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| logic as a science and art: Logic and Design Krome Barratt, 2005-09 A thought-provoking classic examining key design principles. |
| logic as a science and art: The Art of Logic in an Illogical World Eugenia Cheng, 2018-09-11 How both logical and emotional reasoning can help us live better in our post-truth world In a world where fake news stories change election outcomes, has rationality become futile? In The Art of Logic in an Illogical World, Eugenia Cheng throws a lifeline to readers drowning in the illogic of contemporary life. Cheng is a mathematician, so she knows how to make an airtight argument. But even for her, logic sometimes falls prey to emotion, which is why she still fears flying and eats more cookies than she should. If a mathematician can't be logical, what are we to do? In this book, Cheng reveals the inner workings and limitations of logic, and explains why alogic -- for example, emotion -- is vital to how we think and communicate. Cheng shows us how to use logic and alogic together to navigate a world awash in bigotry, mansplaining, and manipulative memes. Insightful, useful, and funny, this essential book is for anyone who wants to think more clearly. |
| logic as a science and art: Art in the Science Dominated World E. L. Feinberg, 2021-09-01 The subject of cybernetics is quickly growing and there now exists a vast amount of information on all aspects of this broad-based set of disciplines. This book concerns the phenomenon of art and the special problems that arise concerning art in our era which is almost unanimously regarded as unique, as the era when science and technology have, as never before, become the influence on human society. The aim of this book is to consider the two ways of perception and cognition of the world, two kinds and trends of man’s spiritual life in their interrelation |
| logic as a science and art: Logic and the Art of Memory Paolo Rossi, 2000-12-15 The mnemonic arts and the idea of a universal language that would capture the essence of all things were originally associated with cryptology, mysticism, and other occult practices. And it is commonly held that these enigmatic efforts were abandoned with the development of formal logic in the seventeenth century and the beginning of the modern era. In his distinguished book, Logic and the Art of Memory Italian philosopher and historian Paolo Rossi argues that this view is belied by an examination of the history of the idea of a universal language. Based on comprehensive analyses of original texts, Rossi traces the development of this idea from late medieval thinkers such as Ramon Lull through Bruno, Bacon, Descartes, and finally Leibniz in the seventeenth century. The search for a symbolic mode of communication that would be intelligible to everyone was not a mere vestige of magical thinking and occult sciences, but a fundamental component of Renaissance and Enlightenment thought. Seen from this perspective, modern science and combinatorial logic represent not a break from the past but rather its full maturity. Available for the first time in English, this book (originally titled Clavis Universalis) remains one of the most important contributions to the history of ideas ever written. In addition to his eagerly anticipated translation, Steven Clucas offers a substantial introduction that places this book in the context of other recent works on this fascinating subject. A rich history and valuable sourcebook, Logic and the Art of Memory documents an essential chapter in the development of human reason. |
| logic as a science and art: From Logic to Art Gerhard Ernst, Jakob Steinbrenner, Oliver R. Scholz, 2013-05-02 Nelson Goodman (1906-1998) was one of the outstanding thinkers of the 20th century. In a memorial note, Hilary Putnam considers him to be one of the two or three greatest analytic philosophers of the post-World War II period. Goodman has left his mark in many fields of philosophical investigation: Epistemology, Philosophy of Science, Logic, Metaphysics, the General Theory of Symbols, Philosophy of Language and Philosophy of Art, all have been challenged and enriched by the problems he has shown up, the projects he developed from them and the solutions he has suggested. In August 2006 a couple of Goodman aficionados met in Munich to celebrate the Centennial. The proceedings of the ensuing international conference are documented in this volume. The contributions attest the fact that Goodman's thinking still holds many treasures. |
| logic as a science and art: On Logic and the Theory of Science Jean Cavailles, 2021-04-27 A new translation of the final work of French philosopher Jean Cavaillès. In this short, dense essay, Jean Cavaillès evaluates philosophical efforts to determine the origin—logical or ontological—of scientific thought, arguing that, rather than seeking to found science in original intentional acts, a priori meanings, or foundational logical relations, any adequate theory must involve a history of the concept. Cavaillès insists on a historical epistemology that is conceptual rather than phenomenological, and a logic that is dialectical rather than transcendental. His famous call (cited by Foucault) to abandon a philosophy of consciousness for a philosophy of the concept was crucial in displacing the focus of philosophical enquiry from aprioristic foundations toward structural historical shifts in the conceptual fabric. This new translation of Cavaillès's final work, written in 1942 during his imprisonment for Resistance activities, presents an opportunity to reencounter an original and lucid thinker. Cavaillès's subtle adjudication between positivistic claims that science has no need of philosophy, and philosophers' obstinate disregard for actual scientific events, speaks to a dilemma that remains pertinent for us today. His affirmation of the authority of scientific thinking combined with his commitment to conceptual creation yields a radical defense of the freedom of thought and the possibility of the new. |
| logic as a science and art: The Art and Science of Logic Roger Bacon, 2009 Early in the 1240s the University of Paris hired a recent graduate from Oxford, Roger Bacon by name, to teach the arts and introduce Aristotle to its curriculum. Along with eight sets of questions on Aristotle's natural works and the Metaphysics he claims to have authored another eight books before he returned to Oxford around 1247. Within the prodigious output of this period we find a treatise on logic titled Summulae dialectices, and it is this that is here annotated and presented in translation. The book is unique in several respects. First, there is the breadth of its sources. Not only do we find explicit reference to the usual authors such as Aristotle, Plato, Boethius, Porphyry, Cicero, and Priscian, we also find unexpected reference to Augustine, Bernardus Silvestris, Donatus, Terence, and Themistius, along with mention of the Muslim philosophers Algazel and Ibn Rushd. Second, it is clear that Bacon is drawing on or reacting to an extraordinarily wide variety of medieval sources: Garland the Computist, Hugh of St. Victor, Master Hugo, Hugutius of Pisa, Isidore of Seville, Nicholas of Damas, Nicholas of Paris, Richard of Cornwall, Robert Kilwardby, Robert of Lincoln, and Robert the Englishman. Third, it unexpectedly presents a full-blown treatment of Aristotle's theory of demonstration. And finally, Bacon reveals a highly unorthodox view of the signification of common terms. Bacon, here, takes his students and us deeper into medieval sources and controversy than any of his rivals do. |
| logic as a science and art: Essential Logic for Computer Science Rex Page, Ruben Gamboa, 2019-01-08 An introduction to applying predicate logic to testing and verification of software and digital circuits that focuses on applications rather than theory. Computer scientists use logic for testing and verification of software and digital circuits, but many computer science students study logic only in the context of traditional mathematics, encountering the subject in a few lectures and a handful of problem sets in a discrete math course. This book offers a more substantive and rigorous approach to logic that focuses on applications in computer science. Topics covered include predicate logic, equation-based software, automated testing and theorem proving, and large-scale computation. Formalism is emphasized, and the book employs three formal notations: traditional algebraic formulas of propositional and predicate logic; digital circuit diagrams; and the widely used partially automated theorem prover, ACL2, which provides an accessible introduction to mechanized formalism. For readers who want to see formalization in action, the text presents examples using Proof Pad, a lightweight ACL2 environment. Readers will not become ALC2 experts, but will learn how mechanized logic can benefit software and hardware engineers. In addition, 180 exercises, some of them extremely challenging, offer opportunities for problem solving. There are no prerequisites beyond high school algebra. Programming experience is not required to understand the book's equation-based approach. The book can be used in undergraduate courses in logic for computer science and introduction to computer science and in math courses for computer science students. |
| logic as a science and art: Antoine Arnauld and Pierre Nicole: Logic Or the Art of Thinking Antoine Arnauld, Pierre Nicole, 1996-04-18 A new translation of the treatise which inspired modern developments in logic and semantic theory. |
| logic as a science and art: The Logic in Philosophy of Science Hans Halvorson, 2019-07-11 Reconsiders the role of formal logic in the analytic approach to philosophy, using cutting-edge mathematical techniques to elucidate twentieth-century debates. |
| logic as a science and art: Boston Studies in the Philosophy of Science , 2000 |
| logic as a science and art: Science and an African Logic Helen Verran, 2001-12-15 Does two and two equal four? Ask someone and they should answer yes. An equation such as this seems the very definition of certainty, but is it? In this book, Helen Verran addresses precisely that question. |
| logic as a science and art: The Logic of Scientific Discovery Karl Popper, 2005-11-04 Described by the philosopher A.J. Ayer as a work of 'great originality and power', this book revolutionized contemporary thinking on science and knowledge. Ideas such as the now legendary doctrine of 'falsificationism' electrified the scientific community, influencing even working scientists, as well as post-war philosophy. This astonishing work ranks alongside The Open Society and Its Enemies as one of Popper's most enduring books and contains insights and arguments that demand to be read to this day. |
| logic as a science and art: Beyond Mimesis and Convention Roman Frigg, Matthew Hunter, 2010-04-28 Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science. Likewise, after spending much of the twentieth century in proverbial exile as abstraction and Formalist aesthetics reigned supreme, representation has returned with a vengeance to contemporary visual art. Representational photography, video and ever-evolving forms of new media now figure prominently in the globalized art world, while this return of the real has re-energized problems of representation in the traditional media of painting and sculpture. If it ever really left, representation in the arts is certainly back. Central as they are to science and art, these representational concerns have been perceived as different in kind and as objects of separate intellectual traditions. Scientific modeling and theorizing have been topics of heated debate in twentieth century philosophy of science in the analytic tradition, while representation of the real and ideal has never moved far from the core humanist concerns of historians of Western art. Yet, both of these traditions have recently arrived at a similar impasse. Thinking about representation has polarized into oppositions between mimesis and convention. Advocates of mimesis understand some notion of mimicry (or similarity, resemblance or imitation) as the core of representation: something represents something else if, and only if, the former mimics the latter in some relevant way. Such mimetic views stand in stark contrast to conventionalist accounts of representation, which see voluntary and arbitrary stipulation as the core of representation. Occasional exceptions only serve to prove the rule that mimesis and convention govern current thinking about representation in both analytic philosophy of science and studies of visual art. This conjunction can hardly be dismissed as a matter of mere coincidence. In fact, researchers in philosophy of science and the history of art have increasingly found themselves trespassing into the domain of the other community, pilfering ideas and approaches to representation. Cognizant of the limitations of the accounts of representation available within the field, philosophers of science have begun to look outward toward the rich traditions of thinking about representation in the visual and literary arts. Simultaneously, scholars in art history and affiliated fields like visual studies have come to see images generated in scientific contexts as not merely interesting illustrations derived from high art, but as sophisticated visualization techniques that dynamically challenge our received conceptions of representation and aesthetics. Beyond Mimesis and Convention: Representation in Art and Science is motivated by the conviction that we students of the sciences and arts are best served by confronting our mutual impasse and by recognizing the shared concerns that have necessitated our covert acts of kleptomania. Drawing leading contributors from the philosophy of science, the philosophy of literature, art history and visual studies, our volume takes its brief from our title. That is, these essays aim to put the evidence of science and of art to work in thinking about representation by offering third (or fourth, or fifth) ways beyond mimesis and convention. In so doing, our contributors explore a range of topics-fictionalism, exemplification, neuroaesthetics, approximate truth-that build upon and depart from ongoing conversations in philosophy of science and studies of visual art in ways that will be of interest to both interpretive communities. To put these contributions into context, the remainder of this introduction aims to survey how our communities have discretely arrived at a place wherein the perhaps-surprising collaboration between philosophy of science and art history has become not only salubrious, but a matter of necessity. |
| logic as a science and art: The Logic of Design Process Tiago da Costa e Silva, 2018-10-04 What is the logic of design process? Departing from this question, Tiago da Costa e Silva investigates the characteristic feature of every projective activity, for instance, in architecture, design, engineering design, and in the arts. In opposition to predominant views that understand design processes as mechanical and deterministic, this study, with the help of the semiotics of Charles S. Peirce, characterizes design activities as continuous and serendipitous interplays of esthetic and abductive processes that define rules and manifest forms. Tiago da Costa e Silva concludes that invention and discovery, manifested in the form of processes of abduction, actively pervade every development in any given context of design process. |
| logic as a science and art: Faith and Logic Basil Mitchell, 2013-07-18 When this book was originally published in 1957 there had been lively debates on the air and in the press about the bearing of modern philosophy upon Christianity, but there had been relatively little sustained discussion of the subject. This book of essays was the product of a small group of Oxford philosophers and theologians, who had met and talked informally for some years before writing it. It is an attempt to discuss with care and candour some of the problems raised for Christian belief by contemporary analytical philosophy. In asking the questions raised, this book makes articulate the perplexities of many intelligent people, both believers and unbelievers. The contributors concentrate on the way such concepts as God, Revelation, the Soul, Grace are actually used rather than asserting or denying some very general theory of meaning. |
| logic as a science and art: Blending Logic and Imagination Marcel Danesi, 2020 Lewis Carroll is known mainly for his children's novels and poems. Throughout these ingenious works he interspersed riddles, math and logic games, and a host of other puzzles, reflecting his interest in the ludic (playful) imagination. It is not widely known that Carroll is one of the greatest puzzle makers of history, composing them not only for children, but also for adults in magazines, periodicals, and books. One of his puzzle masterpieces is the so-called doublet puzzle, which he wrote for Vanity Fair, and is still one of the most loved wordplay games to this day. There have been various anthologies of Carroll's puzzles in recent decades, but virtually no study of their importance as part of a unique puzzle art exists. This book aims to examine this art as it manifests itself in Carroll's many puzzle creations, both within his novels, and in his many other writings. It dissects the blend of logic and imagination that he employs in creating riddles, anagrams, acrostics, math puzzles, logic games, and a host of other puzzle genres-all of which are discussed in the book. The main theme is that Carroll's literary writings cannot be truly grasped without taking into account his puzzle art-- |
| logic as a science and art: The Idea of Hegel's "Science of Logic" Stanley Rosen, 2013-11-15 Although Hegel considered Science of Logic essential to his philosophy, it has received scant commentary compared with the other three books he published in his lifetime. Here philosopher Stanley Rosen rescues the Science of Logic from obscurity, arguing that its neglect is responsible for contemporary philosophy’s fracture into many different and opposed schools of thought. Through deep and careful analysis, Rosen sheds new light on the precise problems that animate Hegel’s overlooked book and their tremendous significance to philosophical conceptions of logic and reason. Rosen’s overarching question is how, if at all, rationalism can overcome the split between monism and dualism. Monism—which claims a singular essence for all things—ultimately leads to nihilism, while dualism, which claims multiple, irreducible essences, leads to what Rosen calls “the endless chatter of the history of philosophy.” The Science of Logic, he argues, is the fundamental text to offer a new conception of rationalism that might overcome this philosophical split. Leading readers through Hegel’s book from beginning to end, Rosen’s argument culminates in a masterful chapter on the Idea in Hegel. By fully appreciating the Science of Logic and situating it properly within Hegel’s oeuvre, Rosen in turn provides new tools for wrangling with the conceptual puzzles that have brought so many other philosophers to disaster. |
| logic as a science and art: The Logic of Social Science James Mahoney, 2021-08-17 Mahoney's starting point is the problem of essentialism in social science. Essentialism--the belief that the members of a category possess hidden properties (essences) that make them members of the category and that endow them with a certain nature--is appropriate for scientific categories (atoms, for instance) but not for human ones (revolutions, for instance). Despite this, much social science research takes place from within an essentialist orientation; those who reject this assumption goes so far in the other direction as to reject the idea of an external reality, independent of human beings, altogether. Mahoney proposes an alternative approach that aspires to bridge this enduring rift in the social sciences between those who take a scientific approach and assume that social science categories correspond to external reality (and thus believe that the methods used in the natural sciences are generally appropriate for the social sciences) and those who take a constructivist approach and believe that because the categories used to understand the social world are humanly-constructed, they cannot possibly follow the science of the natural world. As the name suggests, scientific constructivism brings in aspects of both views and attempts to unite them. Drawing from cognitive science, it focuses on using the rational parts of our brain machinery to overcome the limitations and deeply seated biases (such as essentialism) of our evolved minds. Specifically, Mahoney puts forth a set-theoretic analysis that focuses on sets of categories as they exist in the mind that are also subject to the mathematical logic of set-theory. He spends the first four chapters of the book establishing the foundations and methods for set-theoretic analysis, the next four chapters looking and how this analysis fits with the existing tools of social science, and the final four chapters focusing on how this approach can be used to study and understand cases-- |
| logic as a science and art: Image and Logic Peter Galison, 1997-10 Engages with the impact of modern technology on experimental physicists. This study reveals how the increasing scale and complexity of apparatus has distanced physicists from the very science which drew them into experimenting, and has fragmented microphysics into different technical traditions. |
| logic as a science and art: The Outer Limits of Reason Noson S. Yanofsky, 2013-08-23 This exploration of the scientific limits of knowledge challenges our deep-seated beliefs about our universe, our rationality, and ourselves. “A must-read for anyone studying information science.” —Publishers Weekly, starred review Many books explain what is known about the universe. This book investigates what cannot be known. Rather than exploring the amazing facts that science, mathematics, and reason have revealed to us, this work studies what science, mathematics, and reason tell us cannot be revealed. In The Outer Limits of Reason, Noson Yanofsky considers what cannot be predicted, described, or known, and what will never be understood. He discusses the limitations of computers, physics, logic, and our own intuitions about the world—including our ideas about space, time, and motion, and the complex relationship between the knower and the known. Yanofsky describes simple tasks that would take computers trillions of centuries to complete and other problems that computers can never solve: • perfectly formed English sentences that make no sense • different levels of infinity • the bizarre world of the quantum • the relevance of relativity theory • the causes of chaos theory • math problems that cannot be solved by normal means • statements that are true but cannot be proven Moving from the concrete to the abstract, from problems of everyday language to straightforward philosophical questions to the formalities of physics and mathematics, Yanofsky demonstrates a myriad of unsolvable problems and paradoxes. Exploring the various limitations of our knowledge, he shows that many of these limitations have a similar pattern and that by investigating these patterns, we can better understand the structure and limitations of reason itself. Yanofsky even attempts to look beyond the borders of reason to see what, if anything, is out there. |
| logic as a science and art: Personal Knowledge , |
| logic as a science and art: Hegel's Realm of Shadows Robert B. Pippin, 2018-11-16 Hegel frequently claimed that the heart of his entire system was a book widely regarded as among the most difficult in the history of philosophy, The Science of Logic. This is the book that presents his metaphysics, an enterprise that he insists can only be properly understood as a “logic,” or a “science of pure thinking.” Since he also wrote that the proper object of any such logic is pure thinking itself, it has always been unclear in just what sense such a science could be a “metaphysics.” Robert B. Pippin offers here a bold, original interpretation of Hegel’s claim that only now, after Kant’s critical breakthrough in philosophy, can we understand how logic can be a metaphysics. Pippin addresses Hegel’s deep, constant reliance on Aristotle’s conception of metaphysics, the difference between Hegel’s project and modern rationalist metaphysics, and the links between the “logic as metaphysics” claim and modern developments in the philosophy of logic. Pippin goes on to explore many other facets of Hegel’s thought, including the significance for a philosophical logic of the self-conscious character of thought, the dynamism of reason in Kant and Hegel, life as a logical category, and what Hegel might mean by the unity of the idea of the true and the idea of the good in the “Absolute Idea.” The culmination of Pippin’s work on Hegel and German idealism, this is a book that no Hegel scholar or historian of philosophy will want to miss. |
| logic as a science and art: Illustrations of the Logic of Science Charles Sanders Peirce, 2014-05-19 Charles Peirce’s Illustrations of the Logic of Science is an early work in the philosophy of science and the official birthplace of pragmatism. It contains Peirce’s two most influential papers: “The Fixation of Belief” and “How to Make Our Ideas Clear,” as well as discussions on the theory of probability, the ground of induction, the relation between science and religion, and the logic of abduction. Unsatisfied with the result and driven by a constant, almost feverish urge to improve his work, Peirce spent considerable time and effort revising these papers. After the turn of the century these efforts gained significant momentum when Peirce sought to establish his role in the development of pragmatism while distancing himself from the more popular versions that had become current. The present edition brings together the original series as it appeared in Popular Science Monthly and a selection of Peirce’s later revisions, many of which remained hidden in the mass of messy manuscripts that were left behind after his death in 1914. |
| logic as a science and art: Galileo and the Art of Reasoning M.A. Finocchiaro, 1980-08-31 The work of Galileo has long been important not only as a foundation of modern physics but also as a model - and perhaps the paradigmatic model - of scientific method, and therefore as a leading example of scientific rationality. However, as we know, the matter is not so simple. The range of Galileo readings is so varied that one may be led to the conclusion that it is a case of chacun a son Galileo; that here, as with the Bible, or Plato or Kant or Freud or Finnegan's Wake, the texts themselves underdetermine just what moral is to be pointed. But if there is no canonical reading, how can the texts be taken as evidence or example of a canonical view of scientific rationality, as in Galileo? Or is it the case, instead, that we decide a priori what the norms of rationality are and then pick through texts to fmd those which satisfy these norms? Specifically, how and on what grounds are we to accept or reject scientific theories, or scientific reasoning? If we are to do this on the basis of historical analysis of how, in fact, theories came to be accepted or rejected, how shall we distinguish 'is' from 'ought'? What follows (if anything does) from such analysis or reconstruction about how theories ought to be accepted or rejected? Maurice Finocchiaro's study of Galileo brings an important and original approach to the question of scientific rationality by way of a systematic read |
| logic as a science and art: A Commentary to Hegel’s Science of Logic David Gray Carlson, 2007-01-04 Hegel is regarded as the pinnacle of German idealism and his work has undergone an enormous revival since 1975. In this book, David Gray Carlson presents a systematic interpretation of Hegel's 'The Science of Logic', a work largely overlooked, through a system of accessible diagrams, identifying and explicating each of Hegel's logical derivations. |
| logic as a science and art: Logic Nicholas J.J. Smith, 2012-04-01 Logic is essential to correct reasoning and also has important theoretical applications in philosophy, computer science, linguistics, and mathematics. This book provides an exceptionally clear introduction to classical logic, with a unique approach that emphasizes both the hows and whys of logic. Here Nicholas Smith thoroughly covers the formal tools and techniques of logic while also imparting a deeper understanding of their underlying rationales and broader philosophical significance. In addition, this is the only introduction to logic available today that presents all the major forms of proof--trees, natural deduction in all its major variants, axiomatic proofs, and sequent calculus. The book also features numerous exercises, with solutions available on an accompanying website. Logic is the ideal textbook for undergraduates and graduate students seeking a comprehensive and accessible introduction to the subject. Provides an essential introduction to classical logic Emphasizes the how and why of logic Covers both formal and philosophical issues Presents all the major forms of proof--from trees to sequent calculus Features numerous exercises, with solutions available at http://njjsmith.com/philosophy/lawsoftruth/ The ideal textbook for undergraduates and graduate students |
| logic as a science and art: The Science of Correct Thinking Celestine N. Bittle, 2013-10 This is a new release of the original 1947 edition. |
| logic as a science and art: The Remix Manual Simon Langford, 2014-02-05 Can you turn a soulful ballad into a hit dance track, or make any Billboard hit your own? With this all-in-one guide to remixing, you can! Whether you’re just beginning to mix tracks or you’re already a professional DJ or producer, this step-by-step guide takes you through the entire process of making your own professional-quality remixes. Author Simon Langford, a renowned remixer/producer with over 300 remixes and chart-toppers under his belt, shares his years of experience and expertise in the most in-depth guide to remixing on the market. The Remix Manual covers creative processes, technical, legal, and contractual issues, and includes a unique remix “walk-through,” and useful contacts and links. The companion website, www.TheRemixManual.com, provides source files that illustrate all stages of the remix, as well as additional interviews and walk-throughs, a Buyer’s Guide, video tutorials, and demo versions of the hottest mixing software. |
| logic as a science and art: Logic and Scientific Methods Maria Luisa Dalla Chiara, Kees Doets, Daniele Mundici, Johan van Benthem, 2013-06-29 This is the first of two volumes comprising the papers submitted for publication by the invited participants to the Tenth International Congress of Logic, Methodology and Philosophy of Science, held in Florence, August 1995. The Congress was held under the auspices of the International Union of History and Philosophy of Science, Division of Logic, Methodology and Philosophy of Science. The invited lectures published in the two volumes demonstrate much of what goes on in the fields of the Congress and give the state of the art of current research. The two volumes cover the traditional subdisciplines of mathematical logic and philosophical logic, as well as their interfaces with computer science, linguistics and philosophy. Philosophy of science is broadly represented, too, including general issues of natural sciences, social sciences and humanities. The papers in Volume One are concerned with logic, mathematical logic, the philosophy of logic and mathematics, and computer science. |
| logic as a science and art: The Logic of Disorder Abraham Cruzvillegas, 2015 The Logic of Disorder presents for the first time to the English-speaking world the writings of seminal Mexican contemporary visual artist Abraham Cruzvillegas. Each of the texts included in this volume is fully annotated and is accompanied by a number of critical studies by leading curators and scholars. |
| logic as a science and art: The Software Arts Warren Sack, 2019-04-09 An alternative history of software that places the liberal arts at the very center of software's evolution. In The Software Arts, Warren Sack offers an alternative history of computing that places the arts at the very center of software's evolution. Tracing the origins of software to eighteenth-century French encyclopedists' step-by-step descriptions of how things were made in the workshops of artists and artisans, Sack shows that programming languages are the offspring of an effort to describe the mechanical arts in the language of the liberal arts. Sack offers a reading of the texts of computing—code, algorithms, and technical papers—that emphasizes continuity between prose and programs. He translates concepts and categories from the liberal and mechanical arts—including logic, rhetoric, grammar, learning, algorithm, language, and simulation—into terms of computer science and then considers their further translation into popular culture, where they circulate as forms of digital life. He considers, among other topics, the “arithmetization” of knowledge that presaged digitization; today's multitude of logics; the history of demonstration, from deduction to newer forms of persuasion; and the post-Chomsky absence of meaning in grammar. With The Software Arts, Sack invites artists and humanists to see how their ideas are at the root of software and invites computer scientists to envision themselves as artists and humanists. |
| logic as a science and art: The Logic of Sufficiency Thomas Princen, 2005-09-30 What if modern society put a priority on the material security of its citizens and the ecological integrity of its resource base? What if it took ecological constraint as a given, not a hindrance but a source of long-term economic security? How would it organize itself, structure its industry, shape its consumption? Across time and across cultures, people actually have adapted to ecological constraint. They have changed behavior; they have built institutions. And they have developed norms and principles for their time. Today's environmental challenges—at once global, technological, and commercial—require new behaviors, new institutions, and new principles. In this highly original work, Thomas Princen builds one such principle: sufficiency. Sufficiency is not about denial, not about sacrifice or doing without. Rather, when resource depletion and overconsumption are real, sufficiency is about doing well. It is about good work and good governance; it is about goods that are good only to a point. With examples ranging from timbering and fishing to automobility and meat production, Princen shows that sufficiency is perfectly sensible and yet absolutely contrary to modern society's dominant principle, efficiency. He argues that seeking enough when more is possible is both intuitive and rational—personally, organizationally and ecologically rational. And under global ecological constraint, it is ethical. Over the long term, an economy—indeed a society—cannot operate as if there's never enough and never too much. |
| logic as a science and art: The Trivium Sister Miriam Joseph, Marguerite McGlinn, 2006 This book involves understanding the nature and function or language. |
| logic as a science and art: Probability Theory , 2013 Probability theory |
| logic as a science and art: Art of Reasoning: An Introduction to Logic and Critical Thinking David Kelley, 2013-10 Students learn logic by practicing it by working through problems, analyzing existing arguments, and constructing their own arguments in plain language and symbolic notation. The Art of Reasoning not only introduces the principles of critical thinking and logic in a clear, accessible, and logical manner thus practicing what it preaches but it also provides ample opportunity for students to hone their skills and master course content. |
| logic as a science and art: Beeton's Science, Art, and Literature Samuel Orchart Beeton, 1870 |
| logic as a science and art: Saturday Review of Politics, Literature, Science and Art , 1870 |
| logic as a science and art: Art & Physics Leonard Shlain, 2007-02-27 Art interprets the visible world. Physics charts its unseen workings. The two realms seem completely opposed. But consider that both strive to reveal truths for which there are no words––with physicists using the language of mathematics and artists using visual images. In Art & Physics, Leonard Shlain tracks their breakthroughs side by side throughout history to reveal an astonishing correlation of visions. From the classical Greek sculptors to Andy Warhol and Jasper Johns, and from Aristotle to Einstein, artists have foreshadowed the discoveries of scientists, such as when Monet and Cezanne intuited the coming upheaval in physics that Einstein would initiate. In this lively and colorful narrative, Leonard Shlain explores how artistic breakthroughs could have prefigured the visionary insights of physicists on so many occasions throughout history. Provicative and original, Art & Physics is a seamless integration of the romance of art and the drama of science––and an exhilarating history of ideas. |
| logic as a science and art: White Heat Cold Logic Paul Brown, 2008 In this heroic period of computer art, artists were required to build their own machines, collaborate closely with computer scientists, and learn difficult computer languages. White Heat Cold Logic's chapters, many written by computer art pioneers themselves, describe the influence of cybernetics, with its emphasis on process and interactivity; the connections to the constructivist movement; and the importance of work done in such different venues as commercial animation, fine art schools, and polytechnics.--Jaquette. |
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Dec 22, 2024 · This week's New Yorker magazine, their annual Game & Puzzles issue, includes a fairly challenging logic puzzle titled "The Supper Soiree," created by …
Logic Puzzle Strategies - Puzzle Baron
Feb 20, 2025 · Can anyone provide strategies or tips that can help me solve the logic puzzles? I read through the clues and mark the obvious information first. Then I usually have a few clues …
Is there a limit on the minimum time recorded? - Puzzle Baron
Oct 27, 2023 · It's been a while since I solved any logic puzzles, so when I logged on today I started with the easiest puzzles. In about thirty minutes, I got a time of 30 second on 7 …
#141 In Logic Puzzles Book - Puzzle Baron
Dec 3, 2023 · Logic Puzzles; If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to …
Help With logic puzzle
Oct 13, 2020 · Logic Puzzles; If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to …
Strategies for Logic Puzzles - Puzzle Baron
Feb 20, 2025 · musicmeg222 - again, random humble person here - i get where you are coming from with the brain break. i stumbled across this website looking for logic puzzles online …
Accessing Logic Puzzles - Puzzle Baron
Accessing Logic Puzzles 02-23-2025, 09:25 PM. I just discovered this website the other day. I know that a ...
Strategies for Logic Puzzles - Puzzle Baron
Feb 28, 2025 · Logic Puzzles; If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to …
How to solve the printable LogiCross puzzles? - Puzzle Baron
Apr 21, 2023 · I want to try these but there's no actual directions, hints or samples from easy to hard. It says to only use "logic" to figure out the quote but I'm not sure how to get …
Logic Puzzles - Puzzle Baron
Dec 14, 2022 · I'm a new Logic Puzzles player and struggling to get up to speed - I seem to keep making avoidable mistakes, and end up solving a very low percentage. Is there some …
Logic puzzle in this week's New Yorker - Puzzle Baron
Dec 22, 2024 · This week's New Yorker magazine, their annual Game & Puzzles issue, includes a fairly challenging logic puzzle titled "The Supper Soiree," created by …
Logic Puzzle Strategies - Puzzle Baron
Feb 20, 2025 · Can anyone provide strategies or tips that can help me solve the logic puzzles? I read through the clues and mark the obvious information first. Then I usually have a few clues …
Is there a limit on the minimum time recorded? - Puzzle Baron
Oct 27, 2023 · It's been a while since I solved any logic puzzles, so when I logged on today I started with the easiest puzzles. In about thirty minutes, I got a time of 30 second on 7 …
#141 In Logic Puzzles Book - Puzzle Baron
Dec 3, 2023 · Logic Puzzles; If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to …
Help With logic puzzle
Oct 13, 2020 · Logic Puzzles; If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to …
