess of Colchis, who kills her own children …
Medea Summary (Lucius Annaeus Seneca) - eNotes.com
Medea's story is a stark reminder of the destructive power of revenge, fueled by betrayal and supernatural interference. Through Seneca's lens, the tragedy not only explores the depths of …
Medea Questions and Answers - eNotes.com
Medea expresses the classical unities of time, action, and place by following a single plot driven by Medea's need for revenge, occurring within one day, and set primarily in front of her house …
Medea Essays and Criticism - eNotes.com
Euripides's psychologically realistic portrayal of Medea, who indulges in an excessive form of revenge-the murder of her own children. This is a fascinating study of motivation, yet it is a …
Medea Themes - eNotes.com
Medea Themes. T he main themes in Medea are revenge, passion, gender, and power.. Revenge: Medea's revenge is cruel and excessive, and she pays a heavy personal price to …
Aegeus's Role and Significance in Medea - eNotes.com
Aug 22, 2024 · Summary: Aegeus plays a crucial role in Euripides' Medea by offering Medea asylum in Athens, which enables her to execute her revenge against Jason. His appearance …
Medea Analysis - eNotes.com
Euripides’ Medea is a study of intense love metamorphosing into vengeful hatred. Diverging from the traditional Aristotelian tragedy, the play immerses the audience in unmitigated human …
Medea Summary - eNotes.com
Medea Summary. M edea is a play by Euripides in which Medea enacts revenge against her husband, Jason, after he deserts her and marries another woman.. When Medea's husband, …
Medea Themes: Revenge - eNotes.com
Medea is a classic example of a revenge tragedy, centered around Medea's extreme response to Jason's infidelity. Her actions, particularly against her own children, highlight the destructive ...
What is the structure of Medea? - eNotes.com
Aug 22, 2024 · Quick answer: The structure of Medea follows the traditional Greek tragedy format: prologue, parodos, alternating episodes and stasima, and exodus. The prologue …
Medea Characters - eNotes.com
Medea Characters. T he main characters in Medea are Medea, Jason, Glauce, Creon, Aegeus, and Medea and Jason's sons. Medea is the princess of Colchis, who kills her own children …
Medea Summary (Lucius Annaeus Seneca) - eNotes.com
Medea's story is a stark reminder of the destructive power of revenge, fueled by betrayal and supernatural interference. Through Seneca's lens, the tragedy not only explores the depths of …
Medea Questions and Answers - eNotes.com
Medea expresses the classical unities of time, action, and place by following a single plot driven by Medea's need for revenge, occurring within one day, and set primarily in front of her house …
Medea Essays and Criticism - eNotes.com
Euripides's psychologically realistic portrayal of Medea, who indulges in an excessive form of revenge-the murder of her own children. This is a fascinating study of motivation, yet it is a …
Medea Themes - eNotes.com
Medea Themes. T he main themes in Medea are revenge, passion, gender, and power.. Revenge: Medea's revenge is cruel and excessive, and she pays a heavy personal price to …
Aegeus's Role and Significance in Medea - eNotes.com
Aug 22, 2024 · Summary: Aegeus plays a crucial role in Euripides' Medea by offering Medea asylum in Athens, which enables her to execute her revenge against Jason. His appearance …
