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| maceo parker basic funk 101: The Authorized P-Funk Song Reference Daniel Bedrosian, 2023-10-16 George Clinton’s Parliament-Funkadelic collective (P-Funk) is one of the most iconic and important groups in popular music history. This authorized reference features rare photos and a color photospread and provides the official P-Funk canon from 1956 to 2023: projects, albums, songs, song personnel, and tidbits about each act and select songs. |
| maceo parker basic funk 101: Funky Groove. Видеокурс. 20 Rhythm Patterns / 20 ритмических моделей. Часть 2. Нотное приложение Евгений Онищенко, Е. Мошак, 2022-05-15 Настоящее издание является частью учебно-методического пособия «Funky Groove. Видеокурс», предназначенного для студентов, обучающихся по направлению подготовки 53.00.00 Музыкальное искусство эстрады. Цель пособия интерактивное освоение ритмических паттернов, характерных для стиля фанк.Первая часть курса включает видео- и аудио файлы, вторая – нотные примеры. В данном издании представлены двутактовые ритмические модели, а также показаны наиболее типичные варианты взаимодействия басовой, барабанной и гитарной линий.Все видео- и аудиоматериалы представлены на сайте https://funk.gnesinbass.ru |
| maceo parker basic funk 101: 98% Funky Stuff Maceo Parker, 2013-02-01 Maceo Parker's signature style became the lynchpin of James Brown's band when he and his brother Melvin joined the Hardest Working Man in Show Business in 1964. That style helped define Brown's brand of funk, and the phrase &“Maceo, I want you to blow!&” became part of the lexicon of black music. He took time off from James Brown to play with George Clinton's P-funk collective and with Bootsy's Rubber Band; he also formed his own band, Maceo and All the King's Men, whose records are cult favorites among funk aficionados. Here Maceo tells his own warm and astonishing story, from his Southern upbringing to his career touring the world and playing to adoring fans. Maceo has long called his approach to the saxophone &“2% jazz, 98% funky stuff.&” Now, on the eve of Maceo's 70th birthday, in prose as lively and funky as his saxophone playing, here is the definitive story of one of the funkiest musicians alive. |
| maceo parker basic funk 101: Jazz Times , 2005 |
| maceo parker basic funk 101: The Hardest Working Man James Sullivan, 2008 Acclaimed journalist Sullivan tells the story of the night James Brown kept the peace in the wake of the assassination of Martin Luther King, Jr.--and delivered hope with an immortal performance in Boston. |
| maceo parker basic funk 101: Funk Dave Thompson, 2001 Celebrates funk music using biographies of such musicians as James Brown and George Clinton, and provides descriptions of the genre, historical perspectives, and the story behind the death of funk following the introduction of disco. |
| maceo parker basic funk 101: Presence and Pleasure Anne Danielsen, 2024-08-06 Winner of the 2007 Irving Lowens Book Award from the Society for American Music Winner of IASPM's 2007 International Book Award In this exploration of the funk groove and its unique sounds, author Anne Danielsen takes an in-depth look at this under-explored genre. Danielsen concentrates on the golden age of funk in the late 1960s and the 1970s, focusing on two of the era's artists who made a substantial impact on the landscape of popular music: James Brown and George Clinton/Parliament. Aiming to understand funk not only as objectified musical meaning but also as lived experience, she begins with the musical events themselves and draws on her experiences as both a fan and a scholar to capture how their particular organization creates the funk listener's pleasure. Danielsen further examines issues surrounding race in the construction and consumption of this music, focusing her study with how white listeners responded to funk in the 1970s, and arguing that African American music has remained a means of catharsis and of dealing with pleasures of the body. Funk's crossover to international success among listeners of pop and rock music affected both the music itself and audiences' understanding of it. Presence and Pleasure shows us how. |
| maceo parker basic funk 101: Everything Is on the One Scott Goldfine, 2017-01-11 Funk used to be a bad word. That was then. Now, funk is a pervasive style of music that has earned its rightful place alongside such other aural American art forms such as folk, blues, jazz and rock 'n roll. What's more, for those who free themselves, funk is a positive state of consciousness that brings together mind, body and soul in a quasi-spiritual experience of mesmerizing intensity. It took quite a while for funk to gain the respect it deserves. As with most other American music forms of the 20th century, funk remained a predominantly black phenomenon until the white public caught up and embraced it some 20 years after the fact. It had to survive the psychedelic 1960s, the disco 1970s and the new wave 1980s. This long-overdue book is a labor of love from a devout lifelong funk enthusiast. Everything Is on the One: The First Guide to Funk is designed to serve as an eye-opener for the uninitiated and as a reference guide for those already indoctrinated. The following pages thoroughly examine every aspect of funk through the inclusion of assorted text, reviews and lists. Everyone from J.B., Sly Stone and Hendrix to Clinton, Prince and the Red Hot Chili Peppers to Kool & the Gang and the Isley Brothers to the Bar-Kays and Slave to Run-D.M.C. and Dr. Dre to Stanley Clarke and Tom Browne to Muddy Waters and Stevie Ray Vaughan to the Talking Heads and Aerosmith is covered. There isn't really any specific formula for funk. But, you must have the right attitude and the music has to be on THE ONE. THE ONE stands for the first beat of standard four/four time in music (four counts per measure). Funk jumps on the first beat with a hard accent and then lays back in the groove for counts two through four. So just about everything in this book is on THE ONE. The content of this book is intended to be opinionated. It is designed to stimulate intelligent debate as to myriad topics that fall under the umbrella of funk. The objective is not to bash musical achievements or pursue character assassinations, but at the same time, measures are necessary to ensure the book's integrity. There are far too many music publications out there that find pandering to the industry and soft-pedaling issues seemingly unavoidable. This isn't one of them. By the same token, exceptional artists and outstanding work are given their just due. At this point, a word of caution is in order. Funk is extremely addictive and frequently results in an unquenchable desire to fill your ear hole with thumpin', bumpin', slammin', jammin' tunes. It can be an expensive habit, but always an immensely rewarding one. So slap your favorite jams into your stereo or iPod and read to the rhythmic rush while The First Guide of Funk does it to your eyeballs baby bobba! |
| maceo parker basic funk 101: The Hip Hop Movement Reiland Rabaka, 2013-04-04 Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement critically explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. |
| maceo parker basic funk 101: The Funk Movement Reiland Rabaka, 2024-10-23 Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies. |
| maceo parker basic funk 101: Funk Rickey Vincent, 2014-11-04 Funk: It's the only musical genre ever to have transformed the nation into a throbbing army of bell-bottomed, hoop-earringed, rainbow-Afro'd warriors on the dance floor. Its rhythms and lyrics turned bleak urban realties inside out with distinctive, danceable, downright irresistible music. Funk hasn't received the critical attention that rock, jazz, and the blues have-until now. Colorful, intelligent, and in-you-face, Rickey Vincent's Funk celebrates the songs, the musicians, the philosophy, and the meaning of funk. The book spans from the early work of James Brown (the Godfather of Funk) through today, covering funky soul (Stevie Wonder, the Temptations), so-called black rock (Jimi Hendrix, Sly and the Family Stone, the Isley Brothers), jazz-funk (Miles Davis, Herbie Hancock), monster funk (Parliament, Funkadelic, Bootsy's Rubber Band), naked funk (Rick James, Gap Band), disco-funk (Chic, K.C. and the Sunshine Band), funky pop (Kook & the Gang, Chaka Khan), P-Funk Hip Hop (Digital Underground, De La Soul), funk-sampling rap (Ice Cube, Dr. Dre), funk rock (Red Hot Chili Peppers, Primus), and more. Funk tells a vital, vibrant history-the history of a uniquely American music born out of tradition and community, filled with energy, attitude, anger, hope, and an irrepressible spirit. |
| maceo parker basic funk 101: The Great Drummers R&B Funk & Soul Jim Payne, 2010-09-08 This 248 page book is an exciting documentation of the innovative period of the '60s and '70s when the rhythm of popular music was changed forever. Featured here are biographies, interviews, discographies and rare archival photos of more than 20 great drummers of R&B, funk and soul, including the drummers of James Brown, Earth, Wind and Fire, Otis Redding and Sly and the Family Stone. the true originators of the modern hip-hop beats tell their stories, and the history of the funk comes to life. Appropriate for music fans of all kinds, and all drummers: beginners thru advanced. |
| maceo parker basic funk 101: CMJ New Music Report , 2000-05-22 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| maceo parker basic funk 101: The Directory of American 45 R.p.m. Records Ken Clee, 1997 |
| maceo parker basic funk 101: CMJ New Music Report , 1999-04-26 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| maceo parker basic funk 101: Groove Theory Tony Bolden, 2020-10-21 Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history. |
| maceo parker basic funk 101: Inside the Jazzomat Martin Pfleiderer, Jakob Abeßer Frieler, Jakob Abeßer, 2017-12 The Jazzomat Research Project takes up the challenge of jazz research in the age of digitalisation. It intends to open up a new field of analytical exploration by providing computational tools as well as a comprehensive corpus of improvisations with MeloSpyGUI and the Weimar Jazz Database. This volume presents the main concepts and approaches of the ongoing project including several case studies that demonstrate how these approaches can be included in jazz analysis in various ways. |
| maceo parker basic funk 101: Hit Me, Fred Fred Wesley, 2002-09-25 The famous trombonist and arranger from the James Brown band and Parliament-Funkadelic tells his own story. |
| maceo parker basic funk 101: Icons of Black Music Charlotte Greig, 1999 A photographic collection of eighty of the most influential musicians of this century. Stunning black-and-white art photography, along with extensive biographical information, captures the essence of each artist and their cultural significance. Includes phenomenal performers like James Brown and Aretha Franklin, jazz greats Duke Ellington and Ella Fitzgerald, guitar gods Hendrix and Prince, Rock & Roll Hall-of-Famers Curtis Mayfield and Wilson Pickett, Blues legends B. B. King, Bessie Smith, and beyond. |
| maceo parker basic funk 101: CMJ New Music Report , 2000-05-15 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| maceo parker basic funk 101: Schwann Spectrum , 1995 |
| maceo parker basic funk 101: The Story Behind the Song Richard D. Barnet, Bruce Nemerov, Mayo R. Taylor, 2004-01-30 A discussion of 15 influential songs from each decade provides the songs' histories, what inspired the writers to create them, and why they have resonated over time. |
| maceo parker basic funk 101: Popular Song Alan Lewens, 2001 A lavishly illustrated, in-depth look at 100 of the most influential popular songs of the 20th century, with information on the singers, songwriters and sessions. 160 illustrations. |
| maceo parker basic funk 101: CMJ New Music Report , 2003-09-01 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
| maceo parker basic funk 101: The New Grove Dictionary of Music and Musicians: Claudel to Dante Stanley Sadie, 2001 |
| maceo parker basic funk 101: Don't Deny My Name Lorenzo Thomas, 2008 Contains essays which explore the interrelationships among African American music, literature, and popular culture. This book first lays out the case for the blues as constituting a body of literature, and then offers a tour of the movement through classic jazz, bop, and the explosions of the free jazz era, followed by a section on R & B and Soul. |
| maceo parker basic funk 101: Rockin' Out Reebee Garofalo, 2011 Rockin' Out offers a comprehensive history of popular music in the United States from the heyday of Tin Pan Alley to the present day sounds of electronic dance music and teen pop, from the invention of the phonograph to the promise of the Internet. It offers an analysis and critique of the music itself as well as how it is produced and marketed. |
| maceo parker basic funk 101: The Words and Music of Prince James E. Perone, 2008-04-30 An analysis of the songs, recordings, and influence of one of the most colorful and controversial American artists of the past quarter century. |
| maceo parker basic funk 101: Kanye West's My Beautiful Dark Twisted Fantasy Kirk Walker Graves, 2014-06-19 In the first decade of the twenty-first century, Kanye West created the most compelling body of pop music by an American artist during the period. Having risen from obscurity as a precocious producer through the ranks of Jay Z's Roc-A-Fella records, by the time he released My Beautiful Dark Twisted Fantasy (MBDTF) in late 2010, West had evolved into a master collagist, an alchemist capable of transfiguring semi-obscure soul samples and indelible beats into a brash and vulnerable new art form. A look at the arc of his career, from the heady chipmunk soul exuberance of The College Dropout (2004) to the operatic narcissism of MBDTF, tells us about the march of pop music into the digital age and, by extension, the contradictions that define our cultural epoch. In a cloud-based and on-demand culture – a place of increasing virtualization, loneliness, and hyper-connectivity – West straddles this critical moment as what David Samuels of The Atlantic calls the first true genius of the iPhone era, the Mozart of contemporary American music. In the land of taking a selfie, honing a personal brand, and publicly melting down online, Kanye West is the undisputed king. Swallowing the chaos wrought by his public persona and digesting it as a grandiose allegory of self-redemption, Kanye sublimates his narcissism to paint masterstroke after masterstroke on MBDTF, a 69-minute hymn to egotistical excess. Sampling and ventriloquizing the pop music past to tell the story of its future – very much a tale of our culture's wish for unfettered digital ubiquity – MBDTF is the album of its era, an aesthetic self-acquittal and spiritual autobiography of our era's most dynamic artist. |
| maceo parker basic funk 101: Rock Stars Encyclopedia Dafydd Rees, Luke Crampton, 1999 Presents year-by-year chronologies of influential artists from the past fifty years. |
| maceo parker basic funk 101: Joel Whitburn's Top Pop Albums, 1955-1992 Joel Whitburn, 1993 inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James, Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series. |
| maceo parker basic funk 101: Zeitschriftendienst Musik (ZD Musik). , 1991 |
| maceo parker basic funk 101: CD Review Digest , 1994 |
| maceo parker basic funk 101: Miles Miles Davis, Quincy Troupe, 1990-09-15 Miles discusses his life and music from playing trumpet in high school to the new instruments and sounds from the Caribbean. |
| maceo parker basic funk 101: The One RJ Smith, 2012-03-15 The definitive biography of James Brown, the Godfather of Soul, with fascinating findings on his life as a Civil Rights activist, an entrepreneur, and the most innovative musician of our time Playing 350 shows a year at his peak, with more than forty Billboard hits, James Brown was a dazzling showman who transformed American music. His life offstage was just as vibrant, and until now no biographer has delivered a complete profile. The One draws on interviews with more than 100 people who knew Brown personally or played with him professionally. Using these sources, award-winning writer RJ Smith draws a portrait of a man whose twisted and amazing life helps us to understand the music he made. The One delves deeply into the story of a man who was raised in abject-almost medieval-poverty in the segregated South but grew up to earn (and lose) several fortunes. Covering everything from Brown's unconventional childhood (his aunt ran a bordello), to his role in the Black Power movement, which used Say It Loud (I'm Black and Proud) as its anthem, to his high-profile friendships, to his complicated family life, Smith's meticulous research and sparkling prose blend biography with a cultural history of a pivotal era. At the heart of The One is Brown's musical genius. He had crucial influence as an artist during at least three decades; he inspires pity, awe, and revulsion. As Smith traces the legend's reinvention of funk, soul, R&B, and pop, he gives this history a melody all its own. |
| maceo parker basic funk 101: Black Popular Music in America Arnold Shaw, 1986 As Shaw correctly states, no single volume covers the history of black popular music in its entirety, and most studies have focused on the white mainstream. American pop music is in fact a blend of black and white musical influences that can be better understood if explored from a black perspective. Shaw examines five key black stylesminstrelsy, spirituals, ragtime, jazz, and bluesanalyzing the origins and developments of each, profiling important artists and songs, and exploring the white synthesis. Often the synthesis has amounted to little more than a soulless white imitation of inspired black stylistic innovations. |
| maceo parker basic funk 101: Zitty , 2004 |
| maceo parker basic funk 101: Option , 1993 |
| maceo parker basic funk 101: Extended Play John Corbett, 1994 In Extended Play, one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae. Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world's most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today. |
| maceo parker basic funk 101: Contemporary Musicians , 1989 |
MACEO - Home
The Michigan Association of Code Enforcement Officers (MACEO) is a non-profit organization open to persons involved with and responsible for the enforcement of land use, nuisance, …
Maceo Parker - Wikipedia
Maceo Parker (/ ˈ m eɪ s i oʊ /; born February 14, 1943) [1] is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic …
Maceoo: Men's Designer Clothing and Footwear
First Light of Spring! A custom tailored fit backed by a mathematical algorithm written by an MIT engineer. Designed in Paris, made with coveted designer Italian fabrics, and inspired by the …
Macéo Restaurant familial & Cave à vin Paris 1er Palais Royal
Nous proposons une cuisine de saison savoureuse et équilibrée, ainsi qu’une sélection savamment choisie de plus de 1000 références dans notre cave à vins, en symbiose avec …
Maceo Parker's Official Web Site
[Buy Soul Classics...]
Maceo Parker Biography
For the last two decades Maceo Parker has been enjoying a blistering solo career, building a new funk empire; one that is both fresh and stylistically diverse. He navigates deftly between …
Who Is Maceo Parker? Age, Biography, Net Worth & More
Dec 15, 2024 · Maceo Parker, born on February 14, 1943, in Kinston, North Carolina, is a renowned American funk and soul jazz saxophonist. Celebrated for his dynamic performances …
Maceo Parker - Topic - YouTube
Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the...
Maceo Parker – Nikki Glaspie
It is almost impossible to separate which came first, Maceo or the funk. The amazing P-funk Parker has been at it with his legendary sound for time that dates back to the 1960’s. That’s …
Maceo Parker - Artist — Funkikology
Maceo Parker (born February14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and …
MACEO - Home
The Michigan Association of Code Enforcement Officers (MACEO) is a non-profit organization open to persons involved with and responsible for the enforcement of land use, nuisance, zoning, …
Maceo Parker - Wikipedia
Maceo Parker (/ ˈ m eɪ s i oʊ /; born February 14, 1943) [1] is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in …
Maceoo: Men's Designer Clothing and Footwear
First Light of Spring! A custom tailored fit backed by a mathematical algorithm written by an MIT engineer. Designed in Paris, made with coveted designer Italian fabrics, and inspired by the …
Macéo Restaurant familial & Cave à vin Paris 1er Palais Royal
Nous proposons une cuisine de saison savoureuse et équilibrée, ainsi qu’une sélection savamment choisie de plus de 1000 références dans notre cave à vins, en symbiose avec celle de notre …
Maceo Parker's Official Web Site
[Buy Soul Classics...]
Maceo Parker Biography
For the last two decades Maceo Parker has been enjoying a blistering solo career, building a new funk empire; one that is both fresh and stylistically diverse. He navigates deftly between James …
Who Is Maceo Parker? Age, Biography, Net Worth & More
Dec 15, 2024 · Maceo Parker, born on February 14, 1943, in Kinston, North Carolina, is a renowned American funk and soul jazz saxophonist. Celebrated for his dynamic performances and …
Maceo Parker - Topic - YouTube
Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the...
Maceo Parker – Nikki Glaspie
It is almost impossible to separate which came first, Maceo or the funk. The amazing P-funk Parker has been at it with his legendary sound for time that dates back to the 1960’s. That’s when …
Maceo Parker - Artist — Funkikology
Maceo Parker (born February14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the …
