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| lyrical ballads 1798 and 1800: Lyrical Ballads Samuel Taylor Coleridge, William Wordsworth, 2008-08-22 Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace. |
| lyrical ballads 1798 and 1800: Lyrical Ballads William Wordsworth, Samuel Taylor Coleridge, 2008-08-22 Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace. |
| lyrical ballads 1798 and 1800: Lyrical ballads : the text of the 1798 edition with the additional 1800 poems and the prefaces William Wordsworth, 1963 |
| lyrical ballads 1798 and 1800: Lyrical Ballads, 1800 William Wordsworth, 1997 The 1800 edition of Lyrical ballads consists of two volumes. The first contains most of the poems of the 1798 volume, though in a different order, together with a Preface, in which Wordsworth, working from Coleridge's notes, delivers the first sustained exposition by either poet of their shared convictions on the nature of poetry and its language. The second contains wholly new poems, including the Lucy poems, 'There was a boy', 'The Brothers', and 'Michael'. In its two-volume form Lyrical Ballads is reissued in 1802 and 1805 as the new voice of Wordsworth's poetry comes gradually to be heard. |
| lyrical ballads 1798 and 1800: The Lyrical Ballads 1798-1805 William Wordsworth, Samuel Taylor Coleridge, 1903 |
| lyrical ballads 1798 and 1800: The Rime of the Ancient Mariner Samuel Taylor Coleridge, 1900 |
| lyrical ballads 1798 and 1800: The Cambridge Companion to 'Lyrical Ballads' Sally Bushell, 2020-01-09 Lyrical Ballads (1798) is a work of huge cultural and literary significance. The volume of poetry, in which Coleridge's Rime of the Ancyent Marinere and Wordsworth's Lines written above Tintern Abbey were first published, lies at the heart of British Romanticism, establishing a poetics of powerful feeling, that is, nonetheless, expressed in direct, conversational language and exploring the everyday realities of common life. This engaging, accessible collection provides a comprehensive overview of current approaches to Lyrical Ballads, enabling readers to find fresh ways of understanding and responding to the volume. Sally Bushell's introduction explores how the Preface to the second edition (1800) became a potent manifesto for the Romantic movement. Broad in scope, the Companion includes accessible essays on Wordsworth's experiments with language and metre, ecocritical approaches, the reception of the volume in America and more; furnishing students and scholars with a range of entry points to this seminal text. |
| lyrical ballads 1798 and 1800: William Wordsworth Richard Gravil, 2009 |
| lyrical ballads 1798 and 1800: Lyrical Ballads, and Other Poems, 1797-1800 William Wordsworth, 1992 The present edition provides the first comprehensive textual history from earliest manuscript to final lifetime printing of the poems published in the epochal Lyrical Ballads, and of contemporaneous short poems by Wordsworth (1770-1850). For those poems originally published in 1800, this edition is |
| lyrical ballads 1798 and 1800: Lyrical Ballads, with a Few Other Poems William Wordsworth, 1926 |
| lyrical ballads 1798 and 1800: Lyrical Ballads, with Other Poems, 1800, Volume 1 William Wordsworth, 2021-12-02 |
| lyrical ballads 1798 and 1800: Wordsworth and Coleridge Nicholas Roe, 2018-11-22 This volume offers a reappraisal of Wordsworth's and Coleridge's radical careers before their emergence as major poets. Updated, revised, and with new manuscript material, this expanded new edition responds to the most significant critical work on Wordsworth's and Coleridge's radical careers in the three decades since the book first appeared. Fresh material is drawn from newspapers and printed sources; the poetry of 1798 is given more detailed attention, and the critical debate surrounding new historicism is freshly appraised. A new introduction reflects on how the book was originally researched, offers new insights into the notorious Léonard Bourdon killings of 1793, and revisits John Thelwall's predicament in 1798. University politics, radical dissent, and first-hand experiences of Revolutionary France form the substance of the opening chapters. Wordsworth's and Coleridge's relations with William Godwin and John Thelwall are tracked in detail, and both poets are shown to have been closely connected with the London Corresponding Society. Godwin's diaries, now accessible in electronic form, have been drawn upon extensively to supplement the narrative of his intellectual influence. Offering a comparative perspective on the poets and their contemporaries, the book investigates the ways in which 1790s radicals coped with personal crisis, arrests, trumped-up charges, and prosecutions. Some fled the country, becoming refugees; others went underground, hiding away as inner émigrés. Against that backdrop, Wordsworth and Coleridge opted for a different revolution: they wrote poems that would change the way people thought. |
| lyrical ballads 1798 and 1800: A Companion to Romanticism Duncan Wu, 1998 Contexts and perspectives vital to our understanding of the origins and evolution of the concept of Romanticism are covered in eight introductory essays. These are followed by 22 readings of key texts from Wordsworth to Felicia Hemans. |
| lyrical ballads 1798 and 1800: The Cambridge Companion to Wordsworth Stephen Gill, 2003-06-12 The Cambridge Companion to Wordsworth provides a wide-ranging account of one of the most famous Romantic poets. Specially commissioned essays cover all the important aspects of this multi-faceted writer; the volume examines his poetic achievement with a chapter on poetic craft, while other chapters focus on the origin of his poetry and on the challenges it presented and continues to present. Further contributions include discussions of The Prelude and The Recluse, Wordsworth as philosophic poet, his writing in relation to European Romanticism, and Wordsworth as Nature poet. The collection, by an international team of established specialists concludes with a lucid account of the history of Wordsworth's texts, and offers students invaluable reference material including a chronology and guides to further reading.The volume aims to ensure that its readers will be grounded in the history of Wordsworth's career and his critical reception. |
| lyrical ballads 1798 and 1800: The Oxford Handbook of William Wordsworth Richard Gravil, Daniel Robinson, 2015-01-22 The Oxford Handbook of William Wordsworth deploys its forty-seven original essays to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. In addition to twenty-two essays wholly on Wordsworth's poetry, other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion, and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship. |
| lyrical ballads 1798 and 1800: Select Poems of William Wordsworth William Wordsworth, 1889 |
| lyrical ballads 1798 and 1800: Poetical Works William Wordsworth, 1827 |
| lyrical ballads 1798 and 1800: The Poems of William Wordsworth William Wordsworth, 1849 |
| lyrical ballads 1798 and 1800: The Waste Land, Prufrock, and Other Poems Thomas Stearns Eliot, 1998-01-26 A superb collection of 25 works features the poet's masterpiece, The Waste Land; the complete Prufrock (The Love Song of J. Alfred Prufrock, Portrait of a Lady, Rhapsody on a Windy Night, Mr. Apollinax, Morning at the Window, and others); and the complete Poems (Gerontion, The Hippopotamus, Sweeney Among the Nightingales, and more). Includes a selection from the Common Core State Standards Initiative. |
| lyrical ballads 1798 and 1800: Poetical Works William Wordsworth, 1827 |
| lyrical ballads 1798 and 1800: The Recluse William Wordsworth, 1888 |
| lyrical ballads 1798 and 1800: Lyrical Ballads Michael Mason, 2014-06-06 Lyrical Ballads by William Wordsworth and Samuel Taylor Coleridge is a unique work of literature. first published in 1798, it marked a radical change in the direction of English Literature. Lyrical Ballads represented a movement away from the overwrought, highly formal and learned verse of the 18th century and in so doing ushered in a new, more democratic poetic era. Written in the language of the common man and addressing the concerns of the common man, Lyrical Ballads was the first - and remains the most - truly revolutionary collection of poetry, paving the way for the great Romantic poets - keats, Byron, Shelley et al. - and proving that, while there was no actual revolution on the ground, England could still be the most revolutionary of places. Lyrical Ballads was not a single phenomenon but a sequence of four editions spread over seven years; its appearance in English literature was not a historical moment but a sequence of moments - 1798, 1800, 1802, 1805. This edition - based on the 1805 edition, but looking back on each of the previous publications - shows how this collection developed, how it was refined and added to by the authors. No other edition on the market has such a wealth of key background information. |
| lyrical ballads 1798 and 1800: The Borderers William Wordsworth, 2013-08 This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide. |
| lyrical ballads 1798 and 1800: The Complete Poems John Keats, 2003-08-28 Keats’s first volume of poems, published in 1817, demonstrated both his belief in the consummate power of poetry and his liberal views. While he was criticized by many for his politics, his immediate circle of friends and family immediately recognized his genius. In his short life he proved to be one of the greatest and most original thinkers of the second generation of Romantic poets, with such poems as ‘Ode to a Nightingale’, ‘On First Looking into Chapman’s Homer’ and ‘La Belle Dame sans Merci’. While his writing is illuminated by his exaltation of the imagination and abounds with sensuous descriptions of nature’s beauty, it also explores profound philosophical questions. John Barnard’s acclaimed volume contains all the poems known to have been written by Keats, arranged by date of composition. The texts are lightly modernized and are complemented by extensive notes, a comprehensive introduction, an index of classical names, selected extracts from Keats’s letters and a number of pieces not widely available, including his annotations to Milton’s Paradise Lost. |
| lyrical ballads 1798 and 1800: Lyrical Ballads and other Poems by Samuel Taylor Coleridge and William Wordsworth (Including Their Thoughts On Poetry Principles and Secrets) Samuel Taylor Coleridge, William Wordsworth, 2015-05-02 This carefully crafted ebook: Lyrical Ballads and other Poems by Samuel Taylor Coleridge and William Wordsworth (Including Their Thoughts On Poetry Principles and Secrets)” is formatted for your eReader with a functional and detailed table of contents. Lyrical Ballads, two collections of poems by William Wordsworth and Samuel Taylor Coleridge are generally considered to have marked the beginning of the English Romantic movement in literature. The immediate effect on critics was modest, but they became and remain a landmark, changing the course of English literature and poetry. Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only five poems to the collection, including one of his most famous works, The Rime of the Ancient Mariner. A second edition was published in 1800, in which Wordsworth included additional poems and a preface detailing the pair's avowed poetical principles. Samuel Taylor Coleridge (1772 - 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. William Wordsworth (1770 -1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). Table of Contents: Anima Poetae (By Samuel Taylor Coleridge) Essays, Letters, and Notes about the Principles of Poetry (By William Wordsworth) LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798) LYRICAL BALLADS, WITH OTHER POEMS (1800) |
| lyrical ballads 1798 and 1800: Romanticism Duncan Wu, 1998 In a revised, expanded, and updated second edition, a number of works have been added, and the editor has replaced Wordsworth's THIRTEEN-BOOK PRELUDE in favor of the much shorter TWO-PART PRELUDE, supplemented by well chosen extracts from the THIRTEEN-BOOK POEM. Other elements added to this new edition include expanded chronology, additional contents by author name, contents by theme, and more. |
| lyrical ballads 1798 and 1800: William Wordsworth Stephen Gill, 2020-04-08 In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life--1770 to 1850--tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come. |
| lyrical ballads 1798 and 1800: The Cornell Wordsworth A Supplement Jared Curtis, 2008-01-01 ... A unified index to titles and first lines for the entire series, a guide to the hundreds of manuscripts treated in the twenty-one volumes, and a comprehensive list of the contents of Wordsworth's many lifetime editions--Pref. |
| lyrical ballads 1798 and 1800: The Excursion William Wordsworth, 1820 |
| lyrical ballads 1798 and 1800: Lyrical Ballads William Wordsworth, Samuel Taylor Coleridge, 1988 |
| lyrical ballads 1798 and 1800: Reading Wordsworth J.H. Alexander, 2016-06-17 First published in 1987, this book is written for those who are encountering Wordsworth for the first time and for those familiar with his works that are at a loss to understand his reputation or why his work has impressed them. The strength of the author’s approach is that it unravels the poet’s true meaning and the process by which he all too frequently lost the voice of inspiration — working and reshaping his poems until the original freshness disappeared. It concentrates on helping the reader appreciate Wordsworth’s distinctive and daring way with words and poetic structure. By showing Wordsworth’s failures, the author demonstrates by contrast the achievements of his greatest works. |
| lyrical ballads 1798 and 1800: Lyrical Ballads William Wordsworth, Samuel Taylor Coleridge, 2013-07-11 'Listen, Stranger!' Wordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including 'The Rime of the Ancient Mariner', the 'Lucy' poems, 'Lines written a few miles above Tintern Abbey', 'A Slumber did my Spirit seal' and many more. Wordsworth's famous Preface is a manifesto not just for Romanticism but for poetry in general. This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with the fullest version of the Preface and Wordsworth's important Appendix on Poetic Diction. It offers modern readers a sense of what it was like to encounter Lyrical Ballads for the first time, and to see how it developed. Important letters are included, as well as a wide-ranging introduction and generous notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| lyrical ballads 1798 and 1800: Lyrical Ballads Edward Dowden, 2015-07-14 Excerpt from Lyrical Ballads: Reprinted From First Edition of 1798 This reprint of Lyrical Ballads follows the first edition, 1798, page for page and line for line. The volume has been printed (except the first Title-page, Preface, and Notes by the editor) in old-faced type closely resembling that of the original. Much care has been taken to ensure accuracy, yet perhaps it would be rash to assert that absolute freedom from error has been attained. The errata at the end are those recorded in the edition of 1798. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. |
| lyrical ballads 1798 and 1800: Preface to the Lyrical Ballads. by William Wordsworth, 2016-10-03 Preface to the Lyrical Ballads The Preface to the Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition (published in January 1801, and often referred to as the 1800 Edition) of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802. |
| lyrical ballads 1798 and 1800: Lyrical Ballads William Wordsworth, 2024-05-31 Lessons from the Apostle Paul's Prayers delves into the profound prayers of the apostle Paul, offering insights for cultivating a deeper and more impactful prayer life. Charles H. Spurgeon uncovers the power and significance of Paul's intercessory prayers, revealing principles that will transform and enrich one's communion with God. Through Paul's example, readers will learn to pray with boldness, faith, and fervency. This book serves as a guide to deepen the reader's relationship with God, fostering a greater intimacy and understanding of His will. Lessons from the Apostle Paul's Prayers is a treasure trove of wisdom, inviting believers to experience the transformative power of prayer in their lives. |
| lyrical ballads 1798 and 1800: The Broadview Anthology of Romantic Drama Jeffrey N. Cox, Michael Gamer, 2003-02-05 The London theatres arguably were the central cultural institutions in England during the Romantic period, and certainly were arenas in which key issues of the time were contested. While existing anthologies of Romantic drama have focused almost exclusively on “closet dramas” rarely performed on stage, The Broadview Anthology of Romantic Drama instead provides a broad sampling of works representative of the full range of the drama of the period. It includes the dramatic work of canonical Romantic poets (Samuel Coleridge’s Remorse, Percy Shelley’s The Cenci, and Lord Byron’s Sardanapalus) and important plays by women dramatists (Hannah Cowley’s A Bold Stroke for a Husband, Elizabeth Inchbald’s Every One Has His Fault, and Joanna Baillie’s Orra). It also provides a selection of popular theatrical genres—from melodrama and pantomime to hippodrama and parody—most popular in the period, featuring plays by George Colman the Younger, Thomas John Dibdin, and Matthew Gregory Lewis. In short, this is the most wide-ranging and comprehensive anthology of Romantic drama ever published. The introduction by the editors provides an informative overview of the drama and stage practices of the Romantic Period. The anthology also provides copious supplementary materials, including an Appendix of reviews and contemporary essays on the theater, a Glossary of Actors and Actresses, and a guide to further reading. Each of the ten plays has been fully edited and annotated. |
| lyrical ballads 1798 and 1800: Lyrical Ballads with Other Poems, 1800 William Wordsworth, 2014-09-07 William Wordsworth (7 April 1770 - 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with the 1798 joint publication Lyrical Ballads. |
| lyrical ballads 1798 and 1800: Lyrical Ballads Samuel Taylor Coleridge, William Wordsworth, 2018-02-14 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| lyrical ballads 1798 and 1800: The Poems William Wordsworth, 1981 |
| lyrical ballads 1798 and 1800: Anecdotes of Enlightenment James Robert Wood, 2019 This volume is both a formal study of the anecdote's properties and possibilities and an inquiry into the anecdote's intellectual function in Enlightenment culture. The author contends that anecdotes acted in Enlightenment writing as mediators between the incidents of human life and the laws of human nature, connecting the abstractions of philosophical reflection with lived experience. Successive chapters take a specific genre (the essay), a single writer (David Hume), a historical event (the Endeavour voyage), and a literary project (the Lyrical Ballads) as nets for collecting anecdotes. Each chapter is committed to the particularities of individual anecdotes and the specificities of the uses to which these anecdotes were put. However, the book also outlines a larger historical narrative in which the anecdote moves from a central place in the science of human nature to holding a particular place in poetry, even as the anecdote began to lose its currency in the emerging human sciences-- |
LYRICAL Definition & Meaning - Merriam-Webster
Lyrical is now the more common adjective; it’s used broadly to describe writing or other creative works that have an artistically beautiful or expressive quality. Meanwhile, in modern use lyric is …
LYRICAL | English meaning - Cambridge Dictionary
LYRICAL definition: 1. expressing personal thoughts and feelings in a beautiful way: 2. to talk about something with a…. Learn more.
Lyrical - Definition, Meaning & Synonyms - Vocabulary.com
Something that's lyrical is beautifully full of emotion. Don't be surprised if a lyrical passage in the book you're reading makes you cry a little bit. The word lyric, and its connection to the words …
LYRICAL Definition & Meaning - Dictionary.com
There’s seemingly not much back-and-forth on the lyrical themes or specifics. From Los Angeles Times Stewart has made an assured mess: a bleary, florid and sometimes lyrical film that …
LYRICAL - Meaning & Translations | Collins English Dictionary
Master the word "LYRICAL" in English: definitions, translations, synonyms, pronunciations, examples, and grammar insights - all in one complete resource.
Lyrical Definition & Meaning | Britannica Dictionary
LYRICAL meaning: 1 : having an artistically beautiful or expressive quality; 2 : to talk about something in a very enthusiastic way
lyrical adjective - Definition, pictures, pronunciation and usage …
expressing strong emotion in a way that is beautiful and shows imagination synonym expressive. He began to wax lyrical (= talk in an enthusiastic way) about his new car. She wrote an almost …
lyrical - Wiktionary, the free dictionary
May 21, 2025 · lyrical (comparative more lyrical, superlative most lyrical) Appropriate for or suggestive of singing. Expressive of emotion. Of or pertaining to the lyrics of a song
Meaning of lyrical – Learner’s Dictionary - Cambridge Dictionary
Get a quick, free translation! LYRICAL definition: Lyrical writing expresses the writer's emotions in a beautiful way: . Learn more.
Lyrical - definition of lyrical by The Free Dictionary
Expressing deep personal emotion or observations: a dancer's lyrical performance; a lyrical passage in his autobiography. b. Highly enthusiastic; rhapsodic: gave a lyrical description of …
LYRICAL Definition & Meaning - Merriam-Webster
Lyrical is now the more common adjective; it’s used broadly to describe writing or other creative works that have an artistically beautiful or expressive quality. Meanwhile, in modern use lyric is …
LYRICAL | English meaning - Cambridge Dictionary
LYRICAL definition: 1. expressing personal thoughts and feelings in a beautiful way: 2. to talk about something with a…. Learn more.
Lyrical - Definition, Meaning & Synonyms - Vocabulary.com
Something that's lyrical is beautifully full of emotion. Don't be surprised if a lyrical passage in the book you're reading makes you cry a little bit. The word lyric, and its connection to the words …
LYRICAL Definition & Meaning - Dictionary.com
There’s seemingly not much back-and-forth on the lyrical themes or specifics. From Los Angeles Times Stewart has made an assured mess: a bleary, florid and sometimes lyrical film that …
LYRICAL - Meaning & Translations | Collins English Dictionary
Master the word "LYRICAL" in English: definitions, translations, synonyms, pronunciations, examples, and grammar insights - all in one complete resource.
Lyrical Definition & Meaning | Britannica Dictionary
LYRICAL meaning: 1 : having an artistically beautiful or expressive quality; 2 : to talk about something in a very enthusiastic way
lyrical adjective - Definition, pictures, pronunciation and usage …
expressing strong emotion in a way that is beautiful and shows imagination synonym expressive. He began to wax lyrical (= talk in an enthusiastic way) about his new car. She wrote an almost …
lyrical - Wiktionary, the free dictionary
May 21, 2025 · lyrical (comparative more lyrical, superlative most lyrical) Appropriate for or suggestive of singing. Expressive of emotion. Of or pertaining to the lyrics of a song
Meaning of lyrical – Learner’s Dictionary - Cambridge Dictionary
Get a quick, free translation! LYRICAL definition: Lyrical writing expresses the writer's emotions in a beautiful way: . Learn more.
Lyrical - definition of lyrical by The Free Dictionary
Expressing deep personal emotion or observations: a dancer's lyrical performance; a lyrical passage in his autobiography. b. Highly enthusiastic; rhapsodic: gave a lyrical description of …
