Louis Kahn Interview

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  louis kahn interview: Louis I. Kahn in Conversation Jules David Prown, Karen E. Denavit, 2014 In association with Manuscripts and Archives, Sterling Memorial Library, Yale University, The Architectural Archives, University of Pennsylvania--Title page.
  louis kahn interview: You Say to Brick Wendy Lesser, 2017-03-14 Born in Estonia 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia. By the time of his mysterious death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life. Wendy Lesser’s You Say to Brick: The Life of Louis Kahn is a major exploration of the architect’s life and work. Kahn, perhaps more than any other twentieth-century American architect, was a “public” architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks. Kahn himself, however, is not the only complex subject that comes vividly to life in these pages. His signature achievements—like the Salk Institute in La Jolla, the National Assembly Building of Bangladesh, and the Indian Institute of Management in Ahmedabad—can at first seem as enigmatic and beguiling as the man who designed them. In attempts to describe these structures, we are often forced to speak in contradictions and paradoxes: structures that seem at once unmistakably modern and ancient; enormous built spaces that offer a sense of intimate containment; designs in which light itself seems tangible, a raw material as tactile as travertine or Kahn’s beloved concrete. This is where Lesser’s talents as one of our most original and gifted cultural critics come into play. Interspersed throughout her account of Kahn’s life and career are exhilarating “in situ” descriptions of what it feels like to move through his built structures. Drawing on extensive original research, lengthy interviews with his children, his colleagues, and his students, and travel to the far-flung sites of his career-defining buildings, Lesser has written a landmark biography of this elusive genius, revealing the mind behind some of the twentieth century’s most celebrated architecture.
  louis kahn interview: The Late Architectural Philosophy of Louis I. Kahn as Expressed in the Yale Center for British Art Jules David Prown, Louis I. Kahn, 2021-05-25 The fundamentals of Kahn's architectural philosophy begin with his personal history: his inherent talent; his family background and childhood experiences; his education, from elementary school through architectural school; the influences of Paul Philippe Cret and Beaux Arts architecture; and his travels, especially those to study the antique monuments of Egypt, Greece, and Rome. Because the causal aspects of these experiences were absorbed by him, rather than being the products of Kahn's own thinking, he rarely acknowledged them. His conclusions led to a philosophy that echoed some of the thoughts of earlier philosophers, like Spinoza and Heidegger, but were arrived at independently.1 Kahn expressed his philosophy in lectures, seminars, writings, interviews, conversation, and often through sketches. However, he habitually expressed himself elliptically-his phrasing poetic, his metaphors original and apt. Therefore, his meaning was often felt rather than understood. Extensive studies of Louis Kahn's architecture exist, but few focus on his fully developed architectural philosophy.2 This text addresses that subject, incorporating his own words (in italics) and relating them where relevant to his final work, the Yale Center of British Art (hereafter, the Center). Kahn died during the construction of the building, the last material expression of his architectural philosophy. I was the first director of the Center, a participant in the selection of the architect and throughout the building's planning and creation. Coincidental with the early years of Kahn's planning for the Center, two young architectural historians-John Cook and Heinrich Klotz-interviewed several leading architects, including Kahn. Working with a verbatim transcript of the Kahn interviews, made by Karen Denavit, I produced an edited version of the interviews in book format. Louis I. Kahn in Conversation: Interviews with John W. Cook and Heinrich Klotz (hereafter, Kahn in Conversation) is the source for many of the Kahn quotations included here. A researcher can consult the full, verbatim transcript of the interviews in the Center's Institutional Archives, in the Manuscripts and Archives collections in Sterling Memorial Library at Yale University, and in the Architectural Archives of the University of Pennsylvania--
  louis kahn interview: "The Wonder of the Natural Thing" Louis I. Kahn, Marshall D. Meyers, 1972
  louis kahn interview: "How'm I Doing, Corbusier?" Louis I. Kahn, Patricia McLaughlin, 1972
  louis kahn interview: Louis I. Kahn Louis I. Kahn, 1991 A collection of the eminent architect's writings from some of the most prestigious architectural publications of the last 50 years. Many of the essays are classics in architectural literature, among them Order is, Form and being, Poetics, and Silence and light, along with excerpts from CIAM in Otterlo, the World Design Conference, and The Sixties: A P/A Symposium on the State of Architecture. One of the three volumes published to coincide with a major retrospective exhibit scheduled to open Oct. 1991 and travel for three years. Annotation copyrighted by Book News, Inc., Portland, OR
  louis kahn interview: A New Reality Jonas Salk, Jonathan Salk, 2018-06-26 A New Reality: Human Evolution for a Sustainable Future provides a startling, fresh new message of understanding, perspective and hope for today’s tense, rapid-fire, kaleidoscopically changing world. A New Reality: Human Evolution for a Sustainable Future provides a startling, fresh new message of understanding, perspective and hope for today’s tense, rapid-fire, kaleidoscopically changing world. Drawn from the writings of visionary scientist Jonas Salk, who developed the polio vaccine, extended and developed by his son Jonathan, the message of the book explodes from the past and sheds light on tensions that besiege us and the currents of discord that are raging as these words are written. More importantly, it indicates a way forward out of our current situation. Written by a world-famous doctor and folk hero, based on population data, rich in visual imagery, elegantly designed, and clearly written, A New Reality is unique in the marketplace. Readable in one or two sittings, it is accessible to the general reader while at the same time being of essential value to policy makers and academics. Its brevity and simplicity of design belie the importance and sophistication of its message. “We are at a point in the course of human social evolution when the demands of survival converge with the higher ideals of humankind and the well-being and flourishing of human society. It is up to us to see that we navigate this transition, adapting to and emerging in a new reality.” —A New Reality Our country is divided and polarized. Terrorism is a major threat throughout much of the world. Mass migrations are causing national and international tension. Population growth continues to increase, especially in the developing regions of the world. Controversy rages as to the use of fossil fuels versus the development of alternative forms of energy. Disagreement continues about climate change. Opposing currents of opinion collide as to how much we should help other areas in the world and how much to help ourselves. Basic values are in conflict. More than 40 years ago, Jonas Salk understood that we are at a unique moment in the history of the human species. After centuries of increase, population growth has begun to slow and is trending toward equilibrium. This change is accompanied by an equally significant change in human values—a shift from those based on unlimited availability of resources, unremitting growth, excess, independence, competition and short-term thinking to those based on limits, equilibrium, balance, interdependence, cooperation and long-term thinking. This momentous transition is the source of far-reaching tension and conflict. The way through this difficult era is to understand its basis and to focus on new values that will be of the greatest benefit to humankind. There is an urgency, however, and failure to adapt will result in disaster both for humanity and for the planet as a whole. A New Reality delivers a message of both caution and hope. Readers across the social and political spectrum will find it a reasoned and balanced counterpoint to current social and political trends. Its elegant design and long-range perspective will appeal to general readers, policy makers, millennials, baby boomers, teachers, and students, filling a need in the marketplace for a work of positivity and wisdom in otherwise bleak times.
  louis kahn interview: Louis Kahn Mateo Kries, Jochen Eisenbrand, Stanislaus von Moos, 2012 The American architect Louis Kahn (1901 - 1974) is regarded as one of the great master builders of the twentieth century. With complex spatial compositions, an elemental formal vocabulary and a choreographic mastery of light, Kahn created buildings of archaic beauty. As the first comprehensive publication on this architect in 20 years, the book �Louis Kahn - The Power of Architecture� presents all of his important projects. It includes essays by prominent Kahn experts and an expansive illustrated biography with many new facts and insights about Kahn's life and work. In a number of interviews, leading architects such as Frank Gehry, Renzo Piano, Peter Zumthor and Sou Fujimoto underline Kahn's significance in today's architectural discourse. An extensive catalogue of works features original drawings and architectural models from the Kahn archive. The compendium is further augmented by a portfolio of Kahn's travel drawings as well as photographs by Thomas Florschuetz, which offer completely new views of the Salk Institute and the Indian Institute of Management.
  louis kahn interview: Louis Kahn Louis I. Kahn, 2003 This unique anthology draws from Louis Kahn? speeches, essays, and interviews, some never previously published, to capture the evolution and central tenets of the influential American architect? thinking from his early work of the 1940s to his death in 1974. Professor Twombly? introduction and headnotes offer incisive commentary on the texts.
  louis kahn interview: Louis I. Kahn's Trenton Jewish Community Center Susan G. Solomon, 2000 The Building Studies series examines important buildings through original documents, detailed text, photography, and drawings in an affordable format.
  louis kahn interview: The Salk Institute , 1999 When Jonas Salk founded his eponymous research center for biological studies in 1960, he envisioned a humanist, nearly monastic community of scientists devoted to the prevention and cure of disease. In architect Louis I. Kahn, Salk found a kindred spirit, and together the two created one of the great masterpieces of modern architecture - in Salk's words, a work of art to serve the work of science. Charged by Salk to invite Picasso to the laboratory, Kahn responded with a series of austere, spiritual spaces for the complex, which was set on a coastal site in the San Diego, California suburb of La Jolla. Kahn's design integrated commodious laboratory and study spaces while offering lush gardens for reflection and the now-famous courtyard with its transcendent perspective of the Pacific Ocean. Interlocking volumes unfold time and space throughout Kahn's bravura orchestration of concrete construction. In this volume, acclaimed architectural photographer Ezra Stoller, whose images of the Salk Institute have become iconic themselves, captures the timeless grandeur of this unique monument to scientific understanding and artistic achievement.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
  louis kahn interview: Louis I. Kahn's Jewish Architecture Susan G. Solomon, 2015-05-01 In 1961, famed architect Louis I. Kahn (1901-1974) received a commission to design a new synagogue. His client was one of the oldest Sephardic Orthodox congregations in the United States: Philadelphia's Mikveh Israel. Due to the loss of financial backing, Kahn's plans were never realized. Nevertheless, the haunting and imaginative schemes for Mikveh Israel remain among Kahn's most revered designs. Susan G. Solomon uses Kahn's designs for Mikveh Israel as a lens through which to examine the transformation of the American synagogue from 1955 to 1970. She shows how Kahn wrestled with issues that challenged postwar Jewish institutions and evaluates his creative attempts to bridge modernism and Judaism. She argues that Kahn provided a fresh paradigm for synagogues, one that offered innovations in planning, decoration, and the incorporation of light and nature into building design.
  louis kahn interview: Louis I Khan Beyond Time and Style Carter Wiseman, 2007-02-27 The first in-depth biographical study of the brilliant but elusive architect who fundamentally redefined twentieth-century architecture. Now ranked with Frank Lloyd Wright, Le Corbusier, and Mies van der Rohe, Louis I. Kahn brought a reverence for history back into modern architecture while translating it into a uniquely contemporary idiom. Drawing on more than one hundred interviews with colleagues, coworkers, clients, and family members and illustrated with many previously unpublished photographs, this book documents the uniquely American rise of a poor immigrant to the pinnacle of the international architectural world. It illuminates the richly diverse personal relationships Kahn had with such clients as Jonas Salk and Paul Mellon, and the romantic entanglements that mystified even those closest to him. While celebrating the genius of Kahnís art, the book provides an invaluable portrait of the man who created it.
  louis kahn interview: Louis Kahn John Lobell, 2020-06-30 For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of transcendent rootedness--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: Architecture as Philosophy, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy helps us understand our place and the nature of well-being in the built environment.
  louis kahn interview: Louis Kahn: The Importance of Drawing Michael Merrill, 2020-08 An astounding treasury of drawings and plans from one of the 20th century's greatest architects, offering unprecedented insight into his design process The importance of a drawing is immense, because it's the architect's language, famed architect Louis Kahn, one of the most significant architects of the 20th century, told his masterclass in 1967. While much of his built work has been heavily studied, this publication chooses instead to focus on Kahn's prolific arsenal of drawings and plans, some of which were never realized. The Importance of a Drawingprovides an in-depth look into the subtleties of Kahn's designs, featuring incisive analysis from architectural experts and over 600 high-quality reproductions of work by Kahn and his associates. A testament to the architect's meticulous craft, this volume is an essential addition to the library of established designers as well as students of architecture. Louis Kahn(1901-74) was an Estonian-born American architect who worked in Philadelphia for the majority of his life. Inspired early in his career by European medievalism and later the ruins of much older civilizations, Kahn was notable for his ability to meld the modernist tendencies of his time with the classical poise of ancient monuments. Some of his major designs include the National Parliament House in Dhaka, Bangladesh and the Salk Institute for Biological Studies in La Jolla, California. Some of Kahn's unrealized projects, such as the Four Freedoms Park on Roosevelt Island, have since been constructed posthumously. Kahn taught at Yale School of Architecture from 1947 to 1957 and then at the University of Pennsylvania until his death.
  louis kahn interview: The Notebooks and Drawings of Louis I. Kahn Louis I. Kahn, 1962
  louis kahn interview: Alain Elkann Interviews , 2017-09-15 Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
  louis kahn interview: Light is the Theme Louis I. Kahn, 2011 Originally published in 1975 as a memorial to the Kimbell Art Museum's architect, Louis I. Kahn, Light Is the Theme provides an extended expression of the major themes articulated in his design for the museum. The text consists solely of Kahn's own words and explores his innovative use of natural light and playful employment of materials, which achieve their most refined state in the Kimbell, widely regarded as the architect's crowning achievement and admired as one of the greatest museum buildings of the 20th century. Marking the 40th anniversary of the Kimbell Art Museum, this is the first time this classic book, updated with a new bibliography and a foreword by director Eric M. Lee, has been available outside of the museum. Distributed for the Kimbell Art Museum
  louis kahn interview: The Space Within Robert McCarter, 2016-11-15 Alvar Aalto once argued that what mattered in architecture wasn’t what a building looks like on the day it opens but what it is like to live inside it thirty years later. In this book, architect and critic Robert McCarter persuasively argues that interior spatial experience is the necessary starting point for design, and the quality of that experience is the only appropriate means of evaluating a work after it has been built. McCarter reveals that we can’t really know a piece of architecture without inhabiting its spaces, and we need to counter our contemporary obsession with exterior views and forms with a renewed appreciation for interiors. He explores how interior space has been integral to the development of modern architecture from the late 1800s to today, and he examines how architects have engaged interior space and its experiences in their design processes, fundamentally transforming traditional approaches to composition. Eloquently placing us within a host of interior spaces, he opens up new ways of thinking about architecture and what its goals are and should be.
  louis kahn interview: Nationalism and Architecture Darren Deane, Sarah Butler, 2016-12-05 Unlike regionalism in architecture, which has been widely discussed in recent years, nationalism in architecture has not been so well explored and understood. However, the most powerful collective representation of a nation is through its architecture and how that architecture engages the global arena by expressing, defining and sometimes negating a sense of nation in order to participate in the international world. Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides a truly global exploration of the relationship between architecture and nationalism, via the themes of regionalism and representation, various national building projects, ethnic and trans-national expression, national identities and histories of nationalist architecture and the philosophies and sociological studies of nationalism. It argues that nationalism needs to be trans-national as a notion to be critically understood and the geographical scope of the proposed volume reflects the continuing relevance of the topic within current architectural scholarship as an overarching notion. The interdisciplinary essays are coherently grouped together in three thematic sections: Revisiting Nationalism, Interpreting Nationalism and Questioning Nationalism. These chapters, offer vignettes of the protean appearances of nationalism across nations, and offer a basis of developing wider knowledge and critically situated understanding of the question, beyond a singular nation's limited bounds.
  louis kahn interview: What Will be Has Always Been Louis I. Kahn, Richard Saul Wurman, 1986 Gathers Kahn's speeches, writings, interviews, and journal entries, and shares the reminiscences of fellow architects
  louis kahn interview: The Built, the Unbuilt, and the Unbuildable Robert Harbison, 1993 Robert Harbison finds meaning in works of architecture that are unnecessary, having outlived their physical functions or never having been intended to have any.
  louis kahn interview: UnderstandingUnderstanding Richard Saul Wurman, 2017 This is a book for people to dip into, as they would walk in and out of the room of a dinner party and embrace their interests. Before Information Architecture, before the rules on how to organize information, before you learn grammar, before you work hard at expanding your vocabulary and go through the exercises of parallel meanings of things as using a Thesaurus and as one writes papers in class, before any learning one must understand. Understanding Understanding precedes the whole process of learning, of giving yourself permission to understand the formations of facts, data, stories, pictures, words, conversations that allow you to understand. This book could be called A Celebration of Conversation or Musings with my Mentors. It is about the fantasy of being the dumbest person in the room and being able to identify all the myriad connections of how others think, talk, explain and visualize. The following is a collection of many of the most interesting idiosyncratic paths of understanding that lead to creation.
  louis kahn interview: Beginnings Alexandra Tyng, 1984-02-14 Comprehensively traces the development of Louis I. Kahn's philosophy of architecture from its beginnings in the 1930s to Kahn's death in 1974. The author, Kahn's daughter, provides a unique presentation of biographical information, portions of letters and writings, speeches, photos, and other material inaccessible to other writers. Includes diagrams collected from published and unpublished sources. Shows how Kahn's personality and background contributed directly to his philosophical principles.
  louis kahn interview: Art, Architecture and Furniture of Aditya Prakash Vikramaditya Prakash, 2020-11-30 A renaissance man of Indian modernism, Aditya Prakash (1923-1988) trained as an architect in London and also studied at the Glasgow School of Art. His buildings adhered to the strictest principles of modernism as adapted to the Indian climatic and living conditions. His work in all forms is characterised by rigorous authenticity and directness. He began his career as an architect in the Chandigarh Capital Project and later went to work for the Punjab Agricultural University before he became the principal of the Chandigarh College of Architecture. Besides practising architecture, Prakash was a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. As an academic, his first love was sustainable urbanism. He published two books and several papers on the subject. This book traces the width of Prakash's career and obsessions, and includes critical essays, interviews and a chronology of works, along with lavish illustrations of a portfolio of select works.
  louis kahn interview: Welcome to Your World Sarah Williams Goldhagen, 2020-02-24 One of the nation's chief architecture critics reveals how the environments we build profoundly shape our feelings, memories, and well-being, and argues that we must harness this knowledge to construct a world better suited to human experience. Taking us on a fascinating journey through some of the world's best and worst landscapes, buildings, and cityscapes, Sarah Williams Goldhagen draws from recent research in cognitive neuroscience and psychology to demonstrate how people's experiences of the places they build are central to their well-being, their physical health, their communal and social lives, and even their very sense of themselves. From this foundation, Goldhagen presents a powerful case that societies must use this knowledge to rethink what and how they build: the world needs better-designed, healthier environments that address the complex range of human individual and social needs. By 2050 America's population is projected to increase by nearly seventy million people. This will necessitate a vast amount of new construction--almost all in urban areas--that will dramatically transform our existing landscapes, infrastructure, and urban areas. Going forward, we must do everything we can to prevent the construction of exhausting, overstimulating environments and enervating, understimulating ones. Buildings, landscapes, and cities must both contain and spark associations of natural light, greenery, and other ways of being in landscapes that humans have evolved to need and expect. Fancy exteriors and dramatic forms are never enough, and may not even be necessary; authentic textures and surfaces, and careful, well-executed construction details are just as important. Erudite, wise, lucidly written, and beautifully illustrated with more than one hundred color photographs, Welcome to Your World is a vital, eye-opening guide to the spaces we inhabit, physically and mentally, and a clarion call to design for human experience.
  louis kahn interview: Gwathmey Siegel Houses Robert Siegel, Charles Gwathmey, 2000 Each house is a test case that can be generalized and used to address fundamental architectural problems: history and context; site influences; arrival, procession, and circulation: scale and proportion; light; the relationship between public and private domains; architectural materials: and the technology of construction - all of which are prioritized by research and interpretive analysis as tools for exploration and design..
  louis kahn interview: The Architecture of Ruins Jonathan Hill, 2019-03-25 The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.
  louis kahn interview: This Brutal World , 2016-05-23 A curated collection of some of the most powerful and awe-inspiring Brutalist architecture ever built This Brutal World is a global survey of this compelling and much-admired style of architecture. It brings to light virtually unknown Brutalist architectural treasures from across the former eastern bloc and other far flung parts of the world. It includes works by some of the best contemporary architects including Zaha Hadid and David Chipperfield as well as by some of the master architects of the 20th century including Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer.
  louis kahn interview: Beyond the Cube Jean-François Gabriel, 1997-08-12 This book offers an in-depth look at space frame architecture, including space frame projects completed by such notable architects as I. M. Pei, Buckminster Fuller, Philip Johnson and Louis Kahn. Both theory and practice are included to offer a comprehensive overview of the history, current use, and future outlook for creating space frame structures. The 15 distinguised contributors to this book have extensive background in the architecture of space frames and offer an international perspective on the subject. The text is illustrated with hundreds of line drawings, black-and-white photos, and an eight-page color insert.
  louis kahn interview: Learning from Las Vegas Robert Venturi, Denise Scott Brown, Steven Izenour, 1991
  louis kahn interview: Between Silence and Light John Lobell, Louis I. Kahn, 2000 In the development of contemporary architecture, few have had greater influence than Louis I. Kahn, whose many buildings included the Salk Institute, the Yale Study Center, and the Exeter Library. For Kahn, the study of architecture was the study of human beings, their highest aspirations and most profound truths. John Lobell, who studied under Kahn while in architecture school, sensitively edits Kahn's own words and provides commentary on Kahn's ideas and his major buildings. In his work as an architect, Kahn searched for beginnings: the origin of joy and wonder, of intelligence, and intuition. He sought the basic principles of being, which he called Silence and Light. Kahn spoke of these qualities with tremendous power and grace.Between Silence and Light-one of the few books on Kahn written for a general audience-introduces us to Louis Kahn the architect and visionary.
  louis kahn interview: Bringing the World Into Culture Piet Lombaerde, 2010 This book is published on the occasion of the emeritus status awarded to Professor Richard Foque, ir. arch, MSc. His successful career as founder and partner of an architect firm, professor in design theory and Head of the Department of Design Science has provided opportunities to meet colleagues both at home and abroad. --
  louis kahn interview: Tezuka Architects Thomas Sherman, Greg Logan, 2016 The Japanese architect Takaharu Tezuka caused a stir in 2015 with his TEDtalk The best kindergarten you've ever seen. As the first text-focused publication, Tezuka Architects: The Yellow Book now provides an insight into the design philosophy of the internationally renowned architecture firm. Based on a lecture by Tezuka at Harvard University Graduate School of Design (GSD), this pocket guide in scale and feel introduces the architects' way of thinking, using examples of seminal projects in recent years. Buildings such as the Roof House (2001), the Child Chemo House (2013), or the Fuji Kindergarten (2007) illustrate the powerful impact of Takaharu and Yui Tezuka's design and show how architecture can contribute actively to building a better society.
  louis kahn interview: The Environmental Imagination Dean Hawkes, 2008 This volume presents a chronologically ordered and detailed account of the developing relationship between technics and poetics in environmental design in architecture through a consideration of the work of major names in the field.
  louis kahn interview: The World by Design A. Eugene Kohn, 2019-10-08 Name any city that has seen explosive growth in the past century—Tokyo, Hong Kong, Shanghai, Singapore, Jakarta, Bangkok, Seoul, Kuala Lumpur—and he's had a hand in the making of its skyline. Name any 'old world' financial metropolis—New York, London, Frankfurt—and he's had a hand in designing its skyline, too.” (Juan Sebastian Pinto for Forbes.com) In a series of fascinating tales, Gene Kohn explains how he helped build one of the most successful architecture firms in the world, offering inspiring lessons on business leadership and design innovation that can be applied to many fields. Founded on July 4, 1976, Kohn Pedersen Fox quickly became a darling of the architectural press with groundbreaking buildings such as the headquarters for the American Broadcasting Company (ABC) on Manhattan’s Upper West Side, 333 Wacker Drive in Chicago, the Procter & Gamble headquarters in Cincinnati, and the World Bank Headquarters in Washington, DC. By the early 1990s, when most architecture firms in the U.S. were struggling to survive a major recession, KPF was busy with significant buildings in London, Germany, Canada, Japan, Korea, and Indonesia—pioneering a model of global practice that has influenced architecture, design, and creative-services firms ever since. Like any other business, though, KPF has stumbled along the way and wrestled with crises. But through it all, it has remained innovative in a field that changes all the time and often favors the newest star on the horizon. Now in its fifth decade, the firm has shaped skylines and cities around the world with iconic buildings such as the World Financial Center in Shanghai, Roppongi Hills in Tokyo, the International Commerce Centre in Hong Kong, the DZ Bank Tower in Frankfurt, the Heron Tower in London, and Hudson Yards in New York. Forthright and engaging, Kohn examines both award-winning achievements and missteps in his 50-year career in architecture. In the process, he shows how his firm, KPF, has helped change the buildings and cities where we live, work, learn, and play.
  louis kahn interview: Rethinking Global Modernism Vikramaditya Prakash, Maristella Casciato, Daniel E. Coslett, 2021-11-22 This anthology collects developing scholarship that outlines a new decentred history of global modernism in architecture using postcolonial and other related theoretical frameworks. By both revisiting the canons of modernism and seeking to decolonize and globalize those canons, the volume explores what a genuinely global history of architectural modernism might begin to look like. Its chapters explore the historiography and weaknesses of modernism's normative interpretations and propose alternatives to them. The collection offers essays that interrogate transnationalism in new ways, reconsiders the agency of the subaltern and the roles played by infrastructures, materials, and global institutions in propagating a diversity of modernisms internationally. Issues such as colonial modernism, architectural pedagogy, cultural imperialism, and spirituality are engaged. With essays from both established scholars and up-and-coming researchers, this is an important reference for a new understanding of this crucial and developing topic.
  louis kahn interview: Air-Conditioning in Modern American Architecture, 1890–1970 Joseph M. Siry, 2021-02-01 Air-Conditioning in Modern American Architecture, 1890–1970, documents how architects made environmental technologies into resources that helped shape their spatial and formal aesthetic. In doing so, it sheds important new light on the ways in which mechanical engineering has been assimilated into the culture of architecture as one facet of its broader modernist project. Tracing the development and architectural integration of air-conditioning from its origins in the late nineteenth century to the advent of the environmental movement in the early 1970s, Joseph M. Siry shows how the incorporation of mechanical systems into modernism’s discourse of functionality profoundly shaped the work of some of the movement’s leading architects, such as Dankmar Adler, Louis Sullivan, Frank Lloyd Wright, Ludwig Mies van der Rohe, Gordon Bunshaft, and Louis Kahn. For them, the modernist ideal of functionality was incompletely realized if it did not wholly assimilate heating, cooling, ventilating, and artificial lighting. Bridging the history of technology and the history of architecture, Siry discusses air-conditioning’s technical and social history and provides case studies of buildings by the master architects who brought this technology into the conceptual and formal project of modernism. A monumental work by a renowned expert in American modernist architecture, this book asks us to see canonical modernist buildings through a mechanical engineering–oriented lens. It will be especially valuable to scholars and students of architecture, modernism, the history of technology, and American history.
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