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| maria walsh art and psychoanalysis: Art and Psychoanalysis Maria Walsh, 2013-02-05 Often derided as unscientific and self-indulgent, psychoanalysis has been an invaluable resource for artists, art critics and historians throughout the twentieth century. Art and Psychoanalysis investigates these encounters. The shared relationship to the unconscious, severed from Romantic inspiration by Freud, is traced from the Surrealist engagement with psychoanalytic imagery to the contemporary critic's use of psychoanalytic concepts as tools to understand how meaning operates. Following the theme of the 'object' with its varying materiality, Walsh develops her argument that psychoanalysis, like art, is a cultural discourse about the mind in which the authority of discourse itself can be undermined, provoking ambiguity and uncertainty and destabilising identity. The dynamics of the dream-work, Freud's 'familiar unfamiliar', fetishism, visual mastery, abjection, repetition, and the death drive are explored through detailed analysis of artists ranging from Max Ernst to Louise Bourgeois, including 1980s postmodernists such as Jeff Koons, appropriation artists such as Barbara Kruger and post-minimalist sculpture.Innovative and disturbing, Art and Psychoanalysis investigates key psychoanalytic concepts to reveal a dynamic relationship between art and psychoanalysis which goes far beyond interpretation. There is no cure for the artist - but art can reconcile us to the traumatic nature of human experience, converting the sadistic impulses of the ego towards domination and war into a masochistic ethics of responsibility and desire. |
| maria walsh art and psychoanalysis: Art and Psychoanalysis Maria Walsh, 2012-11-20 Often derided as unscientific and self-indulgent, psychoanalysis has been an invaluable resource for artists, art critics and historians throughout the twentieth century. Art and Psychoanalysis investigates these encounters. The shared relationship to the unconscious, severed from Romantic inspiration by Freud, is traced from the Surrealist engagement with psychoanalytic imagery to the contemporary critic's use of psychoanalytic concepts as tools to understand how meaning operates. Following the theme of the 'object' with its varying materiality, Walsh develops her argument that psychoanalysis, like art, is a cultural discourse about the mind in which the authority of discourse itself can be undermined, provoking ambiguity and uncertainty and destabilising identity. The dynamics of the dream-work, Freud's 'familiar unfamiliar', fetishism, visual mastery, abjection, repetition, and the death drive are explored through detailed analysis of artists ranging from Max Ernst to Louise Bourgeois, including 1980s postmodernists such as Cindy Sherman, the performance art of Marina Abramovic and post-minimalist sculpture. Innovative and disturbing, Art and Psychoanalysis investigates key psychoanalytic concepts to reveal a dynamic relationship between art and psychoanalysis which goes far beyond interpretation. There is no cure for the artist - but art can reconcile us to the traumatic nature of human experience, converting the sadistic impulses of the ego towards domination and war into a masochistic ethics of responsibility and desire. |
| maria walsh art and psychoanalysis: Art and Psychoanalysis Maria Walsh, 2021-04 |
| maria walsh art and psychoanalysis: The Myth of Desire Carlos Domínguez-Morano, 2020-10-16 This book explores the broad and complex reality of the affective-sexual realm encompassed by the term desire, an essential expression that is innate in all human beings. |
| maria walsh art and psychoanalysis: The Feminist Uncanny in Theory and Art Practice Alexandra M. Kokoli, 2016-08-11 The Feminist Uncanny in Theory and Art Practice investigates the widely debated, deeply flawed yet influential concept of the uncanny through the lens of feminist theory and contemporary art practice. Not merely a subversive strategy but a cipher of the fraught but fertile dialogue between feminism and psychoanalysis, the uncanny makes an ideal vehicle for an arrangement marked by ambivalence and acts as a constant reminder that feminism and psychoanalysis are never quite at home with one another. The Feminist Uncanny begins by charting the uncanniness of femininity in foundational psychoanalytic texts by Ernst Jentsch, Sigmund Freud, Jacques Lacan and Mladen Dolar, and contextually introduces a range of feminist responses and appropriations by Hélène Cixous, Julia Kristeva and Sarah Kofman, among others. The book also offers thematically organised interpretations of famous artworks and practices informed by feminism, including Judy Chicago's Dinner Party, Faith Ringgold's story quilts and Susan Hiller's 'paraconceptualism', as well as less well-known practice, such as the Women's Postal Art Even (Feministo) and the photomontages of Maud Sulter. Dead (lexicalised) metaphors, unhomely domesticity, identity and (dis)identification, and the tension between family stories and art's histories are examined in and from the perspective of different artistic and critical practices, illustrating different aspects of the feminist uncanny. Through a 'partisan' yet comprehensive critical review of the fascinating concept of the uncanny, The Feminist Uncanny in Theory and Art Practice proposes a new concept, the feminist uncanny, which it upholds as one of the most enduring legacies of the Women's Liberation Movement in contemporary art theory and practice. |
| maria walsh art and psychoanalysis: Creating a Visual World: From Concepts to Classrooms Elena Xeni, 2019-07-22 This volume was first published by Inter-Disciplinary Press in 2015. The critical role of visual literacies in the 21st century realm is widely acknowledged and the construction of the profile of the visual literate person as a responsible participant in the face of global challenged is a top listed goal in nowadays agenda. |
| maria walsh art and psychoanalysis: Aesthetic Hybridity in Mughal Painting, 1526-1658 Valerie Gonzalez, 2016-03-03 The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique |
| maria walsh art and psychoanalysis: Art And Psychoanalysis Laurie Schneider Adams, 2018-03-08 A pioneering overview of art and psychoanalysis that shows how each field can enrich and enlarge the other. |
| maria walsh art and psychoanalysis: Addressing the other woman Kimberly Lamm, 2018-01-29 This book analyses how three artists – Adrian Piper, Nancy Spero and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. |
| maria walsh art and psychoanalysis: From Doxiadis' Theory to Pikionis' Work Kostas Tsiambaos, 2017-09-22 In this book, Tsiambaos redefines the ground-breaking theory of Greek architect and town planner Constantinos A. Doxiadis (The Form of Space in Ancient Greece) and moves his thesis away from antiquity and ancient architecture, instead arguing that it can only be understood as a theory founded in modernity. In light of this, the author explores Doxiadis’ theory in relation to the work of the controversial Greek architect Dimitris Pikionis. This parallel investigation of the philosophical content of Doxiadis’ theory and the design principles of Pikionis’ work establishes a new frame of reference and creates a valuable and original interpretation of their work. Using innovative cross-disciplinary tools and methods which expand the historical boundaries of interwar modernism, the book restructures the ground of an alternative modernity that looks towards the future through a mirror that reflects the ancient past. From Doxiadis’ Theory to Pikionis’ Work: Reflections of Antiquity in Modern Architecture is fascinating reading for all scholars and students with an interest in modernism and antiquity, the history and theory of architecture, the history of ideas and aesthetics or town planning theory and design. |
| maria walsh art and psychoanalysis: Cave Ralph Crane, Lisa Fletcher, 2015-04-15 Shortlisted for the Tratman Award 2015 To enter caves is to venture beyond the realm of the everyday. From huge vaulted caverns to impassable, water-filled passages; from the karst topography of Guilin in China to the lava tubes of Hawaii; from tiny remote pilgrimage sites to massive tourism enterprises, caves are places of mystery. Dark spaces that remain largely unexplored, caves are astonishing wonders of nature and habitats for exotic flora and fauna. This book investigates the natural and cultural history of caves and considers the roles caves have played in the human imagination and experience of the natural world. It explores the long history of the human fascination with caves, across countries and continents, examining their dual role as spaces of both wonder and fear. It tells the tales of the adventurers who pioneered the science of caves and those of the explorers and cave-divers still searching for new, unmapped routes deep into the earth. This book explores the lure of the subterranean world by examining caving and cave tourism and by looking to the mythology, literature, and art of caves. This lavishly illustrated book will appeal to general readers and experts alike interested in the ecology and use of caves, or the extraordinary artistic responses earth’s dark recesses have evoked over the centuries. |
| maria walsh art and psychoanalysis: Women Artists, Feminism and the Moving Image Lucy Reynolds, 2019-08-22 What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, essays discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons. |
| maria walsh art and psychoanalysis: Motherhood in Literature and Culture Gill Rye, Victoria Browne, Adalgisa Giorgio, Emily Jeremiah, Abigail Lee Six, 2017-06-26 Motherhood remains a complex and contested issue in feminist research as well as public discussion. This interdisciplinary volume explores cultural representations of motherhood in various contemporary European contexts, including France, Italy, Germany, Portugal, Spain, and the UK, and it considers how such representations affect the ways in which different individuals and groups negotiate motherhood as both institution and lived experience. It has a particular focus on literature, but it also includes essays that examine representations of motherhood in philosophy, art, social policy, and film. The book’s driving contention is that, through intersecting with other fields and disciplines, literature and the study of literature have an important role to play in nuancing dialogues around motherhood, by offering challenging insights and imaginative responses to complex problems and experiences. This is demonstrated throughout the volume, which covers a range of topics including: discursive and visual depictions of pregnancy and birth; the impact of new reproductive technologies on changing family configurations; the relationship between mothering and citizenship; the shaping of policy imperatives regarding mothering and disability; and the difficult realities of miscarriage, child death, violence, and infanticide. The collection expands and complicates hegemonic notions of motherhood, as the authors map and analyse shifting conceptions of maternal subjectivity and embodiment, explore some of the constraining and/or enabling contexts in which mothering takes place, and ask searching questions about what it means to be a ‘mother’ in Europe today. It will be of interest not only to those working in gender, women’s and feminist studies, but also to scholars in literary and cultural studies, and those researching in sociology, criminology, politics, psychology, medical ethics, midwifery, and related fields. |
| maria walsh art and psychoanalysis: Revisiting the Gaze Morna Laing, Jacki Willson, 2020-07-23 In 1975 Laura Mulvey published her seminal essay on the male gaze, ushering in a new era in understanding the politics and theory of looking at the female body. Since then, feminist thinking has expanded upon and revised Mulvey's theory and much of the Western world has seen a resurgence in feminist activism as well as the rise of neoliberalism and shifts in digital culture and (self-)representation. For the first time, this book addresses what it means to look at the fashioned female body in this radical new landscape. In chapters exploring the fashioned body within contexts such as queerness, veiling, blackness, pregnancy, fatness, and criminality, Revisiting the Gaze addresses intersectional debates in feminism and re-evaluates the concept of the gaze in light of recent social and political changes. With an interdisciplinary approach, bridging fashion and fine art, this book opens the door to discussions about the male gaze and the fashioned body. |
| maria walsh art and psychoanalysis: Art History: The Basics Diana Newall, Grant Pooke, 2021-03-28 Now in its second edition, this volume is an accessible introduction to the history of art. Using an international range of examples, it provides the reader with a toolkit of concepts, ideas and methods relevant to understanding art history. This new edition is fully updated with colour illustrations, increased coverage of non-western art and extended discussions of contemporary art theory. It introduces key ideas, issues and debates, exploring questions such as: What is art and what is meant by art history? What approaches and methodologies are used to interpret and evaluate art? How have ideas regarding medium, gender, identity and difference informed representation? What perspectives can psychoanalysis, semiotics and social art histories bring to the study of the discipline? How are the processes of postcolonialism, decolonisation and globalisation changing approaches to art history? Complete with helpful subject summaries, a glossary, suggestions for future reading and guidance on relevant image archives, this book is an ideal starting point for anyone studying art history as well as general readers with an interest in the subject. |
| maria walsh art and psychoanalysis: Leonardo da Vinci Sigmund Freud, 2013-12-13 Sigmund Freud was already internationally acclaimed as the principal founder of psychoanalysis when he turned his attention to the life of Leonardo da Vinci. It remained Freud’s favourite composition. Compressing many of his insights into a few pages, the result is a fascinating picture of some of Freud’s fundamental ideas, including human sexuality, dreams, and repression. It is an equally compelling – and controversial – portrait of Leonardo and the creative forces that according to Freud lie behind some of his great works, including the Mona Lisa. With a new foreword by Maria Walsh. |
| maria walsh art and psychoanalysis: Therapeutic Aesthetics Maria Walsh, 2020-11-12 Therapeutic Aesthetics focuses on moving image artworks as expressive of social psychopathological symptoms that arise in a climate of neoliberal cognitive capitalism, such as anxiety, depression, post- traumatic stress disorder and burnout. The book is not about engaging with art as a therapy to express personal traumas and symptoms but proposes that a selective range of contemporary moving image artworks performatively mimic the psychopathologies of cognitive capitalism in a conflictual manner. Engaging with a range of philosophers and theorists, including Bernard Stiegler, Franco 'Bifo' Berardi, Judith Butler, Félix Guattari, and Eva Illouz, Maria Walsh proposes that there is no cure, only provisional moments of reparation. To address this idea, she uses the concept of the pharmakon, the Greek term for drug which means both remedy and poison. Through this approach, she maintains the conflict between the curative and the harmful in relation to moving image artworks by artists such as Omer Fast, Liz Magic Laser, Leigh Ledare, Oriana Fox, Gillian Wearing and Rehana Zaman. As transitional spaces, these artworks can enable a toleration of anxiety and conflict that may offer another kind of aesthetic self-cultivation than the subjection to biopolitical governance in cognitive capitalism. |
| maria walsh art and psychoanalysis: Counterpractice Rakhee Balaram, 2022-03-08 Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock. |
| maria walsh art and psychoanalysis: Psychoanalysis and the Image Griselda Pollock, 2008-04-15 Psychoanalysis and the Image brings together an influential team of international scholars who demonstrate innovative ways to apply psychoanalytical resources in the study of international modern art and visual representation. Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periods Covers topics including melancholia, sex, and pathology to the body, and parent-child relations Advances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century art Edited by internationally renowned art historian Griselda Pollock. |
| maria walsh art and psychoanalysis: Atlas of Emotion Giuliana Bruno, 2020-05-05 Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that sight and site but also motion and emotion are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn. |
| maria walsh art and psychoanalysis: The Edinburgh International Encyclopaedia of Psychoanalysis Ross M. Skelton, 2009 The one thousand entries provide the best single-volume coverage of psychoanalysis available. |
| maria walsh art and psychoanalysis: Masken, Geister, Sphären Florian Flömer, 2023-12-06 John Stezaker (* 1949) gilt als einer der einflussreichsten Künstler seiner Generation im Bereich der Collage. Dabei basieren seine Arbeiten vor allem auf gefundenen Fotografien von Schauspieler_innen und Filmstills aus Hollywood-B-Movie-Produktionen der 1930er und 1940er Jahre sowie auf veralteten Postkarten. Aus diesen Flohmarktfunden generiert Stezaker Collagen, die grundsätzliche bild- und medientheoretische Fragestellungen formulieren und dabei Anklänge an dadaistische und surrealistische Vorbilder deutlich werden lassen. Die Collage-Serien Stezakers verhandeln zudem verschiedene Figuren und Figurationen des Dritten, die in Masken, Geistern und Sphären als Zwischen-Figuren auftreten und die Wahrnehmung der Betrachter_innen herausfordern. Auf diese Weise stellen die Collagen die Einheit des Bildes sowie seine Begrenzung grundlegend infrage. Mittels der auf Jacques Derrida zurückgehenden Metapher der Pfropfung geht Florian Flömer einem ambivalenten, auf Differenzen und Brüchen basierenden Bildbegriff nach. An der diskursiven Schnittstelle von Film und Fotografie operierend gelingt es den Collagen Stezakers mediale Kategorien zu unterlaufen und einen Bildbegriff des Dritten jenseits binärer Schematisierungen zu etablieren. Florian Flömer liefert die erste Darstellung des vier Jahrzehnte umfassenden Werks des britischen Konzeptkünstlers. |
| maria walsh art and psychoanalysis: Psychodynamic Formulation Deborah L. Cabaniss, Sabrina Cherry, Carolyn J. Douglas, Ruth L. Graver, Anna R. Schwartz, 2013-03-22 How do our patients come to be the way they are? What forces shape their conscious and unconscious thoughts and feelings? How can we use this information to best help them? Constructing psychodynamic formulations is one of the best ways for mental health professionals to answer questions like these. It can help clinicians in all mental health setting understand their patients, set treatment goals, choose therapeutic strategies, construct meaningful interventions and conduct treatment. Despite the centrality of psychodynamic formulation to our work with patients, few students are taught how to construct them in a clear systematic way. This book offers students and practitioners from all fields of mental health a clear, practical, operationalized method for constructing psychodynamic formulations, with an emphasis on the following steps: DESCRIBING problems and patterns REVIEWING the developmental history LINKING problems and patterns to history using organizing ideas about development. The unique, up-to-date perspective of this book integrates psychodynamic theories with ideas about the role of genetics, trauma, and early cognitive and emotional difficulties on development to help clinicians develop effective formulations. Psychodynamic Formulation is written in the same clear, concise style of Psychodynamic Psychotherapy: A Clinical Manual (Wiley 2011). It is reader friendly, full of useful examples, eminently practical, suitable for either classroom or individual use, and applicable for all mental health professionals. It can stand alone or be used as a companion volume to the Clinical Manual. |
| maria walsh art and psychoanalysis: Cinesexuality Patricia MacCormack, 2016-05-23 Cinesexuality explores the queerness of cinema spectatorship, arguing that cinema spectatorship represents a unique encounter of desire, pleasure and perversion beyond dialectics of subject/object and image/meaning; an extraordinary 'cinesexual' relationship, that encompasses each event of cinema spectatorship in excess of gender, hetero- or homosexuality, encouraging all spectators to challenge traditional notions of what elicits pleasure and constitutes desiring subjectivity. Through a variety of cinematic examples, including abstract film, extreme films and films which present perverse sexuality and corporeal reconfiguration, Cinesexuality encourages a radical shift to spectatorship as itself inherently queer beyond what is watched and who watches. Film as its own form of philosophy invokes spectatorship thought as an ethics of desire. Original, exciting and theoretically sophisticated - focusing on continental philosophy, particularly Guattari, Deleuze, Blanchot, Foucault, Lyotard, Irigaray and Serres - the book will be of interest to scholars and students of queer, gender and feminist studies, film and aesthetics theory, cultural studies, media and communication, post-structural theory and contemporary philosophical thought. |
| maria walsh art and psychoanalysis: The Subject of Semiotics Kaja Silverman, 1983-05-12 This provocative book undertakes a new and challenging reading of recent semiotic and structuralist theory, arguing that films, novels, and poems cannot be studied in isolation from their viewers and readers. |
| maria walsh art and psychoanalysis: Audiovisual Healing and Reparation Özgür Çiçek, Özlem Savaş, 2025-04-29 Audiovisual Healing and Reparation gathers a collection of scholarly and creative voices that explore how audiovisual media can serve as a catalyst for healing, reparation, resilience, care and hope. The contributors critically engage with the audiovisual mediations of harsh histories and experiences of violence, discrimination, racism, sexism, colonialism, displacement, illness and death, all situated within diverse historical, geographical, social, and political contexts. Through a reparative approach to films, documentaries, digital and social media, and art, they examine how audiovisuality intervenes in and transforms trauma, rupture, loss and silence. This book examines audiovisual media as a rich aesthetic, social and political site for acknowledging wounds, seeking healing, and reparatively reimagining a broken world during troubling times. It argues for the recuperative affect of audiovisuality, which can unlock silenced or suppressed (personal) histories by integrating them into the fabric of mundane daily life. It analyses two major questions: What kind of recuperative potentials can emerge from audiovisual mediations of troubling times? How can we (re)imagine audiovisual mediums, narratives, aesthetics, and practices as reparative possibilities? This book will be of interest to scholars working in film and media studies, cultural studies, memory studies, performance studies, and affect studies and will also inspire practitioners of audiovisual media. |
| maria walsh art and psychoanalysis: Imaging Desire Mary Kelly, 1998 In the 1970s, Kelly's transgressive projects helped to instigate conceptual art's second phase; her daring critiques of the female body as a fetishized, allegorized, commodified site were debated long after they were first seen in galleries and discussed in catalogues, and long before the debut of the bad girls in the 1990s. In fact, the debates currently surrounding Kelly's work are a necessary and defining element of theoretical discourse about art today. |
| maria walsh art and psychoanalysis: Psychoanalytic Theory for Social Work Practice Marion Bower, 2004-08-02 Written by practicing social workers and social work educators, this text analyzes modern psychoanalytic and psychosocial approaches to social work and relates them to current practices and values. Focusing on working with children and families, the text covers salient issues in social work practice including risk assessment, dealing with parents with drug and alcohol problems, supervision and management of emotional stress. Throughout the book there is an emphasis on the realities of frontline practice, and looking at what can realistically be achieved. It also addresses the research evidence for this approach. With psychoanalytic and psychosocial approaches becoming increasingly popular, this text will be a welcome addition for professionals, students and social work educators. |
| maria walsh art and psychoanalysis: Minor Histories Mike Kelley, 2004-02-06 The second volume of writings by Los Angeles artist Mike Kelley, focusing on his own work. What John C. Welchman calls the blazing network of focused conflations from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in voices that grew out of scripts for performance pieces to expository critical and autobiographical writings.Minor Histories organizes Kelley's writings into five sections. Statements consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including Ajax, which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; Some Aesthetic High Points, an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of creative writings that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visual styles that characterize Kelley's artwork. Video Statements and Proposals are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. Image-Texts offers writings that accompany or are part of artworks and installations. This section includes A Stopgap Measure, Kelley's zestful millennial essay in social satire, and Meet John Doe, a collage of appropriated texts. Architecture features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, Ufology considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios. |
| maria walsh art and psychoanalysis: Psychedelic Refugee Rosemary Woodruff Leary, 2021-02-16 A memoir by one of the original female psychedelic pioneers of the 1960s • Shares Rosemary’s early experimentation with psychedelics in the 1950s, her development through the psychedelic revolution of the 1960s, and her involvement, at first exciting but then heartbreaking, with Dr. Timothy Leary • Describes her LSD trips with Leary, their time at the famous Millbrook estate, their experiences as fugitives abroad, including their captivity by the Black Panthers in Algeria, and Rosemary’s years on the run after she and Timothy separated One of the original female psychedelic pioneers, Rosemary Woodruff Leary (1935-2002) began her psychedelic journey long before her relationship with Dr. Timothy Leary. In the 1950s, she moved to New York City where she became part of the city’s most advanced music, art, and literary circles and expanded her consciousness with psilocybin mushrooms and peyote. In 1964 she met two former Harvard professors who were experimenting with LSD, Timothy Leary and Ralph Metzner, who invited her to join them at the Millbrook estate in upstate New York. Once at Millbrook, Rosemary went on to become the wife--and accomplice--of the man Richard Nixon called “the most dangerous man in America.” In this intimate memoir, Rosemary describes her LSD experiences and insights, her decades as a fugitive hiding both abroad and underground in America, and her encounters with many leaders of the cultural and psychedelic milieu of the 1960s. Compiled from Rosemary’s own letters and autobiographical writings archived among her papers at the New York Public Library, the memoir details Rosemary’s imprisonment for contempt of court, the Millbrook raid by G. Gordon Liddy, the tours with Timothy before his own arrest and imprisonment, and their time in exile following his sensational escape from a California prison. She describes their surreal and frightening captivity by the Black Panther Party in Algeria and their experiences as fugitives in Switzerland. She recounts her adventures and fears as a fugitive on five continents after her separation from Timothy in 1971. While most accounts of the psychedelic revolution of the 1960s have been told by men, with this memoir we can now experience these events from the perspective of a woman who was at the center of the seismic cultural changes of that time. |
| maria walsh art and psychoanalysis: Work Time Cynthia L. Negrey, 2013-04-23 Work Time is a sociological overview of a complex web of relations that shapes much of our experience of work and life yet often goes without critical examination. Cynthia Negrey examines work time past and present, exploring structural economic change and the gender division of labor to ask: what are the historical, cultural, public policy, and business sources of current work-time practices? Topics addressed include work-time reduction in the US culminating in the 40-hour statute of 1938, recent trends in annual and weekly hours, overtime, part-time work, temporary employment, work-family integration, and international comparisons. She focuses on the US in a global context and explores how a new political economy of work time is taking shape. This book brings together existing knowledge from sociology, anthropology, history, labor economics, and family studies to answer its central question and will change the way upper-level students think about the time we devote to work. |
| maria walsh art and psychoanalysis: The Materiality of Love Anna Malinowska, Michael Gratzke, 2017-09-27 Drawing on love studies and research in material cultures, this book seeks to re-examine love through materiality studies, especially their recent incarnations, new materialism and object-oriented philosophy, to spark a debate on the relationship between love, objects and forms of materializing affection. It focuses on love as a material form and traces connections between feelings and materiality, especially in relation to the changing notion of the material as marked by digital culture, as well as the developments in understanding the nature of non-human affect. It provides insight into how materiality, in its broadest sense, impacts the understanding of the meanings and practices of love today and reversely, how love contributes to the production and transformation of the material world. |
| maria walsh art and psychoanalysis: Post-partum Document Mary Kelly, 1985 This book documents an evolving work of conceptual art about the mother-child relationship begun by Mary Kelly during the 70s and exhibited in the 70s & 80s as an installation, with photographs and analyses of the material evidence of her baby's transition from infancy to the beginnings of independence. It introduced an interrogation of subjectivity by using psychoanalytic theory and focusing on the construction of material femininity. |
| maria walsh art and psychoanalysis: The Professional Counselor's Desk Reference Mark A. Stebnicki, PhD, LPC, DCMHS, CRC, CCM, CCMC, Irmo Marini, PhD, DSc, CRC, CLCP, 2015-08-21 This award-winning, bestselling reference for professional counselors and graduate students is extensively updated and expanded to encompass critical developments that are immediately relevant to the counseling professions, including the 2014 American Counseling Association Code of Ethics, CACREP/CORE accreditation standards, DSM-5, the Affordable Care Act, and many other important changes. It reflects the ongoing consolidation of a strong identity for professional counselors and the need to address mental health and other counseling concerns amidst marked socio-cultural changes. The only resource of its kind, it is an extremely useful guide for counseling students working toward licensure and certification as well as experienced counselors, counselor educators, clinical supervisors, psychologists, and social workers. The second edition offers a unique interdisciplinary approach inclusive across all counseling disciplines and features contributions from over 110 highly regarded experts in counselor education, research, and practice. It is based on the core content and knowledge areas outlined by CACREP and CORE accreditation standards and disseminates, in 93 chapters, both contemporary insight and practical strategies for working with the complexity of real-life issues related to assessment, diagnosis, and treatment of diverse clients. New chapters address military and veteran health issues; evidence-based practice for training; counseling transgender individuals, partners, and families; counseling caregivers;; social justice; and so much more. In addition to being a quick-access resource for all counseling professionals, the second edition serves as a concise, accessible reference for graduate students preparing for certification and licensure exams. It features an expanded, comprehensive self-exam of over 340 multiple-choice items based on the CORE/CACREP core content and knowledge areas for counselor education and training. New to the Second Edition: Updated and expanded discussion of the 2014 ACA Code of Ethics Affordable Care Act and its impact on delivery of mental health services Coverage of DSM-5 Promotes an interdisciplinary approach inclusive across all counseling disciplines Includes an expanded self-exam with over 340 study questions for NCE and CPCE prep New chapters on military and veteran mental health issues New chapter on evidence-based practices for counseling New chapter on behavioral health and health disparities in the U.S. New chapter on social justice and health equity issues New chapter on counseling caregivers New chapter on counseling children with psychiatric conditions New chapter on counseling for wellness New chapter on counseling survivors of natural disasters New information on complementary, alternative, and integrative approaches New information on counseling LGBTQ couples, partners and families Key Features: Covers all key foundational content for CACREP/CORE-accredited programs within one volume Provides quick access to a vast compendium of counseling information Edited and authored by leading counseling scholars, educators, and practitioners Relevant across all counseling specialties Updated to reflect 2014 ACA Code of Ethics, Affordable Care Act, DSM-5, and revisions to licensure requirements in many states |
| maria walsh art and psychoanalysis: Representing the Woman Elizabeth Cowie, 1997-01-01 |
| maria walsh art and psychoanalysis: Gabbard's Treatments of Psychiatric Disorders Glen O. Gabbard, 2014-05-05 The definitive treatment textbook in psychiatry, this fifth edition of Gabbard's Treatments of Psychiatric Disorders has been thoroughly restructured to reflect the new DSM-5® categories, preserving its value as a state-of-the-art resource and increasing its utility in the field. The editors have produced a volume that is both comprehensive and concise, meeting the needs of clinicians who prefer a single, user-friendly volume. In the service of brevity, the book focuses on treatment over diagnostic considerations, and addresses both empirically-validated treatments and accumulated clinical wisdom where research is lacking. Noteworthy features include the following: Content is organized according to DSM-5® categories to make for rapid retrieval of relevant treatment information for the busy clinician. Outcome studies and expert opinion are presented in an accessible way to help the clinician know what treatment to use for which disorder, and how to tailor the treatment to the patient. Content is restricted to the major psychiatric conditions seen in clinical practice while leaving out less common conditions and those that have limited outcome research related to the disorder, resulting in a more streamlined and affordable text. Chapters are meticulously referenced and include dozens of tables, figures, and other illustrative features that enhance comprehension and recall. An authoritative resource for psychiatrists, psychologists, and psychiatric nurses, and an outstanding reference for students in the mental health professions, Gabbard's Treatments of Psychiatric Disorders, Fifth Edition, will prove indispensable to clinicians seeking to provide excellent care while transitioning to a DSM-5® world. |
| maria walsh art and psychoanalysis: Contract with the Skin Kathy O'Dell, 1998 Kathy O'Dell argues that the growth of masochistic performance during the 1970s must be seen in the context of society's response to the Vietnam War and contemporaneous changes in theories of contract. |
| maria walsh art and psychoanalysis: The Universal Addressability of Dumb Things Mark Leckey, Erik Davis, 2013 Turner Prize-winner artist Mark Leckey, presents the latest in the Hayward Touring celebrated series of artist-curated exhibitions.The Universal Addressability of Dumb Things explores the tenuous boundaries between the virtual and the real, between the 'dumb' and the animate. As modern technology becomes ever more sophisticated and pervasive, objects appear to communicate with us: phones talk back, refrigerators suggest recipes and websites seem to anticipate our desires.Through a conceptual assemblage of archaeological artifacts, contemporary artworks and visionary machines, Leckey proposes an exemplary network of objects – an 'Internet of Things' – all communicating, talking away to one another and, implicitly, looking back at us.The most imaginative, innovative and authoritative thinkers and writers in this field are brought together in this book – practitioners of art-writing, cultural criticism and the history of technology. Three unique, new texts deal with themes including monstrosity, the power of writing and the boundless power of the Internet.Myth, monstrosity, animism and the articulate are the subjects of this highly original statement on our increasingly technologised world.Published on the occasion of the Hayward Touring exhibition in 2013 to Bluecoat, Liverpool (16 February – 14 April), Nottingham Contemporary (27 April – 30 June), and De La Warr Pavilion, Bexhill-on-sea (12 July – 20 October). |
| maria walsh art and psychoanalysis: Mended by the Muse: Creative Transformations of Trauma Sophia Richman, 2014-03-21 Mended by the Muse: Creative Transformations of Trauma is an in-depth exploration of the relationship between trauma and creativity. It is about art in the service of healing, mourning, and memorialization. This book addresses the questions of how artistic expression facilitates the healing process; what the therapeutic action of art is, and if there is a relationship between mental instability and creativity. It also asks how self-analysis through art-making can be integrated with psychoanalytic work in order to enrich and facilitate emotional growth. Drawing on four decades of clinical practice and a critical reading of creativity literature, Sophia Richman presents a new theory of the creative process whose core components are relational conceptualizations of dissociation and witnessing. This is an interdisciplinary book which draws inspiration from life histories, clinical case material, neuroscience, and interviews with creators, as well as from various art forms such as film, literature, paintings, and music. Some areas of discussion include: art born of genocide, confrontation with mortality in illness and aging, and the clinical implications of memoirs written by psychoanalysts. Visual images are interspersed throughout the text that illustrate the reverberations of trauma and its creative transformation in the work of featured artists. Mended by the Muse: Creative Transformations of Trauma powerfully articulates how creative action is one of the most effective ways of coping with trauma and its aftershocks - it is in art, in all its forms, that sorrow is given shape and meaning. Here, Sophia Richman shows how art helps to master the chaos that follows in the wake of tragedy, how it restores continuity, connection and the will for a more fully lived life. This book is written for psychoanalysts as well as for other mental health professionals who practice and teach in academic settings. It will also be of interest to graduate and post-graduate students and will be relevant for artists who seek a better understanding of the creative process. |
| maria walsh art and psychoanalysis: Lacan for Beginners Philip Hill, 2009 Jacques Lacan is probably the most influential psychoanalyst since Freud. In fact, around half of all psychoanalysts follow the Lacanian school of thought, yet most people know little about him and his unique approach. While his brilliance is clear, Lacan's ideas can be very difficult to understand. He wrote in an obscure, almost impenetrable style that casually referred to his vast knowledge of philosophy, linguistics and mathematics. Renowned pyschoanalyst Philip Hill introduces and explains these complex themes and ideas with clarity in structured chapters. |
Maria (2024 film) - Wikipedia
Maria is a 2024 biographical psychological drama film directed by Pablo Larraín and written by Steven Knight. It is an international co-production between Italy, Germany and the United States.
Maria (2024) - IMDb
Dec 11, 2024 · Maria: Directed by Pablo Larraín. With Angelina Jolie, Pierfrancesco Favino, Alba Rohrwacher, Haluk Bilginer. Maria Callas, the world's greatest opera singer, lives the last days …
Maria Reviews: What Critics Are Saying About Angelina Jolie's ...
Aug 29, 2024 · Maria, director Pablo Larraín’s new biopic about opera singer Maria Callas, premiered at the Venice International Film Festival on Thursday, Aug. 29. Deadline film critic...
Maria movie review & film summary (2024) - Roger Ebert
Nov 27, 2024 · Now with “Maria,” about the final days of the iconic American-Greek soprano Maria Callas, Larraín turns his “historic women” movies into a near-perfect trilogy, giving us a …
'Maria' fact check: What's true in Angelina Jolie's Netflix film?
Dec 13, 2024 · Angelina Jolie is a potential Oscar heavyweight for Netflix movie "Maria," playing opera singer Maria Callas. Here's what's real and what's not.
Maria: Cast, Release Date, Trailer and Plot of Angelina Jolie Pablo ...
Angelina Jolie stars as Maria Callas in the new film from Pablo Larraín, coming to Netflix. Here's everything you need to know.
Maria: Name Meaning, Origin, Popularity - Parents
May 26, 2025 · Learn more about the meaning, origin, and popularity of the name Maria. How Popular Is the Name Maria? Maria is a historically feminine name of Latin origin. It can be …
Maria (2024) - Rotten Tomatoes
Angelina Jolie unveils new highs within her emotional register in Pablo Larraín's Maria, keeping this tragic biopic compelling even when its theatrics go off-key.
Angelina Jolie's New Netflix Movie "Maria": Everything We Know
Oct 24, 2024 · Teaming up with director Pablo Larraín, Jolie takes on the role of real-life 20th-century opera legend Maria Callas in Maria, a psychological drama that reimagines the …
Maria: how to watch, awards, cast and everything we know | What …
Jan 23, 2025 · Maria Callas was a star of the stage, one of the most influential and legendary opera singers of the 20th century. Now she is a star of the screen, portrayed by Angelina Jolie …
Maria (2024 film) - Wikipedia
Maria is a 2024 biographical psychological drama film directed by Pablo Larraín and written by Steven Knight. It is an international co-production between Italy, Germany and the United States.
Maria (2024) - IMDb
Dec 11, 2024 · Maria: Directed by Pablo Larraín. With Angelina Jolie, Pierfrancesco Favino, Alba Rohrwacher, Haluk Bilginer. Maria Callas, the world's greatest opera singer, lives the last days …
Maria Reviews: What Critics Are Saying About Angelina Jolie's ...
Aug 29, 2024 · Maria, director Pablo Larraín’s new biopic about opera singer Maria Callas, premiered at the Venice International Film Festival on Thursday, Aug. 29. Deadline film critic...
Maria movie review & film summary (2024) - Roger Ebert
Nov 27, 2024 · Now with “Maria,” about the final days of the iconic American-Greek soprano Maria Callas, Larraín turns his “historic women” movies into a near-perfect trilogy, giving us a …
'Maria' fact check: What's true in Angelina Jolie's Netflix film?
Dec 13, 2024 · Angelina Jolie is a potential Oscar heavyweight for Netflix movie "Maria," playing opera singer Maria Callas. Here's what's real and what's not.
Maria: Cast, Release Date, Trailer and Plot of Angelina Jolie Pablo ...
Angelina Jolie stars as Maria Callas in the new film from Pablo Larraín, coming to Netflix. Here's everything you need to know.
Maria: Name Meaning, Origin, Popularity - Parents
May 26, 2025 · Learn more about the meaning, origin, and popularity of the name Maria. How Popular Is the Name Maria? Maria is a historically feminine name of Latin origin. It can be …
Maria (2024) - Rotten Tomatoes
Angelina Jolie unveils new highs within her emotional register in Pablo Larraín's Maria, keeping this tragic biopic compelling even when its theatrics go off-key.
Angelina Jolie's New Netflix Movie "Maria": Everything We Know
Oct 24, 2024 · Teaming up with director Pablo Larraín, Jolie takes on the role of real-life 20th-century opera legend Maria Callas in Maria, a psychological drama that reimagines the …
Maria: how to watch, awards, cast and everything we know | What …
Jan 23, 2025 · Maria Callas was a star of the stage, one of the most influential and legendary opera singers of the 20th century. Now she is a star of the screen, portrayed by Angelina Jolie …
