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| lisa greenwald daughters of 1968: Daughters of 1968 Lisa Greenwald, 2019-01-01 Daughters of 1968 is the story of French feminism between 1944 and 1981, when feminism played a central political role in the history of France. The key women during this epoch were often leftists committed to a materialist critique of society and were part of a postwar tradition that produced widespread social change, revamping the workplace and laws governing everything from abortion to marriage. The May 1968 events—with their embrace of radical individualism and antiauthoritarianism—triggered a break from the past, and the women’s movement split into two strands. One became universalist and intensely activist, the other particularist and less activist, distancing itself from contemporary feminism. This theoretical debate manifested itself in battles between women and organizations on the streets and in the courts. The history of French feminism is the history of women’s claims to individualism and citizenship that had been granted their male counterparts, at least in principle, in 1789. Yet French women have more often donned the mantle of particularism, advancing their contributions as mothers to prove their worth as citizens, than they have thrown it off, claiming absolute equality. The few exceptions, such as Simone de Beauvoir or the 1970s activists, illustrate the diversity and tensions within French feminism, as France moved from a corporatist and tradition-minded country to one marked by individualism and modernity. |
| lisa greenwald daughters of 1968: Daughters of 1968 Lisa Greenwald, 2019 Daughters of 1968 is the story of French feminism between 1944 and 1981, when feminism played a central political role in the history of France. The key women during this epoch were often leftists committed to a materialist critique of society and were part of a postwar tradition that produced widespread social change, revamping the workplace and laws governing everything from abortion to marriage. The May 1968 events—with their embrace of radical individualism and antiauthoritarianism—triggered a break from the past, and the women’s movement split into two strands. One became universalist and intensely activist, the other particularist and less activist, distancing itself from contemporary feminism. This theoretical debate manifested itself in battles between women and organizations on the streets and in the courts. The history of French feminism is the history of women’s claims to individualism and citizenship that had been granted their male counterparts, at least in principle, in 1789. Yet French women have more often donned the mantle of particularism, advancing their contributions as mothers to prove their worth as citizens, than they have thrown it off, claiming absolute equality. The few exceptions, such as Simone de Beauvoir or the 1970s activists, illustrate the diversity and tensions within French feminism, as France moved from a corporatist and tradition-minded country to one marked by individualism and modernity. |
| lisa greenwald daughters of 1968: Daughters of 1968 Lisa Greenwald, 2018 |
| lisa greenwald daughters of 1968: Sustainable Resilience in Women's Film and Video Organizations Rosanna Maule, 2023-07-14 This book illustrates a distinctive lineage of critical interventions in moving image culture and in the public sphere through the trajectories of a small number of film and video organizations established between the 1970s and the early 1980s in Western Europe and North America mainly by women and still operative today. The six case studies examined (Drac Màgic, Women Make Movies, Groupe Intervention Vidéo, Leeds Animation Workshop, bildwechsel, Centre Audiovisuel Simone de Beauvoir) have maintained a discrete yet continuing presence within an audiovisual industry and a cultural system dominated by institutionalized and corporate forms of production and distribution. Their longevity – quite a rarity in the independent circuit – makes a strong case for the sustainability of feminist/LGBTQ media activism in the public sphere, in spite of its low-key profile. This volume will be of interest to academicians of history and communication studies, feminist and LGBTQ topics, and gender-related cinematic culture. |
| lisa greenwald daughters of 1968: Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles Catherine Fowler, 2021-11-18 “Lucid, lively and extremely knowledgeable.” Sight & Sound Catherine Fowler's study positions Jeanne Dielman as a 'contrary' classic, its contrariness arising from director Chantal Akerman's decision to frame an unliberated housewife through a kind of 'slow looking'. By choosing to stay with Jeanne in the kitchen, the film both 'differences' the canon and diverges from Akerman's liberated early films, which involved the rejection of domestic space, married life and the heterosexual script. Fowler draws on original footage, scripts, unmade and unseen projects, interviews and other documents to painstakingly piece together the making of the film, discovering an alternative origin story which centers upon female alliances, forged through a combination of shared film culture and lived sexism. Those viewers who take up Akerman's invitation to spend time with Jeanne will find their expectations of cinema are changed. Because more than any other film before or since, it reminds us that we give our time to a film; and in making us look both harder and for longer it asks us to feel time slipping away, for ourselves as much as for its protagonist. |
| lisa greenwald daughters of 1968: Sex, Love, and Letters Judith G. Coffin, 2020-09-15 When Judith G. Coffin discovered a virtually unexplored treasure trove of letters to Simone de Beauvoir from Beauvoir's international readers, it inspired Coffin to explore the intimate bond between the famed author and her reading public. This correspondence, at the heart of Sex, Love, and Letters, immerses us in the tumultuous decades from the late 1940s to the 1970s—from the painful aftermath of World War II to the horror and shame of French colonial brutality in Algeria and through the dilemmas and exhilarations of the early gay liberation and feminist movements. The letters also provide a glimpse into the power of reading and the power of readers to seduce their favorite authors. The relationship between Beauvoir and her audience proved especially long, intimate, and vexed. Coffin traces this relationship, from the publication of Beauvoir's acclaimed The Second Sex to the release of the last volume of her memoirs, offering an unfamiliar perspective on one of the most magnetic and polarizing philosophers of the twentieth century. Along the way, we meet many of the greatest writers of Beauvoir's generation—Hannah Arendt; Dominique Aury, author of The Story of O; François Mauriac, winner of the Nobel Prize and nemesis of Albert Camus; Betty Friedan; and, of course, Jean-Paul Sartre—bringing the electrically charged salon experience to life. Sex, Love, and Letters lays bare the private lives and political emotions of the letter writers and of Beauvoir herself. Her readers did not simply pen fan letters but, as Coffin shows, engaged in a dialogue that revealed intellectual and literary life to be a joint and collaborative production. This must happen to you often, doesn't it? wrote one. That people write to you and tell you about their lives? |
| lisa greenwald daughters of 1968: White Women's Rights Louise Michele Newman, 1999-02-04 This study reinterprets a crucial period (1870s-1920s) in the history of women's rights, focusing attention on a core contradiction at the heart of early feminist theory. At a time when white elites were concerned with imperialist projects and civilizing missions, progressive white women developed an explicit racial ideology to promote their cause, defending patriarchy for primitives while calling for its elimination among the civilized. By exploring how progressive white women at the turn of the century laid the intellectual groundwork for the feminist social movements that followed, Louise Michele Newman speaks directly to contemporary debates about the effect of race on current feminist scholarship. White Women's Rights is an important book. It is a fascinating and informative account of the numerous and complex ties which bound feminist thought to the practices and ideas which shaped and gave meaning to America as a racialized society. A compelling read, it moves very gracefully between the general history of the feminist movement and the particular histories of individual women.--Hazel Carby, Yale University |
| lisa greenwald daughters of 1968: Feminism in Finnish Print Media, 1968-1985 Heidi Kurvinen, 2024-12-20 This book focuses on the discussion of the women’s liberation movement and feminism in Finnish print media between 1968 and 1985. By analysing this topic, the book demonstrates that a relatively well-developed state of gender equality in a society does not necessarily result in fertile ground for feminist activism. On the contrary, it may hinder the success of more radical claims presented by feminists, and mass media serves as a central player in this. Consequently, the book enhances our understanding of the mechanisms that prevent societies from reaching complete equality, and it shows how cultural specificities influence the ways in which transnational ideas of feminism are adopted in a local context. This is shown by analysing the dialogic relationship between journalists and feminist activists as well as the mediated negotiations of the meanings of feminism within the women’s movement. |
| lisa greenwald daughters of 1968: Tennis Greg Ruth, 2021-08-24 Analyzing how tennis turned pro The arrival of the Open era in 1968 was a watershed in the history of tennis--the year that marked its advent as a professionalized sport. Merging wide-angle history with individual stories of players and off-the-court figures, Greg Ruth charts tennis’s evolution into the game we watch today. His vivid account moves from the cloistered world of nineteenth-century lawn tennis through the longtime amateur-professional divide and the battles over commercialization that raged from the 1920s until 1968. From there, Ruth details the post-1968 expansion of the game as it was transformed by bankable superstars, a popular women’s tour, rival governing bodies, and sponsorship money. What emerges is a fascinating history of the economics and politics that made tennis a decisive, if unlikely, force in the creation of modern-day sports entertainment. Comprehensive and engaging, Tennis tells the interlocking stories of the figures and factors that birthed the professional game. |
| lisa greenwald daughters of 1968: Counterpractice Rakhee Balaram, 2022-03-08 Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock. |
| lisa greenwald daughters of 1968: Anticommunism in French Society and Politics, 1945-1953 Aaron Clift, 2023 A work which evaluates anticommunism among the French population, 1945--1953, examining its causes, character, and consequences through a series of case studies on areas of French society, including the scouting movement; family organisations; agricultural associations; middle-class groups; and trade unions and other working-class organisations. |
| lisa greenwald daughters of 1968: Pepsi and the Pill Melissa Oliver-Powell, 2022-11-11 The 1960s was a decade of massive political and cultural change in Western Europe, as seismic shifts took place in in attitudes towards sexuality, gender, and motherhood in everyday life. Through case studies of British and French films, Pepsi and the Pill offers a fresh vision of a pivotal moment in European culture, exploring the many ways in which political activity and celebrated film movements mutually shaped each other in their views on gender, sexuality, and domesticity. As the specter of popular nationalism once again looms across Europe, this book offers a timely account of the legacy of crucial debates over issues including reproductive rights, migration, and reproductive nationalism at the intersection of political discourse, protest, and film. |
| lisa greenwald daughters of 1968: The Routledge Handbook of French History David Andress, 2023-12-22 Aimed firmly at the student reader, this handbook offers an overview of the full range of the history of France, from the origins of the concept of post-Roman Francia, through the emergence of a consolidated French monarchy and the development of both nation-state and global empire into the modern era, forward to the current complexities of a modern republic integrated into the European Union and struggling with the global legacies of its past. Short, incisive contributions by a wide range of expert scholars offer both a spine of chronological overviews and a diverse spectrum of up-to-date insights into areas of key interest to historians today. From the ravages of the Vikings to the role of gastronomy in the definition of French culture, from Caribbean slavery to the place of Algerians in present-day France, from the role of French queens in medieval diplomacy to the youth-culture explosion of the 1960s and the explosions of France’s nuclear weapons program, this handbook provides accessible summaries and selected further reading to explore any and all of these issues further, in the classroom and beyond. |
| lisa greenwald daughters of 1968: Critical Poetics of Feminist Refusals Federica Bueti, 2022-12-07 Critical Poetics of Feminist Refusals renders a vivid portrait of the intergenerational and intersectional dialogue between influential feminist writers on how to say no to the conditions of oppression, exclusion, and exploitation imposed by patriarchal and systemically racist capitalist societies. The book provides today’s readers and writers access to the powerful inventory of concepts and techniques that two generations of feminists have assembled for refusing domination and constituting fugitive forms of sociability and writing. Drawing on examples from feminist thinkers, Audre Lorde, Carla Lonzi, Hélène Cixous, Hortense Spillers, Alexis Pauline Gumbs, Anne Boyer and Simone White, the book focuses on how the power dynamics of recognition tie the uses of language to the material conditions of discrimination in everyday life. |
| lisa greenwald daughters of 1968: Don't Call Us Girls Barbara Leonora Tischler, 2024-11-30 In a collective voice calling for peace tracing back to pre-World War II, Don't Call Us Girls follows the protests of women and their allies from the White House to the Arc de Triomphe, heralding their impact on today's world. Don’t Call Us Girls examines the importance of women’s participation in the Civil Rights Movement in the United States, and the international anti-war movement. This collective voice for peace, and an end to nuclear proliferation, reached back to before the Second World War and then firmly embedded itself during the war years when women assumed such important roles in the workplace that Franklin D. Roosevelt called them the ‘Arsenal of Democracy’. When the men returned from war, women were encouraged by forces as powerful as government agencies and eminent psychiatrists to return to their ‘place’ at home. And return home they did, only to realize that they could use the skills they practiced as housewives to begin organizing themselves into groups that would start a wave of protest action that swept through the late 1950s, gathering up the Civil Rights Movement as it hurtled ever forward through the next two decades. In the 1960s and 1970s, no institution or convention was sacred—many aspects of women’s lives were fair game for criticism, protest, and change. In this no-holds-barred era, women debated everything from international nuclear policies, pay equity and child care for women, to reproductive rights and sexual politics. They protested in the streets, outside the White House, in Trafalgar Square, at the Arc de Triomphe, on university campuses, and just about anywhere else they would be heard. They were tired of the role society had cast for them and they would not rest until they saw the substantial change that seemed promising with the emergence of Second Wave Feminism in the 1970s. While we still live in a patriarchal society, we have these women to thank for many of the freedoms we now enjoy. If they have taught us anything, it is never to stop pushing back against the patriarchy and to rest only when we are truly equal. The final chapter of Don’t Call Us Girls reminds us that there is still a lot of work to do. |
| lisa greenwald daughters of 1968: Politicizing Rape and Pornography Trine Rogg Korsvik, 2020-10-24 This book examines how feminist movements in Norway and France have politicized rape, pornography and sexual exploitation of women from the 1970s to the present. Through a cross-national comparison, it provides insights into why the fight against rape became top priority for French feminists in the 1970s; what kind of strategies the feminist movements used when politicizing sex and violence; who the opponents of the feminist mobilizations were, and who the allies were; as well as what the feminist movements achieved and what the costs of the battles were. This book provides historical context for contemporary and contentious debates about the tension between feminism and sexual freedom, about sexual liberation and abuse, and about the limits of freedom of expression. This text is relevant for students in history, sociology, health, political science, comparative politics and interdisciplinary gender studies. It is also relevant for researchers and activists who are concerned with the history of feminism, feminist politics and sexual politics. |
| lisa greenwald daughters of 1968: Beauty is in the Street Joachim C. Häberlen, 2023-10-05 'A rich and readable account of left-wing activism in the West and opposition to Soviet-style communism in the East' Katja Hoyer, The Spectator 'A dream, perhaps, but one that still sounds worth fighting for, even beautiful' Stuart Jeffries, The Observer 'An ambitious and masterly account of utopian protest in Europe ... Fast-paced, with an eye for telling detail and written with a light touch' Robert Gildea In post-war Europe, protest was everywhere. On both sides of the Iron Curtain, from Paris to Prague, Milan to Wroclaw, ordinary people took to the streets, fighting for a better world. Their efforts came to a head most dramatically in 1968 and 1989, when mass movements swept Europe and rewrote its history. In the decades between, Joachim C. Häberlen argues, new movements emerged that transformed the nature of protesting. Activism moved beyond traditional demonstrations, from squatting to staging 'happenings' and camping out at nuclear power plants. People protested in the way they dressed, the music they listened to, the lovers they slept with, the clubs where they danced all night. New movements were born, notably anti-racism, women's liberation, gay liberation, and environmentalism. And protest turned inward, as activists experimented with new ways of living and feeling, from communes to group therapy, in their efforts to live a better life in the here and now. Some of these struggles succeeded, others failed. But successful or not, their history provides a glimpse into roads not taken, into futures that did not happen. The stories in Häberlen's book invite us to imagine different futures; to struggle, to fail, and to try again. In a time when we are told that there are no alternatives, they show us that there could be another way. |
| lisa greenwald daughters of 1968: Ninth Art. Bande dessinée, Books and the Gentrification of Mass Culture, 1964-1975 Sylvain Lesage, 2023-01-01 In France, comics are commonly referred to as the ninth art. What does it mean to see comics as art? This book looks at the singular status of comics in the French cultural landscape. Bandes dessinées have long been published in French newspapers and magazines. In the early 1960s, a new standard format emerged: large hardback books, called albums. Albums played a key role in the emergence of the ninth art and its acceptance among other forms of literary narrative. From Barbarella in 1964 to La Ballade de la mer salée in 1975, from Astérix and its million copies to Tintin and its screen versions, within the space of just a few years the comics landscape underwent a deep transformation. The album opened up new ways of creating, distributing, and reading bandes dessinées. This shift upended the market, transformed readership, initiated new transmedia adaptations, generated critical discourse, and gave birth to new kinds of comics fandom. These transformations are analysed through a series of case studies, each focusing on a noteworthy album. By retracing the publishing and critical history of these classic bandes dessinées, this book questions the blind spots of a canon based on the album format and uncovers the legitimisation processes that turned bande dessinée into the ninth art. |
| lisa greenwald daughters of 1968: Women Made Visible Gabriela Aceves Sepúlveda, 2019-04-01 2020 Canadian Association for Latin American and Caribbean Studies (CALACS) Book Prize In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality. Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality—increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico’s mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century. Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally. |
| lisa greenwald daughters of 1968: Psychoanalysis and the Family in Twentieth-Century France Richard Bates, 2022-01-25 In the last quarter of the twentieth century, if French people had a parenting problem or dilemma there was one person they consulted above all: Françoise Dolto (1908-88). But who was Dolto? How did she achieve a position of such influence? What ideas did she communicate to the French public? This book connects the story of Dolto's rise to two broader histories: the dramatic growth of psychoanalysis in postwar France and the long-running debate over the family and the proper role of women in society. It shows that Dolto's continued reputation in France as a liberal and enlightened educational thinker is at best only partially deserved and that conservative and anti-feminist ideas often underpinned her prominent public interventions. While Dolto retains the status of a national treasure, her career has had far-reaching and sometimes harmful repercussions for French society, particularly in the treatment of autism. |
| lisa greenwald daughters of 1968: Diversity and Decolonization in French Studies Siham Bouamer, Loïc Bourdeau, 2022-04-04 This edited volume presents new and original approaches to teaching the French foreign-language curriculum, reconceptualizing the French classroom through a more inclusive lens. The volume engages with a broad range of scholars to facilitate an understanding of the process of French (de)colonization as well as its reverberations into the postcolonial era, and a deeper engagement with the global interconnectedness of these processes. Chapters in Part I revist the concept of the francophonie, decenter the field from “metropolitan” or “hexagonal” and white France and underline how current teaching materials reproduce epistemic and colonial violence. Part II adopts an intersectional approach to address topics of gender inclusivity, trans-affirming teaching, queer materials, and ableism. Finally, Part III presents new ways to transform the discipline by affirming our commitment to social justice and making sure that our classrooms are representative of our students’ enriching diversity. |
| lisa greenwald daughters of 1968: From Menstruation to the Menopause Maria Kathryn Tomlinson, 2021 This book examines menstruation, childbirth, and the menopause in contemporary Algerian, Mauritian, and French women's writing. It looks back to the pioneering work of the second-wave feminists and argues that contemporary women's writing has continued to challenge normative perceptions whilst also taking a more intersectional approach to corporeal experience. |
| lisa greenwald daughters of 1968: Gender and Identity around the World Chuck Stewart, 2020-11-09 This book provides an indispensable resource for high school and college students interested in the history and current status of gender identity formation and maintenance and how it impacts LGBTQ rights throughout the world. Gender and Identity around the World explores a variety of gender and LGBTQ experiences and issues in countries from all the world's regions. Guided by more than 50 recognized academic experts, readers will examine how gender and LGBTQ identities are developed, fought for, perceived, and policed in countries as diverse as France, Brazil, Russia, Jordan, Iraq, and China. Each chapter opens with a general introduction to a country or group of countries and flows into a discussion of gender and identity in terms of culture, education, family life, health and wellness, law, work, and activism in that region of the world. A section on contemporary issues specific to the country or group of countries follows this discussion. |
| lisa greenwald daughters of 1968: Modern France Michael F. Leruth, 2022-10-18 A truly astonishing book of facts about France ... librarians will find this book useful for developing collections, preparing for instruction sessions, and writing library guides. – Choice This volume offers perspective on contemporary France, exploring topics ranging from geography to popular culture. This encyclopedia is organized into thematic chapters covering numerous aspects of life in modern France. Each chapter contains an overview of the topic and alphabetized entries providing specific examples of the theme. Special appendices offer profiles of a typical day in the life of representative members of French society, a glossary, key facts and figures about France, and a holiday chart. The volume is an essential guide for readers looking for specific topical information and for those who want to develop an informed perspective on aspects of modern France. |
| lisa greenwald daughters of 1968: Psychoanalysis and the family in twentieth-century France Richard Bates, 2022-02-08 In the last quarter of the twentieth century, if French people had a parenting problem or dilemma there was one person they consulted above all: Françoise Dolto (1908–88). But who was Dolto? How did she achieve a position of such influence? What ideas did she communicate to the French public? This book connects the story of Dolto’s rise to two broader histories: the dramatic growth of psychoanalysis in postwar France and the long-running debate over the family and the proper role of women in society. It shows that Dolto’s continued reputation in France as a liberal and enlightened educational thinker is at best only partially deserved and that conservative and anti-feminist ideas often underpinned her prominent public interventions. While Dolto retains the status of a national treasure, her career has had far-reaching and sometimes harmful repercussions for French society, particularly in the treatment of autism. |
| lisa greenwald daughters of 1968: Broken Icarus David Hanna, 2022-06-15 2022 History Book Festival Official Selection. The 1930s still conjure painful images: the great want of the Depression, and overseas, the exuberant crowds motivated by self-appointed national saviors dressing up old hatreds as new ideas. But there was another story that embodied mankind in that decade. In the same year that both Adolf Hitler and Franklin D. Roosevelt came to power, the city of Chicago staged what was, up to that time, the most forward-looking international exhibition in history. The 1933 World’s Fair looked to the future, unabashedly, as one full of glowing promise. No technology loomed larger at the Fair than aviation. And no persons at the Fair captured the public’s interest as much as the romantic figures associated with it: Italy’s internationally renowned chief of aeronautics, Italo Balbo; German Zeppelin designer and captain, Doctor Hugo Eckener; and the husband-and-wife aeronaut team of Swiss-born Jean Piccard and Chicago-born Jeannette Ridlon Piccard. This golden age of aviation and its high priests and priestesses portended to many the world over that a new age was dawning, an age when man would not only leave the ground behind, but also his uglier, less admirable heritage of war, poverty, corruption, and disease. It was only later in the decade that the dark correlation between the rise of some of aviation’s superstars and the rise of fascism was to be revealed. But for a moment in 1933, this all lay in a future that still seemed so promising. In Broken Icarus, author David Hanna tracks the inspiring trajectory of aviation leading up to and through the World’s Fair of 1933, as well as the field of flight’s more sinister ties to fascism domestic and abroad to present a unique history that is both riveting and revelatory. , |
| lisa greenwald daughters of 1968: Visual Global Politics Roland Bleiker, 2018-02-13 We live in a visual age. Images and visual artefacts shape international events and our understanding of them. Photographs, film and television influence how we view and approach phenomena as diverse as war, diplomacy, financial crises and election campaigns. Other visual fields, from art and cartoons to maps, monuments and videogames, frame how politics is perceived and enacted. Drones, satellites and surveillance cameras watch us around the clock and deliver images that are then put to political use. Add to this that new technologies now allow for a rapid distribution of still and moving images around the world. Digital media platforms, such as Twitter, YouTube, Facebook and Instagram, play an important role across the political spectrum, from terrorist recruitment drives to social justice campaigns. This book offers the first comprehensive engagement with visual global politics. Written by leading experts in numerous scholarly disciplines and presented in accessible and engaging language, Visual Global Politics is a one-stop source for students, scholars and practitioners interested in understanding the crucial and persistent role of images in today’s world. |
| lisa greenwald daughters of 1968: Becoming Lesbian Tamara Chaplin, 2024-12-04 A landmark analysis of how a marginalized subculture used modern media to transform public attitudes toward sexual desire. In Becoming Lesbian, historian Tamara Chaplin argues that the history of female same-sex intimacy is central to understanding the struggle to control the public sphere. This monumental study draws on undiscovered sources culled from cabaret culture, sexology, police files, radio, TV, photography, the Minitel (an early form of internet), and private letters, as well as over one hundred interviews filmed by the author. Becoming Lesbian demonstrates how women of diverse classes and races came to define themselves as lesbian and used public spaces and public media to exert claims on the world around them in ways that made possible new forms of gendered and sexual citizenship. Chaplin begins in the sapphic cabarets of interwar Paris. These venues, she shows, exploited female same-sex desire for profit while simultaneously launching an incipient queer female counterpublic. Refuting claims that World War II destroyed this female world, Chaplin reveals instead how prewar sapphic subcultures flourished in the postwar period, laying crucial groundwork for the politicization of lesbian identity into the twenty-first century. Becoming Lesbian is filled with colorful vignettes about female cabaret owners, singers, TV personalities, writers, and activists, all brought to life to make larger points about rights, belonging, and citizenship. As a history of lesbianism, this book represents a major contribution to modern French history, queer studies, and genealogies of the media and its publics. |
| lisa greenwald daughters of 1968: Education, Equality and Human Rights Mike Cole, 2002-11-01 First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company. |
| lisa greenwald daughters of 1968: The Allure of Blackness among Mixed-Race Americans, 1862-1916 Ingrid Dineen-Wimberly, 2019-10-01 In The Allure of Blackness among Mixed-Race Americans, 1862–1916, Ingrid Dineen-Wimberly examines generations of mixed-race African Americans after the Civil War and into the Progressive Era, skillfully tracking the rise of a leadership class in Black America made up largely of individuals who had complex racial ancestries, many of whom therefore enjoyed racial options to identity as either Black or White. Although these people might have chosen to pass as White to avoid the racial violence and exclusion associated with the dominant racial ideology of the time, they instead chose to identify as Black Americans, a decision that provided upward mobility in social, political, and economic terms. Dineen-Wimberly highlights African American economic and political leaders and educators such as P. B. S. Pinchback, Theophile T. Allain, Booker T. Washington, and Frederick Douglass as well as women such as Josephine B. Willson Bruce and E. Azalia Hackley who were prominent clubwomen, lecturers, educators, and settlement house founders. In their quest for leadership within the African American community, these leaders drew on the concept of Blackness as a source of opportunities and power to transform their communities in the long struggle for Black equality. The Allure of Blackness among Mixed-Race Americans, 1862–1916 confounds much of the conventional wisdom about racially complicated people and details the manner in which they chose their racial identity and ultimately overturns the “passing” trope that has dominated so much Americanist scholarship and social thought about the relationship between race and social and political transformation in the nineteenth and twentieth centuries. |
| lisa greenwald daughters of 1968: Listening is an Act of Love David Isay, 2007 Companion CD features 18 stories transcribed and printed in the book Listening is an Act of Love, plus one bonus story. |
| lisa greenwald daughters of 1968: I Hate You-- Don't Leave Me Jerold Jay Kreisman, Hal Straus, 2010 Revised and updated, the classic guide to understanding borderline personality disorder includes the latest research on the neurobiological, genetic and developmental roots of the disorder as well as connections with substance abuse, PTSD, ADHD and eating disorders. Original. |
| lisa greenwald daughters of 1968: Enough Already! A Socialist Feminist Response to the Re-emergence of Right Wing Populism and Fascism in Media Faith Agostinone-Wilson, 2020-01-20 This text explores the re-assertion of right-wing populist and fascist ideologies as presented and distributed in the media. In particular, attacks on immigrants, women, minorities, and LGBTQI people are increasing, inspired by the election of politicians who openly support authoritarian discourse and scapegoating. More troubling is how this discourse is inscribed into laws and policies. Despite the urgency of the situation, the Left has been unable to effectively respond to these events, from liberals insisting on hands-off free speech policies, including covering both sides of the issue to socialists who utilize a tunnel vision focus on economic issues at the expense of women and minorities. In order to effectively resist right-wing movements of this magnitude, a socialist/Marxist feminist analysis is necessary for understanding how racism, sexism, and homophobia are conduits for capitalism, not just ‘identity issues.’ Topics addressed in this text include an overview of dialectical materialist feminism and its relevance and a review of characteristics of authoritarian populism and fascism. Additionally, the insistence on a colorblind conceptualization of the working class is critiqued, with its detrimental effects on moving resistance and activism forward. This was a key weakness with the Bernie Sanders campaign, which is discussed. Online environments and their alt-right discourse/function are used as an example of the ineffectiveness of e-libertarianism, which has prioritized hands-off administration, allowing right-wing discourse to overcome many online spaces. Other topics include the emergence of the fetal personhood construct in response to abortion rights, and the rejection of science and expertise. |
| lisa greenwald daughters of 1968: Woman's Inhumanity to Woman Phyllis Chesler, 2009 The bestselling author of Women and Madness offers a revolutionary look at aggressive relationships between women of all ages that continues the dialogue of recent bestsellers Odd Girl Out and Queen Bees and Wannabees. Includes a new Introduction by the author. |
| lisa greenwald daughters of 1968: Work in the 21st Century Frank J. Landy, Jeffrey M. Conte, 2012-12-26 This book retains the accessibility of the previous editions while incorporating the latest research findings, and updated organizational applications of the principles of I-O psychology. The scientist-practitioner model continues to be used as the philosophical cornerstone of the textbook. The writing continues to be topical, readable, and interesting. Furthermore, the text includes additional consideration of technological change and the concomitant change in the reality of work, as well as keeps and reinforces the systems approach whenever possible, stressing the interplay among different I-O psychology variables and constructs. |
| lisa greenwald daughters of 1968: My Life in Pink & Green Lisa Greenwald, 2011-08-26 Twelve-year-old Lucy Desberg is a natural problem-solver. At her family’s struggling pharmacy, she has a line of makeover customers for every school dance and bat mitzvah. But all the makeup tips in the world won’t help save the business. If only she could find a way to make it the center of town again—a place where people want to spend time, like in the old days. Lucy dreams up a solution that could resuscitate the family business and help the environment, too. But will Lucy’s family stop fighting long enough to listen to a seventh-grader? In a starred review, Kirkus said this novel “successfully delivers an authentic and endearing portrait of the not-quite-teen experience,” and Booklist called it “a warm, uplifting debut.” Readers everywhere have responded to Lucy’s independence and initiative—not to mention her great style. F&P level: T F&P genre: RF |
| lisa greenwald daughters of 1968: Kulttuurihistorian tutkimus Rami Mähkä, Marika Ahonen, Niko Heikkilä, Sakari Ollitervo, Marika Räsänen, 2022-11-14 Kulttuurihistoriallisesti suuntautunutta tutkimusta tehdään monilla humanistisen tutkimuksen aloilla. Tieteenalasta riippumatta humanistit etsivät vastauksia kysymyksiin, mitä on ihmisyys, kulttuuri, historia, yhteiskunta, ja miten tämä kaikki ilmenee ihmisten toiminnassa ja siitä syntyvissä lähteissä. Tässä teoksessa monitieteisyys ja tieteenalojen välinen vuorovaikutus toteutuvat monisyisesti. Kulttuurihistorian tutkimus: Lähteistä menetelmiin ja tulkintaan pureutuu tutkimusprosessiin. Sen artikkelit esittävät havainnollisesti menetelmien yhteyden ja soveltamisen lähdeaineistoihin sekä osoittavat, miten menetelmän ohjaama lähdeanalyysi tekee mahdolliseksi tutkimuskysymyksiin vastaamisen. Kirjassa kootaan monipuolisesti yhteen tämänhetkistä kulttuurihistoriallista tutkimusta ja pohditaan, millaisia ovat humanistisen tutkimuksen ajankohtaiset kysymykset 2020-luvulla. |
| lisa greenwald daughters of 1968: Sweet Treats & Secret Crushes Lisa Greenwald, 2010-12-31 When a blizzard threatens to ruin Valentine’s Day, three seventh-grade friends make and distribute fortune cookies to their lonely neighbors—and confront the secrets they’ve been keeping from one another. Confident Kate doesn’t notice much but the latest gossip, and shy Georgia can’t say out loud what’s always on her mind. They’re joined by observant, careful Olivia, whose epic, single-minded crush on PBJ (real name: Phillip Becker-Jacobs) is starting to frustrate them. Using fortune cookies that mysteriously always seem to speak directly to the person who opens them, the three girls try to work together to bring some love to their building while reminding each other why they’re such good friends to begin with. |
| lisa greenwald daughters of 1968: Artists' Books Joan Lyons, 1985 In addition to providing a much-needed resource for artists, teachers, and collectors, this book will form a bridge between book artists and their audience by providing ready access to information about a much discussed but little known art form.--Book jacket flap. |
| lisa greenwald daughters of 1968: Hell with the Lid Off Ed Gruver, Jim Campbell, 2019-10-01 Hell with the Lid Off looks at the ferocious five-year war waged by Pittsburgh and Oakland for NFL supremacy during the turbulent seventies.?The roots of their rivalry dated back to the 1972 playoff game in Pittsburgh that ended with the Immaculate Reception, Franco Harris's stunning touchdown that led the Steelers to a win over the Raiders in their first postseason meeting.?That famous game ignited a fiery rivalry for NFL supremacy.?Between 1972 and 1977, the Steelers and the Raiders--between them boasting an incredible twenty-six Pro Football Hall of Famers--collided in the playoffs five straight seasons and in the AFC title game three consecutive years. Both teams favored force over finesse and had players whose forte was intimidation.?Pittsburgh's Steel Curtain defense featured Mean Joe Greene, Jack Lambert, Jack Ham, and Mel Blount, the latter's heavy hits forcing an NFL rule in his name.?The Raiders countered with The Assassin, Jack Tatum, Skip Thomas (aka Dr. Death), George Atkinson, and Willie Brown in their memorable secondary.?Each of their championships crowned the eventual Super Bowl winner, and their bloodcurdling encounters became so violent and vicious that they transcended the NFL and had to be settled in a U.S. district court.? With its account of classic games, legendary owners, coaches, and players with larger-than-life personalities, Hell with the Lid Off is a story of turbulent football and one of the game's best-known rivalries. |
Lisa (rapper) - Wikipedia
She is a member of the South Korean girl group Blackpink, which debuted under YG Entertainment in August 2016. She made her acting debut in 2025 in the HBO television series …
LISA - 'LALISA' M/V - YouTube
Concert events listed are based on the artist featured in the video you are watching, channels you have subscribed to, your past activity while signed in to YouTube, including artists you search...
Lisa (BLACKPINK) profile, age & facts (2025 updated) - Kpopping
May 2, 2025 · Lalisa Manobal, popularly known as Lisa, is a Thai rapper, singer, dancer, and actress under LLOUD and RCA Records. She gained international fame as a member of the …
LISA (BLACKPINK) Profile (Updated!) - Kpop Profiles
LISA (리사 / ลิซ่า) is a Thai soloist and actress under LLOUD and RCA Records, as well as a member of BLACKPINK under YG Entertainment. She officially debuted as a soloist on …
Lisa (rapper) - Simple English Wikipedia, the free encyclopedia
She is known as a member of the female K-pop group Blackpink. [2][3] In 2021, she released her first solo single album named Lalisa. It was a huge success. [source?] Lisa was born in …
LiSA OFFiCiAL WEBSiTE
LiSAのオフィシャルウェブサイト。最新情報、配信情報、試聴、ライブ情報などをお届けします。
LISA - YouTube Music
Lalisa Manobal, known mononymously as Lisa, is a Thai rapper, singer, dancer, and actress. She is a member of the South Korean girl group Blackpink, which debuted under YG Entertainment …
LiSA - Wikipedia
LiSA用語と呼ばれるオリジナルのワードをいくつも作っており、ネーミングに強いこだわりを持つ。「LiSA」（リサ）、「LiVE」（ライブ）など、「i」を小文字にして他の文字を大文字 …
Lisa - BLACK PINK Wiki | Fandom
Lisa (리사 lisa) was born on March 27, 1997 (age 28) in Buriram, Thailand. She is a main dancer, sub-vocalist, lead rapper and the maknae of the group BLACKPINK. [1] Lisa was born …
Stephanie White's Partner Lisa Salters Gets Status Update After …
12 hours ago · Lisa's mom has been dealing with some serious health issues for a while now, so we want to send our love to Lisa and her mom," Breen said during the Thunder's Game 2 win …
Lisa (rapper) - Wikipedia
She is a member of the South Korean girl group Blackpink, which debuted under YG Entertainment in August 2016. She made her acting debut in 2025 in the HBO television series …
LISA - 'LALISA' M/V - YouTube
Concert events listed are based on the artist featured in the video you are watching, channels you have subscribed to, your past activity while signed in to YouTube, including artists you search...
Lisa (BLACKPINK) profile, age & facts (2025 updated) - Kpopping
May 2, 2025 · Lalisa Manobal, popularly known as Lisa, is a Thai rapper, singer, dancer, and actress under LLOUD and RCA Records. She gained international fame as a member of the …
LISA (BLACKPINK) Profile (Updated!) - Kpop Profiles
LISA (리사 / ลิซ่า) is a Thai soloist and actress under LLOUD and RCA Records, as well as a member of BLACKPINK under YG Entertainment. She officially debuted as a soloist on …
Lisa (rapper) - Simple English Wikipedia, the free encyclopedia
She is known as a member of the female K-pop group Blackpink. [2][3] In 2021, she released her first solo single album named Lalisa. It was a huge success. [source?] Lisa was born in …
LiSA OFFiCiAL WEBSiTE
LiSAのオフィシャルウェブサイト。最新情報、配信情報、試聴、ライブ情報などをお届けします。
LISA - YouTube Music
Lalisa Manobal, known mononymously as Lisa, is a Thai rapper, singer, dancer, and actress. She is a member of the South Korean girl group Blackpink, which debuted under YG Entertainment …
LiSA - Wikipedia
LiSA用語と呼ばれるオリジナルのワードをいくつも作っており、ネーミングに強いこだわりを持つ。「LiSA」（リサ）、「LiVE」（ライブ）など、「i」を小文字にして他の文字を大文字 …
Lisa - BLACK PINK Wiki | Fandom
Lisa (리사 lisa) was born on March 27, 1997 (age 28) in Buriram, Thailand. She is a main dancer, sub-vocalist, lead rapper and the maknae of the group BLACKPINK. [1] Lisa was born …
Stephanie White's Partner Lisa Salters Gets Status Update After …
12 hours ago · Lisa's mom has been dealing with some serious health issues for a while now, so we want to send our love to Lisa and her mom," Breen said during the Thunder's Game 2 win …
