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| love and transformation an ovid reader translation: Metamorphoses Ovid, 1955 Metamorphoses--the best-known poem by one of the wittiest poets of classical antiquity--takes as its theme change and transformation, as illustrated by Greco-Roman myth and legend. Melville's new translation reproduces the grace and fluency of Ovid's style, and its modern idiom offers a freshunderstanding of Ovid's unique and elusive vision of reality. |
| love and transformation an ovid reader translation: Metamorphoses: A New Translation Ovid, 2005-01-17 A version that has been long awaited, and likely to become the new standard. —Michael Dirda, Washington Post Ovid's epic poem—whose theme of change has resonated throughout the ages—is one of the most important texts of Western imagination, an inspiration from Dante's times to the present day, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid's work. Charles Martin combines a close fidelity to Ovid's text with verse that catches the speed and liveliness of the original. Martin's Metamorphoses will be the translation of choice for contemporary readers in English. This volume also includes endnotes and a glossary of people, places, and personifications. |
| love and transformation an ovid reader translation: Ovid: A LEGAMUS Transitional Reader Caroline A. Perkins, Denise Davis-Henry, 2008-01-01 This reader contains selections from Ovid, designed for students moving from elementary or intermediate Latin into reading the authentic Latin of Ovid. Passages are accompanied by pre-reading materials, grammatical exercises, complete vocabulary, notes designed for reading comprehension, and other reading aides. Introductory materials (including a section on the life of Ovid) and illustrations are included. |
| love and transformation an ovid reader translation: Metamorphoses Ovid, 1960 |
| love and transformation an ovid reader translation: Ovid's Erotic Poems Ovid, 2014-10-22 The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is perhaps best known for his oft-imitated Metamorphoses. But the Roman poet also wrote lively and lewd verse on the subjects of love, sex, marriage, and adultery—a playful parody of the earnest erotic poetry traditions established by his literary ancestors. The Amores, Ovid's first completed book of poetry, explores the conventional mode of erotic elegy with some subversive and silly twists: the poetic narrator sets up a lyrical altar to an unattainable woman only to knock it down by poking fun at her imperfections. Ars Amatoria takes the form of didactic verse in which a purportedly mature and experienced narrator instructs men and women alike on how to best play their hands at the long con of love. Ovid's Erotic Poems offers a modern English translation of the Amores and Ars Amatoria that retains the irreverent wit and verve of the original. Award-winning poet Len Krisak captures the music of Ovid's richly textured Latin meters through rhyming couplets that render the verse as playful and agile as it was meant to be. Sophisticated, satirical, and wildly self-referential, Ovid's Erotic Poems is not just a wickedly funny send-up of romantic and sexual mores but also a sharp critique of literary technique and poetic convention. |
| love and transformation an ovid reader translation: Translation, Transformation and Transubstantiation in the Late Middle Ages Carol Poster, Richard J. Utz, 1998 This is the third volume in a series of studies on the late Middle Ages, covering the period from around 1300 to 1550. Each volume aims to provide exhaustive and diverse treatments of one significant example of late medieval culture. Volume three explores transformation and translation. |
| love and transformation an ovid reader translation: A Honeycomb for Aphrodite A. Kline, 2015-01-28 A Honeycomb for Aphrodite: Reflections on Ovid's Metamorphoses by A. S. Kline. Illustrated with engravings by Crispijn van de Pass. With this innovative analysis of Ovid's Metamorphoses the author provides an essential companion volume to his translation of the work itself. The nature and structure of Ovid's brilliant retelling of Greek myths is explained, while emphasising his broadly humanist approach. The concept of loosely connected tales linked and sustained by the author's style, personality, and world-view, is contrasted with the epic mode as exemplified by Virgil's Aeneid, while seen as being justified in its own right. The exploration of structure is deepened by detailed discussion of the key concepts and themes which run throughout the work. These range from the religious and mythical, to the social and ethical, and highlight Ovid's prime areas of interest and personal attitudes and values, while placing the Metamorphoses within the context of his other literary achievements, and the milieu of Augustan Rome. The manner in which these common concepts and themes are echoed and expanded through disparate myths and tales is highlighted by copious references to specific examples and illustrative passages in the work, allowing the reader rapid access to the supporting evidence within the text itself. A Honeycomb for Aphrodite argues for a more thoughtful appreciation of Ovid's major creation, claiming that his design is more than just a vivid and charming re-telling of the Greek originals, but a deeply-felt humanist development, in which civilised Roman values re-interpret the ancient natural and spiritual environment of Ovid's Greek sources in a manner destined to influence the whole of European culture, not simply the Medieval and Renaissance periods. Ovid is here seen as strengthening and enriching an alternative view of life to that presented by imperialistic, heroic or tragic literature; a view in which tenderness and pathos, pity and moderation transform the human, and humanise the world. This and other texts available from Poetry in Translation (www.poetryintranslation.com). |
| love and transformation an ovid reader translation: Trust Domenico Starnone, 2021-11-09 A MOST ANTICIPATED BOOK OF FALL 2021 Following the international success of Ties and the National Book Award-shortlisted Trick, Domenico Starnone gives readers another searing portrait of human relationships and human folly. Pietro and Teresa’s love affair is tempestuous and passionate. After yet another terrible argument, she gets an idea: they should tell each other something they’ve never told another person, something they’re too ashamed to tell anyone. They will hear the other’s confessions without judgment and with love in their hearts. In this way, Teresa thinks, they will remain united forever, more intimately connected than ever. A few days after sharing their shameful secrets, they break up. Not long after, Pietro meets Nadia, falls in love, and proposes. But the shadow of the secret he confessed to Teresa haunts him, and Teresa herself periodically reappears, standing at the crossroads, it seems, of every major moment in his life. Or is it he who seeks her out? Starnone is a master storyteller and a novelist of the highest order. His gaze is trained unwaveringly on the fault lines in our public personas and the complexities of our private selves. Trust asks how much we are willing to bend to show the world our best side, knowing full well that when we are at our most vulnerable we are also at our most dangerous. |
| love and transformation an ovid reader translation: Writing Metamorphosis in the English Renaissance Susan Wiseman, 2014-04-24 Susan Wiseman analyses mythical and natural creatures in English Renaissance writing, including Shakespeare's A Midsummer Night's Dream and The Tempest. |
| love and transformation an ovid reader translation: Translating Jazz Into Poetry Erik Redling, 2017-02-20 The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate “melody,” “dynamics,” “tempo,” “mood,” and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear). |
| love and transformation an ovid reader translation: The Lives of Ovid in Seventeenth-century French Culture Helena Taylor, 2017 Helena Taylor explores responses to the life of the ancient Roman poet, Ovid, within the charged atmosphere of seventeenth-century France. She investigates how the figure of Ovid was used to debate literary taste and modernity, and in doing so offers a fresh perspective on classical reception: its paradoxes, uses, and quarrels. |
| love and transformation an ovid reader translation: English Translations Alexander Chalmers, 1810 |
| love and transformation an ovid reader translation: Shakespeare's Ovid Publius Ovidius Naso, 1961 |
| love and transformation an ovid reader translation: Playing to Learn with Reacting to the Past C. Edward Watson, Thomas Chase Hagood, 2017-10-03 This book provides classroom practice and research studies that verify Reacting to the Past (RTTP)—a student-centered, active learning pedagogy that provides college students and faculty unique teaching and learning opportunities—as a high impact practice for student learning and engagement. The overarching objective of this book is to collect practices and evidence from multiple disciplines and institution types regarding the efficacy of RTTP in higher education classroom settings. At its core, RTTP is a game-based pedagogy with published games on some of the most conflicted moments of human history. While RTTP is deeply grounded in theory and literature that suggests its approaches can be impactful, deep and broad examinations of RTTP pedagogies in a range of course settings have not been extensively performed until now. This book provides guidance and an evidence-base on which to build RTTP practices. |
| love and transformation an ovid reader translation: Producing Ovid’s 'Metamorphoses' in the Early Modern Low Countries John Tholen, 2021-08-30 Printers in the early modern Low Countries produced no fewer than 152 editions of Ovid’s Metamorphoses. John Tholen investigates what these editions can tell us about the early modern application of the popular ancient text. Analysis of paratexts shows, for example, how editors and commentators guide readers to Ovid’s potentially subversive contents. Paratextual infrastructures intended to create commercial credibility, but simultaneously were a response to criticism of reading the Metamorphoses. This book combines two often separated fields of research: book history and reception studies. It provides a compelling case study of how investigation into the material contexts of ancient texts sheds new light on early modern receptions of antiquity. |
| love and transformation an ovid reader translation: Ovid and the Cultural Politics of Translation in Early Modern England Liz Oakley-Brown, 2017-03-02 In Ovid and the Cultural Politics of Early Modern England, Liz Oakley-Brown considers English versions of the Metamorphoses - a poem concerned with translation and transformation on a multiplicity of levels - as important sites of social and historical difference from the fifteenth to the early eighteenth centuries. Through the exploration of a range of canonical and marginal texts, from Shakespeare's Titus Andronicus to women's embroideries of Ovidian myths, Oakley-Brown argues that translation is central to the construction of national and gendered identities. |
| love and transformation an ovid reader translation: Parentheses of Reception John T. Hamilton, Evina Sistakou, Martin Vöhler, 2025-05-06 The volume argues that the parenthesis, a rhetorical figure of speech and thought, can offer fresh insights into classical reception studies. By using the analogy of the parenthesis, we may conceptualize the received past as inserted into the present while remaining somehow apart from the present. Hence Graeco-Roman antiquity is considered as being simultaneously ‘in’ and ‘to the side of’ the receptive work. Along these lines, the volume reviews parenthesis as a heuristic tool in ancient and modern cultures, by applying it to various artistic media such as literature, theatre, art and cinema and to disciplines such as scholarship and translation. The 22 chapters of the volume are written by scholars specializing in classics, aesthetics, comparative literature and cultural studies, thus highlighting the ‘parentheses of reception’ as a fascinating topic that may attract readers from different disciplines and academic fields. |
| love and transformation an ovid reader translation: Tales from Ovid Ted Hughes, 1999-03-30 A powerful version of the Latin classic by England's late Poet Laureate, now in paperback.When it was published in 1997, Tales from Ovid was immediately recognized as a classic in its own right, as the best rering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader. |
| love and transformation an ovid reader translation: Ovid, Metamorphoses, 3.511-733 Ingo Gildenhard, Andrew Zissos, 2016-09-05 This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb. The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions. This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought. |
| love and transformation an ovid reader translation: Classical Mythology William F. Hansen, 2005 Classical Mythology offers newcomers and long-time enthusiasts new ways to navigate the world of Greek and Roman myths, beginning by exploring the landscapes where the myths are set. It then provides a richly detailed timeline of mythic episodes from the origin of the cosmos to the end of the Heroic Age--plus an illustrated mythological dictionary listing significant characters, places, events, objects, and concepts. |
| love and transformation an ovid reader translation: Ovid's 'Metamorphoses' Genevieve Liveley, 2010-12-23 Perhaps no other classical text has proved its versatility so much as Ovid's epic poem. A staple of undergraduate courses in Classical Studies, Latin, English and Comparative Literature, Metamorphoses is arguably one of the most important, canonical Latin texts and certainly among the most widely read and studied. Ovid's 'Metamorphoses': A Reader's Guide is the ideal companion to this epic classical text offering guidance on: • Literary, historical and cultural context • Key themes • Reading the text • Reception and influence • Further reading |
| love and transformation an ovid reader translation: Change Me Ovid, 2014 Ovid's stories melt moral conventions, explore ambiguities, and dissolve boundaries between men, women, animals, gods, plants, and the mineral world; in doing so they contrive to seduce readers. Ovid's dark pleasure in telling such stories with a full register of tones is palpable. But the stories of sexual encounter in the Metamorphoses are also infused with deep questions. What does it mean to have thoughts and passions trapped inside a changeable body? What is a self, and where are its edges? If someone can pierce you in sex and in love, how do you survive? And if your outer form changes, what lasts? In Change Me, Jane Alison, critically acclaimed author of The Love-Artist, renders substantial portions of Ovid's great epic into elegant and remarkably faithful English. Her focus is on episodes that involve desire, sexuality, and the transformations brought about by powerful emotion; because these themes are so central to the Metamorphoses, Alison introduces them with a selection of elegies from Ovid's Amores, the collection with which the poet launched his career. When these selections are taken together, Alison's Ovid comes alive; the Roman poet's great ability to perform contemporary themes through mythical subject matter, and vice versa, is Alison's guiding principle and Muse. Change Me will transform forever readers' experience of this most ingenious of poets. FEATURES The thematically organized translations are lucid, apt, precise, and playful Elaine Fantham's Foreword places Ovid in his Augustan context Alison Keith's introduction offers an overview of gender and sexuality in the ancient world Incorporates sixteen color plates from classical antiquity that illustrate Ovidian themes Audio recordings (read by Alison) of sixteen selected passages are available at www.oup.com/us/alison |
| love and transformation an ovid reader translation: Ovid: A Very Short Introduction Llewelyn Morgan, 2020-09-24 Vivam is the very last word of Ovid's masterpiece, the Metamorphoses: I shall live. If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the Greco-Roman world has had a deeper or more lasting impact on subsequent literature and art than he can claim. In the present day no Greek or Roman poet is as accessible, to artists, writers, or the general reader: Ovid's voice remains a compellingly contemporary one, as modern as it seemed to his contemporaries in Augustan Rome. But Ovid was also a man of his time, his own story fatally entwined with that of the first emperor Augustus, and the poetry he wrote channels in its own way the cultural and political upheavals of the contemporary city, its public life, sexual mores, religion, and urban landscape, while also exploiting the superbly rich store of poetic convention that Greek literature and his Roman predecessors had bequeathed to him. This Very Short Introduction explains Ovid's background, social and literary, and introduces his poetry, on love, metamorphosis, Roman festivals, and his own exile, a restlessly innovative oeuvre driven by the irrepressible ingenium or wit for which he was famous. Llewelyn Morgan also explores Ovid's immense influence on later literature and art, spanning from Shakespeare to Bernini. Throughout, Ovid's poetry is revealed as enduringly scintillating, his personal story compelling, and the issues his life and poetry raise of continuing relevance and interest. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| love and transformation an ovid reader translation: A Dictionary of the English Language Samuel Johnson, Robert Gordon Latham, 1870 |
| love and transformation an ovid reader translation: The Art of Love Ovid, Hephzibah Anderson, 2011 Tells about where to meet a new beau, how to handle illicit affairs and how to maintain your allure. |
| love and transformation an ovid reader translation: Translating Myself and Others Jhumpa Lahiri, 2023-09-12 Translating Myself and Others is a collection of candid and disarmingly personal essays by Pulitzer Prizewinning author Jhumpa Lahiri, who reflects on her emerging identity as a translator and a writer in two languages. Featuring essays originally written in Italian and published in English for the first time, and essays written in English. |
| love and transformation an ovid reader translation: Tellers, Tales, and Translation in Chaucer's Canterbury Tales Warren Ginsberg, 2015-11-26 Two features distinguish the Canterbury Tales from other medieval collections of stories: the interplay among the pilgrims and the manner in which the stories fit their narrators. In his new book, Warren Ginsberg argues that Chaucer often linked tellers and tales by recasting a coordinating idea or set of concerns in each of the blocks of text that make up a 'Canterbury' performance. For the Clerk, the idea is transition, for the Merchant it is revision and reticence, for the Miller it is repetition, for the Franklin it is interruption and elision, for the Wife of Bath it is self-authorship, for the Pardoner it is misdirection and subversion. The parts connect because they translate one another. By expressing the same concept differently, the portraits of the pilgrims in the General Prologue, the introductions and epilogues to the tales they tell, and the tales themselves become intra-lingual translations that begin to act like metaphors. When brought together by readers, they give the ensemble its inner cohesiveness and reveal what Walter Benjamin called modes of meaning. Chaucer also restaged events across his poem. They too become intra-lingual translations. Together with the linking passages that precede and follow a story, these episodes are the ligaments that stabilize the Tales and underwrite its remarkable elasticity. As much as the conceits that frame the work, the pilgrimage and the tale-telling contest, Chaucer's internal translations guided the construction of his masterpiece and the way his audiences have continued to read it. |
| love and transformation an ovid reader translation: Love and Transformation Richard A. LaFleur, 1999 This revised and expanded second edition of R.A. LaFleur's Love and Transformation is designed to introduce intermediate and advanced high school and college students to the timeless artistry of Ovid's Metamorphoses and Amores. Including all the selections from the AP Ovid Syllabus, the volume contains Daphne and Apollo, Pyramus and Thisbe, Orpheus and Eurydice, Pygmalion, Daedalu and Icarus, and Baucis and Philmon form the Metamorphoses, as well as Amores 1.1-3, 1.9, 1.11-12, and 3.15. |
| love and transformation an ovid reader translation: Seamus Heaney and East European Poetry in Translation Carmen Bugan, 2017-12-02 Poetry born of historical upheaval bears witness both to actual historical events and considerations of poetics. Under the duress of history the poet, who is torn between lamentation and celebration, seeks to achieve distance from his troubled times. Add to this a deep love for and commitment to the Irish and English poetic traditions, and a strong desire to search for models outside his culture, and you have the poetry of the Irish Nobel laureate Seamus Heaney (1939-). In this study, Carmen Bugan looks at how the poetry of Seamus Heaney, born of the Troubles in Northern Ireland, has encountered the'historically-tested imaginations' of Czeslaw Milosz, Joseph Brodsky, Osip Mandelstam, and Zbigniew Herbert, as he aimed to fulfil a Horatian poetics, a poetry meant to both instruct and delight its readers. Carmen Bugan is the author of a collection of poems, Crossing the Carpathians, and a memoir, Burying the Typewriter. |
| love and transformation an ovid reader translation: The Survival of Myth Paul Hardwick, David Kennedy, 2010-04-16 What are myths and what are they for? Myths are stories that both tell us how to live and remind us of the inescapability and pull of the collective past. The Survival of Myth: Innovation, Singularity and Alterity explores the continuing power of primal stories to inhabit our thinking. An international range of contributors examine a range of texts and figures from the Bible to Cormac McCarthy and from Thor to the Virgin Mary to focus on the way that ancient stories both give access to the unconscious and offer individuals and communities personae or masks. Myths translated and recreated become, in this sense, very public acts about very private thoughts and feelings. The subtitle of the book, ‘Innovation, Singularity and Alterity,’ reflects the way in which the history of cultures in all genres is a history of innovation, of a search for new modes of expression which, paradoxically, often entails recourse to myth precisely because it offers narratives of singularity and otherness which may be readily appropriated. The individual contributors offer testament to the continuing significance of myth through its own constant metamorphosis, as it both reflects and transforms the societies in which it is (re)produced. |
| love and transformation an ovid reader translation: The Classical Outlook , 2004 |
| love and transformation an ovid reader translation: The Love-artist Jane Alison, 2002 A darkly brilliant first novel that imagines a missing chapter in the life of Ovid, the most popular author of his day. Between the known details of the poet's life and these enigmas, Alison has interpolated a haunting drama of passion and psychological manipulation. |
| love and transformation an ovid reader translation: Is That a Fish in Your Ear? David Bellos, 2011-10-11 Using translation as his lens, Bellos shows how much there is to learn by exploring the ways we use translation, from the historical roots of written language to the stylistic choices of Ingmar Bergman, from the United Nations General Assembly to the significance of James Cameron's Avatar. |
| love and transformation an ovid reader translation: Translating the Middle Ages Karen L. Fresco, 2016-02-17 Drawing on approaches from literary studies, history, linguistics, and art history, and ranging from Late Antiquity to the sixteenth century, this collection views 'translation' broadly as the adaptation and transmission of cultural inheritance. The essays explore translation in a variety of sources from manuscript to print culture and the creation of lexical databases. Several essays look at the practice of textual translation across languages, including the vernacularization of Latin literature in England, France, and Italy; the translation of Greek and Hebrew scientific terms into Arabic; and the use of Hebrew terms in anti-Jewish and anti-Muslim polemics. Other essays examine medieval translators' views and performance of translation, looking at Lydgate's translation of Greek myths through mental images rendered through rhetorical figures or at how printing transformed the rhetoric of intervernacular translation of chivalric romances. This collection also demonstrates translation as a key element in the construction of cultural and political identity in the Fet des Romains and Chester Whitsun Plays, and in the papacy's efforts to compete with Byzantium by controlling the translation of Greek writings. |
| love and transformation an ovid reader translation: Ovid in English Ovid, 1998 Witty, erotic, sceptical and subversive, Ovid (c. 43BC-AD17) has been a seminal presence in English literature from the time of Chaucer and Caxton to Ted Hughes and Seamus Heaney. This superb selection brings together complete elegies from the Amores, Heroides and poems of exile as well as many self-contained episodes from the longer works, vividly revealing both the sheer variety of Ovid's genius and the range of his impact on the English imagination. |
| love and transformation an ovid reader translation: Arthur in Northern Translations Virgile Reiter, Raphaëlle Jamet, 2021-08-11 Arthur in Northern Translations is a compilation of some of the articles presented at two conferences organized by the Nordic Branch of the Arthurian Society. The volume aims to showcase the richness and broad appeal of the contemporary research on Nordic translations of courtly literature, featuring articles on the Arthurian tradition in Medieval Scandinavia. As such, the articles compiled here will be of interest not only to specialists of the Medieval North, but to all interested in courtly literature and Arthurian material in general. |
| love and transformation an ovid reader translation: Journeyman Allen Mandelbaum, 1967 |
| love and transformation an ovid reader translation: Metamorphoses Ovid, 2021-01-12 It is the single most important work of poetry in ancient history - M. L. Andres, author of 'A Simple but Effective Strategy for Success' & founder of The Block Bard. Ovid's 15-book epic, written in exquisite Latin hexameter, is a rollercoaster of a read. Beginning with the creation of the world, and ending with Rome in his own lifetime, the Metamorphoses drags the reader through time and space, from beginnings to endings, from life to death, from moments of delicious joy to episodes of depravity and abjection.The madness and chaos of some 250 stories, spanning around 700 lines of poetry per book, are woven together by the theme of metamorphosis or transformation. The artistic dexterity involved in pulling off this literary feat is testimony to Ovid's skill and ambition as a poet. This accomplishment also goes a long way in explaining the rightful place the Metamorphoses holds within the canon of classical literature, placed as it is beside other great epics of Mediterranean antiquity such as the Iliad, Odyssey and Aeneid. |
| love and transformation an ovid reader translation: Ovid's Metamorphoses Elaine Fantham, 2004 This introduction to Ovid's Metamorphoses considers how Ovid defined and shaped his narrative, its cultural context, and its vivid depictions of the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magicand illusion. |
| love and transformation an ovid reader translation: Love and Transformation Richard A. LaFleur, 1995 |
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