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| lukacs theory of the novel: The Theory of the Novel Georg Lukacs, 1974-01-15 Georg Lukács wrote The Theory of the Novel in 1914-1915, a period that also saw the conception of Rosa Luxemburg's Spartacus Letters, Lenin's Imperialism: The Highest Stage of Capitalism, Spengler's Decline of the West, and Ernst Bloch's Spirit of Utopia. Like many of Lukács's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl. The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukács's last great work before he turned to Marxism-Leninism. |
| lukacs theory of the novel: The Theory of the Novel György Lukács, 1973 |
| lukacs theory of the novel: Soul and Form Georg Lukács, 2010-01-12 György Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled On Poverty of Spirit, which Lukács wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukács's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukácsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience. |
| lukacs theory of the novel: The Philosophy of the Novel J. M. Bernstein, 1984 Marxistische analyse. |
| lukacs theory of the novel: The Philosophy of the Novel J. M. Bernstein, 1984 Lukács's Theory of the novel has long been a key work in the philosophy but not the sociology of literature. J. M. Bernstein shows that Theory of the Novel must be seen in conjunction with History and Class Consciousness as a major contribution to a Marxist hermeneutics. He ties the philosophy of Lukács to Kant, Hegel, and Marx and contends that the categories structuring the novel are the central concepts of Kant's philosophy and that, therefore, the novel is marked by the same antinomies that infect Kant's system. Bernstein offers a concise account of dialectical theory and a telling analysis of Western (Hegelian) Marxism. He concludes with a critique of contemporary literary and critical practices, practices which only reinforce the antimonies already present in the novel. --From cover. |
| lukacs theory of the novel: The Lukacs Reader Arpad Kadarkay, 1995-11-06 One of the greatest Marxist theorists of his generation, Georg Lukacs was a prolific writer of remarkably catholic, if moralistic, tastes. In The Lukacs Reader , his biographer Arpad Kadarkay represents the great range and variety of Lukacs's output. The reader includes, in original translations, and with introductory essays, Lukacs on: Kierkegaard, Shakespeare, Ford, Strindberg, Ibsen, Wilde, Shaw, Gaughin, Dostoevsky, Nietzsche, and Heidegger. Also collected are: the autobiographical essay 'On the Poverty of Spirit', material from Lukacs's diary, and such key articles as: 'Aesthetic Culture', 'The Ideology of Modernism', 'Bolshevism as an Ethical Problem', and 'Class Consciousness'. What emerges is a figure very much at the centre of European thought whose value to modern culture and philosophy differs markedly from that which received opinion generally admits. |
| lukacs theory of the novel: Georg Lukacs Reconsidered Michael Thompson, 2011-04-07 An international team of contributors explore contemporary insights into the work of Georg Lukacs in political theory, aesthetics, ethics and social and cultural theory. |
| lukacs theory of the novel: Georg Lukács and Thomas Mann Judith Marcus, 1994 Judith Marcus uncovers the literary interaction between two of the great figures of 20th-century intellectual and cultural life, the creative artist Thomas Mann (1875-1955) and Georg Lukacs (1885-1971), the literary critic. It is based on their correspondence, and other archival material. |
| lukacs theory of the novel: A Defence of History and Class Consciousness Georg Lukacs, György Lukács, Slavoj Zizek, John Rees, 2002-08-17 This work is commonly held to be the foundational text for Western Marxism. As Stalinism took over in Russia, Lukacs was subjected to attacks for deviation. In the 1920s he wrote this response. |
| lukacs theory of the novel: History and Class Consciousness Georg Lukacs, 1972-11-15 This is the first time one of the most important of Lukács' early theoretical writings, published in Germany in 1923, has been made available in English. The book consists of a series of essays treating, among other topics, the definition of orthodox Marxism, the question of legality and illegality, Rosa Luxemburg as a Marxist, the changing function of Historic Marxism, class consciousness, and the substantiation and consciousness of the Proletariat. Writing in 1968, on the occasion of the appearance of his collected works, Lukács evaluated the influence of this book as follows: For the historical effect of History and Class Consciousness and also for the actuality of the present time one problem is of decisive importance: alienation, which is here treated for the first time since Marx as the central question of a revolutionary critique of capitalism, and whose historical as well as methodological origins are deeply rooted in Hegelian dialectic. It goes without saying that the problem was omnipresent. A few years after History and Class Consciousness was published, it was moved into the focus of philosophical discussion by Heidegger in his Being and Time, a place which it maintains to this day largely as a result of the position occupied by Sartre and his followers. The philologic question raised by L. Goldmann, who considered Heidegger's work partly as a polemic reply to my (admittedly unnamed) work, need not be discussed here. It suffices today to say that the problem was in the air, particularly if we analyze its background in detail in order to clarify its effect, the mixture of Marxist and Existentialist thought processes, which prevailed especially in France immediately after the Second World War. In this connection priorities, influences, and so on are not particularly significant. What is important is that the alienation of man was recognized and appreciated as the central problem of the time in which we live, by bourgeois as well as proletarian, by politically rightist and leftist thinkers. Thus, History and Class Consciousness exerted a profound effect in the circles of the youthful intelligentsia. |
| lukacs theory of the novel: Tactics and Ethics Georg Lukacs, 2014-01-14 Tactics and Ethics collects Georg Lukács’s articles from the most politically active time of his life, a period encompassing his stint as deputy commissar of education in the Hungarian Soviet Republic. Including his famed essay on parliamentarianism—which earned Lukács the respectful yet severe criticism of Lenin—this book is a treasure chest of valuable insights from one of history’s great political philosophers. |
| lukacs theory of the novel: Lukács After Communism Eva L. Corredor, 1997 Since the collapse of communism in Eastern Europe, the validity of Marxism and Marxist theory has undergone intense scrutiny both within and outside the academy. In Lukács After Communism, Eva L. Corredor conducts ten lively and engaging interviews with a diverse group of international scholars to address the continued relevance of György Lukács's theories to the post-communist era. Corredor challenges these theoreticians, who each have been influenced by the man once considered the foremost theoretician of Marxist aesthetics, to reconsider the Lukácsean legacy and to speculate on Marxist theory's prospects in the coming decades. The scholars featured in this collection--Etienne Balibar, Peter Bürger, Terry Eagleton, Fredric Jameson, Jacques Leenhardt, Michael Löwy, Roberto Schwarz, George Steiner, Susan Suleiman, and Cornel West--discuss a broad array of literary and political topics and present provocative views on gender, race, and economic relations. Corredor's introduction provides a biographical synopsis of Lukács and discusses a number of his most important theoretical concepts. Maintaining the ongoing vitality of Lukács's work, these interviews yield insights into Lukács as a philosopher and theorist, while offering anecdotes that capture him in his role as a teacher-mentor. |
| lukacs theory of the novel: Irrationalism Tom Rockmore, 2010-03-31 This is the first detailed study, following the recent collapse of political Marxism in Eastern Europe, of twentieth-century Hungarian philosopher Georg Lukács and his position as the leading proponent of the Marxist theory of reason. Lukács's History and Class Consciousness has been called one of the three most influential philosophical works of this century, and he, the outstanding Marxist philosopher. Marxism has long suffered relative neglect in philosophical discussion as a result of its own invidious distinction between itself and the supposed irrationality of what it regards as bourgeois philosophy. Tom Rockmore offers a uniquely detailed philosophical analysis of Lukács's entire position as a theory of reason, based on the distinction between reason and unreason, or irrationalism. The author gives special emphasis to Lukács's connection to German neo-Kantianism, particularly Lask, and on his last, unfinished work. Rockmore begins with an account of the roots of Lukács's Marxism, followed by an in-depth analysis of his often mentioned, but still incompletely understood, seminal essay Reification and the Class Consciousness of the Proletariat. He then traces the evolution and later demise of the distinction between reason and irrationalism in Lukács's final thought. The author thus makes available for the first time in English a strictly philosophical discussion of Georg Lukács's Marxist phase and brings consideration of his thought into the wider philosophical discussion. |
| lukacs theory of the novel: The Young Hegel György Lukács, 1976 |
| lukacs theory of the novel: Lukács: Praxis and the Absolute Daniel Andrés López, 2019-10-14 Georg Lukács’s philosophy of praxis, penned between 1918 and 1928, remains a revolutionary and apocryphal presence within Marxism. His History and Class Consciousness has inspired a century of rapture and reprobation, perhaps, as Gillian Rose suggested, because of its ‘invitation to hermeneutic anarchy’. In Lukács: Praxis and the Absolute, Daniel Andrés López radicalises Lukács’s famous return to Hegel by reassembling his 1920s philosophy as a conceptual-historical totality. This speculative reading defends Lukács while proposing an unprecedented, immanent critique. While Lukács’s concept of praxis approaches the shape of Hegel’s Absolute, it tragically fails to bear its weight. However, as López argues, Lukács’s failure was productive: it raises crucial political, methodological and philosophical questions for Marxism, offering to redeem a lost century. |
| lukacs theory of the novel: Grand Hotel Abyss Stuart Jeffries, 2017-09-26 “Marvelously entertaining, exciting and informative.” —Guardian “An engaging and accessible history.” —New York Review of Books This group biography is “an exhilarating page-turner” and “outstanding critical introduction” to the work and legacy of the Frankfurt School, and the great 20th-century thinkers who created it (Washington Post). In 1923, a group of young radical German thinkers and intellectuals came together to at Victoria Alle 7, Frankfurt, determined to explain the workings of the modern world. Among the most prominent members of what became the Frankfurt School were the philosophers Walter Benjamin, Theodor Adorno, Max Horkheimer, and Herbert Marcuse. Not only would they change the way we think, but also the subjects we deem worthy of intellectual investigation. Their lives, like their ideas, profoundly, sometimes tragically, reflected and shaped the shattering events of the twentieth century. Grand Hotel Abyss combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism. Some of them, forced to escape the horrors of Nazi Germany, later found exile in the United States. Benjamin, with his last great work—the incomplete Arcades Project—in his suitcase, was arrested in Spain and committed suicide when threatened with deportation to Nazi-occupied France. On the other side of the Atlantic, Adorno failed in his bid to become a Hollywood screenwriter, denounced jazz, and even met Charlie Chaplin in Malibu. After the war, there was a resurgence of interest in the School. From the relative comfort of sun-drenched California, Herbert Marcuse wrote the classic One Dimensional Man, which influenced the 1960s counterculture and thinkers such as Angela Davis; while in a tragic coda, Adorno died from a heart attack following confrontations with student radicals in Berlin. By taking popular culture seriously as an object of study—whether it was film, music, ideas, or consumerism—the Frankfurt School elaborated upon the nature and crisis of our mass-produced, mechanized society. Grand Hotel Abyss shows how much these ideas still tell us about our age of social media and runaway consumption. |
| lukacs theory of the novel: At the End of an Age John Lukacs, 2003-09-10 At the End of an Age isa deeply informed and rewarding reflection on the nature of historical and scientific knowledge. Of extraordinary philosophical, religious, and historical scope, it is the product of a great historian's lifetime of thought on the subject of his discipline and the human condition. While running counter to most of the accepted ideas and doctrines of our time, it offers a compelling framework for understanding history, science, and man's capacity for self-knowledge. In this work, John Lukacs describes how we in the Western world have now been living through the ending of an entire historical age that began in Western Europe about five hundred years ago. Unlike people during the ending of the Middle Ages or the Roman empire, we can know where we are. But how and what is it that we know? In John Lukacs's view, there is no science apart from scientists, and all of Science, including our view of the universe, is a human creation, imagined and defined by fallible human beings in a historical continuum. This radical and reactionary assertion--in its way a summa ofthe author's thinking, expressed here and there in many of his previous twenty-odd books--leads to his fundamental assertion that, contrary to all existing cosmological doctrines and theories, it is this earth which is the very center of the universe--the only universe we know and can know. |
| lukacs theory of the novel: Lukács’s Phenomenology of Capitalism Richard Westerman, 2018-12-13 This book offers a radical new interpretation of Georg Lukács’s History and Class Consciousness, showing for the first time how the philosophical framework for his analysis of society was laid in the drafts of a philosophy of art that he planned but never completed before he converted to Marxism. Reading Lukács’s work through the so-called “Heidelberg Aesthetics” reveals for the first time a range of unsuspected influences on his thought, such as Edmund Husserl, Emil Lask, and Alois Riegl; it also offers a theory of subjectivity within social relations that avoids many of the problems of earlier readings of his text. At a time when Lukács’s reputation is once more on the rise, this bold new reading helps revitalize his thought in ways that help it speak to contemporary concerns. |
| lukacs theory of the novel: Lukácsian film theory and cinema Ian Aitken, 2018-02-28 Lukácsian film theory and cinema explores Georg Lukács’ writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English – until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács’ literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács’ writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author’s earlier European film theory and cinema (2001), and Realist film theory and cinema (2006). |
| lukacs theory of the novel: Writer and Critic Arthur David Kahn, 2005 In the fall of 1960, during a three-month visit to Hungary, Arthur Kahn unsuccessfully asked his hosts to arrange a meeting with Gyorgy Lukacs, a persona non grata to the Communist regime. Kahn arranged to meet Lukacs on his own and proposed translating some Lukacs essays never before appearing in English. During the three years Kahn worked on the translations, he and Lukacs engaged in a voluminous correspondence, investigating Marxism as it applied to contemporary events like the Vietnam war. Extracts from this correspondence will be included in a forthcoming volume of Kahns' autobiography, The Education of a 20th Century Political Animal. |
| lukacs theory of the novel: The Antinomies of Realism Fredric Jameson, 2015-03-10 The Antinomies of Realism is a history ofthe nineteenth-century realist novel and its legacy told without a glimmer of nostalgia for artistic achievements that the movement of history makes it impossible to recreate. The works of Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense inimitable, yet continue to dominate the novel form to this day. Novels to emerge since struggle to reconcile the social conditions of their own creation with the history of this mode of writing: the so-called modernist novel is one attempted solution to this conflict, as is the ever-more impoverished variety of commercial narratives – what today’s book reviewers dub “serious novels,” which are an attempt at the impossible endeavor to roll back the past. Fredric Jameson examines the most influential theories of artistic and literary realism, approaching the subject himself in terms of the social and historical preconditions for realism’s emergence. The realist novel combined an attention to the body and its states of feeling with a focus on the quest for individual realization within the confines of history. In contemporary writing, other forms of representation – for which the term “postmodern” is too glib – have become visible: for example, in the historical fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. Contemporary fiction is shown to be conducting startling experiments in the representation of new realities of a global social totality, modern technological warfare, and historical developments that, although they saturate every corner of our lives, only become apparent on rare occasions and by way of the strangest formal and artistic devices. In a coda, Jameson explains how “realistic” narratives survived the end of classical realism. In effect, he provides an argument for the serious study of popular fiction and mass culture that transcends lazy journalism and the easy platitudes of recent cultural studies. |
| lukacs theory of the novel: Aesthetics and Politics Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Georg Lukacs, 2020-10-13 An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature. With an afterword by Fredric Jameson No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history. |
| lukacs theory of the novel: The Rationalism of Georg Lukács J. Kelemen, 2013-11-15 The Rationalism of Georg Lukács is a collection of essays and engaging scholarship which uncovers new dimensions of the philosopher's work. The relevance of Lukacs's ideas should be seen in the light of a sharp decline in critical thought as well the continued need to rehabilitate a thinker that was representative of a rational radical perspective. |
| lukacs theory of the novel: Varieties of Marxism Shlomo Avineri, 2012-12-06 The essays included in this volume are based on papers delivered at the International Symposium on Varieties of Marxism, held at the Van Leer Jerusalem Foundation on June 16-19,1974, and dedicated to the memory of George Lichtheim. When the idea of such a symposium was first raised, the organizers planned to have George Lichtheim as one of the main speakers at the event. In our last and brief meeting in London, I suggested this to him and Lichtheim gave his consent to attend the symposium, though at that time no date was yet fixed. His tragic death a few months later left a gap not only in the program of the symposium but in Marxist studies generally; it was felt that per haps one way of paying tribute to his contribution to the study of a subject so near to his mind would be to name the symposium in his memory and devote an introductory paper to an attempt at an intel lectual portrait of George Lichtheim as an historian of ideas. The volume as published includes all papers delivered at the sym posium, with the excep,tion of the papers of J. L. Talmon (Jerusalem) on 'Marxism and Nationalism' and Gajo Petrovic (Zagreb) on 'Yugo slav Marxism'. Appended is also a short obituary written by me on Lichtheim for the journal Political Science published by the American Political Science Association. |
| lukacs theory of the novel: The Theory of the Novel Georg Lukacs, György Lukács, Anna Bostock, 1971-01-01 Georg Lukács wrote The Theory of the Novel in 1914-1915, a period that also saw the conception of Rosa Luxemburg's Spartacus Letters, Lenin's Imperialism: The Highest Stage of Capitalism, Spengler's Decline of the West, and Ernst Bloch's Spirit of Utopia. Like many of Lukács's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl. The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukács's last great work before he turned to Marxism-Leninism. -- Book Description. |
| lukacs theory of the novel: Confronting Reification , 2020-07-27 Georg Lukács (1885-1971) was one of the most original Marxist philosophers and literary critics of the twentieth century. His work was a major influence on what we now know as critical theory. Almost fifty years after his death, Lukács’s legacy has come under attack by right-wing extremists in his native Hungary. Despite efforts to erase his memory, Lukács remains a philosophical gadfly. In Confronting Reification, an international team of fourteen scholars explicate, reassess, and apply one of Lukács’s most significant philosophical contributions, his theory of reification. Based on papers presented at the 2017 Legacy of Georg Lukács conference held in Budapest, the essays in this volume demonstrate the vitality of Lukács’s thought and its relevance. Contributors include: Rüdiger Dannemann, Frank Engster, Andrew Feenberg, Joseph Grim Feinberg, Andraž Jež, Christian Lotz, Csaba Olay, Tom Rockmore, Gregory R. Smulewicz-Zucker, Mariana Teixeira, Michael J. Thompson, Tivadar Vervoort, Richard Westerman, and Sean Winkler. |
| lukacs theory of the novel: Soul and Form Georg Lukács, 1980-01-01 GyArgy LukAcs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, LukAcs laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled On Poverty of Spirit, which LukAcs wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares LukAcs's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the LukAcsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience. |
| lukacs theory of the novel: The Destruction of Reason Georg Lukacs, 2021-08-31 How Western philosophy lost its innocence: from Enlightenment to fascism The Destruction of Reason is Georg Lukács’s trenchant criticism of certain strands of philosophy after Marx and the role they played in the rise of National Socialism: ‘Germany’s path to Hitler in the sphere of philosophy,’ as he put it. Starting with the revolutions of 1848, his analysis spans post-Hegelian philosophy and sociology. The great pessimist Arthur Schopenhauer, neo-Hegelians such as Leopold von Ranke and Wilhelm Dilthey, and the phenomenologists Edmund Husserl, Karl Jaspers, and Jean-Paul Sartre come in for a share of criticism, but the principal targets are Friedrich Nietzsche and Martin Heidegger. Through these thinkers he shows in an unsparing analysis that, with almost no exceptions, the post-Hegelian tradition prepared the ground for fascist thought. Originally published in 1952, the book has been unjustly overlooked despite its centrality in Lukács’s work and its being one of the key texts in Western Marxism. This new edition features a historical introduction by Enzo Traverso, addressing the current rise of the far right across the world today. |
| lukacs theory of the novel: Essentials of the Theory of Fiction Michael J. Hoffman, Patrick D. Murphy, 2005-07-06 What accounts for the power of stories to both entertain and illuminate? This question has long compelled the attention of storytellers and students of literature alike, and over the past several decades it has opened up broader dialogues about the nature of culture and interpretation. This third edition of the bestselling Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century through modernism and postmodernism to the present. It offers a sample of major theories of fictional technique while emphasizing recent developments in literary criticism. The essays cover a variety of topics, including voice, point of view, narration, sequencing, gender, and race. Ten new selections address issues such as oral memory in African American fiction, temporality, queer theory, magical realism, interactive narratives, and the effect of virtual technologies on literature. For students and generalists alike, Essentials of the Theory of Fiction is an invaluable resource for understanding how fiction works. Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf |
| lukacs theory of the novel: Telling It Like It Wasn’t Catherine Gallagher, 2018-01-26 Inventing counterfactual histories is a common pastime of modern day historians, both amateur and professional. We speculate about an America ruled by Jefferson Davis, a Europe that never threw off Hitler, or a second term for JFK. These narratives are often written off as politically inspired fantasy or as pop culture fodder, but in Telling It Like It Wasn’t, Catherine Gallagher takes the history of counterfactual history seriously, pinning it down as an object of dispassionate study. She doesn’t take a moral or normative stand on the practice, but focuses her attention on how it works and to what ends—a quest that takes readers on a fascinating tour of literary and historical criticism. Gallagher locates the origins of contemporary counterfactual history in eighteenth-century Europe, where the idea of other possible historical worlds first took hold in philosophical disputes about Providence before being repurposed by military theorists as a tool for improving the art of war. In the next century, counterfactualism became a legal device for deciding liability, and lengthy alternate-history fictions appeared, illustrating struggles for historical justice. These early motivations—for philosophical understanding, military improvement, and historical justice—are still evident today in our fondness for counterfactual tales. Alternate histories of the Civil War and WWII abound, but here, Gallagher shows how the counterfactual habit of replaying the recent past often shapes our understanding of the actual events themselves. The counterfactual mode lets us continue to envision our future by reconsidering the range of previous alternatives. Throughout this engaging and eye-opening book, Gallagher encourages readers to ask important questions about our obsession with counterfactual history and the roots of our tendency to ask “What if...?” |
| lukacs theory of the novel: Georg Lukacs: The Fundamental Dissonance of Existence Timothy Bewes, Timothy Hall, 2011-03-10 The end of the Soviet period, the vast expansion in the power and influence of capital, and recent developments in social and aesthetic theory, have made the work of Hungarian Marxist philosopher and social critic Georg Lukács more vital than ever. The very innovations in literary method that, during the 80s and 90s, marginalized him in the West have now made possible new readings of Lukács, less in thrall to the positions taken by Lukács himself on political and aesthetic matters. What these developments amount to, this book argues, is an opportunity to liberate Lukács's thought from its formal and historical limitations, a possibility that was always inherent in Lukács's own thinking about the paradoxes of form. This collection brings together recent work on Lukács from the fields of Philosophy, Social and Political Thought, Literary and Cultural Studies. Against the odds, Lukács's thought has survived: as a critique of late capitalism, as a guide to the contradictions of modernity, and as a model for a temperament that refuses all accommodation with the way things are. |
| lukacs theory of the novel: Spatiality Robert T. Tally, 2013 Divided into six chapters, each dealing with different aspects of the spatial in literary studies, the book provides: An overview of the spatial turn in literary theory - from modern philosophy and historicism to cartography and literary theory Introductions to the major theorists such as Michel Foucault, David Harvey, Edward Soja, Erich Auerbach, Georg Lukács, and Mikhail Bakhtin An analysis of spatiality from a variety of perspectives - the writer as map-maker, different literary and critical 'spaces', the concept of literary geography, cartographics and geocriticism. As the first guide to the literature and criticism of 'space', this clear and engaging book is essential reading. |
| lukacs theory of the novel: Forms of Modernity Rachel Schmidt, 2011-04-09 It's a critical cliché that Cervantes' Don Quixote is the first modern novel, but this distinction raises two fundamental questions. First, how does one define a novel? And second, what is the relationship between this genre and understandings of modernity? In Forms of Modernity, Rachel Schmidt examines how seminal theorists and philosophers have wrestled with the status of Cervantes' masterpiece as an 'exemplary novel', in turn contributing to the emergence of key concepts within genre theory. Schmidt's discussion covers the views of well-known thinkers such as Friedrich Schlegel, José Ortega y Gasset, and Mikhail Bakhtin, but also the pivotal contributions of philosophers such as Hermann Cohen and Miguel de Unamuno. These theorists' examinations of Cervantes's fictional knight errant character point to an ever-shifting boundary between the real and the virtual. Drawing from both intellectual and literary history, Forms of Modernity richly explores the development of the categories and theories that we use today to analyze and understand novels. |
| lukacs theory of the novel: Georg Lukács and the Possibility of Critical Social Ontology Michael J. Thompson, 2019-12-16 Georg Lukács was one of the most important intellectuals and philosophers of the 20th century. His last great work was an systematic social ontology that was an attempt to ground an ethical and critical form of Marxism. This work has only now begun to attract the interest of critical theorists and philosophers intent on reconstructing a critical theory of society as well as a more sophisticated framework for Marxian philosophy. This collection of essays explores the concept of critical social ontology as it was outlined by Georg Lukács and the ways that his ideas can help us construct a more grounded and socially relevant form of social critique. This work will of special interest to social, moral and political philosophers as well as those who study critical theory, social theory and Marxism. It is also of interest to those working within the area of social ontology. Contributors include: Mario Duayer, Andreas Giesbert, Christoph Henning, Antonino Infranca, Reha Kadakal, Endre Kiss, Michael Morris, Michalis Skomvoulis, Matthew J. Smetona, Titus Stahl, Thomas Telios, Michael J. Thompson, Murillo van der Laan, Miguel Vedda, Claudius Vellay. |
| lukacs theory of the novel: Studies in European Realism György Lukács, 1950 |
| lukacs theory of the novel: Hymns to the Night Novalis, 2020-10-25 |
| lukacs theory of the novel: Hungarian Studies on György Lukács László Illés, 1993 |
| lukacs theory of the novel: The Novel Dorothy J. Hale, 2009-02-09 The Novel: An Anthology of Criticism and Theory1900–2000 is a collection of the most influentialwritings on the theory of the novel from the twentiethcentury. Traces the rise of novel theory and the extension of itsinfluence into other disciplines, especially social, cultural andpolitical theory. Broad in scope, including sections on formalism; the ChicagoSchool; structuralism and narratology; deconstruction;psychoanalysis; Marxism; social discourse; gender;post-colonialism; and more. Includes whole essays or chapters wherever possible. Headnotes introduce and link each piece, enabling readers todraw connections between different schools of thought. Encourages students to approach theoretical texts withconfidence, applying the same skills they bring to literarytexts. Includes a volume introduction, a selected bibliography, anindex of topics and short author biographies to support study. |
| lukacs theory of the novel: The Destruction of Reason György Lukács, 1981 |
| lukacs theory of the novel: The Theory of the Novel György Lukács, 1971 Georg Lukács wrote The Theory of the Novel in 1914-1915, a period that also saw the conception of Rosa Luxemburg's Spartacus Letters, Lenin's Imperialism: The Highest Stage of Capitalism, Spengler's Decline of the West, and Ernst Bloch's Spirit of Utopia. Like many of Lukács's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl. The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukács's last great work before he turned to Marxism-Leninism. -- Book Description. |
György Lukács - Wikipedia
György Lukács [a] (born Bernát György Löwinger; [b] Hungarian: Szegedi Lukács György; German: Georg Bernard Lukács; [c] …
Georg [György] Lukács - Stanford Encyclopedia of Philosophy
Nov 4, 2013 · Georg (György) Lukács (1885–1971) was a literary theorist and philosopher who is widely viewed as one …
Hungarian Marxist Philosopher, Literary Critic - Britannica
May 31, 2025 · György Lukács (born April 13, 1885, Budapest, Hungary—died June 4, 1971, Budapest) was a Hungarian Marxist …
The Georg Lukacs Internet Archive
Aug 15, 2024 · eBooks for Lukacs. Early Works. The Theory of the Novel (1914) Tactics and Ethics (1919) The Role of Morality in …
Georg Lukacs - New World Encyclopedia
Lukacs represented an attempt to make Marxism relevant to 20th century realities, although it ultimately failed due to …
György Lukács - Wikipedia
György Lukács [a] (born Bernát György Löwinger; [b] Hungarian: Szegedi Lukács György; German: Georg Bernard Lukács; [c] 13 April 1885 – 4 June 1971) was a Hungarian Marxist philosopher, …
Georg [György] Lukács - Stanford Encyclopedia of Philosophy
Nov 4, 2013 · Georg (György) Lukács (1885–1971) was a literary theorist and philosopher who is widely viewed as one of the founders of “Western Marxism” and as a forerunner of 20th-century …
Hungarian Marxist Philosopher, Literary Critic - Britannica
May 31, 2025 · György Lukács (born April 13, 1885, Budapest, Hungary—died June 4, 1971, Budapest) was a Hungarian Marxist philosopher, writer, and literary critic who influenced the …
The Georg Lukacs Internet Archive
Aug 15, 2024 · eBooks for Lukacs. Early Works. The Theory of the Novel (1914) Tactics and Ethics (1919) The Role of Morality in Communist Production (1919) The Moral Mission of the Communist …
Georg Lukacs - New World Encyclopedia
Lukacs represented an attempt to make Marxism relevant to 20th century realities, although it ultimately failed due to Marxism's own inherent weaknesses.
Georg Lukács - Literary and Critical Theory - Oxford Bibliographies
May 26, 2021 · Introduction. Georg (György) Lukács (b. 13 April 1885–d. 4 June 1971) was a Hungarian philosopher and literary theorist of Jewish origin. His work substantially determined …
Key Theories of Georg Lukacs – Literary Theory and Criticism
May 22, 2017 · The Hungarian philosopher and literary critic Gyorgy (or Georg) Lukacs (1885-1971) had a major influence on the development of Western Marxism (that is to say, the largely …
George Lukács: Complete Collection : Georg Lukács : Free …
Jan 4, 2023 · Georg Lukacs - Philosophical Works + Literary History (27 books) Written by anonymous person.. included text file embedded for research: GEORG [György] LUKÁCS (1885 …
Lukács, Gyorgy (1885–1971) - Encyclopedia.com
Lukács, Gyorgy (1885–1971). Lukács, Gyorgy (1885–1971), Hungarian literary critic and philosopher. Gyorgy Lukács was one of the foremost Marxist literary critics and theorists. His influence on …
Georg Lukács: Pioneer of Marxist Philosophy – Letters from Tomis
Dec 27, 2024 · Georg Lukács, a prominent Hungarian Marxist philosopher, significantly influenced 20th-century Marxist theory with concepts like reification and class consciousness. His key …
